• Korean Institute of Interior Design Journal
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• v.16 no.2 s.61
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• pp.24-31
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• 2007

Berlin Philharmonic Concert Hall is one of most prominent architecture of Hans Scharoun, which is known as the fine combination of the functionalism as an important factor in modern architecture and the hi-developed technology Moreover, the plan and spatial planning of the concert hall is famous for its evolutionary approach compared to other traditional concert halls. The objective of this paper is to examine forms and organic system of functions of this concert hall in order to re-evaluate it's historical meanings in our modern architecture history, The current study will also look into how the personal background of Hans Scharoun has influenced his design in various ways, especially the inside of lobby and auditorium of Berlin Philharmonic Concert Hall.

• Journal of Digital Convergence
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• v.19 no.1
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• pp.349-354
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• 2021

The purpose of the project is to study the factors affecting the new user experience and satisfaction as the concert market of K-POP is moved to the online stage by the Corona 19. The study conducted a survey and in-depth interviews with men and women in their 20s and 30s who participated in the K-POP online concert, consisting of proposed by Stephen P. Anderson. The study found that participants' propensity, concert composition, platform-supported technology, and quality factors affect user experience satisfaction. It was also noticed that while the grafting of new technology did not have a significant effect on the part of Pleasurable, the satisfaction level was significantly reduced if the quality was poor. Hopefully, this study becomes a reference to the future direction of online concert development.

• The Journal of the Acoustical Society of Korea
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• v.38 no.2
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• pp.139-144
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• 2019

Various room acoustic parameters and their optimal values were proposed and verified as proper interpretations to the listeners' preference of concert hall sounds. However the listening environment has been changed since they were developed, and the listeners' preference may not be the same among countries of different cultural backgrounds. Actual listeners' preference should be applied to the design of a new concert hall. A survey on the listening preference was carried out for 22 music experts. A room acoustical design process was proposed which made the acoustical environment of a concert hall as close to the listeners' preferences.

• KSII Transactions on Internet and Information Systems (TIIS)
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• v.13 no.5
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• pp.2629-2650
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• 2019

It is important to construct fully homomorphic encryption with ciphertext matrix that makes fully homomorphic encryption become very nature and simple. We present a general design method of constructing fully homomorphic encryption whose ciphertext is matrix. By using this design method, we can deduce a fully homomorphic encryption scheme step by step based on a basic encryption scheme. The process of deduction is similar to solving equation and the final output result is a fully homomorphic encryption scheme with ciphertext matrix. The idea of constructing ciphertext matrix is ciphertexts stack, which don't simply stack ciphertexts together but is to obtain the desired homomorphic property. We use decryption structure as tool to analyze homomorphic property and noise growth during homomorphic evaluation. By using this design method, we obtain three corresponding fully homomorphic encryption schemes. Our obtained fully homomorphic encryption schemes are more efficient. Finally, we introduce the adversary advantage and improve the previous method of estimating concert parameters of fully homomorphic encryption. We give the concert parameters of these schemes.

• Proceedings of the Acoustical Society of Korea Conference
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• autumn
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• pp.145-148
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• 2000

• Journal of Korea Game Society
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• v.22 no.1
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• pp.43-54
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• 2022

COVID-19 provided visitors with new online concerts that gradually increased in many ways. The disadvantage of current online concerts is that cannot make full use of the interaction with others. We hope to provide online concert audiences with the same experience as offline. This study was conducted under the condition that the audience watched online concerts and movies individually or group. Experimental results confirm that watching online concerts collectively will increase the sense of immersion. It can be used as a design guide for the virtual public viewing environment in the future.

• Journal of the Computational Structural Engineering Institute of Korea
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• v.30 no.6
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• pp.469-477
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• 2017

In this paper, the floor vibration of an example concert hall building was measured and floor safety criteria were analytically checked through comparison between experimental and analytical results. The floor bottom plate model was constructed considering the composite effect and the analytical model was modified to have the natural frequency identical to the measured one. Also, time history analysis was conducted using the dynamic loads induced by human rhythmic movement during a musical performance, and the analytically calculated floor accelerations were similar to the measured one. Based on this model, the floor vibration level due to the group activities of about 400 persons, maximum available persons for the concert hall, was estimated. It was confirmed that the human induced dynamic loads applied to the column and beam would be much lower than the design strength. In addition, the horizontal acceleration level is just 2% of the design seismic load, so the concert hall is safe in both vertical and horizontal excitations by human rhythmic movements.

• The Journal of the Acoustical Society of Korea
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• v.37 no.5
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• pp.356-362
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• 2018

Stage in classical shoebox type concert hall is placed and occupy one side of the hall and have much early reflections from surrounded walls and ceiling nearby. On the other hand stage in vinyard terrace concert hall, which is surrounded by terrace seats instead of walls and ceiling, has lack of early reflections which may cause lack of communications among the players. Vinyard hall stage is enclosed with terrace seats front walls, while the players located on the stage riser keep the walls off as the walls have limited heights. Ensemble reflector installed above the stage is an effective way for the players to monitor the sound produced on the stage. That may help achieving a good ensemble of the performance. Ensemble reflector over the stage of a large vinyard terrace hall of 2,000 seats was designed with the variables of the location, the shape and the area. The effectiveness of the ensemble reflector is verified with the parameter of stage support.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2008.04a
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• pp.25-28
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• 2008

This study investigates the effect of geometrical shape of concert halls, with variation in the shape and location of diffusers. The acoustical characteristics both in the audience area and on the stage 1:50 scale models of shoebox and fan-shaped halls. It was found that the front side walls affect sound diffusion. The 1:50 scale model based on the Boston Symphony Hall was used for monaural impulse response measurements for calculation of RT, EDT, C80, G and ST1. In addition, calculating the numbers and amplitudes of reflection rays were applied to quantify diffusion phenomena.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2008.11a
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• pp.135-136
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• 2008