• 복식
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• 제55권4호
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• pp.62-78
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• 2005

The modern period was the time that the most radical and extensive social and mental changes were occurring throughout the history, and modernism was prevailing as a general cognition system of people. Modernism, which carries principles of progress, belief in application of scientific technology, worship of reason, ideal of liberty as a col-e value of civilization, was plated as a leading ideology in the realm of society, culture and art In the early 20th century. In this study, the formative characteristics of modernism seen in architecture and fashion are analogized and analyzed in four ways ell the basis of the theory of p. Greenhalgh. First, 'Standardization for mass-production', which is analogized which P. Greenhalgh's 'Decompart-mentalisation', 'Social Morality', and' Technology'. Standardization for mass-production in architecture focuses on the development of a design prototype in order to mass produce; the development of ready-made clothes is actively done ill the fashion area for the same purpose as well. Second, 'Rational functionality' coming from P. Greenhalgh's 'The total work of art' and 'Function'. While rational functionality in architecture puts an emphasis on the rational operation of all the functions in regard to the relation between each part and the whole, rational functionality in fashion call be mainly seen in a dramatic increase in physical activity which could be hardly found before the modernism period. Namely, all the fashion design elements are developed for a certain rational and functional design on each part as well as on the whole in order to greatly increase physical activity. Third, 'the pursuit for genuineness of objects and universality of beauty' is on the analogy of P Greenhalgh's 'Truth', 'Anti-historicism', 'Abstraction', 'Internationalism/Universality'. This idea is adopted in architecture in the form of design of geometrical abstraction. In the same way, design using geometrical abstraction comes to have a significant meaning in fashion of the modernism period. So to speak, modernism architecture and fashion can be reborn to become an inter·national style by giving up the decorative and regional design prevailing before modernism and by expressing universal aesthetics in the form of simplicity and abstraction instead. Fourth, 'Expression of progress through a change in a viewpoint' stems from P. Greenhalgh's 'Progress', 'Transformation of Consciousness', 'Theology'. In architecture, this concept appears by using new construction materials and methods and by representing new aesthetical idea. As a result, it makes it possible for people to make progress for better lives. Like in architecture, new attempts for material application and processing are made in fashion. This gives rise to a general change in a viewpoint related to fashion, so that a flew fashion design which there has never been before can come out.

• 한국조경학회지
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• 제50권6호
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• pp.15-29
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• 2022

병산서원은 한국 전통 건축과 차경 설계의 자연친화성 또는 비인위성을 대표하는 아이콘으로 인식되고 있다. 본 연구는 오늘날 병산서원을 수식하는 대표적인 비유인 '그림과 액자'를 중심으로 서원의 차경이 착시와 환영의 풍경을 선사하는 인위적 기법임을 논의하고자 한다. 연구는 다음의 세 부분으로 구성된다. 첫째, 오늘날 '그림'과 '액자'는 각기 순수한 자연의 아름다움과 이를 여과 없이 전달하는 건축적 틀을 일컫는 비유로 사용되며, 이는 자연과 건축의 조화라는 현대 한국인의 기대 심리가 투사된 결과물임을 지적한다. 둘째, 서원을 설계하고 이용하던 조선 중기의 인물들이 차경을 향유한 방식을 추론하기 위해 당대의 시와 회화에 묘사된 풍경과 차경이 선사하는 풍경을 비교하고, 차경을 통한 조망이 동시대의 경관 예술과 마찬가지로 성리학적으로 이념화된 자연의 이미지를 연상하도록 유도함을 밝힌다. 셋째, 이상의 고찰을 바탕으로 차경이 선사하는 '그림'이란 보는 이의 인식이 빚어낸 환영(幻影)이며 차경이라는 '액자'는 이를 촉발하는 인지적 착시 기법으로 구성되어 있음을 주장한다. 이상의 논의를 통해 병산서원의 차경을 자연주의적 표상으로 소비하는 시선에서 이탈하여 시대적, 문화적 보기 방식을 유도하는 적극적인 설계 행위로 인식하고, 자연과 문화유산을 바라보는 오늘날의 시선을 재점검하는 계기를 마련하고자 한다.

• 한국화예디자인학연구
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• 제42호
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• pp.63-96
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• 2020

인간이 자연의 식물과 교감하는 화예는 역사적인 배경과 민족성에 따라 특징을 가지며 인간의 영감과 조형 능력으로 서로 다른 양상의 문화가 탄생 되었다. 한국의 화예는 사계절기후의 자연 속에서 발생한, 문명의 소산으로 자연합일사상(自然合一思想)에서 출발하여 우리민족의 심성에 흐르고 있는 자연주의적 본질의 삶과 철학을 시대의 문화에 맞게 자연식물(草木)로서 그 여유로운 미를 덕(德), 지(志), 기(氣)로 배양되어 빚어내었다. 문인화(文人花)는 역사적 전통인 동양철학의 바탕에 계승되어온 정신 이념이 고격의 인품과 시정성{詩情性)을 바탕으로 "외양(外樣)"보다는 식물이 지닌 특성과 취향을 기교의 표출됨이 없이 철리(哲理)의 미학적 함축성을 빚어낸 조형예술이다 본 연구에서는 우리 정신문화의 화예 근간이 문인화(文人花)임을 규명하기 위하여 소나무(松)를 중심으로 문인화의 배경과 근원, 시정성, 상징성, 우의성, 그리고 문인화 작품에서 표현되는 화예의 조형성과, 화예 유전자 해독으로 미학적 특성을 파악함과 동시에 문헌의 기록을 도출하여 연대별로 정리 고찰하고, 한국화예의 정수(精髓)인 문인화론을 정립하고자 한다.

• 복식문화연구
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• 제6권1호
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• pp.84-93
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• 1998

The main focus of this paper is to provide clear understanding about the concept of make-up as total fashion by defining the essential meaning of it. First, we would like to go over the concept of make-up and total fashion, then analyze the make-up image, the changes of colors and images of make-up overtime and fashion that have influenced over those changes. In this paper, we analyze the trend of fashion and make-up in 1990s and their relevancy. Through this paper we hope that make-up can be accepted as a part of total fashion in its relationship with other elements such as shoes, clothes and accessory and that it can be considered as a independent art that has direct influence on people. The trend of Spring/Summer between 1990 and 92is the image of natural beauty and comfortable and modernistic image that can be experienced through nature. In 1992, there was a revival look of 1960s and 1970s. Make-up also followed this trend. The overall color tone was to give natural and stable images with pastel tone to soften the images. This tone brought back the ecology of 1960s. The theme of restoration in humanity and nostalgia was reflected in clothing, and these trend changed the ecology of make-up to peace, love and romantic ecology which was expressed in coral, blue, and green tone to create intelligent image of woman. Year 1996 could be called as color revolution period that emphasized the unique and individual expression of each person. In 1997, black, pastel and brown colors were the result of reinterpreting the classic and sexy images of 1960s to natural and modernistic image of 1997. Purple color started to be introduced to us. The beginning of 1990s Fall/Winter season was based on ecology concept that emphasized the natural image. Until 1995 it appeared that spring/summer and fall/winter trend had no big differences. But from 1995 seasonal differences in trend are appeared and there were various make-up designs. In 1995, 1996, brown color lines make-up comes to mix with romantic image and developed into wine, orange, neon colors. These color were the symbol of property and sentiment and gold make-up emphasizing the eye area was the tendency of that period. In 1997, the fear of coming end of century was expressed as decadent image and at that time ethnic image, romantic image appeared with vivid color lines, gold, red and violet.

• 복식
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• 제62권5호
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• pp.125-137
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• 2012

This study examines the stage costumes of the creative musical 'Hyecho', which was performed six times in the Chung Ang Art Center hosted by Chung-Ang University's performance & media agency from December 20 to 22 in 2006. The stage costumes were made based on these basic design elements of stage costumes that were dyed : line, silhouette, material, and color. First, the creative musical 'Hyecho' presents a new form of fusion theatre, which blends Korean traditional music and dance with videos. Thereby, the musical has opened a new phase in Korea's creative performing arts. Second, in musical performances that combines dance and songs, stage costumes should be made not only to attract the audience's eyes, but also not to interrupt actors' vocalizations and movements by taking their physical features into account. Also, costumes should be made in consideration of their relationships with visual elements, including stage settings and lighting. Third, the musical features fusion-style stage costumes, which combines Hanbok, the Korean traditional costume, and Indian traditional costumes with modern costumes. For the line and silhouette, costumes show the beauty of curves through the curves of Hanbok and India's traditional costumes and also through irregular pleats of pants. Also, by using cotton materials, which is easy to dye and not readily deformed, costumes feature colors that are found in nature through a gradation dyeing technique. In doing so, it offers visual amusement to the audience by making stage costumes look like a beautiful painting. Fourth, the stage costumes of the chorus feature costumes that use lining and pleated skirts using belts, and various accessories, including necklaces that use strings in order to express evil spirits. Since there is not much time to change costumes during a performance, using such items are helpful to show the unique characteristics of actors effectively during the limited time. Also, coordinating with the lighting director allows the costume designer to make better costumes for the chorus and make the performance more dramatic. Finally, it was not necessary to wash the costumes of the chorus of the fusion musical Hyecho 2006 since it was performed only six times. However, when using dyed costumes for the long-term performance, it might cause problems such as bleaching that result from the washing of costumes and low durability that can result in the deformation of costumes. As performing arts are made in various forms and are diversified, it is needed for stage costumes to change accordingly through new attempts and various ways of expression.

• Molecular Medicine Reports
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• 제20권4호
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• pp.3709-3718
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• 2019

Chronic pancreatitis (CP) is characterized by recurrent pancreatic injury, resulting in inflammation and fibrosis. Currently, there are no drugs for the treatment of pancreatic fibrosis associated with CP. Piperine, a natural alkaloid found in black pepper, has been reported to show anti-inflammatory, anti-oxidative, and antitumor activities. Although piperine exhibits numerous properties in regards to the regulation of diverse diseases, the effects of piperine on CP have not been established. To investigate the effects of piperine on CP in vivo, we induced CP in mice through the repetitive administration of cerulein (50 ㎍/kg) six times at 1-h intervals, 5 times per week, for a total of 3 weeks. In the pre-treatment groups, piperine (1, 5, or 10 mg/kg) or corn oil were administrated orally at 1 h before the first cerulein injection, once a day, 5 times a week, for a total of 3 weeks. In the post-treatment groups, piperine (10 mg/kg) or corn oil was administered orally at 1 or 2 week after the first cerulein injection. Pancreases were collected for histological analysis. In addition, pancreatic stellate cells (PSCs) were isolated to examine the anti-fibrogenic effects and regulatory mechanisms of piperine. Piperine treatment significantly inhibited histological damage in the pancreas, increased the pancreatic acinar cell survival, reduced collagen deposition and reduced pro-inflammatory cytokines and chemokines. In addition, piperine treatment reduced the expression of fibrotic mediators, such as α-smooth muscle actin (α-SMA), collagen, and fibronectin 1 in the pancreas and PSCs. Moreover, piperine treatment reduced the production of transforming growth factor (TGF)-β in the pancreas and PSCs. Furthermore, piperine treatment inhibited TGF-β-induced pSMAD2/3 activation but not pSMAD1/5 in the PSCs. These findings suggest that piperine treatment ameliorates pancreatic fibrosis by inhibiting TGF-β/SMAD2/3 signaling during CP.

• 한방안이비인후피부과학회지
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• 제34권4호
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• pp.1-11
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• 2021

Objectives : The aim of this study was to investigated the anti-aging and anti-wrinkles effects of the pinus koreaiensis seed(PKS) oil. Methods : The anti-oxidant effect was performed by beta-carotene bleaching assay and the intracellular proteome was analyzed expression of each 15 proteins by 2-D electrophoresis. And fatty acid was analysed by gas chromatography. Anti-wrinkle effect was analyzing human skin by the PRIMOS system. Results : Fatty acid analysis of PKS oil has shown oleic acid was 49.7% and linoleic acid was 34.1%. And the antioxidant effect was about 125% compared with alpha-tocoperol(0.1%) by beta carotene bleaching assay. In 2D PAGE analysis, fifteen protein changes in five mechanisms which was collagen synthesis pathway, MMPs, ECM-cell interaction, cytokine, antioxidant enzymes were analyzed. In case of anti-wrinkle effect was proved in vivo by analyzing human skin by the PRIMOS system. The analysis results of eye wrinkles for 4 weeks showed an improvement effect of over 6%. Conclusions : In this study, the amount of protein change in the five mechanism through the cell experiment and the skin anti wrinkle efficacy by the human in vivo test were investigated. As a result pinus koreaiensis seed oil by supercritical extraction could be used as a anti-aging and anti-wrinkle substance for the skin.

• 대한본초학회지
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• 제34권1호
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• pp.117-124
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• 2019

Objective : Chronic acid reflux esophagitis (CARE), one of gastroesophageal reflux disease (GERD) is increasing worldwide. Coptidis rhizoma extract (CRE) is a traditional herb that cures a variety of diseases. This study was conducted to evaluate the protective effect of CR on rats with chronic acid reflux esophagitis. Methods : The antioxidant activities were evaluated through radical scavenging assays using 2,2-diphenyl-1-picrylhydrazyl (DPPH) and 2,2'-azino-bis (3-ethylbenzothiazolin-6-sulfonic acid) (ABTS) radical scavenging assays. CARE was surgically induced in 5-week-old male SD rats by ligating the border between forestomach and glandular portion with a 2-0 silk tie and covering the duodenum using 18-Fr $N{\acute{e}}laton$ catheter. To evaluate the esophageal protective effect of CRE, rats were divided into 3 groups: Nor (normal rats), Veh (chronic acid reflux esophagitis induced rats), CR (chronic acid reflux esophagitis induced rats treated with CRE 200 mg/kg body weight). Results : The administration of CRE significantly prevented the mucosal injury of the esophagus tissue and histological findings improved the esophageal lesion. It has been shown that inflammation is prevented by the increase of antioxidant-related factors (Nrf-2, HO-1, SOD, catalase, and GPx-1/2) through the antioxidant pathway of esophageal tissue. The administration of CRE reduced the increase of serum peroxynitrite ($ONOO^-$) and markedly reduced the protein expression of inflammatory mediator such as $NF-{\kappa}Bp65$, $p-I{\kappa}B{\alpha}$, iNOS, and IL-6. Conclusions : Overall, these results suggest that CRE administration confirmed the protective effect of esophageal mucosa, suggesting that it is a potential treatment for chronic acid reflux esophagitis.

• 대한본초학회지
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• 제29권4호
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• pp.69-76
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• 2014

Objectives : Gami-Chunggisan extract (GCE) is one of the oriental traditional medicine. We investigated the antioxidant effect and reduction of pro-inflammatory cytokine as a functional ingredient for cosmetic products from the GCE. Methods : GCE was prepared by extracting with 80% ethanol. We analyzed total polyphenol and antioxidant activities. To evaluate antioxidant activity, we measured 2,2'-azinobis-(3-ethylbenzothiazoline-6-sulfonic acid) (ABTS) and 1,1-diphenyl-2-picryl-hydrazyl (DPPH) free radical scavenging assay. Also we measured the production of reactive oxygen species (ROS) and nitric oxide (NO) on Raw264.7 cells. We researched reduction of anti-inflammatory cytokines from concentration of GCE on Raw264.7 cells. Results : Total polyphenol quantity of GCE was included 46.6 mg/g. The GCE showed ABTS free radical scavenging ability with more than 89% at $1000{\mu}g/m{\ell}$. In addition the DPPH free radical scavenging ability from the GCE was activated over 93% at $1000{\mu}g/m{\ell}$. Production of the ROS was decreased by approximately 26%, upon the GCE treatment at concentration of $100{\mu}g/m{\ell}$. The GCE at $100{\mu}g/m{\ell}$ concentration showed inhibitory effect on NO production by 38%. Production of IL-$1{\beta}$ and IL-6 were decreased by approximately 56% and 36%, respectively upon GCE treatment at $100{\mu}g/m{\ell}$. Also, production of TNF-${\alpha}$ was decreased by approximately 79% at $100{\mu}g/m{\ell}$. Moreover, the GCE showed inhibitory effects on the expression of the IL-$1{\beta}$, IL-6 and TNF-${\alpha}$ genes in LPS-induced Raw 264.7 cells. Conclusions : From the results above, we conclude that the GCE indicated significant antioxidant effects and induced reduction of pro-inflammatory cytokine.

• 만화애니메이션 연구
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• 통권36호
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• pp.349-374
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• 2014

빛은 언어이다. 연출자가 애니메이션의 장면을 구성할 때 자신의 의도를 효과적으로 표현하기 위해 장면구성요소를 적절하게 사용해야 한다. 캐릭터의 연기, 장면의소품의 배치 그리고 빛이 장면구성요소에 들어갈 수 있다. 이러한 것들은 관객이 작품의 내러티브를 이해하고 연출자가 전달하고자 하는 정서를 이해하는데 도움을 준다. 특히 빛을 이용하여 색이나 명암을 조절하여 장면에서 전달하고자 하는 정서를 표현하므로 관객들이 자연스럽게 정서를 이해하고 작품에 집중하게 할 수 있도록 한다. 이러한 조명 연출은 초기 연극 무대나 렘브란트와 같은 회화작가의 작품에서도 쉽게 찾아볼 수 있다. 부분적으로 빛을 조절하여 장면이 가지고 있는 신성, 고민, 두려움 등 여러 가지 정서를 표현하여 작품의 극적 요소와 아름다움을 증가시킨다. 따라서 연출자가 어떠한 의도를 가지고 빛을 이용하느냐에 따라 장면의 의미는 여러 가지로 변화할 수 있다. 조명은 대상의 인식과 시공간의 시각화라는 기본적인 기능 외에도 예술적 방식을 통해 인간의 정서에 자극을 주어 작품의 몰입도를 높일 수 있다. 본 연구에서는 작품의 내러티브에 기초를 둔 장면의 정서적 표현을 하기 보조하기 위해 조명이 어떤 역할을 하며 적절한 정서를 표현하기 위해 조명을 어떻게 사용해야 하는지 알아볼 것이다. "영화 조명의 정서 표현 기능을 적용한 3D애니메이션 조명 연구"를 선행연구로 하여 3D 애니메이션에 적용할 수 있는 정서적인 언어의 표현을 분류하여 기존의 정서 이론에 기반을 둔 정서적 어휘와 결합한다. 그리고 3D 애니메이션에서 나타난 정서적 장면을 선택하여 정서를 표현하기 위한 조명의 연출을 분석하여 정리한다. 이것으로 연출자가 장면의 의미를 전달하기 위해 정서적인 언어에 맞는 조명 연출법을 정리하고자 한다. 이것은 장면의 정서를 표현을 위한 3D 애니메이션 조명 연출의 기준을 제시할 연구가 계속 되어지길 기대한다.