Browse > Article

The Image Expressions of High-Fashion Snood Coordination  

Yang, A-Rang (Dept. of Clothing & Textiles, Graduate School of Chonbuk National University)
Lee, Hyo-Jin (Dept. of Clothing & Textiles, Chonbuk National University)
Publication Information
The Research Journal of the Costume Culture / v.18, no.6, 2010 , pp. 1153-1164 More about this Journal
Abstract
The objective of this study is to analyze the coordination images seen in comprehensive fashion items and their features. This will be done from the viewpoint of both the creativity as well as functional characteristics of items and images. For the method of study, I explored the idea of "snood" style, analyzing its features of 42 pictures appearing from the 2006 S/S to 2010 F/W collection. It is important to note that "snood" style has the characteristics of both a muffler and turtleneck. With looping design connected at both ends, it can be placed around the neck or head, creating the image of wearing a hood. After having examined the selected data and pictures, one can largely divide the exclusive high-fashion image categories into three types: feminine, avant-garde, and finally, active & functional sportive image. First, the orthodox image is widely accepted by most as it has forever evolved within the original tradition of the practically functional muffler(scarf). Second, since the metamorphic image tends to lend itself to free ideas, you can wear a snood around the shoulders like a collar. Worn together with the same type of clothing, the snood can be seen as an effective suit. Third, the aim of image emphasis is to highlight certain points, or make some features more noticeable, as a means of possibly attracting more interest and attention. The image of snood arises out of the use of shapes, colors, and other accessory parts. As mentioned earlier, snood stands out as an independent item instead of just being an accessory to clothing. Its primary function as a style coordinator is emphasized in order to create more distinctive fashion images. Through this study, I thereby intend to provide fashion style data on the latest trends, and high-fashion codes of snood coordination.
Keywords
snood; orthodox image; metamorphose image; emphasis image;
Citations & Related Records
Times Cited By KSCI : 2  (Citation Analysis)
연도 인용수 순위
1 두정아, "머플러야 숄이야. 거리에는 '스누드' 물결" (2009년 11월 28일 [2010년 3월 10일 검색]) 세계일보 [온라인기사]; available from World Wide Web@http://www.segye.com/Articles/NEWS/CULTURE.
2 박순천, 김은실 (2005). "현대 패션에 나타난 스카프 연출법 및 착용 경향에 관한 연구." 복식문화연구 13권 4호.   과학기술학회마을
3 이전숙, 김용숙, 이효진, 염혜정 (2003). 현대인의 패션. 서울: 교문사.
4 이정옥, 최영주, 최경주 (1987). 서양복식사. 서울: 형설출판사.
5 김종복 (2002). 패션키워드. 서울: 도서출판 시대.
6 이지현, "아직도 스카프? 잇 걸은 '스누드'를 두른다." (2009년 11월 09일 [2010년 3월 12일 검색]) 한국경제 [온라인기사]; available from World Wide Web@http://bntnews.hankyung.com/apps/news
7 10th Edition Harper Collins Publishers, Collins English Dictionary 30th Anniversary Edition [온라인사전] (2009년 [2010년 8월 25일 검색]); available from World Wide Web@http://endic.naver.com/enkrEntry.nhn?entryId=423ebeb99f98433b9043f06e8752db39
8 Lois Martin (1994). "THE SCARF." Surface Design Journal Halsey, Summer.
9 Oxford University Press 편집부 (2008). Oxford Advanced Learner's English-Korean Dictionary. Washington: Oxford University Press.
10 Wikipedia the free encyclopedia [온라인사전] (2010 년 8월 18일 [2010년 8월 25일 검색]); available from World Wide Web@http://en.wikipedia.org/wiki/Snood
11 정희경, 김정혜 (2002). "스카프의 조형미를 응용한 의상디자인 연구." 복식 52권 5호.   과학기술학회마을
12 허갑섬, 이병화 (1999). "패션연출 방법에 관한 조사 연구." 한국의류학회지 23권 1호.
13 Andrew Baseman (1989). THE SCARF. New York: Tabori & Chang.
14 Charlotte Mankey Calasbetta (1998). Fairchild's Dictionary of Fashion. New York: Airchild Books.