• 한국융합학회논문지
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• 제9권6호
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• pp.217-224
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• 2018

본 연구의 목적은 2016년 개봉된 영화 <데드풀>의 유머 중 풍자유머의 번역특성을 분석, 고찰하는 것이다. 풍자유머는 말하고자 하는 무엇을 다른 것에 빗대어 재치 있는 웃음을 유발하는 문학적 기교이므로 이를 번역한다는 것은 번역가에게 큰 난관이 아닐 수 없다. 이에 본고는 영화 속 유머번역을 확인, 검토하고 각각의 유머범주에서 풍자유머를 분리하여 분석방법에서 제시한 4가지 기본전략을 바탕으로 풍자유머의 빈도수와 그에 따른 양상을 배경으로 현대 풍자유머의 번역트렌드를 고찰해 보았다. 연구 결과 대부분의 풍자유머는 대부분 글자그대로 (Literal Translation) 번역되었으며, 이와 다른 전략을 사용했다하더라도 출발텍스트(ST)를 보존하고자 하는 경향이 두드러진 것으로 나타났다. 본 연구의 결과는 향후 사회, 문화, 정치 등의 융합적 관점에서 효과적인 풍자번역 전략을 도출해내는데 있어 기본 자료가 될 것으로 기대된다.

• 비교문화연구
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• 제31권
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• pp.331-370
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• 2013

In this knowledge based society, the circulation of knowledge and information is more and more increasing. Terms, as denominations of every specialized concept, has grown in quantity and there are considerable amount of foreign terminology coming to settle down in Korean language. Since terminologies quickly generate and be extinguished, it is important to translate in appropriate way at the very first phase of terminology implementation. This article aims to elaborate the typology of korean terminology translation forms, and propose some guidelines for terminology formation and translation methodology. ISO terminology principle and other institutes' propositions for term formation as well as translational theories constitute two basic columns of the guidelines.

• 비교문화연구
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• 제19권
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• pp.251-270
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• 2010

The subject of the paper is to discern the validity of the translation theory put forward by the ESIT(Ecole Sup?rieur d'Interpr?tes et de Tranducteurs, Universit? Paris III) and how it differentiates from the other translation theories. First, the paper will analyze the theoretical aspects put forward by examining the equivalence that may be discerned between the french and korean translation in relation to the original english text that is being translated. Employing the equivalence in translation may shed new insights into the unterminable discussions we witness today between the literal translation and the free translation. Contrary to the formal equivalence the dynamic equivalence by Nida suggests that the messages retain the same meanings whether it be the original or a translated text to the/for the reader. In short, the object of the dynamic equivalence is to identify the closest equivalence to the suggested source language. The concept of correspondence and equivalence defined by theoriticians of translation falls to the domain of dynamic equivalence suggested by Nida. In translation theory the domain of usage of language and the that of discourse is denoted separately. by usage one denotes the translation through symbols that make up language itself. In contrast to this, the discourse is suggestive of defining the newly created expressions which may be denoted as being a creative equivalence which embodies the original message for the singular situation at hand. The translator will however find oneself incorporating the two opposing theories in translating. Translation falls under the criteria of text and not of language, thus one cannot regulate or foresee any special circumstances that may arise in translation of discourse, the translation to reflect this condition should always be delimited. All other translation should be subject to translation by equivalence. The interpretation theory in translation (of ESIT) in effect is relative to both the empirical and philosophical approach and is suggestive of new perspective in translation. In conclusion, the above suggested translation theory is different from the skopos theory and the polysystem theory in that it only takes in to account the elements that are in close relation to the original text, and also that it was developed for educational purposes opening new perspectives in the domain of translation theories.

• 비교문화연구
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• 제27권
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• pp.255-289
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• 2012

In the course of completing a National Research Foundation project, I recently found that a handwritten Korean manuscript of The Tale of Mei Fei is kept in the Adan Collection, which is a significant scholarly discovery given that no relevant research is available. The editions of the Tale of Mei Fei available in Korea include ${\ll}$藝苑?華${\gg}$ edition, ${\ll}$說?${\gg}$ edition, and the handwritten manuscript in Korean collected in the Adan Collection. Being the only handwritten Korean translation of the work, the Tale of Mei Fei in the Adan Collection was appended by the translations of ${\ll}$한셩뎨됴비연합덕젼${\gg}$ and ${\ll}$당고종무후뎐${\gg}$. As for the practice of translation of the work, literal "word to word" translation was done for the most part of the text; some sentences were occasionally translated liberally. Also, as for the poems in the text, pronunciation of each Chinese character was provided along with the translated text.

• Child Studies in Asia-Pacific Contexts
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• 제4권1호
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• pp.65-76
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• 2014

This study aims to explore the characteristics of translated picture books in South Korea and their cultural meanings over a five-decade period. This time can broadly be divided into three periods, being the Settlement Period (pre-1990), the Flourishing Years (1991-2000) and Globalization (post-2001). During the Settlement Period, picture books in South Korea were derived mainly from Japan and America and tended to be informational in nature or based on folk tales. These were translated into Korean to meet the public's curiosity for foreign cultures or for scientific information. The Flourishing Years were characterised by the availability of picture books on a wide variety on themes and forms from all over the world. In this period, the translation of books into Korean focused on a literal rendition of the meanings and sounds of names from the original text. There was also a proliferation of audiotapes, videos and TV programs based on famous picture books. In the current period of Globalization, Korean publishers, who have built confidence through studying foreign picture books over time, have increased efforts to produce their own picture books and export them abroad.

• 한국의사학회지
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• 제30권1호
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• pp.33-41
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• 2017

This study utilized Corpus-based Analysis process to compare the Cold Pathogen chapter in the 'English version of "Donguibogam"' to the 'English version of the "Shanghanlun"' translated by 罗希文 (Luo xi wen). Results of the linguistic analysis indicate that TTR, a ratio of number of types to number of tokens in the English version of "Shanghanlun" was 5.92% while TTR in the Cold pathogen chapter of English version of "Donguibogam" was 6.01%. It was also noted that the types of words frequently appearing in the two publications were the scientific name of medicinal herbs; the method of producing the herbal prescription (including terminology representing weights and measures); and Chinese descriptions of concepts considered important in both Korean and Chinese medicinal practices. Finally, it was possible to find points of comparison in naming of symptoms, diagnosis, prescriptions, and respective names of six meridians. Though the language difference is minimal, the vocabulary found in the Cold Pathogen chapter of "Donguibogam" was more diverse than Luo's translation of "Sanghanlun". In general, literal translation in keeping with the sense of original text was better performed in Luo's translation of the "Sanghanlun" whereas the English version of the Cold Pathogen chapter in the "Donguibogam" was more of a "free" translation.

• 비교문화연구
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• 제38권
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• pp.145-190
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• 2015

The objective of this paper is to investigate translated individual words in J. S. Gale's "Choon Yang" in comparison with its original OkJoongHwa("獄中花") while referring to early modern bilingual dictionaries and missionaries' ethnography. Gale faced a lot of translation difficulties because the source text had a very different cultural system from the object text. OkJoongHwa was a Korean pansori novel which meant it included many Korean characteristics. However, Gale considered its Korean characteristics were deeply connected with Chinese classics. Even famous people and place names cited from the Chinese classics in OkJoongHwa represented the Korean thinking. Gale tried to faithfully translate the source text as much as possible whether the words were Chinese or Korean. In this paper, we deal with mostly various translation aspects of the Chinese-letter words in OkJoongHwa. Gale's first method to translate words made of Chinese Character is transliteration, the examples of which are the name of Chinese famous people and places, and Chinese poems. The second method is to parallel transliteration and English interpretation equivalent to the Chinese Character. The examples are the names of main characters like "Spring Fragrance or Choonyang," "Mongyong, or Dream-Dragon" and in his translation of word play in Osa (Commissioner), or Kamsa (Governor), kaiksa (a dead beggar). The third is literal translation of Chinese idiomatic phrases as Gale translated 侵魚落雁 into "She'd make the fishes to sink and the wild-geese to drop from the sky." The fourth is a little free translation of the title of public office, the various names of Korean yamen servants and the unique Korean clothing and ornaments. We expect Gale's many translation difficulties as we can see the translated long list of yamen clerks and Korean clothing and ornaments. After our investigation of his translation practices in "Choon Yang" we conclude that he tried to translate its literary language very faithfully though he could not avoid inevitable loss caused by the cultural difference involved in two languages. Gale's "Choon Yang" contributed to introducing the uniqueness of the classical Korean novel and Korean culture to the world more than any other English translation works of that time through his faithful translation.

• 한국콘텐츠학회논문지
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• 제17권10호
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• pp.54-64
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• 2017

본 연구는 클리셰(cliche)의 개념화에 주목하여 성경 텍스트에 나타난 클리셰를 분석함으로써 클리셰의 개념과 범주를 올바로 규정짓고자 하였다. 클리셰의 개념을 비롯하여 클리셰와 관용어의 범주를 구분하여 설명하고, 성경 텍스트를 분석함으로써 클리셰의 개념과 정확한 사용을 위한 기준점을 제시하였다. 분석은 신뢰도를 높일 수 있도록 13권의 영어 성경 텍스트를 통해 클리셰를 정리하고 분석하였다. 분석 결과로는 성경 텍스트의 클리셰를 분석에 있어 그 의의를 발견함과 동시에 클리셰의 범주를 확실히 할 수 있었다. 본고는 영 한 통번역을 위해 성경 텍스트에 나타난 클리셰를 분석함으로써 클리셰의 흥미로움을 발견함과 동시에 클리셰의 기능을 모색하고, 이를 통해 통번역 분야에 개념적 발판을 마련한 데에 그 의미가 있다. 영 한 통번역에 있어서 관용어를 비롯하여 클리셰의 개념에 대한 학습과 교육적 가치에 있어서 매우 도움이 될 것으로 생각된다. 클리셰는 어느 언어에서나 다양하게 나타날 수 있는 비유 표현이자, 언어를 특징짓는 일부가 되는 언어 표현 도구로써 사회 문화적인 현실 속에서 사용되면서 그 사회와 문화를 특징짓는 중요한 요소가 되기 때문이다. 따라서 본고에서의 클리셰의 개념 이해와 분석을 토대로 독자로 하여금 영 한 통번역 현장에서의 클리셰 연구의 필요성이 인식되고 클리셰 연구가 더욱 활발해질 것으로 기대한다.

• 대한한의학원전학회지
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• 제20권1호
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• pp.39-48
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• 2007

The first chapter of the Oh Sib Young(五十營) explains that the length of the measurement of channels(脈度) is sixteen zahngs two cheocks(16丈2尺). The second chapter says that nourishing gi(營氣) circles around(周行) the whole body 50 times during 13,500 times of breathing in twenty-four hours. The third chapter explains that the total length reaches 810 zhangs(810丈) if it circles around 50 times. Through construction of word, comparison of annotation, investigation, literal translation, free translation, conclusion analysis of these ancient writings, the following results were obtained. In the second chapter, "twenty five bun(二十五分)" should be modified into "twenty bun one Ii six ho(二十分一釐六毫) " or "twenty bun and the rest(二十分有奇)", "forty bun(四十分)" should be changed into "forty bun sam Ii two ho(四十分三釐二毫)" or "forty bun and the rest", and "five su twenty bun(五宿二十分)" should be modified into "five su twenty one bun six li(五宿二十分六釐)" or "two hundred ten bun and the rest(二百十分有奇)" in order to clarify their meanings.

• 한국융합학회논문지
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• 제12권5호
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• pp.23-29
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• 2021

최근 딥러닝 기반 자연언어처리 연구들은 다양한 출처의 대용량 데이터들을 함께 학습하여 성능을 올리고자 하는 연구들을 진행하고 있다. 그러나 다양한 출처의 데이터를 하나로 합쳐서 학습시키는 방법론은 성능 향상을 막게 될 가능성이 존재한다. 기계번역의 경우 병렬말뭉치 간의 번역투(의역, 직역), 어체(구어체, 문어체, 격식체 등), 도메인 등의 차이로 인하여 데이터 편차가 발생하게 되는데 이러한 말뭉치들을 하나로 합쳐서 학습을 시키게 되면 성능의 악영향을 미칠 수 있다. 이에 본 논문은 기계번역에서 병렬말뭉치 간의 균형성을 고려한 Corpus Weight Balance (CWB) 학습 방법론을 제안한다. 실험결과 말뭉치 간의 균형성을 고려한 모델이 그렇지 않은 모델보다 더 좋은 성능을 보였다. 더불어 단일 말뭉치로도 고품질의 병렬 말뭉치를 구축할 수 있는 휴먼번역 시장과의 상생이 가능한 말뭉치 구축 프로세스를 추가로 제안한다.