• 복식문화연구
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• 제17권1호
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• pp.105-119
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• 2009

The purpose of this study is to grasp the aesthetic characteristics of the retro romantic fashion. As a result of study, three artistic characteristics of the retro romantic fashion were presented. First, retro romantic fashion has an exaggerated formativeness. Retro romantic fashion has overcome the confinement of the present to imitate the splendor and decorative style of the past which results in exaggeration. Exaggerated costume tends to be spaciously bigger and emphasizes one particular part which offers implicated significance for the space between the body and the costume. A new visual fashion is created through this space. Second, retro romantic fashion encompasses gorgeous decorativeness. From an artistic point of view, decorations are part of impulsively formulated art. Artistic effects of such decorations are uniformly confirmed in various artistic states. Therefore, through gorgeous decorations, retro romantic fashion rejects artificiality and lack of sensitivity for new effects of aesthetics through expression of stronger artistic and spiritual desires. Third, retro romantic fashion expresses pluralistic retro. The current society has left the formalities of the modernism for a pluralistic society where openness, diversity, and uniqueness are respected. Such components of the pluralistic society are repetitively used in fashion. Time reflective retro romantic fashion is being recreated by borrowing images rather than replaying the historical contents, with the style, silhouette, and specific items that swayed in the past, being combined with modern materials, techniques, and designs. Literature review were conducted for this study. Literature review on retro romanticism encompassed resources on aesthetics, literature and art, including national and international fashion related literatures.

• 복식
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• 제57권3호
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• pp.63-77
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• 2007

The purpose of this study is to apply fashion design to developing dress design of mobile-phone game characters. As for the research methodology, first, market research has been carried out to extract main images from dress designs of game characters and to understand their socio-cultural meanings. Second, the fashion design, which ran be compared to the extracted images of game characters were selected. Third, analyses were done to find out the gap between the game character's dress designs and the fashion designs. The main images of game characters are revealed as erotic, romantic, heroic, grotesque. These images have been formed by psychological and socio-cultural effects such as stimulation, empathy, compensation, increase of female game player. The differences between the game character's dresses and the fashion designs are as follows; With regard to style, game dresses have silhouette distinguished from background, but fashion collection have blurred silhouette. In the aspect of color, while strong colors are mainly used in game dress, neutral rotors are preferred in fashion collection. As for texture, the expression of 'textures in game character's dress is so far limited due to the insufficient level of the concerned technology. However, the fashion design applying drape of fabrics are well-developed. Mobile-phone game players want reality in game design. Therefore, the effort to overcome the gaps between game dress and fashion design can contribute to the growth of game character design.

• 감성과학
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• 제18권3호
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• pp.3-16
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• 2015

오렌지 과즙이 생생하게 표현된 영상과 함께 제시된 오렌지 향은 영상실감을 향상시킬까? 혹은 남녀 간의 데이트 장면에 로맨틱한 향을 제시한다면 영상실감이 향상될까? 전자는 영상에 구체적인 대상 혹은 장소가 존재할 때 향을 활용하여 영상실감을 향상시키는 경우라면, 후자는 그렇지 않은 경우 향을 활용하여 실감향상을 시도하는 경우이다. 본 논문에서는 위의 두 가지 질문에 답하기 위해 다양한 영상과 향에 대한 수용도와 감성에 대한 심리적 측정을 진행해 온 선행 연구들을 종합하고, 이 연구들이 주는 시사점과 한계, 연구 전망에 대해 논의하고자 한다. 특히 후각정보 수용도, 향 유사성 지각, 영상의 후각적 생생함과 영상실감, 향 감성에 부합하는 색상, 색온도, 그리고 감성 형용사를 측정한 방법과 결과에 초점을 맞춰 논의할 것이다. 본 연구가 영상실감을 위해 향을 사용하고자 하는 연구자 혹은 공학자들에게 큰 도움을 줄 것으로 기대한다.

• 복식
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• 제59권4호
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• pp.14-25
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• 2009

This Study is purposed to comparative analysis in the case of balanced with Ethnic image fashion and the event of an unbalanced between fashion and make-up and to reconfigure on the make-up of the features on the Ethnic image Fashion in the 21st century. The result of this study is as follows. First, in the case of Japanese ethnic image make-up, to emphasize applied forms and formative characterization, they generally use circles and horizontal lines. Also the harmony between Japanese image make-up and primary colors like white and red strengthen ethnic images better. In the event of an unbalance between fashion and image make-up, fashion occurs dynamically in Africa and linearly in China. Sexy & natural image make-up also widely appear in the modern view. Second, in the case of African ethnic make-up balanced with African image fashion, the form is repeatedly dotted, widely water-colored, and mattedly textured using ash make-up colors such as white, red, gold, gray and so forth. African image make-up strongly expresses primitive natural beauty adding primal tribal painting art and mask forms. In case of an unbalance between fashion and image make-up, no distinctive ethnic image make-up appears. To emphasize natural patterns as well as splendid & decorative fashion, they try not to use primary colors, but instead focus on natural make-up and monotone colored point make-up, sexy make-up, avant-garde make-up, goth make-up, romantic make-up, glossy make-up.

• 트랜스-
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• 제1권
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• pp.141-166
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• 2016

프랑스는 공공 자금의 비중이 큰 독특한 영화제작 방식을 가지고 있다. 그 배경에는 가장 완벽하다고 인정받는 영화지원제도가 자리하고 있다. 다른 어떤 나라보다 영화산업의 질서가 형성되어 있다. 본고는 기획부터 영화 상영까지 프랑스영화 제작단계를 따라간다. 프랑스영화의 제작 규모, 제작 승인에서 캐스팅, 예산의 결정과 주요 투자 주제, 영화 스태프의 임금과 이를 규정하는 단체협약, 개봉, 해외 판매 그리고 수익 배분을 살펴본다. 본 연구는 프랑스영화산업, 특히 제작 분야에 대한 전반적인 이해를 도모한다. 이를 위해 바네사 파라디와 로망 뒤리스가 주연한 로맨틱 코미디, <하트브레이커(L'Arnacœur)>(2010)를 사례 연구로 삼았다. 본 연구는 프랑스영화산업 시스템의 구동 구조를 들여다본다. 이는 한국영화산업 앞에 놓여 있는 여러 문제점들, 스크린 독과점, 대기업 수직계열화, 부실한 2차 시장, 낮은 수익률에 대한 해법을 찾는데 도움이 될 것이다.

• 한국의류학회지
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• 제30권8호
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• pp.1288-1300
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• 2006

Glamour in fashion, which stands for attractive physical feature with certain mystique, has been used without accurate analysis thereof. This thesis is purported to provide comprehensive study of glamour in fashion and to contemplate glamour look reflected in fashion history, thereby to establish the styles of glamour expressed in fashion trends and to provide the basis which can be utilized in the categorical basis of fashion design. For such purposes, this thesis first provides the study on the glamour in fashion, and to conduct a case study by analyzing photographic materials. The glamour expressed in the fashion design can be classified into the following six aesthetic values: luxury, excess, masquerade, appropriation, sensuality and decadence. In the modern history, glamour looks in fashion design started out as so-called Blooming Age Glamour Look, dating from the late nineteenth century to the late 1920s, which was represented by luxurious haute couture style of courtesans. Thereafter Golden Age Glamour Look appeared in the movie costumes in the Hollywood from the late 1920s to mid-1950s. Sensuality, decadence and masquerade are the central features. Subsequently, Pop Age Glamour Look appeared with fashion styles of pop stars, which can be characterized by appropriation and excess. In the 1980s and the 1990s, Glamour Renaissance Look appeared as glamour looks which were spread out to people in various classes, which is characterized by luxury and appropriation. Based upon the foregoing historical survey, there are four representative styles in glamour looks, including (1) luxury glamour derived from Blooming Age Glamour Look, (2) hyperfeminine glamour derived from Golden Age Glamour Look, (3) kitsch glamour derived from Pop Age Glamour Look, and (4) romantic glamour derived from Glamour Renaissance Look.

• 패션비즈니스
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• 제20권2호
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• pp.97-106
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• 2016

This study aims examine specific image preferences through selected fashion style and evaluation terms. Therefore, this study provided basic information in order to help select a suitable fashion style within a desired image. As times are changing, most people obtain information about fashion through the use of the Internet by utilizing mobile phones and personal computers and less through magazines, newspapers and so on. When people buy clothes, they seem to be more influenced by the design and color than by price and quality. It is not perceived important for buying like company, advertising, the place of purchase etc. The results of the analysis reveal the structural elements of an image having a sense of fashion style and can be categorized as a natural image, romantic image, elegance image, casual image and avant-garde image. Among the six fashion styles, the natural image is regarded the highest A style. The romantic image is the highest B style and elegance image is the C, D, E style. The casual image is the highest F style and avant-garde image is a D style. In regards to appropriate fashion style by ages, the twenty-something population is investigated in finding a fit that is lively and vibrant in style while the thirty-something population is perceived to identify with a more feminine style. The forty-something population has shown to prefer a more luxurious style. Through this observation one can see that there is a distinction is fashion style between ages.

• 복식문화연구
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• 제17권4호
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• pp.626-639
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• 2009

As the global trend of Retro combined with the tendency of individualism which respects dramatic change and diversity in the 21st century, Goth subculture of Korea developed into various popular styles. This study, noticing the influences of Goth to the Korean youth culture and fashion trends, intends to examine the current fashion trends to analyze the various aspects of the influences of Goth to the Korean youth culture. To do this, various documents and numerous Internet materials on the Korean Goth culture are comprehensively reviewed, and the Goth look images of popular stars, photographs from fashion magazines and fashion collections are gathered, analysed, and classified into types, and the specific characteristics of these types are comprehensively analysed. According to the result of this research, Punk Goth look, departing from the sensational and aggressive style of Punk look, expresses sexy and luxurious images, while Romantic Goth look shows the brilliant and cheerful style by mixing the cute girlish image and the elegant feminine image of exaggerated details and voluminous silhouette. Avant garde Goth look parodies Goth image by using the dramatic effects of Goth images or is expressed in performances. Sexy Goth look, which reveals the sexual attractiveness of men and women much more assertively, tries to do suggestive representation and excessive exposure of human body. Dandy Goth look, which has the simple and modern line, expresses the calm and chic feeling by employing basic items with minimized details and coordinating unique accessories for accent.

• 복식문화연구
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• 제11권5호
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• pp.778-792
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• 2003

This study is to review, in the social and cultural context, the main causes for the sportism that prevails in modern fashion, and to analyze the typical expressions in the domestic fashion. Many factors attribute to the advent of sportism such as rapid development and cultural changes toward sports, increase in leisure time and abundant opportunities, new fashion materials resulting from new technologies, emerging youth culture and increasing preference for such culture, and the postmodernism. With this background, sportism, which has been appearing in the domestic fashion, falls into 5 categories as follows based on the type of its expression. “Urban Street Sportism” is affected by the new sports culture of urban young people, which is characterized such that body line is disregarded with over-sized garment in layered style without considering T.P.O. concept. “Romantic Sportism” applies colors, fabrics and details of romantic images to sporty items, or culminates the feminine and elegant sportism by using the sporty fabrics and details along with romantic items. “Vintage Sportism” is characterized by its well-refined, high quality expression of naturally worn for long time, which is affected by the postmodernism. “Urban Utility Sportism,” which is developed with such design factors as fabrics, styles, details and colors with emphasis on their utility and functionality, explicitly accommodates the changed modern life styles particularly in urban areas. Lastly, the military image, which was developed during the Iraq War along with simultaneous anti-war activities, and the peace messages, which deliver the mankind's hope for the world peace and social wellness, formulate the “Military Sportism”.

• 한국콘텐츠학회논문지
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• 제9권6호
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• pp.426-435
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• 2009

관광지는 관광자의 체험을 바탕으로 그들의 심상에 맺혀진 하나의 풍경으로 존재한다. 풍경은 이야기를 통해 사회적으로 구성된 실체다. 본 연구는 관광지의 이야기 풍경에 대한 개념을 소개하고, 한국관광자가 이야기하고 있는 도쿄의 풍경 사례를 통해 구체적으로 풍경이 어떻게 구성되는지를 탐구하고 시사점을 모색했다. 한국관광자가 그리고 있는 도쿄의 풍경은 크게 여덟 가지다. 첫째, 노스탤지어 풍경이다. 둘째, 이국취향 풍경이다. 셋째, 로맨틱한 풍경이다. 넷째, 스펙터클 풍경이다. 다섯째, 웅장한 풍경이다. 여섯째, 환타지 풍경이다. 일곱째, 모호한 풍경이다. 여덟째, 미디어 풍경이다. 이와 같은 이야기 풍경에 근거하여 관광공급자는 관광자를 능동적 담론생산의 주체로 인정하고, 관광자 중심의 풍경을 생산해야 하며, 상상과 현실이 일치되는 정보를 제공함으로써 관광자의 불편을 감소시켜야 할 것이다.