• 제목/요약/키워드: Real-time Lecture Contents

검색결과 27건 처리시간 0.024초

WebRTC 기반 원격 협업 학습 플랫폼 기술 연구 (WebRTC-Based Remote Collaborative Learning Platform)

  • 오현택;안상홍;양진홍;최준균
    • 한국통신학회논문지
    • /
    • 제40권5호
    • /
    • pp.914-923
    • /
    • 2015
  • 스마트 디바이스의 보급과 더불어 스마트 TV, 웹 기반 IPTV등의 확산으로 사용자 측의 방송 콘텐츠 재생 단말의 급속한 변화가 일어나고 있다. 이러한 환경 변화를 통해 방송 콘텐츠들은 다양한 웹 서비스들이 결합된 응용 서비스들이 가능해졌으며 방송 환경에서의 웹 콘텐츠의 수용을 더욱 촉진하고 있다. 이러한 변화와 함께, 교육 콘텐츠의 경우 교수자의 강의를 일방적으로 전달하던 방송 형태에서 점차 웹을 응용한 온라인 교육 환경으로 발전함에 따라 점점 교수자와 학습자간의 상호작용에 대한 요구가 증가하고 있다. 본 논문에서는 웹 기술과 방송이 결합된 환경에서 양방향 교육 환경을 지원하기 위해, WebRTC (Web Real-Time Communication) 기반 원격 협업 학습 플랫폼을 제안한다. 변화된 환경에서의 원격 협업 교육 서비스 시나리오 도출을 통해 요구사항을 정의하고, 이를 지원하기 위한 웹 기반 원격 협업 콘텐츠 객체 공유 기술과 협업 스트리밍 기술을 제시한다. 특히 WebRTC를 기반으로 한 효율적인 사용자 세션 제어, 연동 및 관리를 위한 협업 교육 플랫폼 구조 제안 및 구현을 통해 실제 교육 환경에서의 적용 및 검증하고, 본 기술의 가능성을 확인하였다.

관심 영역의 트랜스코딩 기법을 이용한 모바일 프리젠테이션 (Mobile Presentation using Transcoding Method of Region of Interest)

  • 서정희;박흥복
    • 정보처리학회논문지C
    • /
    • 제17C권2호
    • /
    • pp.197-204
    • /
    • 2010
  • 웹 기반의 학습 환경과 모바일 디바이스 기술과의 효과적인 통합은 개발자들에게 새로운 도전으로 여겨지고 있다. 그러나 모바일 디바이스의 스크린 사이즈는 너무 작고, 성능 또한 매우 떨어진다. 이런 모바일 기술의 한계로 인해 웹에서의 실시간 영상 전송을 수반하는 사이버 강좌와 같이 방대한 데이터를 모바일 스크린에 그대로 디스플레이 한다는 것은 많은 문제점을 야기시킨다. 먼저 사용자가 모바일 디바이스를 통하여 학습 내용을 정확하게 인지하기가 어렵고, 방대한 정보의 비디오 스트림을 연속적으로 모바일 디바이스로의 전송은 모바일 시스템에 많은 부하를 야기시킨다. 결과적으로 퍼스컴에서 활용하기 위해서 개발된 어플리케이션을 그대로 모바일 디바이스에서 사용하기가 적절하지 않으므로 모바일 디바이스에 알맞은 플레이어가 개발되어야 한다. 따라서 본 논문은 관심 영역의 트랜스코딩 기법을 이용한 모바일 프리젠테이션을 제안한다. 사이버 강좌 또는 원거리 강의와 같은 학습 영상의 연속적인 비디오 프레임을 모바일로 디스플레이하기 위해서는 고해상도 디지털영상과 모바일 디바이스 사이의 성능 차이를 극복해야 한다. 이를 해결하기 위한 트랜스코딩 기법은 화질의 손상을 초래하므로 높은 수준의 화질을 보장하기 위해서는 트랜스코딩과 선택된 학습 자원 사이의 시행착오에 의해서 적응될 수 있다.

COVID-19 확산 속에서 비대면 수업의 적용에 따른 보건계열학과 1, 2학년 대학생들의 전공 몰입과 전공 만족도의 변화 (Changes in Major Commitment and Satisfaction of 1st and 2nd grades university students in Health-related Departments through the Application of Un-Contact Lectures during COVID-19 Pandemic)

  • 손성민;조은서;최수정
    • 한국응용과학기술학회지
    • /
    • 제38권2호
    • /
    • pp.389-398
    • /
    • 2021
  • 연구목적은 코로나-19 확산 속에서 비대면 수업의 적용에 따른 보건계열 학과 1, 2 학년 학생들의 전공 몰입과 전공 만족도의 변화를 분석하는 데 있다. 연구대상은 보건계열학과에 재학 중인 1, 2학년 학생으로 총 181명이 참여하였다. 대상자들은 COVID-19 확산에 따라, 15주간 비대면 수업에 참여하였으며, 비대면 수업은 교육부 지침에 근거하여, 실시간 온라인 강의와 영상콘텐츠를 활용한 수업으로 구성되었다. 전공 몰입 평가는 전공몰입척도를 활용하여 수행되었고, 전공 만족도는 전공만족도척도를 활용하여 수행되었다. 분석결과, 비대면 수업의 적용 후 대상자들의 전공 몰입과 전공 만족 정도가 통계적으로 유의미하게 감소되었다. 본 연구결과에 따라, 비대면 수업의 적용은 대상자들의 전공 몰입과 전공 만족도의 감소에 영향을 미칠 수 있는 요인이다. 따라서, 비대면 수업의 적용에서 보건계열 학과 1, 2학년 학생들의 전공 몰입과 전공 만족도의 향상을 위해서, 적절한 고려가 필요할 것이다.

SNS의 교육적 활용 방법에 대한 대학생들의 인식 분석 (An Analysis of the Awareness of Undergraduate Students Toward Educational Methods Utilizing SNS)

  • 정미현;김영록;김재현
    • 인터넷정보학회논문지
    • /
    • 제15권5호
    • /
    • pp.33-41
    • /
    • 2014
  • 본 연구는 효과적인 SNS의 교육적 활용 방안을 제안하고자 SNS의 사용률이 높은 대학생들을 대상으로 구체적인 SNS의 교육적 활용 방법에 대한 의견과 그 이유에 대해 조사하였다. NVivo S/W를 이용하여 개방형 응답을 분석하였으며, 교육 주체별 SNS의 교육적 활용 방법을 가시화 하고자 교수자 영역과 학습자 영역, 공통 영역으로 범주화 하였다. 그 결과 공통 영역에는 의견 교류 및 토론, 정보 공유, 학습내용에 대한 질의응답, 설문조사, 친밀감 형성, 상담 등이 포함되었으며, 교수자 영역에는 공지사항 전달, 수업자료 제공, 실시간 평가(퀴즈), 출석 체크, 과제평가 및 피드백 등이 포함되었고, 학습자 영역에는 과제활동(그룹별/개인별), 공유자료를 이용한 예습 및 복습, 동영상을 이용한 자율학습, 과제에 대한 동료평가 및 피드백, 강의 평가 등이 포함되었다.

비대면 환경에서의 비판적 사고와 토론교육 - 공대 신입생 대상 온라인 수업 사례를 중심으로 (Critical Thinking and Debate Education under Non-Face-to-Face Situation - Through Online classes for Freshmen at the Engineering College)

  • 신희선
    • 공학교육연구
    • /
    • 제24권1호
    • /
    • pp.34-45
    • /
    • 2021
  • This research is a case study about "Critical Thinking and Debate Education" class which was done for freshmen at the engineering college of "S" Women's University. Real time remote classes through LMS and ZOOM were the most effective tools under on-line circumstances, considering the fact that video lectures only cannot cultivate students' capabilities of critical thinking and communication. Throughout the analysis on students' self-reflection journals and lecture evaluations, this paper examined considerable future points and the pros and cons of "Critical Thinking and Debate Education" under online presentation and discussion situation. As research outputs, students told they could feel less nervousness and anxiety when they exercise and have a presentation because they could choose familiar space for them. In addition, students also told that they feel comfortable about both self-feedback and peer evaluation, repeatedly seeing the recorded video clip. However, on the contrary, sometimes students felt uncomfortable due to unstable internet connection through the online classes, and they also were regretful about the missing chances of interaction between a teacher and students and of intimate exchanges among students. They also told they had felt a kind of limit of enhancing their presentation skills just in front of the monitor. Considering these outcomes, this research paper points out that online education needs to be proceeded by strengthening multi layered feedback to students with the build-up of a non-face-to-face stable educational infrastructure, application of online instructional strategy, and utilization of YouTube platform and video contents. Through this research paper, I hope the new system of encompassing on/off line "Critical Thinking and Debate Education" and effective teaching and learning method can be developed soon by strengthening the strength of online education.

중학교용 에너지 교육 자료 개발 연구 (A Study on Development of Energy Education Materials for Middle School Students)

  • 최돈형;이양락
    • 한국환경교육학회지:환경교육
    • /
    • 제7권1호
    • /
    • pp.46-87
    • /
    • 1994
  • Our country has been consuming a huge amount of energy in the course of industrialization and its demand is expected to increase enormously in the future. However, the deposits of energy resources are so limited that the settlement of energy problem comes up the essential subject. To solve the energy problem, it is requested that new resources to gain energy stably should be developed and also energy should be economized and used effectively. The effective use of energy and an the wisdom of economy in energy are requested to everybody and these things should be habitualized from very young age through education. Nevertheless, almost every school in our country hasn’t been concerned about energy education. Even though they have a concern, they are very short of the energy education materials and the quality of the materials is not so good. Therefore it is very meaningful to the settlement of energy problem of the country to make the students who will lead our country to make the students who will lead our country in the future realize the seriousness of energy problem and to provide them the necessary knowledge and methods to solve this problem so that they practice those things in everyday life. Having these necessities, this research, supported by The Korea Energy Management Corporation(KEMCO), was performed for 8 months from April 17, 1994 to December 17, 1994. Many peoples participated in this study such as 30 staffs of researchers and authors, 5 staffs of photographers and illustrators, and 3 VCR program producers developing an energy education material set for middle school students that includes a printed material for student, a diskette for computer simulation, a teacher's guidebook, VCR material and its guidebook. The following main development direction was established : First, the material for student should be consisted of units that let students know the seriousness of energy problem. Second, the focus should be put on the necessary method and practice to economize energy actually in real life based on the basic knowledge learned in elementary school. Third, material for student should be consisted of modules to be student activity-oriented teaching-learning rather than lecture-oriented one. The activity, to maximize student's interests, should be presented in various forms such as experiments, investigation, play, data interpretation, computer simulation, visits, expression and appreciation, etc. To develop the energy education materials for middle school students, a research plan was made first. After literature review about domestic and foreign energy education materials, several research trips home and abroad, and discussion meetings, the basic theory of energy education such as the principle, objective, contents, teaching-learning method, and evaluation method was established. Material for student was developed through the following procedures : The activities in the existing energy education materials were analysed and were divided into four categories related to energy using places of home, school, community, and country, and which were again divided into three categories related to time of past, present, and future, Considering these division, nine modules which are structure units of material for student were chosen, Each module comprises 2-4 activities. Totally 31 activities were designed in this way. The syllabi were made out for each activity and writing was asked for to experts related to each activity after several discussions and revision. To complement the draft, another several discussions and revision were also made on it and then pictures and illustrations were asked for. All these procedures complete the material for student, titled ; Energy Inquiry of Middle School Students', which totals 129 pages and is all in color. As the manuscript of material for student was fixed, writing for teacher's guidebook was asked for to the same writers. The draft of teacher's guidebook was also complemented through the several concentrated works and discussions. Teacher's guidebook focused on the teaching-learning principle and methods of energy education and on the concrete instruction cases for effective instruction of material for student. It is organized with two parts : the one is 'general outline' which introduces theoretical contents and the other is 'details' which are practically helpful to teaching-learning. It is totally 131 pages including both 'general outline' and 'details'. The VCR material and its guidebook consist of contents that cultivate the good attitude trying to economize energy and raise student's interests with a purpose of strong motivation to recognize the necessity of economy and practice it. After establishing development direction of VCR material through discussion meetings and research trips, its script was made by relevant experts. Then the script was also reviewed two times. The drafted VCR material made by a video material developing expert was examined and modified by previews twice. After completion of VCR material, the VCR guidebook was made. All these procedures led to the development of VCR material which runs 20 minutes in VHS type. The VCR guidebook shows a production purpose of the program, structure of contents, evaluation methods, and contents of the program in detail to give help to instructors when they use this VCR material, When these energy education materials are used, it is desirable that the VCR material should be presented first to induce student's motive, and then material for student is introduced Since the material for student is composed of activity-oriented modules and each module is independent one another in general, and each activity is, too. the necessary module or activity can be chosen and utilized in any order according to school or class conditions. This energy education materials will contribute to the development of student's ability to solve energy problem in everyday life and teacher's ability to teach the fundamental knowledge and method in solving energy problem.

  • PDF

파스큐라의 미술론 (PASKYULA's Theory of Art)

  • 정주영
    • 미술이론과 현장
    • /
    • 제5호
    • /
    • pp.43-80
    • /
    • 2007
  • PASKYULA was formed in September, 1923 through the union of artists involved in two art groups: Kim Ki-Jin, Kim Bok-Jin, Yeon Hak-Nyeon who had previously participated in the ToWolHoi, and Park Young-Hi, Lee Sang-Hwa, An Seok-Ju, former members of the BaeckJo. After its founding, the PASKYULA artists had been searching for the social function of art to reform the harsh reality of Minjung and the nation with criticism toward society as well as art world. Their art theory for MinJung could grow relatively ease in relation to changing social and political conditions in the early 1920s. In August, 1925, PASKYULA organized the Korea Artista Proletaria Federatio with the YeomGunSa, and laid the groundwork for Proletariat art movement which was regularized in the late 1920s. From PASKYULA up to the early state of KAPF, the theory of art advocated by Kim Bok-Jin and An Seok-Ju could be summarized as "art for MinJung". At that time, widely ranging discourses on MinJung, however, was spawned in art theory, because many intellectuals-including artists and writers-begun to pay more attention to MinJung, who emerged as one of the social forces after the Samil Independent Movement. Sometimes, MinJung was construed as the target of enlightenment from a negative viewpoint. On the other hand, several intellectuals under the influence of individualism asserted that the discussion itself on MinJung exerted an evil influence on art. In contrast of these cases, the PASKYULA artists including Kim Bok-Jin, An Seok-Ju perceived that MinJung had the potential to change society, and regarded them as "a creator of genuine civilization and art". In the PASKYULA artist's writings, the concept of MinJung was often overlapped with the meaning of the Choson nation suffering under colony. Although their concept of MinJung was transformed gradually into the proletariat as they were under the strong influence of socialism, it did not change that they grasped the realities of the whole Choson Peninsula through the proletarian consciousness. In the early state of PASKYULA, the methodology for social function of art was presented in a twofold manner. First of all, Kim Bok-Jin emphasized on the necessity of education to improve MinJung's way of life through art, and it was embodied by the organization of ToWol Art Workshop and public lecture. Also, he championed "the popularization of art", which was one of methods to distribute art to MinJung. According to the PASKYULA artists, art should be not art for art' sake but art for MinJung. That was why they advocated the convergence of art and MinJung's life. Especially Kim Bok-Jin affirmed a link between art and industry because he considered industry the field inextricably linked with MinJung's life. In this context, his idea could be read as the generalization and equalization within the framework of possession. Kim Bok-Jin thought that the social ramifications of capitalism deprived MinJung of their right to enjoy art, and emphasized the artist' social role to return the right to them. That is, the even distribution of art was mainly discussed than the contents of art in the half of 1920s. By 1925, the contents of art itself became an issue in the PASKYULA art theory, and it was based in realism. Kim Bok-Jin and An Seok-Ju insisted that art should be reflection of real life. At that time, realism acquired the representation of MinJung and the nation's realities not realistic style. In fact, the various Western art styles including Futurism, Constructivism, Cubism etc. were exploited in the PASKYULA's visual images. Western art, target of criticism on theory, was selectively adopted in the works which were produced by Kim Bok-Jin and An Seok-Ju. Kim Bok-Jin's MoonYeUnDong cover design was conceived of as the example in which Western art was adopted with it's ideology under the influence of MAVO, while Western art shown in An Seok-Ju's illustrations served as a decorative function in many cases. Especially, An Seok-Ju attempted the various styles of Western art simultaneously, which may be seen as representing that PASKYULA did not have a firm ideology for their style. Also, it can be read as showing his hasty zeal to overcome Western art rapidly. The wish to establish "art for MinJung" as soon as possible was accompanied with the will to jump over the all steps of Western art though it was superficial. This aspiration of PASKYULA was expressed through the mass media, which had the potential for communicating to MinJung. At this point, there was a significant disparity between PASKYULA and another art groups in the first half of 1920s. However, the PASKYULA's method on the basis of the mass media could not but have a certain limitation because of the medium's properties. Nevertheless, PASKYULA' attempts may be considered to be valuable in sense that they expended the boundaries of Korean modern art into the commercial art questioning the matter of the distribution for art.

  • PDF