• 복식문화연구
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• 제13권6호통권59호
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• pp.999-1010
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• 2005

The purposes of this study were to investigate used patterns in Hanbok and to find out a classification and a characteristic of motifs. The data made use of 111 pictures constituted Gegory(a Korean jacket) and Chima(a skirt) in photographs collected in wedding magazine(Wedding 21'). The data was analyzed by frequency, contents analysis. Pattern's use or not in Hanbok and a sort, a arrangement, a way of expression of patterns using frequency Classified and characteristics of motifs were analyzed contents analysis. The results of this study were as follows. First, a sort of patterns was lots of flower motifs of the plant pattern. An arrangement of and expression of patterns used mainly a partial arrangement and embroidery expression. Second, the subjects classified using criterion of classification of a external feature, forms of expression, and simplicity/complexity of line. Third, the motifs classified into plants, an animal, geometry, abstraction, and a natural object. The plant motifs were perceived the focus of flower, a combination of a flower and a stem in the plant motifs. The subjects perceived as a simplicity/complexity of flower and a drawing line of a flower and a stem.

• 한국의류학회지
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• 제23권7호
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• pp.921-928
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• 1999

The purpose of this study were 1) to find out impression dimensions of the dress wearer with various motifs 2) to evaluate the impression effects of motifs in Korean traditional dress for women. The research method was a quasi-experimental with the between subjects design. The experimental materials developed for the study were a set of stimuli and response scale. The stimuli were consisted of 12 drawings with full factorial design of 3 independent variables : motif sorts (2:flower animal) motif types(2: realistic stylized) motif arrangements(3: all over the traditional to modern) The stimuli consisted of color photographs and color of clothing and motifs was controlled the blue. The response scales were consisted of 30 bi-polar adjectives. The subjects were 333 undergraduate college students of Taejon. The data was analyzed by factor analysis MANOVA and Duncan's multiple range test. Results were as follows: 1. The wearer's impression were consisted of the 3 different dimensions : attractiveness · dignity dimension. Interaction effect among motif sorts motif types and motif arrangements was significant on the same dimension. Interaction effect between motif sorts and motif arrangements was significant on the visibility dimension. 3. The motif arrangements were a significant variable on the attractiveness·dignity and the evaluation dimension. The traditional arrangement and the modern arrangement showed more faborable impression and the all over arrangement showed less favorable impression on the attractiveness·dignity dimension. The all over arrangement showed positive impression on the evaluation dimension and the traditional arrangement and the modern arrangement showed negative impression on the same dimension. There were no significant difference between flower sort and animal sort and also no significant difference between realistic type and stylized type in their impression effects.

• 복식
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• 제60권9호
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• pp.16-25
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• 2010

This study reinterpreted the formative design elements of traditional grate patterns to create new lattice patterns and come up with a design concept for fashion-cultural products that highlight the uniqueness of traditional Korean culture and its characteristic features. Methodologically, the computer design software programs Adobe Illustrator CS2 and Adobe Photoshop were used to make grate patterns motifs. and they were applied to scarves and again to blouses using a three-dimensional simulation technique. In this study, three basic motifs for a new formative image were set using graphical functions such as omitting, simplifying, overlapping, repeating and reducing shapes based on the images of traditional 亞-shaped, arched and floral lattices, and each motif was expanded to have two variations with different colors applied to them. The direction of basic motif design was set to fit for each of fashion-cultural items such as scarves and blouses. Basic colors for motifs were arranged to create a colorful and modern but staid image in pink, blue, purple, green, yellow and brown tones. Based on a developed motif, changes were made in blouse design with lattice patterns through a variety of effects such as repetition, rotation, cross-arrangement, and oblique arrangement, and three-dimensional simulation was used to bring the design to life. Scarf design employed and applied the existing motifs in an appropriate manner for design purposes and reconstructed them through such effects as repetition, rotation, compositional variation and gradation to express a gorgeous and refined image.

• 복식
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• 제51권4호
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• pp.81-95
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• 2001

The purpose of this study is to categorize the typs of fabrics and to analyze weaving method and pattern design on the silk fabrics from Jang-Gi Jung s tomb. The conclusions of this research are as follows. 1) Among the 32 pieces of excavated clothes, 90% of them were made of silk fabric and 65% used patterned silk. I would assume, therefore, that the tomb was owned by a person of higher society who could afford the best clothes of the time. 2) The weaving methods of silk include tabby, twill damask with different direction (2/1 warp faced ground, 1/3$\cdot$1/4 weft faced pathern), self-patterned satin damask (4/1 warp faces ground, 1/4 weft faced pattern), and brocaded satin damask. 3) The arrangement of the motifs and the kinds of patterns on these silk fabric can be divided into two categories: first group is allover arrangement of peony or lotus and second group is the scattered arrangement of omen of luck. 4) Two pieces of fabric was stamped and the letters of the stamp make me to think about the possibility that the fabrics are from China. But to make this paint clear more relics of this kind should be excavated so that further research can be done.

• 한국의류산업학회지
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• 제6권1호
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• pp.17-22
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• 2004

The purpose of this study was to obtain the basic element of patterns, which is the motif, from the existing art works and use it to create and simulate a variety of patterns to show the practical use of the computer. Natural dyed works of geometric shapes like squares and 1/4 of circles, each dyed with a different natural dyes, were produced and motifs were extracted. Then using the 4D box in Adobe Photoshop v.6.0, the developing pattern change and simulation effects when using different patterns and different repetition settings were examined. Observations were made as the motifs were replicated. Different patterns like a diagonal line, a square and a circle appeared. In order to find out the effects according to the changes, the motifs from work's square portions, circle centre, and the composition of eight motifs were extracted and used. The repeated patterns according to the extracted motifs simply showed that in the case of just repeating and arranging, square patterns appeared. By replicating and arranging, the motif and the allophone were matched and patterns with regular lines were formed, like a twill, pointed twill line. By setting the direction to Y and X in the repetition methodes, a typical half-drop arrangement or a brick pattern arrangement were formed according to 1/4, 2/4, 3/4, 1/3, or 2/3 in changes. Also the steepness of the slope changes quickly or in turn slowly as the rhombus shape appears. However in the case of a composed motif, an ogee pattern appeared. Lastly, by 3-D mapping patterns like a slant line, pointed twill patterns, diamond patterns, and the repeat patterns of a motif with a circle and a line combined, and a circle motif, an optical illusion could be observed.

• 복식문화연구
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• 제18권4호
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• pp.731-740
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• 2010

This study attempted to understand the value of traditional floral wall patterns reflecting the distinct aesthetic consciousness of Korean people and reinterpret the images of floral wall patterns in simplified forms. In addition, the study created new floral patterns to apply them to the design of neckties and scarves. In a methodological aspect, the computer design software programs Adobe Illustrator CS2 and Adobe Photoshop CS2 were used to make the traditional floral wall patterns motifs. Four basic motifs for a new formative image were set using graphical functions such as omitting, simplifying, overlapping, repeating, and/or reducing shapes based on floral wall patterns, and each motif was developed in two variations with different colors applied to them. Each of the set motifs was expressed in a repeated arrangement and in a modified pattern of 45 degrees. Necktie design with a floral wall pattern made use of the motifs developed through a variety of effects such as simplification, repetition, size variation, and gradation and the pattern modified at a $45^{\circ}$ for application. Scarf design employed and applied the existing motifs in an appropriate manner for design purposes and reconstructed and expressed them through such effects as repetition, rotation, compositional variation and gradation.

• 패션비즈니스
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• 제23권2호
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• pp.18-33
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• 2019

The purpose of this study is to develop fashion cultural products that contain an example of cultural symbolism, which is based on the results of iconological analysis seen on imaginary animals. The method of research was to derive design ideas through a verbal association method, using the technique of mind map as based on the iconological analysis results. In the scarf design, four auspicious animals were used as the main motifs, and the background elements that appeared with each folk painting were used as sub-motifs for each of the four animals. In this case, the Yong was expressed with an image of clouds and flames as sub-motifs, and was strongly represented by the presence of a contrast color combination. In what follows, the Bonghwang was used with the sun and feathers in a stable structure due to its four-way arrangement, and was expressed with its soft light tone. The Shingoo was used with blue and khaki colors of dull and deep tone, and the image of aquatic plants and lotus were used. Finally, with the Kirin was represented by a symmetrical structure as characterized with a dull toned color and square border that provides a sense of stability. The clutch bags were as generally expressed using simple animal motifs, and were composed of a uniform motif and color. The design process used the Illustrator CS6 to perform motifs design. In the end, the process finally developed the actual product of eight scarves and four clutch handbags.

• 한국의류학회지
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• 제44권5호
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• pp.950-968
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• 2020

This study derives the modern characteristics of the paisley ornament through an analysis of the paisley ornament shown in fashion since the 2010s based on a theoretical review of the paisley ornament used in Kashmir India shawls for artistic inspiration in the fashion-textile field. It classified the paisley ornament in fashion since the 2010s into types of 'basic structure of body and coif', 'abnormal paisley ornament shapes', 'complex structure of paisley ornament', 'complex structure with other motif', 'a pair of symmetrical reflection motif', 'regular of repetitive arrangement', 'complex arrangement of irregularity and regularity' and 'free arrangement of irregularity'. A comparative analysis with the historical paisley ornament shows that paisley ornaments have contemporary characteristics like 'Bisector structure of centerline in criterion of the body', 'Composite structure of extended 1-repeat', and 'Free structure of engineered placement'. A modern design was inspired by the historical art forms; however, it was used in free utilization of motifs and patterns in terms of size, direction, proportion and space. These were the expression of a design identity that originated from the aesthetic ability and career of a designer as well as the technology of computer programs for the improvements in time and cost efficiency.

• 헤리티지:역사와 과학
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• 제52권4호
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• pp.18-37
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• 2019

국립중앙박물관의 외규장각 의궤 중 운보문단(雲寶紋緞) 책의(冊衣)를 대상으로 운보문의 편년 설정 방법을 도출한 결과는 다음과 같다. 첫째, 외규장각 의궤 중 운보문단 책의는 현종 즉위년(1659) 『효종국장도감의궤(상·하)』부터 영조 20년(1744) 『사도세자가례도감의궤』까지 86년간 89책(冊)에서 사용되었다. 둘째, 의궤 책의에 사용된 보문 종류는 14종으로 파악되었는데 잡보(雜寶)인 금정(金錠), 만자(卍字), 방승(方勝), 방승(쌍), 보주(寶珠), 산호(珊瑚), 서각(犀角), 서보(書寶), 애엽(艾葉), 여의두(如意頭), 전보(錢寶), 전보(쌍), 특경(特磬), 화보(畵寶)이다. 셋째, 운보문 판독 방법은 다음과 같다. (1)보문의 명칭을 결정한다. (2)운두(雲頭) 꼭지점을 기준으로 운두가 일방향(一方向)으로 배열되었는지 양방향(兩方向)으로 배열되었는지를 확인한다. (3)운두에 연결된 만자꼬리 중 상하꼬리 방향이 좌향인지 우향인지 파악한다. (4)운두를 중심으로 사분면에 배열된 보문 조합이 '1조(組) 보문형'인지 '2조 보문형'인지 확인하고 운두 꼭지점을 기준으로 좌향꼬리는 좌상(左上) 면에서 시계 역방향으로 보문을 판독하고 우향꼬리 운보문은 우상(右上) 면에서 시계 순방향으로 보문을 판독한다. 2조 보문인 경우는 첫 보문의 명칭을 가나다 순으로 따져 '제1조 보문'과 '제2조 보문'을 결정한다. (4)운보문에서 판독한 내용을 유물명부터 유물번호, 소장처, 왕조, 연도, 1-1면, 1-2면, 1-3면, 1-4면, 방향, 2-1면, 2-2면, 2-3면, 2-4면, 운두 크기, 단위문 크기 등 16항목으로 정리한다. 이러한 판독법의 활용을 용이하게 하기 위하여 운보문의 연대 파악을 위한 '정하 운보문 판독법'으로 명명하였다. 넷째, 현종 즉위년(1659)부터 영조 20년(1744)까지 86년간의 의궤 89책 책의에서 28종의 운보문단을 확인하였다. 그리고 운보문에 사용된 보문은 단독보문과 조합보문을 포함하여 45종으로 확인되었는데, 특히 보주(85건), 산호(84건), 서보(42건), 방승(쌍)(41건) 등이 많이 사용되었음을 알 수 있었다. 다섯째, 운보문 판독법을 연대가 정확한 초상화와 출토복식, 전세유물 등에 운보문 판독법을 적용해본 결과, 유물의 연대 파악에 도움이 될 수 있음을 확인하였다.

• 한국실내디자인학회논문집
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• 제38호
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• pp.57-64
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• 2003

The purpose of this study is to examine house and interior design during the Georgian Period in England. The results of this study were as follows: 1. Typical houses during the Georgian Period were generally two types that one was a single detached house in the country and the other was a terrace houses in the city. 2. Both the houses and their interior design during the Georgian Period were influenced by Classicism and Palladianism. The distinction of forms and the decorations used motifs originating from Greece and Rome. Gradually, It had been changed by the influence of Rococo from Europe and the archaeological excavation of Pompeii and Herculaneum. 3. The facade of house used simpe, plain and symmetrical forms. Entrance was usually in the center of the house around sash windows. Also, the Inside of house, division of walls, arrangement of furnitures and decorations of details were followed the symmetrical forms. Finally, it was found that the distinctions represent the typical style of Georgian in England.