• 한국주거학회논문집
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• 제1권1호
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• pp.27-35
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• 1990

In the course of modernization coupled with industrialization and urbanization. Maru or wooden floor and Teachong or great hall of Han-ok or traditional Korean housing has experienced functional as well as physical changes to a remarkable degree. The author made an analysis of the transfiguration of Maru/Taechong space(M/T) with relation to: 1)Madang or yard. 2)Anbang or inner room, 3)Hyon-kwan or vestibule. 1) In relation to Madang, interiorization of M/T by way of setting sliding glass doors has begun to appear. 2) In connection with Anbang, division of role/function is being observed as far as family entertainment and reception of intimate friends is concerned. 3) Owing to wider acceptance of Hyon-kwan space as a buffer zone system, the advent of Keo-sil or living room is thought to be facilitated. The analysis, however, does not say that Keo-sil of modernized Korean housing might well be interpreted as the mere extension type of M/T of the vernacular housing.

• 대한한의학원전학회지
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• 제23권1호
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• pp.235-255
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• 2010

Previous studies "Dong-uibogam(東醫寶鑑)" or "Dong-uisusebowon(東醫壽世保元)", Korean medical text written in the 16th/19th century, have focused mainly on his theories of Daoism and Neo-Confucianism or Post-Confucianism. This Study suggests that the "Dong-uibogam" and "Dong-uisusebowon" were the scholarly products of the Early Modern Neo-Confucians during the Joseon Dynasty period. These Early Modern Neo-Confucians ruled the dynasty rationally, and edited books on medical science, one of which were the "Dong-uibogam" or "Dong-uisusebowon". In these books, religious aspects of Daoism was excluded because these elements were not in agreement with medical science or Neo-Confucianism. The "Dong-uibogam" and "Dong-uisusebowon" were also translated into the Korean vernacular script based on an obligation to govern the people. This was example of Confucian enlightenment which was Early Modernity of "Dong-uibogam(東醫寶鑑)" or "Dong-uisusebowon(東醫壽世保元)" thought.

• 디자인학연구
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• 제11권
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• pp.142-155
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• 1995

A matter of primary concern about all the design is concentrated on how to create more valuable things to allow people to live an affluent life. However, it is very difficult to achieve the goal because every design work is changed in accordance with given situations. Situations are changeable, so is design. There is no progress without change, but change is not necessarily progress. It is highly desirable that their changes be beneficial to mankind. Our main problem is to be able to discrimination between which should be discarded and that which should be kept, built and improved Viewed at this aspect, it is significant to study the relation between globalism and cultural identity of design, because every design has been constantly influenced by global trends and local characteristics. The paper is composed of four parts Introduction, Characteristic of global design, Cultural identity of design and Conclusion In Introduction, the purpose and background of the study are presented. In Chapter1. social back ground, multi-kinds smallproduction and new problems and searched. In Chapter2, vernacular design, transmission and propagation and tradition and innovation are considered. In Conclusion, some suggestive words on the subject are mentioned.

• 한국실내디자인학회논문집
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• 제27호
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• pp.43-50
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• 2001

This study examines how various elements characteristic of the traditional Japanese architecture are applied to contemporary architectural designs in japan. The issue of how to incorporate cultural tradition into architectural design has become one of central questions cast on modern architects. In this sense, the Japanese contemporary architecture has often been touted as infusing Japanese traditional elements into modern artifacts both functionally and aesthetically. That is, while Japanese architecture encompasses the essentials of Western modern techniques and styles, it obviously embodies Japanese tradition. Through the examination of various contemporary buildings in Japan, this study specifically explores how the vernacular forms and elements unique to Japan are reinterpreted and reinvigorated in contemporary architectural designs.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 춘계학술발표대회 논문집
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• pp.102-105
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• 2005

This study is an analysis about the typological characteristics of Luis Barragan's dwellings, especially on the masterpieces. For the purpose of grasps steam of his works, it classified into three categories ; landscape, space, and light-color. Through the analysis of the essential elements of his works, we can find that Barragan harmonize Mexican vernacular with modern, reason with sensitivity, geometry with landscape. It Is the recomposition of a tradition and identity, and it also can be a kind of solution of reinterpretation of history and tradition which we are faced with.

• Journal of the Korean Institute of Landscape Architecture International Edition
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• 제1호
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• pp.102-110
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• 2001

A townscape has both aspects of seeing and living. However, the main streams of townscape making have been mostly focused on the former perspective so far. Such trends are apt to lack the realities of urban living. In this view, a prerequisite to complement the existing formalistic view with this realistic one is needed in order to accomplish the holistic characteristics of a townscape. Many city governments of Korea are currently trying to improve the quality of living quarters by providing diverse kinds of open spaces such as vest-pocket parks, pedestrian-friendly streets, and supporting the residents participatory village making. In this context, this paper will review the possibilities of the realistic approaches in townscape making by examining some current cases being tried in Korea cities. In conclusion some main issues to be solved in future can be listed as the conflict between general citizen′s view and the residents′ view", the conflict between social aspects and aesthetical aspects" and the conflict between the tradition and the vernacular reality in design".

• 한국한의학연구원논문집
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• 제16권1호
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• pp.85-92
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• 2010

Objective : This article reviewed China's intent and aim of the failed attempt to register Traditional Chinese Medicine(TCM) as UNESCO's Intangible Cultural Heritage, its process and implication as a policy of 21st Traditional Chinese Medicine(TCM) promotion on the landscape of North East Asian medical geopolitcs. Methods : This article utilized mainly the discourse analysis of vernacular Chinese journals and newspaper reports. Conclusions : It is needed to design effective strategies for securing Traditional Korean Medicine(TKM)'s identity and authenticity to cope with so-called 'Chinese Medicine Domination Project'.

• 한국실내디자인학회논문집
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• 제32호
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• pp.13-20
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• 2002

This study is purposed to find fundamental characteristics in Grassi's architecture which has architectural principles in architecture itself and in the general frame of the historical facts of architecture. His architectural theories can be explained for rationality, historicity, universality. The method of architectural composition can be divided into urban morphological characteristic and compositional characteristic of architecture. The characteristics of the former are the reconstruction of the urban structure by the readjustment of an urban axis which is based on historical continuity of the city, the open court which is a passage transformed from colonnade that is the historical vernacular type and the respect for the city-line which goes with historical context. The characteristics of the latter are the use transformed of nine square which gives consideration to centrality and typology at the same time and the hierarchic division of the principal space and the subordinate space for the functional typical purpose. This analysis shows that Grassi's architecture is on the base of historical continuity and urban reality and for him architectural work is mental work which conflict with the real world for the reconstruction of the city.

• Journal of Species Research
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• 제2권1호
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• pp.69-77
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• 2013

One newly recorded species, Dryopteris namegatae, sect. Hirtipedes, was collected in forests in Jeju-do. Dryopteris namegatae (vernacular name: 'Tam-ra-top-ji-ne-go-sa-ri') was distinguished from other Korean congeners of sect. Hirtipedes of the genus Dryopteris by having stiff black scales on stipe and rachis, less narrowed base of lamina, and adaxial surface of pinna immersed along veins. Dryopteris hangchowensis ('Gak-si-top-ji-ne-go-sa-ri', new local name), recorded without any comments and description, was reexamined with similar taxa and was distinguished by smaller plants, brilliant leaves, many prominent fimbriate blackish scales on stipe and rachis, long-pointed apex of lamina and pinna, halfway-lobed pinna, and narrowest pinna. Descriptions and illustrations of the two species and their photographs in the habitat are provided along with a key to the species of sect. Hirtipedes of Dryopteris in Korea.

• 중국학논총
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• 제68호
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• pp.1-28
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• 2020

本論文的目的在於探討古代漢語變調構詞的音義關係在閩南語詞典《廈新典》的文白異讀當中如何傳承下來。本研究尤其關注古代漢語的變調構詞與《廈新典》文白異讀的音義關係之間擁有緊密聯繫的七個例子, 並把此七例分成兩類, 《廈新典》中的"讀"字, "孫(遜)"字保留了與變調構詞完全一致的音義關係, 此類例子也保留了與現代漢語完全一致的音義關係。《廈新典》中的"塞"字, "取(娶)"字, "厭"字, "喪"字, "勞"字表示與變調構詞緊密的音義對應關係, 但是我們也能發現部分文讀音或者白話音的音義關係中略有出入。從變調構詞的觀點把《廈新典》中文白異讀音義關係的錯誤做了比較, 查到了《廈新典》中有關文讀音音義關係釋義的錯誤有9例, 有關白話音音義關係的錯誤有3例, 前者比後者的錯誤多達4倍。另外, 《廈新典》中義項的錯誤發生次數爲9次, 《臺多音》中義項的錯誤發生次數爲3次。此統計數字反映了與上古漢語有密切關係的白話音層次與中古漢語時期以來屢次持續傳入閩方言層次的差異。我們認為這些錯誤與英國牧師甘爲霖編著《廈新典》的目的應該有密切關係。