• 제목/요약/키워드: Wear-out points

검색결과 20건 처리시간 0.02초

산업용 로봇의 기어소음 특성 고찰 (Identification of Gear Noise for Industrial Robots)

  • 김동해;이종문
    • 한국소음진동공학회:학술대회논문집
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    • 한국소음진동공학회 2002년도 추계학술대회논문집
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    • pp.152-155
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    • 2002
  • An industrial robot noise has various noise sources such as gears, motors, bearings, and controller fans. Among these, gears are the most dominant source for noise. The gear noise, caused by tooth profile, elastic deformation, machining error and wear, is directly correlated with the transmission error of mating gear. Due to the fact that has several axis and many gears, it is difficult to understand the characteristics of the vibration and noise of robots. In this study, some advanced analysis techniques based on digital signal processing such as power spectrum, time spectral map, RPM map, and etc., were applied for locating the dominant frequency components of the robot noises and identifying their sources. In addition, sound quality analysis was performed in order to evaluate the operator's annoyance. The noise and vibration measurements were carried out at several points during the operation of each axis considering the effect of load and posture of the robot. Eased on the results, proper countermeasures to reduce excessive noise level have been suggested considering the characteristics of sources.

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인체의복압 환경개선을 위한 의복압 측정 System 개발에 관한 연구 (Development and Application of Measurement System for Clothing Pressure)

  • 송경헌;김정화;박성하
    • 한국생활과학회지
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    • 제11권3호
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    • pp.307-319
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    • 2002
  • We studied on the development of clothing pressure measurement system for wear comfort of foundations(girdle, brassiere, all-in-one). Measurements of clothing pressure were made on subjects wearing girdles, brassieres, all-in-ones of several type(material, size) using by CPMS(clothing pressure measurement system: Tech-Storm. Co). Wearing experiments have been carried out using nine women in the twenties and six women in the forties. The results obtained are as follows: 1. The clothing pressure applied by girdle was higher in the hard type than the soft type by $5-10gf/cm^2$, also recorded a high clothing pressure at points of waist band line and thigh lateral. 2. Clothing pressure of brassiere with wire was high at the point of underbust line and shoulder strap. Pressure for 40s showed higher than 20s by $6-7gf/cm^2$. 3. The pressures of abdominal part applied by both of girdle and all-in-one were much greater than those of girdle or all-in-one. 4. We demonstrated the adaptability and conformity of the CPMS by inquiring into the clothing pressure of various foundations.

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전통 국기복 디자인에 관한 미학적 고찰 -씨름복을 중심으로- (An Aesthetic Review on the Traditional Active Sports Wear Design - Focusing on Korean Wrestling Uniform-)

  • 윤을요;박선경
    • 디자인학연구
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    • 제18권3호
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    • pp.105-116
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    • 2005
  • 본 연구는 전통 문화상품으로 잠재력을 지니고 있는 씨름의 이미지 구축에 관한 복식 연구로서, 씨름복의 체계화 및 시각화에 관한 방안제시, 그리고 씨름복 디자인 개발에 관한 기초 기반연구를 목적으로 하고 있다. 따라서 기초적인 부분으로는 씨름복의 역사성에 대한 탐구로 세계 씨름과 우리나라의 씨름을 비교 고찰해 보았으며, 씨름복에 관한 변천사에 관하여 탐구해 보았다. 또한 실질적인 부분으로는 현행 씨름 및 씨름복에 관한 기준에 대하여 그 내용을 숙지하고, 디자인 기반 연구로서 씨름복이 갖는 미학적인 부분을 크게 네 가지 항목으로 분류하여 첫째 전통성과 독창성, 둘째 유온성과 적합성, 셋째 상징성과 장식성, 넷째 다양성과 통일성으로 그 내용을 체계화하였다. 결론적으로 씨름복 디자인 기획에 있어 가장 중요한 부분은 상기에서 제시한 미학적 부분을 토대로 일관된 컨셉을 시각화하는데 있다. 이번 연구는 씨름복에 관한 미학적 부분의 이론 연구로서, 디자인 컨셉 설정 및 디자인 전개의 지침을 제시하는데 의의를 지니며, 향후 추진될 전통 문화 복식 디자인의 기획에 관한 기반연구였다는 점에 그 의미를 둔다.

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하이패션의 스누드(Snood) 코디네이션에 나타난 이미지 (The Image Expressions of High-Fashion Snood Coordination)

  • 양아랑;이효진
    • 복식문화연구
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    • 제18권6호
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    • pp.1153-1164
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    • 2010
  • The objective of this study is to analyze the coordination images seen in comprehensive fashion items and their features. This will be done from the viewpoint of both the creativity as well as functional characteristics of items and images. For the method of study, I explored the idea of "snood" style, analyzing its features of 42 pictures appearing from the 2006 S/S to 2010 F/W collection. It is important to note that "snood" style has the characteristics of both a muffler and turtleneck. With looping design connected at both ends, it can be placed around the neck or head, creating the image of wearing a hood. After having examined the selected data and pictures, one can largely divide the exclusive high-fashion image categories into three types: feminine, avant-garde, and finally, active & functional sportive image. First, the orthodox image is widely accepted by most as it has forever evolved within the original tradition of the practically functional muffler(scarf). Second, since the metamorphic image tends to lend itself to free ideas, you can wear a snood around the shoulders like a collar. Worn together with the same type of clothing, the snood can be seen as an effective suit. Third, the aim of image emphasis is to highlight certain points, or make some features more noticeable, as a means of possibly attracting more interest and attention. The image of snood arises out of the use of shapes, colors, and other accessory parts. As mentioned earlier, snood stands out as an independent item instead of just being an accessory to clothing. Its primary function as a style coordinator is emphasized in order to create more distinctive fashion images. Through this study, I thereby intend to provide fashion style data on the latest trends, and high-fashion codes of snood coordination.

연령에 따른 스커트 착용 실태 및 하의용 체형 인지 조사 (A Study on the Wearing Practice and Recognized Body Type of Skirts According to Women's Age)

  • 문명옥
    • 한국의류산업학회지
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    • 제11권4호
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    • pp.592-601
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    • 2009
  • This study was conducted to find out the purchasing characteristics, the wearing practices and the preferring style of skirts. Also the comparison between recognized body type and actual body type for skirt was analyzed. The questionnaire was developed and administered to 179 women aged 20 to 59 in Busan. The women of 20th liked to buy skirts at the road shops and the internet shops but the 30th, 40th and 50th at the department stores and the discount stores. The main purpose of buying skirts was to coordinate with other clothes. The design of skirt was the most important factor of buying. The women of the 20th wore skirts without special purpose but the 30th, 40th and 50th wore those for social life. The women of the 20th liked to wear skirts with t-shirts and cardigan, the 30th with blouse and cardigan and 40~50th with blouse and jacket. As the age increased, the ratio of women who felt discomfort of skirts increased. Most of these women felt discomforts in the waist and abdomen part of skirt. The style of skirt that made up for the weak points in the body type was preferred. The preferred silhouettes of skirts were semi-tight and A-line. The preferred lengths of skirts were different from ages. Black was preferred color of skirts. There was a significant difference in recognized body type according to age groups. As the age increased, the ratio of women who thought themselves as thick waist type increased. Just only 43% women of total subjects recognized their body type accurately.

한국 생활화를 위한 디자인 개발에 관한 연구 -남성 일상복을 중심으로- (A Study on the Practical Korea Costume for men)

  • 이태옥
    • 복식
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    • 제21권
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    • pp.177-192
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    • 1993
  • The purpose of this study is to present de-sign development and constructive method on man's Hanbok which can be put on daily-life clothing through supplementing the incon-venience of HanBok and to make men put on daily-life-HanBok through making the HanBok ready-made clothing which has lower-price. The concrete test and its process on devel-oped design are below. (1) In present there are five uncomfortable point waist closing baji's slitting and daenim (2) Developed the first design concentrating on uncomfortable parts with Korean costume-pattern (3) to supplement sleeve armhole and waist closing which are pointed out as the incon-venience at first design development did the second design development. The results through research and process are below. (1) In the functional test of testing clothing a testee is satisfied with jegory's closing at 87. 5% with pocket at 100% and with baji's front closing and daenim (2) The opinion of an observer on daily-life Hanbok is an affirmative response as following turns: traditional aspect practical use and aesthetic aspect. (3) Analyzing the relations between the characters of daily-life hanbok and the popu-lation density variables results are the popu-lation density variable results are followed below. Man has highe points than woman on asthetic and economical aspect. In preferences as educational levels more-educated person has an affirmative response on keeping traditions. In jobs students and white-collar people have affirmative responses on traditions. (4) What one wants to wear the most is the fourth Hanbok(mixing western and Korean costume style with Korean costume fabrics) and daily-life Hanbok with western costume fabrics has 51.8% preferences of responsers. With those results man's daily-life HanBok made through the first and the second design development lessens the inconvenience of Hanbok with some degrees. Also if daily-life Hanbok design continue to be developed through using Korean costume fabrics and western costume fabrics people can easily by functional and practical daily-life Hanbok because it can be massproduced.

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국내 캐릭터 커리어 여성복 브랜드의 스타일 정체성에 대한 소비자 인식 연구 (Consumer's Recognitions on Style Identity of the Contemporary Korean Woman's Apparel Brands)

  • 박재민;천종숙;최선희;최은아
    • 복식문화연구
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    • 제18권2호
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    • pp.337-347
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    • 2010
  • The purpose of this study was to figure out consumer's recognition on brand's peculiar style on Korean contemporary women's apparel brand. The contemporary women's apparel brands show advanced and stylish merchandise at better price points. This segment of the Korean ready-to-wear market has been growing fast in last decades. Four contemporary women's apparel brands(I, K, M, and T) were participated in this study. The data(n=216) were collected with questionnaire survey at 24 apparel retail shops in metro Seoul area. The questionnaire measured the consumers' recognition on each brand's peculiar style. The subjects evaluated each brand's typical silhouette, materials, and style image. The results of the survey showed that the style image factors were 'stylish', 'simple', 'casual', 'feminine', and 'classic'. The style image of each brand was differentiated from others. The brand T had classic image, the brand K had simple and casual image, brand M had stylistic image, and the brand I had feminine image. The features of materials that used at the four brands were not very different by the brands. They used the high valued materials. The common features of the materials were 'smooth', 'thin' and 'light weight.'

FlaSim: 리눅스 커널 모듈을 이용한 FTL 에뮬레이터 (FlaSim: A FTL Emulator using Linux Kernel Modules)

  • 최화영;김상현;이승원;박상원
    • 한국정보과학회논문지:컴퓨팅의 실제 및 레터
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    • 제15권11호
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    • pp.836-840
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    • 2009
  • 플래시 메모리의 성능평가 실험 환경 구성은 플래시 메모리가 장착된 제품들이 동작하는 시스템으로 이뤄진다. 이와 같은 방법은 물리적이고 비용적인 제약이 따르게 된다. 또한 실험에 쓰이는 입력 데이터와 FTL 알고리즘의 성능평가를 위한 결과 데이터인 트레이스의 추출 방법이 까다롭고 힘들다. Oracle의 경우 트레이스 추출이 불가능하고, MySQL, SQLite는 트레이스 추출이 가능하더라도 결과의 정확성이 보장되지 않는 문제점이 있다. 따라서 본 논문에서는 디바이스 드라이버를 통해 물리적 제약을 없애고 트레이스 추출을 쉽고 간편하게 하여 정확한 실험 결과 분석이 용이하도록 FTL 에뮬레이터를 설계하고 구현한 내용에 대해 다룬다. 본 논문에서 제안한 FTL 에뮬레이터인 FlaSim은 플래시 메모리의 데이터 저장 메커니즘과 동일한 동작을 하도록 구현하고 리눅스 커널 모듈을 사용하여 필요한 기능을 추가할 수 있다. FlaSim은 모듈 적재 방식을 사용하기 때문에 FTL 알고리즘 및 플래시 메모리에 대한 실험의 확장성을 향상시킨다. 또한 다양한 응용프로그램에 적용이 쉽고, 플래시 메모리에 대한 실험의 제약이 되는 물리적인 비용을 줄일 수 있다. 게다가 트레이스 추출하는 데 쉽고 효율적인 방법을 제공하여 결과 도출 및 분석 시 시간적, 시스템적 제약을 받지 않아 효율성이 큰 장점이 있다. 추후 많은 FTL 알고리즘 및 플래시 메모리에 대한 실험과 연구에 도움이 될 것으로 예상된다.

완성품 돋보기와 조제가공된 돋보기가 광학적 요소에 미치는 영향 (The Effect of the Optical Points Difference between Finished-Reading Glasses and Dispensing Reading Glasses)

  • 심영철;유근창;김인숙
    • 한국안광학회지
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    • 제13권3호
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    • pp.65-71
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    • 2008
  • 목적: 본 연구는 시중에서 유통되고 있는 완성품 돋보기와 안경원에서 조제가공된 돋보기의 광학적 중심점간의 문제점을 비교하여 눈에 미치는 영향을 연구하였다. 방법: 연구대상은 +1.00D에서 +4.00D까지 11개의 범주로 나누어 측정하였으며, 광주시 광산구에 사는 안질환이 없는 40세 이상의 남녀로 안경테 사이즈를 세 그룹으로 나누어 광학적 중심점과 광학적 높이를 측정하였다. 결과: 광학적 중심점은 57 mm에서 80 mm 범위 사이에 있었으며 대부분 61 mm에서 65 mm(64.6%) 사이였다. 광학적 중심높이 오차는 1 mm에서 8 mm 범주에 있었으며 4 mm가 공통범주(23%)에 속하였다. 완성품 돋보기는 불규칙한 사이즈를 가지고 있었다. 조사대상들은 거의 대부분 75.5%(151명)가 시중에 유통되는 완성품 돋보기를 사용하고 있었다. 대상자 151명을 조사한 결과, 완성품 돋보기의 광학적 중심점과 장용자의 P.D 사이에는 4 mm의 공통된 오차가 있었다. 더구나 광학적 중심 높이와 착용자의 O.H 사이에는 3 mm에서 4 mm의 오차가 있었다. 151명의 완성품 돋보기를 사용하는 사람들은 모두 피곤함을 느끼고 있었으며, 53명(35%)은 돋보기 착용 후 10분에서 20분 후부터 피곤함을 호소하였다. 이러한 조사를 바탕으로, 우리는 돋보기에 있어서 광학적 중심점 오차시 발생되는 프리즘 값을 발견할 수 있었으며 이는 완성품 돋보기가 착용하기에 충분하지 않다는 것을 나타낸다. 완성품 돋보기는 렌즈 굴절력과 상관관계가 있다는 것을 알 수 있었으며 또한 독일 RAL-915 규정을 따르지 않는다는 것도 알 수 있었다. 결론: 우리가 조사한 바를 기초로 할 때 완성품 돋보기는 우리의 시생활에 많은 위험적인 요소를 품고 있으며 안경사는 광학적 중심점을 토대로 정확하게 조제가공된 돋보기를 소비자에게 반드시 권하여야 할 것이다.

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체표면분할법에 의한 성인 남성용 피티드 토르소형 원형 설계 (Development of Male Fitted Torso Type Basic Patterns According to the Body Surface Segment Method)

  • 서추연
    • 한국의류학회지
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    • 제33권7호
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    • pp.1109-1120
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    • 2009
  • This study develops a fitted torso type basic pattern for men by utilizing 3D body scan data. Recent fashion trends are reflected in the development of the pattern. The subjects were 15 men in their 20's, who wear size 95 (M size). Body scan data was obtained through a 3D whole body scanner (WB4, Cyberware, USA), and a body surface development figure for developing male fitted torso type basic pattern was attained through the use of Rapid Form 2006 as well as Auto CAD 2006 programs. The results are as follows: A body surface development figure through body surface segment method showed high exactitude in an error range of 100$\pm$1%. In addition, it occurred in an error range of 100:1:3% because of the hard scanning conditions in the incline of the shoulder and armpit areas. However, the body surface development figure as well as the direct measurement results can be used as basic data for the given patternmaking since the error range falls into 100$\pm$3%. Dart amounts obtained from the average cross section were center back 2.2cm (24.3%), back armpit point 3.8cm (41.8%), front armpit point 3.0cm (33.9%). As shown the jacket pattern, the biggest dart amount was portioned out at the back armpit point. The drafting equations for the development pattern acquired are as follows; Full width=C/2+5cm, back length=height/4-1cm, armhole depth=(C/10+12cm)+3cm, back width=2C/10+2cm, front width=2C/10. The development pattern was a fitted torso basic pattern that was composed of 3 pieces, so it would be very useful in developing shirt or jacket patterns. According to the results of the evaluation of the developed pattern appearance, it obtained higher scores of over 3.5 points in almost items, meaning that the developed pattern is appropriate for a male fitted torso type basic pattern. It suggests a possibility of patternmaking from a body surface development figure in 2-D to prototype.