Browse > Article
http://dx.doi.org/10.14400/JDC.2020.18.9.351

An Introductory Study on Convergence of Traditional Chinese Paper-cutting Art and Contemporary Ceramic Decoration  

Xinqing, Li (Dept. of Formative Arts Design, Graduate School, Kongju university)
Zhengqi, Wei (Dept. of Formative Arts Design, Graduate School, Kongju university)
Peng, Yan (Dept. of Formative Arts Design, Graduate School, Kongju university)
Kim, Won-Suk (Dept. of Formative Arts Design, Graduate School, Kongju university)
Ro, Hae-Sin (Dept. of Formative Arts Design, Graduate School, Kongju university)
Kim, Sung-Min (Dept. of Formative Arts Design, Graduate School, Kongju university)
Publication Information
Journal of Digital Convergence / v.18, no.9, 2020 , pp. 351-356 More about this Journal
Abstract
This study is an introductory study on Convergence of Traditional Chinese Paper-cutting Art and Contemporary Ceramic Decoration. As a part of Chinese folk art, now newly developed by the convergence of contemporary ceramic ar, today it promotes artists' creativity and find a alternative way for ceramic art. This mainly explore transition of 2 dimentional paper-cutting art into ceramic art. As a part of convergence art, this study suggest combination of 4 elements yin-yang-true-false with understanding of its history and contemporary status, and towards aesthetic values.
Keywords
Paper-cutting art; Ceramic art; Silk Screen; Convergence; Openwork; Decoration design;
Citations & Related Records
Times Cited By KSCI : 4  (Citation Analysis)
연도 인용수 순위
1 K. F .Luo. (2005). On the conflict and integration of Chinese and Western culture and art Hunan, Journal of Zhuzhou Institute of Technology
2 L. Susan. (1999). Emotion and Analysis. Changsha: Hunan University Press
3 J. H. Choi & Y. J. Cho. (2016). A Study on Expression of Contemporary Ceramic Decoration Using Pop Art
4 M. Guo & J. L. Pan. (2006). Chinese Traditional Paper Cutting. Beijing: People 's Fine Arts Publishing House
5 L. Shao. (2006). On the variation of modern ceramic decoration. Jiangsu Ceramics
6 Y. Wang. (2009). Application of paper-cutting art in modern ceramic decoration. Foshan Ceramics
7 H. Xu. (2010).On the paper-cut decal art of Jizhou Kiln. Jiangsu Ceramics
8 G. Wang. (1999).Jizhou Kiln and Jizhou Kiln Ceramic Art. Jiangxi Education Press
9 L.Li. (2006). New decoration of traditional ceramics. Wuhan: Wuhan University of Technology Press
10 G. X. Qiao. (2018). On the transformation and application of paper-cutting art elements in ceramic decoration language. Jiangxi, Jingdezhen Ceramic University Master of Art
11 Z. C. Yu. (2006). The effect of paper-cutting on the decorative art of ceramics. Chinese Ceramics
12 Y.W.Wang & L.Y.Yin. (2008). On the characteristics of window decoration art in Yu County. Art theory
13 S. G. Ko. (2018). A study of modern metal craft using analytical formative beauty of line and surface. Journal of Digital Convergence, 16(1), 337-342   DOI
14 K. J. Park & J. W. Choi. (2017). A Study on Convergence Expression Using Transfer PrintingTechniques in Contemporary Ceramic Art. Journal of Digital Convergence, 15(5), 333-33   DOI
15 X. C. Zhu. (2015).The Influence of Yin and Yang Concepts on Traditional Folk Paper-cut Art.The Big Stage
16 P. G. Wang. (2004). Talking about the decorative features of folk paper-cut modeling. Journal of Nanjing Art Institute (Art and Design Edition)
17 J. C. Li. (2019). Application research of He Linger paper-cutting elements in ceramic art creation. Master degree thesis of Inner Mongolia Normal University