• Proceedings of the Korean Institute of Interior Design Conference
• /
• 2008.05a
• /
• pp.74-77
• /
• 2008

In the relationship between exhibition space and art work in art museum, the Pluralism on the late of the 20th century made the new form of exhibition space to be appeared on the stage. Even if formal exhibition space that emphasized itself as a non-spatial background is currently being continued, the informal form of exhibition space is coming to the new art museums, especially after 1990's. This study is to understand how the advent of new designed the informal form of exhibition space in the Glytothek museum(the formal form of exhibition space) design a new paradigm In the relation between the exhibition space and art work in conjunction with public's perception. To do this, it is made clear that the Glytothek museum(the formal form of exhibition space) simply has played a role of non-spatial background. In other hands, the new designed informal form of exhibition space that is mainly presented after 1990's begins to Interrupt the public's perception of art work, changing it's meaning through a spatiality.

• Korean Institute of Interior Design Journal
• /
• v.22 no.6
• /
• pp.251-258
• /
• 2013

Space and figure are formed not by themselves but by the existence of light. It is important that plays a role as an intermediary of cognition which enables the formation of space and figure through Human's recognition in the process of design. Human perceive space and identity every basic form by the contrast of light and dark. The existence of light is very inclusive concept in the space, so space and form are completed by light. The change of based on time, place, and its amount acts as an important element Which can change the form of Space. In Space light doesn't work simply as light itself, but have a very close relation with Space, Form, Structure, Material, Color elements, Space is limited by physical form but human perceive space relatively by many other conditions, So same space can be experienced differently by the characters of light. Human can recognized and observe an object in the space as he processes information collected through light. In this process light make it possible for human to see the shape in space. therefore, the shape of space can get meanings when light exists. the space recognized by light is the mean that activates human activates in space.

• East Asian mathematical journal
• /
• v.16 no.1
• /
• pp.135-145
• /
• 2000

The purpose of this paper is to study the Chern-type problem of the complete space-like submanifolds of an indefinite complex space form.

• Communications of the Korean Mathematical Society
• /
• v.16 no.2
• /
• pp.243-252
• /
• 2001

The purpose of this paper is to study some properties of n-dimensional recurrent space-like complex hypersurfaces in an (n+1)-dimensional semi-definite complex space form M(sub)0+t(sup)n+1 (c), t = 0 or 1, c$\neq$0.

• The Journal of the Korea Contents Association
• /
• v.21 no.3
• /
• pp.88-102
• /
• 2021

This study focused on the museums mainly holding permanent exhibitions except for the function of special exhibition in museum architectural works. This study aimed to draw the possibility to establish the relation between architectural form and central space of museums, by applying the forms like formal form, informal form, segment form, and diagonal form shown through a case study to total 164 work cases, reclassifying the architectural form into informal form, formal form, semi-formal form, segment form, diagonal form, and linear form, and then analogizing the matter of correlation between architectural form and central space of museums. The relevant contents could be summarized as follows. overall, most of the central spaces according with the informal architectural form of museums were the informal form, which showed 92.7% distribution rate. overall, there were many cases of informal architectural form of museums. Compared to the formal form, the informal architectural form showed the higher correlation with central space. The informal architectural form of museums is estimated to be continuously developing in the future. This study aims to present the basic data aiming for interior architecture design by considering the correlation between central space and architectural form.

• Kyungpook Mathematical Journal
• /
• v.52 no.3
• /
• pp.271-278
• /
• 2012

We study some functions defined on the unit tangent space, which are formed with the second fundamental form of submanifolds of a real space form. These give an exact expression of isotropy of submanifolds in a real space form and a relationship between intrinsic invariants and extrinsic ones.

• Bulletin of the Korean Mathematical Society
• /
• v.44 no.3
• /
• pp.395-406
• /
• 2007

Involving the Ricci curvature and the squared mean curvature, we obtain a basic inequality for an integral submanifold of an S-space form. By polarization, we get a basic inequality for Ricci tensor also. Equality cases are also discussed. By giving a very simple proof we show that if an integral submanifold of maximum dimension of an S-space form satisfies the equality case, then it must be minimal. These results are applied to get corresponding results for C-totally real submanifolds of a Sasakian space form and for totally real submanifolds of a complex space form.

• Korean Institute of Interior Design Journal
• /
• v.15 no.3 s.56
• /
• pp.155-162
• /
• 2006

Space is integrated or segment with organic formation by circulation path. It estimates important problem to grasp as factor that promote movement of visitor and space organization without grasping circulation as connection relation about simple space function from these viewpoint, is a thing which this study does not cause confusion to visitor's circulation path through data that analyze form of space connection and visitor's circulation path as quantitative in museum space and layout form that access by easy each unit exhibition grasps what it is. This study does factor grasping for guideline and inspection circulation path of layout by purpose in exhibition space on the basis of analytical result that grasps connection form between exhibition area that grasp laying stress on visitor's movement and appears in space through follow-up survey for circulation path of museum exhibition area. Space connection form that is expose by sequence of investigation and analysis(II) estimates on constituent affecting to visitor's circulation, and these do not speak for all space connection forms at the museum, but may systematize typology about connection form of unit spaces to utilize by indicator pointer of space planning if continue study to various spatial sphere more than hereafter. Unit exhibition area, divide connection form of space by grid and tree and laying stress on this quantitative data by spectator follow-up survey comparison and Estimate that space connection form provides partial basis of judgement for supposition that can promote direction and circulation path about visitor's movement if summarize result of investigation and analysis (III).

• Honam Mathematical Journal
• /
• v.30 no.3
• /
• pp.535-550
• /
• 2008

Let M be a real hypersurface of a complex space form with almost contact metric structure $({\phi},{\xi},{\eta},g)$. In this paper, we study real hypersurfaces in a complex space form whose structure Jacobi operator $R_{\xi}=R({\cdot},{\xi}){\xi}$ is ${\xi}$-parallel. In particular, we prove that the condition ${\nabla}_{\xi}R_{\xi}=0$ characterize the homogeneous real hypersurfaces of type A in a complex: projective space $P_n{\mathbb{C}}$ or a complex hyperbolic space $H_n{\mathbb{C}}$ when $g({\nabla}_{\xi}{\xi},{\nabla}_{\xi}{\xi})$ is constant and not equal to -c/24 on M, where c is a constant holomorphic sectional curvature of a complex space form.

• Korean Institute of Interior Design Journal
• /
• v.18 no.5
• /
• pp.175-182
• /
• 2009

Korea Protestant slower growth and social church's changes in the environment of the traditional worship center for the sermon to a variety of changes was required, because of this period reflects the availability of a new type of worship was to appear. These changes in the type of worship in the form of the worship space, and space configuration is affecting many more. This study was the type of church korea today, the type is classified as a traditional worship and contemporary worship, and to characterize the category by a change in the type of church worship space in the configuration that affects cases throughout the analysis was to investigate, study follows. Traditional worship the center of the altar, the altar placed platform form, a vertical elevation of the platform sheet form, the installation of the cross, place the side of the choir seats, church chair type attribute appears tradition and in part compressed pulpit appears symbolism. Contemporary worship to the exclusion of the symbolic elements of the platform open, flat sheet form and the platform was the preferred form of minor elevations of the flat, multi-purpose space used for worship to sermon platform placed around the altar of the adjustable type, the choir seats placed in scheelite, preferred form of scheelite was an individual chair. However, the characteristics of traditional and contemporary worship space features a mix of worship space, quite a lot of cases that have been found. Integrated and consistent element of the worship space, the worship of the discrepancy in the form of systematic theological depth analysis did not come true without lust about contemporary culture is changing rapidly to accommodate sprawl is judged. Therefore, the characteristics of the type of worship and prayer to understand the changes in the church building is a prerequisite to be a very important aspect.