• 제목/요약/키워드: ageless

검색결과 11건 처리시간 0.027초

한국 중년 남성의 젊음 추구와 유행 스타일 변화 (Ageless Trend and the Fashionable Style of Korean Middle-Aged Men)

  • 이나현;하지수
    • 한국의류학회지
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    • 제39권5호
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    • pp.745-754
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    • 2015
  • This study analyzed Korean middle-aged men's fashionable styles according to ageless trends as their representative characteristic and deriving their special features from men's magazines. Literature and case studies were conducted together. The research findings are as follows. First, it showed uniformity, conformity, passive clothing selection and consumption in 1990s as characteristics of middle-aged men's wear by period. However, clothing became an expressive way to pursue individuality and an ageless trend gradually, and middle-aged men positioned themselves as subjects of a consumer market for men's wear after 2010 through active clothing selection and consumption. Second, along with a trend change preferring a comfortable and active to formal atmosphere, it showed that casual style became diversified and segmented gradually in Korean middle-aged men's ageless trend and fashionable style. Third, as for formative characteristic changes in middle-aged men's fashionable style by period, it contained a slim silhouette, bright and splendid colors and patterns, increase of light, active and functional materials, generalization of casual items and pursuit of individuality by various mix & match styles. Fourth, in Korean men's ageless trend and changing fashionable style, four kinds of special characteristics were derived that included a change of the traditional clothing symbolism, weakened conformity & pursuit of personality, obscured boundaries between age and wearing style, and active embracing of a trend.

키덜트(Kidult)족의 의복행동 (Clothing Behavior of Kidult Group)

  • 김지선;김용숙
    • 한국가정과학회지
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    • 제9권1호
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    • pp.63-70
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    • 2006
  • This study is a review of the clothing behavior of kidult group that is a new minority group in 21st century. Kidult is the compound word of kid and adult and refers the persons who have become adults but with the inclination to focus on childlike culture and consumption. As the background of the appearance of the kidult group these days, the prevalence of throwback fashions, high valuation of appearance, the phenomenon to prefer light things caused by economic depression, the individualism that does not care about others and the ageless phenomenon that the consumptions are mind age oriented, may be pointed out. The most prominent cloth behavioral characters of the kidult group are that they enjoy bounding color combinations such as candy color and. that cute t-shirts, crop pants and volume skirts of girlish look are easily found. Also, they enjoy toy-like ornaments and illustrated clothes or accessories and the school uniform fashion implying nostalgia for girl-hood and lovely make-up indicate the kidult inclination.

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현대예술과 패션의 트랜드 이미지에 관한 연구 -95년 이후 Fashion Trend를 중심으로- (A Study of Modern Art and Fashion Trend Image -Based on after 1995 Fashion Trend-)

  • 이은영
    • 복식문화연구
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    • 제6권3호
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    • pp.88-99
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    • 1998
  • Image of Modern Art & Fashion are created on the whole in daily life. Image itself is not simple. There is no more distinction between content & form through mutual crossing for intellectual thinking. Specially, image of reproduction circumstance too many mixtual and compromise (collage) are continued to occur. They could pursuit to change their image through the more increase of impulse, exception and popular experience. In this thesis, I studied about image of Modern fashion & Art. In the modern art, visual image showed as anti-beauty and combination of cultural system. It has shown in the theory of Fred Davis and through fashion brand advertising image as follows; Youth vs maturity (ageless image), male s female and androgynous vs unisexuality (genderless image), colligation vs monopoly (street mode image). As a results, the modern trend image are showing the value of the ambivalence. It can be said that he anti-beauty which are occasionally showed in ambivalence has shown a tendency toward another tradition (feminity) through giving an impulse and paradox.

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유과 저장성 향상을 위한 산소 차단 포장시험 (Shelf-life Extension of Yukwa (oil puffed rice cake) by $O_2$ Preventive Packing)

  • 신동화;최웅
    • 한국식품과학회지
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    • 제25권3호
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    • pp.243-246
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    • 1993
  • 유과의 저장기간 연장을 위하여 가장 문제가 되는 유지의 산패를 억제시키기 위하여 산소 차단성이 있는 포장용기에 유과를 포장하고 포장내 공기를 질소가스로 대체하거나 용기내에 산소흡착제를 투입, 산소를 제거한 후 저장하면서 유과의 산패 지연효과와 관능적 측면을 비교 평가하였다. 저장중 유과에 들어 있는 유지의 POV는 $35^{\circ}C$에서 90일 저장시 산소흡착제를 넣은 경우 5.3, 질소대체 11.9meq/kg, 그리고 비포장구는 195.5 meq/kg으로서 산소흡착제 및 질소대체 처리구가 뚜렷한 산패 억제효과를 보였고 이때 최종 산소잔존율은 각각 4.55% 및 13.85%였다. AV 및 TBA가도 비슷한 경향이었으나 차이는 POV 보다는 적었다. 저장 제품의 관능검사 결과 질소대체 처리구가 가장 우수하여 90일 저장품도 15일 저장품과 차이가 없어 유과의 저장기간을 연장하는데 질소대체 포장방법으로 저장기간을 획기적으로 연장시킬 수 있는 가능성을 보였다. 산소흡착제의 경우 산소흡착에 의한 부피의 감소, 유과향기의 흡착 등이 문제로 대두되었다.

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The Dilemmas of Aging and Down-aging : The Fashion Attitude of Senior Street Look

  • Ro, Juhyun;Park, Juhee
    • International Journal of Costume and Fashion
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    • 제17권1호
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    • pp.59-72
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    • 2017
  • This study aimed to analyze the dilemmas of aging and down-aging by the senior street look, and to examine the styling, psychology, and attitudes of the elderly through socio-cultural discussions. It was conducted through a multidisciplinary literature review and empirical analysis of seniors featured in fashion photos collected from SNS. With respect to seniors' fashion attitudes, firstly, they make personal/social records of dress as a means of recording aging and to reminiscence. Secondly, they attempt to down-age kidult play using mature humor. Thirdly, they try to express a perfect, moderate, and mature beauty to positively adapt themselves to aging. Fourthly, they adopt a regional and ethnic look to escape from the dilemmas accompanying aging and down-aging. This may be regarded as an attitude for repositioning themselves and planning a new life by escaping from a long-standing frame. Finally, they show a desire to stop and enjoy the moment of aging. While recording their cherished everyday lives, they enjoy the present rather than becoming concerned about the past or the future and use styling as a cure for their lives.

글로벌 패션산업에 나타난 패션 민주화의 특성과 패션 민주주의 (The characteristics of democratization of fashion and fashionocracy in the global fashion industry)

  • 석효정
    • 복식문화연구
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    • 제29권4호
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    • pp.488-504
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    • 2021
  • This article examined the historical evolution of changes in the democratization of fashion, identified its characteristics, and defined 'fashionocracy - fashion democracy'- by analyzing various phenomena in the global fashion industry. This research will expand the field of fashion research and spark academic debates about fashion democracy. The democratization of fashion can be summarized in five periods; birth, introduction, early growth, growth, and maturity. The characteristics of the democratization of fashion include individual autonomy, accessibility that many people can access and enjoy, and diversity. According to the principles of democracy- "of the people, for the people, by the people" - which are based on freedom and equality, we have achieved fashion of the people and for the people so far. Furthermore, social media has shifted the balance of power to influencers and bloggers; as such, the masses who have consumed and enjoyed fashion democratization are becoming producers and promoters by actively participating in the process of making fashion, creating a new era of fashion democracy (fashionocracy): - by the people. Ultimately, fashionocracy consists of the '6P's' ; people (active and productive consumers), planet (society and environmental sustainability), products (genderless, ageless, inclusive), price (reasonable), place (multi-channel distribution, virtual spaces), and promotion (horizontal).

90년대 이후 패션일러스트레이션의 표현적 특성에 관한 연구 - 패션의 트랜드와 패션의 포스트모던적 특성과의 연계(連繫)를 중심으로 - (A Study on the Characteristics of Fashion Expression after the 1990s - Focusing on the link between Fashion Trend and Characteristics of Postmodernistic Fashion -)

  • 성광숙
    • 복식
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    • 제54권1호
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    • pp.109-123
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    • 2004
  • In this study, the fashion trend after the 1990s and the characteristics of fashion in the postmodernistic viewpoint that mainly effected fashion were observed, and the characteristics of fashion illustration expression was observed in the viewpoint of its link. It can be seen that mutually close characteristics are mutually linked. As the result of this study, the characteristics of fashion illustration can be categorized into three areas. and the sub-concepts are as following. The first category is the pursuit of feminine beauty of individual multi-dimension. This includes- 1) retro feminine beauty; 2) fetishistic and ecstatic feminine beauty; 3) mixed composition genderless (mixed composition style. ageless style and raceless style): and 4) beauty of body deconstruction and reconstruction (deformation due to partial transformation, change into animalization, mechanization and spirituelization. and beautification of crudeness). The second is the intentional deviation of expression and production technique. This includes-1) deviation from traditional perspective; 2) deviation from composition concept: and 3) breaking away from the existing material and expression technique of material. The third is the pursuit of authority-rejection form of expression. This is an area that should be noticed in the fashion illustration expression of the 1990s, as it shows the most diverse phenomenon. The sub-concepts of this category include- 1) separation of art 2) minimalism (minimalism in structure and production method); 3) flatness; 4) completion of incompletion; 5) accidentalism; 6) sportive;7) absence of figure; 8) intentional childishness 9) story development; 10) techno mechanism and cyber character; and 11) animation style.

우리나라 남성 골프웨어에 나타난 패션 경향 분석 (An Analysis of the Fashion Trends Expressed on the Korean Men´s Golfwears)

  • 이효진
    • 복식문화연구
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    • 제10권6호
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    • pp.748-762
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    • 2002
  • The purpose of this study was to analyze the fashion trends of Korean men's golfwears and furnished the researchers of same major with reliable data base. Lately, Korean men were concerned about their appearance rather than social position. Moreover, they tried to express the needs of youthfulness with free lift through clothings. These trend had been showed itself not only development of golfwears, but also change of esthetic tastes of men's golfwears. First of all, the development of men's golfwears was affected by the major three factors out of many various factors. That is, popularization of golf by the international activities of Korean progolfers, appearance of young consumers after IMF and the casualization of the men's formal dress, the making an everyday dress of men's sportswears. The results of analyzing of fashion trends of the men's golfwears is as follow: 1. The characteristics with naturalness, comfort of men's golfwears was manifested casualization trends by the factors of downward tendency of golfer's age, 5-days working, men's biz casual preference, individual ism after IMF. 2. Men's character golfwears was showed by the ageless as a youthfulness expression, the Sportism as an international trend, 2002 world cup, etc. 3. All of golfwears have to be functional characteristics because the golf is an active sports spending long time in golf course. Unconstruction style was an important fashion trends of men's golfwears by using functional materials to meet the needs of consumers. 4. The men's clothing was deviated from a fixed idea called masculine after IMF. Moreover, this trend was increased by the appearance of lovely man, genderlessness and had an effect on men's golfwears. Consequently. men's golfwears was showed feminization characteristics as a feminine, sensitive style. In the future, Korean men will try to express their character and thought freely through golfwears, men's golfwears will be continued ‘beyond the golf course’ image reflecting in the future fashion trends.

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20대와 30~40대 여성의 상반신 신체치수 및 체형 비교 연구 - 30, 40대 여성의 영캐주얼 브랜드 선호 현상에 따른 문제점 파악을 중심으로 - (A Comparison of Upper Body Sizes and Body Types of Women in Their 20s and 30s-40s - Identifying Problems Generated by Preferences of Women in Their 30s and 40s for Young Casual Brands -)

  • 김은경
    • 한국의상디자인학회지
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    • 제18권2호
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    • pp.15-33
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    • 2016
  • Women in their 30s and 40s, who are at the center of "ageless" and "down-aging" consumer trends, are likely to encounter problems with fitting and size conformity when they wear casual clothes targeting women in their 20s. Hence, differences in upper body sizes and body types between women in their 20s and women in their 30s and 40s were analyzed. The data for this study was from the 6th Size Korea survey of body measurements of 1,675 female adults in their 20s-40s. SPSS 21.0 for Windows was used for analysis of the collected data. To examine differences in average upper body size between women in their 20s and women in their 30s and 40s, descriptive statistics and independent sample t-tests were conducted. Factor and cluster analyses were used to classify body types by age groups. Comparing direct measurement items showed that women in their 20s tend to have higher average values for most height-related items-including body height-and lower average values for circumference, thickness, and width than women in their 30s and 40s. Factors in determining the upper body shapes of women in their 20s to 40s were narrowed to five; through a cluster analysis, upper body shapes of women were classified into three body types as follows. Type 1 women are shorter and thinner with small frames; Type 2 women have the highest vertical values for their upper bodies and average values for obesity-related categories of circumference, thickness, and width. Type 3 women are the shortest and has the highest body mass index (BMI), verifiable as obese. By analyzing differences in body type distribution according to age groups, it was found that more than 90% of women in their 20s belong to Types 1 and 2. On the other hand, most women in their 30s and 40s are identified as Type 3.

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영화 <뷰티플 마인드> 환상인물의 상징의미 (The Symbolic Meaning of the Imaginary Characters in the Movie "Beautiful Mind")

  • 김성훈
    • 한국콘텐츠학회논문지
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    • 제13권10호
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    • pp.113-122
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    • 2013
  • 론 하워드 감독의 <뷰티플 마인드>는 세계적인 천재 수학자인 존 내쉬의 삶을 영화화 한 것이다. 주인공 존 내쉬는 환각과 망상이 동반된 정신분열병 환자이고 뚜렷한 3사람의 환상으로 나타난다. 이 3인에 대한 해석이 그동안 연구자들에 의해 서로 다른 주장을 해 왔지만 그 주장이 일관성을 상실하고 있는 부분이 많다. 특히 소녀에 대한 해석이 아예 없거나 늙지 않는 인물이어서 주인공이 환각속의 인물임을 인정하는 것으로 해석하고 있다. 이 영화에서 환상인물을 론 하워드 감독은 많이 알아야 많이 본다는 올더스 헉슬리의 이론을 채용하지는 않았지만 독특한 방법으로 이 인물들에 대한 해석을 해 놓음으로서 관객의 수준에 맞는 해석을 해도 무방하다는 태도이다. 환상인물은 주인공 존 내쉬의 머릿속에서 나온 가상의 인물이며 그가 갈망하고 원하는 인물로 표현된다. 인간의 가장 기본적인 욕망인 물욕, 성욕, 명예욕이 바로 그것이며 명석한 내쉬는 그 세 가지 욕망을 가상의 세계를 통하여 치밀하게 3인을 투영한다. 그 동안 논란이 되어온 3인의 환상의미에 대해서 명쾌하게 해석함으로 영화 속에 등장하는 환상인물들의 상징의미를 새롭게 제시하고자 한다.