• 한국경제지리학회지
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• 제9권3호
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• pp.431-440
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• 2006

최근 세계적으로 지역경제의 활성화 정책에 문화예술활동을 도입하는 사례가 크게 늘어나고 있다. 일본의 경우에는 이미 수십, 수 백년 전부터 여러 지역에서 마을만들기 운동, 즉 "마치즈쿠리(まちづくり)"를 통해 지역 정체성을 강화하는 한편, 침체된 지방의 경제를 활성화하고 있다. 일본 시가현의 나가하마(長浜市)의 경우에는 1980년대 중반부터 마찌쯔꾸리운동을 통해 지역부존자원이 빈약한 인구 5만의 소도시가 전국적으로 알려지게 되었다. 나가하마는 문화활동의 활성화로 관광객을 유치하고, 지역 특산물을 홍보하여 지역경제의 활성화에 기여하는 한편, 그러한 성과에 기초하여 전문대학의 유치, 실내야구장의 건설 등과 같은 사업을 추진하여 지역주민들의 자긍심을 제고하는데 성공하였다.

• Journal of Radiation Protection and Research
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• 제28권2호
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• pp.127-135
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• 2003

The primary contributors to the total occupational radiation exposure in operating nuclear power plants are operation and maintenance activities doting refueling outages. The Advanced Power Reactor 1400 (APR1400) includes a number of design improvements and plans to utilize advanced maintenance methods and robotics to minimize the annual collective dose. The major radiation exposure reduction features implemented in APR1400 are a permanent refueling pool seal, quick opening transfer tube blind flange, improved hydrogen peroxide injection at shutdown, improved permanent steam generator work platforms, and more effective temporary shielding. The estimated average annual occupational radiation exposure for APR1400 based on the reference plant experience and an engineering judgment is determined to be in the order of 0.4 man-Sv, which is well within the design goal of 1 man-Sv. The basis of this average annual occupational radiation exposure estimation is an eighteen (18) month fuel cycle with maintenance performed to steam generators and reactor coolant pumps during refueling outage. The outage duration is assumed to be 28 days. The outage work is to be performed on a 24 hour per day basis, seven (7) days a week with overlapping twelve (12) hour work shifts. The occupational radiation exposure for APR1400 is also determined by an alternate method which consists of estimating radiation exposures expected for the major activities during the refueling outage. The major outage activities that cause the majority of the total radiation exposure during refueling outage such as fuel handling, reactor coolant pump maintenance, steam generator inspection and maintenance, reactor vessel head area maintenance, decontamination, and ICI & instrumentation maintenance activities are evaluated at a task level. The calculated value using this method is in close agreement with the value of 0.4 man-Sv, that has been determined based on the experience aid engineering judgement. Therefore, with the As Low As Reasonably Achievable (ALARA) advanced design features incorporated in the design, APR1400 design is to meet its design goal with sufficient margin, that is, more than a factor of two (2), if operated on art eighteen (18) month fuel cycle.

• 한국가구학회지
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• 제23권1호
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• pp.75-83
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• 2012

Space dominates all the art activities human do and plays a role of providing aesthetic emotion. Architecture, sculpture, painting, and furniture, etc. these two and three dimensional works are represented in space and interpreted the role of its form, structure and function. Each area is different, but space has been studied in philosophy, physics, geometry, and mathematical studies, etc. and has been consistently interpreted and represented relating to a variety of human creative activity. Furniture is also three dimensional art being dependent on space. In the United States in 2004, I made the living room bench by applying the spatial concept at Rochester Institute of Technology. Two years later, this design was adopted by wendell Castle Collection, an American furniture company, then prototype were made and tested three times during a year, and then since 2007 as indoor benches it has been manufactured in the United States. The study's purpose is to order the process of its development based on the experience of bench production applied the spatial concept, and by analyzing the properties of spatial concept, I am planning to propose a new concept on interaction with the space and furniture for next.

• 한국실내디자인학회논문집
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• 제24권6호
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• pp.68-78
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• 2015

The servicescape of a design hotel means the physical environment in which a service is produced and consumed. Servicescape refers to the comprehensive physical environment perceived by users and is composed of physical elements such as ambient conditions, space, function, signs, symbols and artifacts. For a successful operation of a design hotel, it is necessary to investigate the design hotel's servicescape types according to characteristics of design hotel's servicescape to provide various servicescape. The purpose of this study is to classify the types of servicescape on design hotel and analyze characteristics through the case study. A case study on Europe's design hotels to find various servicescape design methods was conducted. According to characteristics of design hotel the types, it is also categorized into four different types: history/tradition, art/culture, collaboration, locality. The case study demonstrated that European design hotels were making many efforts for their uniqueness and differentiation by considering the cultural and historical characteristics of their city and providing art and cultural space for their community. Design hotels in Korea should not only provide visitors with opportunities to have special experience through the nation's own culture and history but also serve as a place of community activities.

• 예술인문사회 융합 멀티미디어 논문지
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• 제7권4호
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• pp.403-413
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• 2017

본 연구는 한국거주 중국동포들의 봉사활동에 왜 참가하게 되었으며 그들은 봉사활동을 통하여 어떠한 경험을 하며 경험의 의미는 무엇인가에 대한 연구이다. 연구를 위하여 중국동포 집거지역에서 봉사단체에 가입하여 활동하는 중국동포 8명이 참여하였으며 심층면접과 참여관찰을 통해 자료를 수집하고 분석하였다. 수집한 자료에 대하여서는 Giorgi의 해석학적 현상학 연구방법에 따라 자료를 범주화하여 분석하였다. 분석결과 한국거주 중국동포의 봉사활동 경험의 본질에 대하여 3개의 주제묶음을 도출하였다. 이들은 봉사활동을 통하여 주류사회에 의하여 훼손되고 낙인화 된 이미지 개선을 위하여 봉사활동을 하고 있었으며, 봉사활동을 통하여 자존감이 향상되었으며 정보를 얻고 한국사회 적응에 도움을 받았다. 또한, 봉사활동을 통하여 한국사회에 대한 책임감이 증가하고, 한국에서의 자신들의 위치를 재정립하였다. 이를 바탕으로 미래를 위한 글로번 시민으로 가능성을 꿈꾸고 있었다. 이와 같은 연구결과를 바탕으로 한국거주 중국동포의 봉사활동 경험의 본질에 대해 논의하고 이주민 자원봉사활동 활성화가 다문화사회 통합에 긍정적으로 기여함을 밝히고자 한다.

• 한국보육지원학회지
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• 제11권4호
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• pp.109-125
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• 2015

본 연구에서는 예술교육에 대한 교사인식, 창의성 증진을 위한 교사역할과 유아의 창의적 인성 간의 관련성을 조사하였고 예술교육에 대한 교사인식과 유아의 창의적 인성 간에 창의성 증진을 위한 교사역할의 매개효과를 분석하였다. 본 연구에는 서울시에 소재한 사립 유치원 및 국공립 어린이집과 민간 어린이집에 근무하는 유아교사 156명과 그들이 담당하는 유아 593명이 참여하였다. 연구결과, 첫째, 예술교육에 대한 교사의 인식이 높을수록 창의성 증진을 위한 교사의 역할 수행이 높았으며 유아의 창의적 인성 점수도 높게 나타났다. 둘째, 예술교육에 대한 교사인식과 창의성 증진을 위한 교사역할은 유아의 창의적 인성에 긍정적으로 영향을 미치는 것으로 나타났다. 셋째, 예술교육에 대한 교사인식은 직접적으로 유아의 창의적 인성에 영향을 주면서, 동시에 예술교육에 대한 교사인식은 창의성 증진을 위한 교사역할 수행에 영향을 주고 그에 따라 유아의 창의적 인성이 영향을 받는 것으로 나타났다. 이러한 결과들은 유아의 창의적 인성을 계발시키기 위해서는 예술교육에 대한 교사의 올바른 인식과 더불어 예술 활동 시 유아의 창의적인 표현을 격려하고 예술과정에 동기를 부여하는 등의 창의성 증진을 위한 교사역할을 할 수 있는 역량을 갖추어야 한다는 점을 시사 한다.

• 지역과문화
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• 제7권3호
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• pp.1-21
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• 2020

생활에 밀착한 일상 속 문화 활동을 강조하는 생활문화는 예술과 일상의 통합과 타자와 소통하는 공동체적 삶을 지향하고 이 과정에서 개인과 사회가 가져야할 가치들을 환기시키고 회복한다. 본 연구는 이렇게 지역문화로서 생활문화의 가치가 발현되는 개별적이고 복잡한 맥락과 과정을 이해하기 위하여, 수원 지역의 '고색전통농악보존회' 생활문화 활동 사례를 분석한다. 이를 통해 실제 현장에서 예술과 일상이 어떻게 통합되며 공동체적 삶을 회복시키고 있는지 진단한다. 문헌자료와 참여관찰, 인터뷰를 통한 현상학적 연구를 수행하여 개인, 공동체, 지역영향으로 생활문화 활동과 공적지원의 사회적 영향을 범주화하였다. 연구결과 생활문화 공적 지원으로 늘어난 활동경험은 공동체의 예술적 발전과 인적 상호작용을 활성화시키고 더불어 개인은 예술적 본성을 찾고 지역사회에 영향을 주는 문화예술의 주체이자 실천가로 거듭나고 있었다. 또한 지역주민도 함께 참여하는 생활문화 활동의 과정에서 참여자들의 지역사회 일원으로서의 정체성이 강화되고 있음을 확인하였다.

• 중국학논총
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• 제65호
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• pp.147-165
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• 2020

With a cultural powerhouse in mind, China is trying to spread Chinese culture around the world by promoting Confucius Institutes. Calligraphy is the core of Chinese culture and is the most efficient field of spreading Chinese culture. The forms of calligraphy dissemination at Confucius Institutes were mainly the opening of calligraphy curriculum, calligraphy experience events, and holding calligraphy contests and exhibitions. But these activities are not very professional or organized. Therefore, Confucius Institutes need to come up with more active and aggressive measures. It will have to train professional calligraphy teachers to be sent abroad and build a deeper educational infrastructure by developing calligraphy teaching materials exclusively for use in the country. They should also explore ways to develop calligraphy into a cultural industry brand in many ways. If the Confucius Institutes actively exchanged and promoted themselves with many countries by calligraphy, Chinese calligraphy could be reborn as an art in the world.

• 부모자녀건강학회지
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• 제7권1호
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• pp.73-88
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• 2004

Purpose: The Purpose of this study was to analyze the trend of research related with unmarried mother. Method: 81 theses about unmarried mother from 1972 to 2003 were analyzed according to the theses' characteristics, sources by publication period, research design, nursing intervention effect of experimental study and theme of qualitative research. Results: 1. The number of studies related with unmarried mother has progressively increased by year from 1972, and that of theses was highest during the period between 2000 to 2003. 2 As for study design, the number of quantitative studies were 73 and that of qualitative studies were 8. The majority of research design were survey and correlational studies. 3. Nursing intervention used in the experimental design were stress management program, eco-system support group, group art treatment, career education program, musical activities, prenatal education. All of experimental design were used in the after 2000. 4. The themes of qualitative studies were childbirth experience, a participatory on the life, mother's keeping a child, experience of pregnancy and delivery, the self-group program, the process and experience of becoming unmarried adolescent mother, needs of single mothers with child and policy of social welfare service, lived experience of hope. All of these were used in the after 1999. Conclusions: The summary of the above results shows a tendency that the study has increased by year. Especially, experimental study proved affirmative effect. However, for the unmarried mother, more experimental and qualitative studies are to be required.

• 미술이론과 현장
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• 제2호
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• pp.191-213
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• 2004

The trend of "Blockbuster Exhibitions" over the past decade has led to the unfortunate reality that museums, losing sight of their role as an Academic organization, are becoming increasingly influenced by the corporate world. In my dissertation entitled "The Commercialization of Blockbuster Exhibitions in Museums," I explore the modern tendency toward Blockbuster exhibitions in art museums and the negative impact of those exhibitions on the art world. Museums of the modern day have expanded their territory from the traditional venue of public education to the hybrid cultural space. This mission, evident in the museum's attempt to satisfy audiences with the offering of diverse activities, has changed the concept of the museum, giving priority to the desire for financial gain. From the viewpoint of this new museology, the museum considers Blockbuster exhibitions as the safest method to increase ticket sales. As a program that openly reveals the commercialism of the museum, I explore the Blockbuster show and its strategies as a means of exposing the influence of the corporate world on art. A key component to the Blockbuster exhibition is the "hype" that is created to attract an audience. This devotion to increased publicity distracts from what should be the goal of public education, as the primary focus leans towards the desire for a large number of visitors. Consequently, this unavoidably standardized exhibition is presented to the public in a manner that deprives the audience of a unique experience. With large crowds and increased ticket prices, it is difficult to form a genuine appreciation of the artwork. In addition to the profit gained by increased ticket prices and the commercial sales of "souvenirs" from the museum gift shop, Blockbuster shows are used as a means to attract the attention of corporate sponsors. As explained in my dissertation, the importance that the museum places on corporate sponsorship as a capital resource is evident, however the degree to which the museum allows itself to he influenced by the desire for capital gain poses a threat to its function as an academic organization. Circumstances in American museum history, in particular, have influenced the transition from academic resource to corporation within museology. In keeping with the nation's tendency towards capitalism, art museums in the United States were initially established and developed by individual capitalists who applied principals of corporate operation to museum management. As a result, in modern days, We witness the influence of enterprise on museum programs, while corporate management may be able to guarantee immediate fiscal benefits, however, it is unable insure the future of the museum. In Slim, my dissertation discusses the mechanism of the commercialized "Blockbuster Exhibition" and the impact that it has on the future of the museum as an industry. This research provides an opportunity to reconsider the role of the museum as an academic institution, particularly in regard to the need to decrease the capitalization of exhibitions and refocus their influence on the art world as an educational resource.