• 디지털융복합연구
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• 제18권9호
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• pp.351-356
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• 2020

본 연구는 중국전통 전지공예와 현대도예의 융합을 시론적으로 다룬 것이다. 전지공예는 중국인이 오랫동안 일상에서 즐겨온 팝아트적 예술이며, 현대도자는 이로부터 창작의 소재와 모티브를 공급받아 작가의 창의성을 자극하며 도예의 새로운 길을 열고 있다. 순수한 평면예술인 전지공예는 도자기를 만나 3차원 공간으로 전이되어 새로운 예술언어로 번역되었으며 도자재료는 그 가소성과 수용성으로 말미암아 전지공예 내포하고 있는 음양허실의 조화는 물론 전지작품에 대한 새로운 해석까지 가능하게 하였다. 본 연구는 이와 같은 양자의 융합에 대한 경향성과 가능성을 보여주고 있다.

• 디지털융복합연구
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• 제17권10호
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• pp.405-410
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• 2019

본 연구는 도예의 한 분야로서 생칠과 도기가 결합한 형태인 칠도의 공예기법 및 디자인적 융합에 대한 일차적 분석이다. 먼저 칠도의 역사 및 현재의 현황을 제시하고 칠도 장식의 기법을 세 가지로 분류하고 각 기법이 가지는 특징을 간단히 분석하여 제시한다. 칠도는 도자가 가지는 성형 상의 자유로움과 칠예가 도자에 부여하는 표면의 안정성 및 그 표면 장식의 디자인 소재 및 방식의 다양성을 가지고 있어서 일상 용기로서의 실용성 및 예술작품으로서의 미감을 동시에 지니고 있다. 다만 일상용품으로 대량생산하는 데는 어려움이 있어 현재는 예술작품으로서 여러 시도가 이루어지고 있다. 이런 시도를 통해 일반 상품에도 미적 감수성을 높이고 문화적 다양성을 만들 수 있다.

• 복식문화연구
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• 제23권2호
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• pp.294-309
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• 2015

This study aims to clarify the aesthetic values between emotion of human and expression of technology in contemporary fashion as it analyzes formative characteristics of related cases in fashion based on principles of 3D Printing technology and the viewpoint of mechanic aesthetics. The conclusions of this study are as follows. First, 3D Printing fashion is not only expressed diverse variations by its principles of formative methods, materials and properties, but also changes of silhouette by applying system of designers. Second, general characteristics of 3D Printing fashion is represented by various applications in SLS system, and it can be specifically explained application to a portion of clothing, decorative roles of clothing, complicated pattern making through crossing fabrics using 3D scanner and displaying a certain object changing fashion styles, and so forth. Third, the formative characteristics of 3D Printing fashion from the perspective of mechanic aesthetics is as follows. It can be analyzed as the integration of metaphysical values through compared symbolization of natural feature and technical evolution, partial dynamics and interactive velocity-based, formative combinations for abstract expression using architectural components, cosmos images and substantialized structures through images of organic space interacted human shapes. As the mention above, 3D Printing technology can creative a diverse area of fashion, and express images of new technological fashion through various works with continuous development of techniques.

• 한국의류학회지
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• 제29권8호
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• pp.1057-1067
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• 2005

In the modem society, people try to represent and protect their traditional arts in aesthetic way along with the global society. The proposal of this thesis is about the fashion illustration that has adopted the folklike formative arts. 1 prefer the formative character rather then the universal character and I would like to use of folk paintings far the fashion illustration. Because the formative character of folk paintings is very expressional, we are able to draw a fashion illustration in easy, new, creative and less difficult way. The fashion illustration has to be a specialized field from the formative arts, and we need to study in a new way as well. We draw fashion illustration through the understanding of folk paintings and the study of analysis in formative. As a result of this study, we could draw a fashion illustration which is very abstract, exaggerative and simple. We also could expect the free hand drawing lines on this illustration. In these fashion illustrations, the human bodies let us fret the artists' tense, speed, and power. According to the important character of folk painting, which is the beauty of color, these fashion illustrations have expressed more color intensive. In the falk paintings there is a kind of rules to make color order, so the fashion illustrations that we drew have the bright and clear color combination. Because the folk paintings shouldn't be the artistic but should be the realistic, the fashion illustrations concentrate on the real subject. It is very natural looking that use the natural dyes in the fashion illustrations. According to this kind of art task, fashion illustration will be a certain part of the illustration in the modem society.

• 문화기술의 융합
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• 제10권3호
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• pp.901-907
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• 2024

아름다워지고자 하는 욕구는 자연스럽게 미적으로 관심이 중시되고 그에 따라 뷰티산업도 크게 성장하고 있다. 그 중 아트메이크업은 색채와 표현을 중심으로 고정된 틀에서 벗어나 독창적이고 실험성이 있는 예술분야로 뷰티영역에서 발전하고 있다. 아트메이크업은 조형원리에 따라 통합예술을 토대로 한 패션, 건축, 미술 등을 모티브로 디자인 발상을 통해 조형원리를 적용한 아트메이크업에 대한 새로운 예술적인 형태 연구가 필요한 분야이다. 조형원리를 균형, 통일, 강조, 리듬으로 분류하여 그의 적용된 통합예술을 토대로 한 실질적 사례를 조경, 건축, 화훼, 회화, 패션, 인테리어로 구분하여 알아보고, 조형원리를 적용한 아트메이크업 디자인 분석하였다. 이에 아트메이크업 분야에서 조형원리를 적용한 메이크업 디자인 형태가 어떻게 적용되고 있는지와 창의적 영역으로의 확대모색과 아트메이크업 발전에 학문적으로 이론적 토대와 기초자료를 제공함으로 새로운 디자인 개발에 기여하고자 한다.

• 한국의상디자인학회지
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• 제18권3호
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• pp.145-163
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• 2016

This paper analyses Wassily Kandinsky's abstract paintings. this paper aims to discuss phases of Kandinsky's works as well as their formative characteristic theory. Practically, with formative characteristics in Kandinsky's paintings such as point, line, plane, form and color, this paper presents four sets of costumes. Among which, geometric patterns are intensively collaged as the formative characteristic of "point" calls for; crossed necklines and waistlines are applied as the characteristic of "lines" represents; plane and solid patterns are adopted as the main parts and ornaments as both the characteristic of "plane" and that of "form" claim; three primary colors - red, blue and yellow - are introduced as the characteristic of "color" depicts. Artificial leathers are used as the main fabric, patchwork and draping as so in technology. Therefore, with the theoretical and practical efforts, this paper aims to seek the interdisciplinary possibilities between paintings and fashion arts, and in order to develop several fashion designs representing modern aesthetics with their unique characteristics.

• 대한가정학회지
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• 제40권6호
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• pp.1-19
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• 2002

This study is to observe the meaning, aesthetic formative nature of the human body which has been not only a main issue and discussion object but also socially, culturally connected with clothing by contemplating it in the respect of the trend of art. Additionally, a work of contemplation about human body introduced to fashion design was analyzed to renew the meaning and value of the formative art inside the human body. The way and scope of this study is to contemplate the concept and meaning of human body, based on the documentary records such as art history and clothing history in the West society as a main theme. The results of the analysis were as follows: In the first place, the formative characteristics shown in the modem arts expressing the human body since 1990 which are cubism, futurism, metaphysical painting, dadaism, surrealism, pop art, happening, feminism, body art, and technology art are distortion, exaggeration and dismantling. Second, the aesthetic formative nature and meaning in the human body appear to be different according to the standard of ideal beauty of human body when we examine the expression of it from the aspect of art-history and the meaning of human body implied in it. Besides, human body is being used as a messenger which delivers the message of modem artist to other people. So the changed meaning of human body has affected the clothing and made it possible to manufacture and form new styles of clothing that have never been before. In conclusion, the human body in the modem era plays an important role as a brand-new formative medium of communication in the human society and contributes to the development which applies the aesthetic formative nature of the human body to fashion design.

• 디지털융복합연구
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• 제17권1호
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• pp.313-317
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• 2019

설치미술은 특정한 이념이나 형식을 고수하지 않으며 다양한 매체를 융 복합적으로 활용하여 설치(installation)하는 작품을 적극적으로 시도한다. 그럼으로써, 결과적으로 일상적인 장소에 대한 새로운 인지를 자극한다. 설치미술은 공간에 설치되는 것인 만큼 설치되는 장소에 따른 공공미술적인 성격도 갖게 된다. 따라서 설치미술은 그 시작부터 대중과의 소통, 사회적 이슈에 대한 행동을 잠재하고 있다. 이러한 설치미술은 가운데는 지속적으로 공간을 점유하지 않는 일시적인 설치미술도 존재한다. 일시적인 설치미술은 영구성에서 벗어남으로써 창작과 소통에 가벼움을 갖는다. 이는 곧 열린 공간에서의 인간과 세계의 소통을 위한 새로운 융 복합적 예술로서 시도할 수 있는 예술 양식으로 고려하고 제언할 수 있다.

• 한국의류산업학회지
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• 제19권5호
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• pp.535-546
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• 2017

This study considers direction types and formative characteristics by analyzing natural objets in contemporary fashion window display. The research methods are both literature review and content analysis based on images of contemporary fashion window display. The conclusions of this study are as follows. First, the direction types of natural objets in contemporary fashion window display expand objective outlines by maximizing the morphological form of objects. Second, a rhythmic sense expressed through a gradual repetition of patterns or a sequential arrangement of natural objects. Third, it represents a reversal of image accomplished through a modification of material on the natural objects. Fourth, a new space is created by transforming two dimensional forms of natural objects. The first formative characteristic of natural objects in contemporary fashion window display is exaggeration. This is expressed through either the expansion of the external volume, the collapsed form of natural objects, or the distortion of external colors. Second, it is a dynamics. This makes it possible to recall the dynamic image of the integration of the observer with a priori thinking by systematically sequencing objects or inducing a specific motion. Third, it is an abstraction. This provides an opportunity for the observer to find in a natural beauty by exchanging physical form or reinterpreting characteristic points. Fourth, it concerns eclecticism characteristic that objects created through the mutual fusion of heterogeneous elements indicates an aesthetic inspiration in a limited space by diverting conventional thinking toward natural objects with expansion of consciousness on formative arts.

• 디지털융복합연구
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• 제16권10호
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• pp.421-426
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• 2018

하나의 예술 작품에서 표현되는 정서적 분위기에는 그 작품 자체의 구조적 상황을 묘사하여 나타나는 것과 동시에 색채로 표현되는 것이 담겨 있다. 여기서 색채적 특성은 기쁨, 슬픔, 만남, 이별 같은 감성은 물론 구성의 무거움과 가벼움, 느리거나 빠름 등을 그림에 반영한다. 또한 색채표현의 대비, 조화, 색채의 강렬함, 수수함 등의 시각적인 향연을 통해 관찰자의 시선을 끌어들인다. 색채특성의 융합연구는 그림의 절대면적을 차지하는 색역(color gamut, 色域)이 주된 역할을 하고 그 밖의 다른 색들은 이 색역의 조영하에 빛을 발휘하는 것에 관한 연구이다.