• 패션비즈니스
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• 제12권4호
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• pp.73-87
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• 2008

The main objective of this research was to investigate the characteristics of achromatic & chromatic color coordination of contemporary female fashion by reviewing 'pre-a-porter Collections' of four collections (i. e. cities) - Paris, Milan, New York, London - from the periods of 2002 S/S to 2006/7 A/W. The data was collected by reviewing 'pre-a-porter Collections' magazine and total 677 observations were made. Statistical analysis of frequency and also qualitative interpretation of achromatic & chromatic color coordination characteristics were completed. The main findings were; (1) The achromatic & chromatic color coordination was identified as one of most used color coordination in contmeporary women's fashion collections. (2) Black and white mainly used for achromatic color, and brown used the most often, then followed by blue, red, yellow, green and the others for chromatic color in achromatic & chromatic coordination of contmeporary women's fashion collections. (3) The characteristics of achromatic & chromatic color coordination of modern women's fashion collections from 2002 S/S to 2006/07 A/W showed various images according to chromatic colors and tone variation. The combination of achromaticand brown color variations produced an intelligent and sophisticated image. The soft or light chromatic color and chromatic color combination projected soft, feminine and subtle feeling, while the combination of vivid or strong chromatic color and achromatic color projected a clean and strong feeling through contrasting tones of clear and bright colors. The chromatic color of deep or dark tone and black combination demonstrated supernatural and gloomy image. (4)In all four collections, Paris showed most use of two color coordination and then followed by Milan, N.Y, and London. N.Y showed higher rate of using achromatic & chromatic color coordination, and then followed by Paris, London and Milan.

• 한국의상디자인학회지
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• 제6권3호
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• pp.139-152
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• 2004

The main objective of this research is to investigate the color coordination types and their characteristics of contemporary female fashion by reviewing 'pre-a-porter Collections' of four collections (i.e., cities) - Paris, Milan, New York, London - from the periods of 2000 S/S to 2002/3 A/W. Through the review of various books and articles written on the subject, the color coordination types and their characteristics were categorized and defined. The data was collected by reviewing 'pre-a-porter Collections' magazine and total 4,269 observations were made. These in turn were categorized into eight color coordination and three color tone categories through the content analysis. Frequency analysis was used to analyse the data. The findings are as follows; First of all, there were 8 observable color coordination categories in contemporary women's fashion. The most used color coordination was chromatic & achromatic color coordination. It was followed by chromatic identical, and then by achromatic identical color coordination. These three color coordinations were the majority, comprizing 73.4％ of the total. The rest were in the order of complementary, gradation, similarity, accent. And the most used tone type was contrasting tone and followed by similar and identical. Next, the analysis of each coordination categories shows that; The chromatic identical coordination focused on presenting its own unity or break it using the contrasting color tone. Meanwhile, the achromatic identical coordination project a clean and strong feeling through black and white combination or a subtle feeling through the different material combination. The chromatic & achromatic coordination showed strong colors and contrasting tones of clear and bright colors. Meanwhile, the characteristics of complementary coordinations are that these coordinations seem to free the colors and show the subtle changes in tones very clearly. The gradation coordination was used to create a cool and lively feeling. Next, the similarity coordination seems to create feminine and warm feeling by taking advantage of similar color feelings, often through the use of warm to warm, cool to cool color matching. Lastly, the accent coordination, through the use of contrasting tones emphasizes the differences in colors, while separation coordination mostly uses black and white on various color coordinations.

• 복식
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• 제15권
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• pp.217-231
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• 1990

The purposes of this study were to research 1) the background of origination, 2) the process of development and 3) the influences to modern clothing culture of American sportswear. The most Influential sportswear designers in America from beginning period to present : such as Claire McCardell, Calvin Klein, Ralph Lauren and Donna Karan were selected to study their life and achievements in the world sportswear market. The Results were as follows : 1) World War I & II have caused the greatest changes to modern history America became the center of world economy, society and culture. Politically, they have influenced democracy world-wide and raised the social status of women. The free American women enjoyed sports, Jazz drinking and car-driving. The advanced technology have accelerated mechanization and mass-production to the fashion industrv. 2) The above historical backgrounds have caused to change women's clothing to casual, practical and simple form. Dorothy Shaver at Lord & Taylor began promoting American designers who created the original American spirit. Claire McCardell created the seperated American sportswear to become world-wide fashion. Calvin Klein and Ralph Lauren, the sportswear designers who have the unique American feeling have come to have riches and fames equal to the top designers in Paris. 3) The American sportswear and fashion industry influenced Paris Mode, the traditional Haute Couture to open Pret-a-porter-a-porter. The concept of seperated coordination in American sportswear have promoted the advanced marketing techniques and merchandising systems to modern ready-to-wear industry. Fashion in 1980s have increased the mutual interdepedence between the American sportswear industry and the creative Paris Mode. And then, the fashion world in 1990s and 21C will be changed and developed on the basis of American sportswear mechanism.

• 한국의상디자인학회지
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• 제18권4호
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• pp.141-158
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• 2016

The objective of this study is to examine the type and characteristics of hat, and also to analyze the formative characteristics of hats shown in $Pr{\hat{e}}t-{\grave{a}}$-porter Collection. The literature review focused on the relevant technical books and preceding researches while the case study targeted 1,561 photos of hats shown in the 'Donga TV Collection'. The research range was from the S/S season of 2012 to the F/W season of 2015/16. The results of this study are as follows. 1. A hat is composed of crown and brim. In the results of classifying hats based on it, there were 572 crown-type hats, 533 hat-type, 219 cap-type, 156 irregular-type, and 81 brim-type in the order. 2. For the crown-type hats, they were mainly like cylindrical-type, bell-type, dome-type, and circle-type, using colors like black, beige, brown, red, mustard, and grey, and materials like wool, fur, velvet, straw, and metal while they were decorated with bead or lace. 3. For the hat-type hats, they were mainly like bell-type, ladder-type, and hemisphere-type, using colors like peach, white, gold, brown, and khaki, and materials like silk, cotton, straw, and wool while they were decorated with feather and ribbon. 4. For the cap-type hats, they were mainly like hemisphere-type, using colors like white, black, khaki, mustard, and purple, and materials like fur, leather, and wool while they were decorated with wappen and chain. 5. For the irregular-type hats, they were mainly like sandglass-type, box-type, animal-type, trumpet-type, and bell-type, using colors like purple, orange, pink, yellow, and sky-blue, and materials like metal, feather, mesh, plastic, straw, and linen while they were decorated with ribbon, net, bell, and flower. 6. For the brim-type visor, they were mainly like square-type, using colors like transparent, yellow, and black, and materials like plastic, cotton, leather, and metal.

• 한국경제지리학회지
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• 제17권4호
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• pp.688-701
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• 2014

본 연구는 부산신발산업의 집적과 쇠락요인을 산업클러스터의 경쟁력이라는 이론적 관점에서 접근한다. 이를 위해 M. Porter의 클러스터 모델을 재구성한 '산업클러스터의 구성요소와 연계 모형'을 제시하고 그것에 기초하여 부산신발산업의 집적화와 쇠락에 영향을 미친 요인들을 검토하였다. 그리고 신발산업의 부산지역 집적 및 쇠락과정과 현황을 고찰하고 부산지역 신발업체들을 대상으로 관련 설문조사를 실시하였다. 분석 결과, 부산신발산업의 집적 및 쇠락과정은 상당히 복잡한 요인들에 의해 영향을 받았지만, 노동집약적 경공업의 특성상 노동력 등 투입요소부문이 가장 결정적인 영향변수였던 것으로 나타났다. 그리고 1970년대 중반 이후 OEM 생산을 본격화하면서 글로벌 생산네트워크에 편입된 바, 그것에의 진입과 배제과정에서 산업클러스터의 성쇠가 보다 급격히 발생한 것으로 판단된다.

• 디지털융복합연구
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• 제14권8호
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• pp.151-161
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• 2016

ICT융합은 창조경제를 추진함에 있어서 기존 산업 및 제품과 서비스에 고부가가치를 창출할 수 있는 기회를 제공하기 때문에, 중요한 수단으로 인식되고 있다. 현재까지 연구는 ICT융합 클러스터에 참여하는 기업에 대한 세부적인 지원 정책 보다는 Porter의 다이아몬드 모델에 의존하여 ICT융합 클러스터의 전략을 포괄적으로 살펴보는데 중점을 두어 왔다. 본 연구에서는 AIDA(Attention, Interest, Desire, Action) 모델에 기반을 두고 비(非)R&D 분야의 정책적 지원이 기업의 ICT융합 클러스터에 대한 관심과 참여 의사를 이끄는 지 여부를 검증하였다. 충북지역에 위치한 중소기업을 대상으로 2주 동안 온라인 설문을 통해 수집한 181부를 바탕으로, 기술 지원, 참여여건 지원, 사업화 지원 등 비R&D 정책지원 요인이 기업의 ICT융합 클러스터 사업에 대한 관심과 참여의사에 차례로 정(+)의 영향을 준다는 점을 실증하였다. 본 연구의 결과는 AIDA 모델을 정부와 기업 간 상황(G2B)에 적용하여 정부 정책의 홍보와 기업의 관심 유도를 검증하였다는 점에서 의의가 있다. 향후 비R&D 부분에 대한 정책적 지원이 국가정책사업에 대한 기업의 관심과 참여 의사를 이끌어 내는 지 여부를 AIDA 모델을 활용하여 살펴볼 필요성이 있다.

• 디지털융복합연구
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• 제15권4호
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• pp.117-125
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• 2017

본 연구는 중소기업의 기술혁신을 유도하기 위한 정부의 정책 수단인 연구개발지원과 규제장벽이 실제 중소기업의 기술혁신에 미치는 영향에 대한 고찰을 목적으로 한다. 대부분의 기존 연구들은 연구개발지원에 대한 내생성을 고려하지 않았으며, 규제의 경우 연구자마다 상이한 결론을 도출하였기 때문에 이를 극복하기 위하여 실증적 연구를 추진하였다. 중소기업 1,223개를 대상으로 연구를 추진하여, 로직분석, 음이항분석, 2SLS분석을 수행하였다. 분석결과는 첫째, 정부연구개발지원의 내생성을 고려하여도 실제 기술혁신효과가 존재하는 것으로 나타났고, 둘째, 규제가 기술혁신에 긍정적인 영향을 미치는 것으로 나타나 Porter의 이론을 지지하였다. 이와 같은 결과는 다음과 같은 시사점을 갖는다. 중소기업이 가지는 기술개발 환경의 취약성 때문에 정부의 연구개발지원은 기술혁신 유도에 있어 중요한 역할을 한다는 것이다. 그리고 정부는 무조건적인 규제 철폐보다는 중소기업에 대한 지원과 더불어 적절한 규제를 추진하는 정책을 통해 중소기업의 기술혁신을 육성해야 한다고 판단할 수 있다.

• 패션비즈니스
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• 제12권5호
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• pp.94-110
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• 2008

The main objective of this research was to understand the characteristics of separation color coordination of contemporary female fashion through the analysis of 'pre-a-porter Collections' of four collections (i. e. cities) - Paris, Milan, New York, London - from the periods of 2004 S/S to 2008/9 A/W. The data collection of 265 was done by reviewing 'pre-a-porter Collections' magazine and total 265 observations were made. Statistical analysis of frequency and also qualitative interpretation of separation color coordination characteristics were completed. The main findings were; (1) In separation color coordination of contemporary women's fashion collections, there were three main types of color scheme which were classified into seven detailed categories of color combination. First was the achromatic color & one chromatic separation color scheme which was classified into four categories of - black & white, black & grey, white & grey, and grey & grey - color combination. Second was the chromatic colors & one achromatic separation color scheme which classified into two categories of achromatic & chromatic color & one achromatic separation color combination, and chromatic colors & one achromatic separation color combination. Third was chromatic colors and one chromatic separation color combination. (2) The achromatic colors and one chromatic separation color scheme showed two phases of reinforcing the strong and modern image, or softening the hard and dull image of achromatic color combination. In color schemes which used more than two chromatic colors, the separation color frequently converted the tedious and monotonous fashion image, which caused by identical or similarity in color or tone harmony, into more attractive and interesting. (3) In conclusion, through the various use and coordination of various color schemes, color harmony and separation colors, the separation color coordination in contemporary female fashion has been suggested the effective way of color combination which can lead the visual pleasure and the vitality along with the unity and the harmony. This characteristics can create various images and visual diversity for fashion. The types and the use of color scheme and separation color showed different trends in four collections.

• 해운물류연구
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• 제34권4호
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• pp.695-710
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• 2018

한진해운 도산이후, 한국해운의 재건을 위한 방안의 하나로 제시된 해운조선 상생 발전에 대한 실천적 대안의 하나인 해사클러스터 구축에 대한 정책대안 마련이 본 논문의 목적이다. 이를 위하여 가장 성공적인 해사클러스터를 구축하고 해운 조선 조선기자재 금융 등 핵심구성요소들간에 상생을 위한 협력이 이루어지고 있는 일본의 이마바리해사클러스터에 대하여 포터의 다이어몬드모델을 활용하여 분석하였다. 이마바리 해사클러스터는 해운과 조선간의 협력을 바탕으로 하는 국내완결형 수요조건과 관련지원산업조건을 갖추었다. 생산요소조건은 가족경영을 기반으로 하는 뛰어난 해운경영자와 이들을 하나로 묶어주는 행정과 금융을 기반으로 하고 있지만 지방중소도시에 위치한 근본적인 약점으로 우수한 인재확보나 대형항만부재로 인한 항만서비스업의 부진은 약점으로 들 수 있다. 기업전략조건은 단기적인 시점보다는 장기적인 시점에서 안정경영을 중시하고 있다는 점을 확인할 수 있었다.

• 아태비즈니스연구
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• 제11권4호
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• pp.255-269
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• 2020

Purpose - This paper analyzes the market efficiency focusing on the long memory properties of the domestic futures market. By decomposing futures prices into yield and volatility and looking at the long memory properties of the time series, this study aims to understand the futures market pricing and change behavior and risks, specifically and in detail. Design/methodology/approach - This study analyzes KOSPI 200 futures, KOSDAQ 150 futures, 3 and 10-year government bond futures, US dollar futures, yen futures, and euro futures, which are among the most actively traded on the Korea Exchange. To analyze the long memory and market efficiency, we used the Variance Ratio, Rescaled-Range(R/S), Geweke and Porter-Hudak(GPH) tests as semi- parametric methods, and ARFIMA-FIGARCH model as the parametric method. Findings - It was found that all seven futures supported the efficiency market hypothesis because the property of long memory turned out not to exist in their yield curves. On the other hand, in futures volatility, all 7 futures showed long memory properties in the analysis, which means that if new information is generated in the domestic futures market and the market volatility once expanded due to the impact, it does not decrease or shrink for a long period of time, but continues to affect the volatility. Research implications or Originality - The results of this paper suggest that it can be useful information for predicting changes and risks of volatility in the domestic futures market. In particular, it was found that the long memory properties would be further strengthened in the currency futures and bond rate futures markets after the global financial crisis if the regime changes of the domestic financial market are taken into account in the analysis.