• 제목/요약/키워드: Patterns

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조선시대 직물의 시기감정을 위한 꽃무늬 조형특성 연구 (A Study on Flower Patterns Found in the Fabrics of the Joseon Dynasty)

  • 조효숙
    • 복식
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    • 제58권5호
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    • pp.87-101
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    • 2008
  • The purpose of this study is to identity the representative flower patterns in the Joseon Dynasty and investigate their chronological transitions. In the early Joseon Dynasty (i.e. 16th century), lotus patterns were very popular. Often lotus patterns were twisted around by ivy-leaves or decorated with treasures pattern in the margin. In the mid Joseon Dynasty (i.e. from 17th to mid 18th century), however, lotus patterns evolved from the typical lotus and ivy pattern and diversified into four types. In the 19th century, lotus pattern almost disappeared from the textiles of everyday dresses and were only found in the textiles of formal dresses or in special cases as in the cover pages of Buddhist scriptures. Poeny patterns was rarely used in textiles of 16th century, presumably because of the huge popularity of the lotus pattern. However, suddenly in the 17th century, Poeny patterns appeared quite frequently. There were 3 types of Poeny patterns. Poeny patterns became more popular over the years and it finally became a primary motive in textiles patterns for 100 years starting in the late 19th century. There were two types of Poeny patterns : one was realistic and true to life even in sizes, the other was more symbolic. Textile patterns combining four kinds of flowers started to appear from the late Koryo Dynasty but Flower patterns representing four seasons with distinct shapes appeared only in the 17th century. They could be categorized into three types. In the late 18th century, Flower patterns representing four seasons no longer appears in textile patterns, presumably due to a new preference for lucky omen over natural motives.

A Study on the Classifications and Symbolic Meanings of Vietnamese Traditional Patterns

  • Anh, Pham Ho Mai;Lee, Yonn-Soon
    • International Journal of Human Ecology
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    • 제9권1호
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    • pp.29-40
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    • 2008
  • This study clarified the classifications of Vietnamese traditional patterns and analyzed the symbolic meanings that reflect the emotional and cultural background of the Vietnamese. The type and symbolism of Vietnamese traditional patterns were analyzed through research on the history of Vietnamese costumes, the history of Vietnamese arts, the history of Vietnamese traditional culture, and a Vietnamese museum survey. The results of this study were as follows: 1. Animal patterns are diverse and include dragons, unicorns, tortoises, phoenixes, cranes, lions, bats, tigers, and buffalo patterns. 2. Dragon patterns are the most utilized pattern for practical purposes. They are often used in royal costumes, Vietnamese traditional dresses, mandarin boots, bamboo fans, silk, satin, ceramics, and other detailed decorations. 3. The patterns symbolized fortune that meant good luck and longevity so people can live long and happy. Then the symbolic meanings of patterns were followed by prosperity, nobleness, apotropism, prolificacy, and wealth. 4. Since the most of animal patterns have symbolic meanings of fortune and longevity, animal patterns can be utilized as the source of traditional patterns of design inspiration for the development of Vietnamese modern patterns and the application on Vietnamese fashion products.

조선시대 직물에 나타난 동물문양의 유형과 특성 (The Types and Characteristics of Animal Patterns Used on fabric of Chosun Dynasty)

  • 장현주;하종경
    • 복식
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    • 제55권5호
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    • pp.65-77
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    • 2005
  • This stuffy is to understand the symbolic meaning of Korean traditional animal Patterns, to analyze their figurative characteristics focusing on fabric relics of Chosun Dynasty, and to search their internal beauty as well as their external beauty. Animal patterns can be classified as Individual type, the type that only animal patterns are used, and Compound type, the type that animal patterns are used with other patterns. The Individual type was not found at all. Only the Compound type, compounded with two or three other patterns, were found. Among the other patterns used in the Compound type, botanical patterns and heaven-and-earth-shaped patterns were the majority while letters patterns were rarely used. Bird patterns take enormously large part of the animal patterns. In terms of the arrangement, animal patterns are classified as Dense type, Sparse type, and Picturesque type.'rho three types are almost equal in their quantity. Picturesque type is found comparatively a lot. Animal patterns are much more frequently used in female clothes than in male clothes. For female clothes, they are mostly used in some parts of the clothes with ornamental effect. But, for male clothes, they are mainly used all over the fabric by weaving animal patterns on it. Not just their external beauty, animal patterns have also internally beautiful characteristics, such as keeping away from wicked ghosts, hoping for good luck, emblematic features, having ideological meanings, and so on.

현대패션에 나타난 스트라이프 패턴의 특성에 관한 연구 (A Study into the Characteristics of Strife Patterns in Modern Fashion)

  • 김선영
    • 복식문화연구
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    • 제18권3호
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    • pp.397-407
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    • 2010
  • This study is about the strife patterns in modern fashion and the characteristics inherent in them. The study was aimed at offering the basic materials to develop the creative design that can show various visual expression effects. In terms of method, the study was led by the analysis of documents; domestic and foreign fashion, collection magazines etc were used to analyze the strife patterns in modern fashion. According to the findings, the study used the rearrangement of the strife patterns at the same intervals, the arrangement of different strife patterns within one single item, the hybrid arrangement of strife patterns and different patterns, and the use of strife patterns for a certain part of clothing for the purse of emphasis or decoration. First, the characteristics inherent in such strife patterns showed clear simplicity using the same repetition of simple lines or the two colors of black and white. Second, strife patterns changed silhouettes by causing optical illusion, and showed the rhythm effects, such as swelling, wave or movement by distorting and controlling lines or forms. Third, based on irregular intervals or multi-strife, the concept of unclear disharmony and inconsistency was shown with the beauty of hybridharmony by blending various strife patterns with each other, or strife patterns with different patterns, and thus expressing composite images.

년대 2000 이후 섬유디자인에 나타난 스트라이프 패턴 연구 (A Study of The Stripe Patterns on The Fabric Design Since 2000)

  • 한정임
    • 패션비즈니스
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    • 제15권2호
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    • pp.160-173
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    • 2011
  • Stripe has been one of the all-time favorite fabric patterns so far and the usages have been widely applied of nearly everything ranging from everyday dress to interior fabrics. As the times change, patterns of this simple geometrical design have gradually become varied. Many effects of stripe patterns have allowed the patterns to be used in fabrics for fashion design and the patterns are considered fit for expressing individual characteristics. By studying theoretical background on categories of stripe patterns and the characteristics as a design and by researching the trends and properties exhibited in the modern fabric design, this paper will seek the potential of stripe patterns for design of a modern sense and the directions to express the patterns as a value-added design. This research was conducted through literature, books published at home and abroad, research papers and photographs on stripe patterns. Domestic magazines, web research, and photographs published since 2000 were studied for an analysis of the trends and characteristics of stripe patterns displayed in the modern fabric design. As the results, this research will explain the tendencies of stripe patterns on the modern fabric designs divided into several ways: simple and restrained modernity, active and sporty property, mannishness putting practicality forward-emerging as the status of women rises, and femininity emphasizing elegant women. The characteristics of the Plastic are categorized simplicity, rhythmicality, and Mixing of patterns.

Identification of user's Motion Patterns using Motion Capture System

  • Jung, Kwang Tae;Lee, Jaein
    • 대한인간공학회지
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    • 제33권6호
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    • pp.453-463
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    • 2014
  • Objective:The purpose of this study is to identify motion patterns for cellular phone and propose a method to identify motion patterns using a motion capture system. Background: In a smart device, the introduction of tangible interaction that can provide new experience to user plays an important role for improving user's emotional satisfaction. Firstly, user's motion patterns have to be identified to provide an interaction type using user's gesture or motion. Method: In this study, a method to identify motion patterns using a motion capture system and user's motion patterns for using cellular phone was studied. Twenty-two subjects participated in this study. User's motion patterns were identified through motion analysis. Results: Typical motion patterns for shaking, shaking left and right, shaking up and down, and turning for using cellular phone were identified. Velocity and acceleration for each typical motion pattern were identified, too. Conclusion: A motion capture system could be effectively used to identify user's motion patterns for using cellular phone. Application: Typical motion patterns can be used to develop a tangible user interface for handheld device such as smart phone and a method to identify motion patterns using motion analysis can be applied in motion patterns identification of smart device.

초등학교 4학년 수학에서의 '무늬 만들기' 내용의 분석과 비판 (An Analysis and Criticism on 'Designing Patterns' in 4th Grade Mathematics)

  • 박교식;박문환
    • 한국초등수학교육학회지
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    • 제14권3호
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    • pp.827-842
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    • 2010
  • 이 논문에서는 초등학교 4학년 수학과 교육과정에서 제시하는 '무늬 만들기'의 교수학적 변환과 각색의 실제를 비판적으로 검토한다. 무늬 만들기에서의 그 무늬는 일반적으로 벽지무늬가 아니다 그것을 만드는 방식도 벽지무늬를 만드는 방식과 같지 않다. 벽지무늬 만들기가 아니라는 점에서 보면, 새로운 무늬 만들기의 맥락은 '투명 스티커 붙이기'라고 할 수 있다. 이 논문에서는 이 특정을 전제로 해서 단위조각의 모양, 새로운 무늬 만들기의 방법, 단위조각 이어 붙이기의 규칙에 관해 비판적으로 논의하고 있다 단위조각의 모양은 실질적으로 정사각형이 아니면 안된다. 주어진 단위조각을 사용하여 새로운 무늬를 만들 때, 만드는 방식의 규칙성만 제시할 수 있으면 실제로는 어떤 규칙이라도 무방하다. 주어진 단위조각으로 만드는 새로운 무늬와 벽지무늬 사이의 관계는 분명하지 않지만, 그 둘이 서로 무관하다고 보기 어렵다는 점에서, 무늬 만들기가 '잘못된 초등화(Freudenthal, 1973)'의 한 모습일 수도 있다.

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miRNA Pattern Discovery from Sequence Alignment

  • Sun, Xiaohan;Zhang, Junying
    • Journal of Information Processing Systems
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    • 제13권6호
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    • pp.1527-1543
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    • 2017
  • MiRNA is a biological short sequence, which plays a crucial role in almost all important biological process. MiRNA patterns are common sequence segments of multiple mature miRNA sequences, and they are of significance in identifying miRNAs due to the functional implication in miRNA patterns. In the proposed approach, the primary miRNA patterns are produced from sequence alignment, and they are then cut into short segment miRNA patterns. From the segment miRNA patterns, the candidate miRNA patterns are selected based on estimated probability, and from which, the potential miRNA patterns are further selected according to the classification performance between authentic and artificial miRNA sequences. Three parameters are suggested that bi-nucleotides are employed to compute the estimated probability of segment miRNA patterns, and top 1% segment miRNA patterns of length four in the order of estimated probabilities are selected as potential miRNA patterns.

고유수용성 신경근 촉진법 패턴의 운동 분석 (Motion Analysis at Proprioceptive Neuromuscular Facilitation Patterns)

  • 배성수;정형국;김호봉
    • The Journal of Korean Physical Therapy
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    • 제10권1호
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    • pp.213-221
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    • 1998
  • The purpose of this study was a motion analysis of proprioceptive neuromuscular facilitation patterns which is scapular and pelvis patterns, upper extremity patterns, lower extremity patterns, trunk patterns. The patterns combine motion in sagittal plane for flextion and extension, coronal or frontal plane for abduction and adduction, transverse plane for rotation. The patterns composed of mass movement pattern of the limbs and trunk muscles. Every pattern can change by changing the activity of the middle joint in the extremity patterns and changing the patient's positions.

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나노 스테레오리소그래피 공정을 이용한 무(無)마스크 나노 패턴제작에 관한 연구 (Investigation into direct fabrication of nano-patterns using nano-stereolithography (NSL) process)

  • 박상후;임태우;양동열
    • 한국정밀공학회지
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    • 제23권3호
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    • pp.156-162
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    • 2006
  • Direct fabrication of nano patterns has been studied employing a nano-stereolithography (NSL) process. The needs of nano patterning techniques have been intensively increased for diverse applications for nano/micro-devices; micro-fluidic channels, micro-molds. and other novel micro-objects. For fabrication of high-aspect-ratio (HAR) patterns, a thick spin coating of SU-8 process is generally used in the conventional photolithography, however, additional processes such as pre- and post-baking processes and expansive precise photomasks are inevitably required. In this work, direct fabrication of HAR patterns with a high spatial resolution is tried employing two-photon polymerization in the NSL process. The precision and aspect ratio of patterns can be controlled using process parameters of laser power, exposure time, and numerical aperture of objective lens. It is also feasible to control the aspect ratio of patterns by truncation amounts of patterns, and a layer-by-layer piling up technique is attempted to achieve HAR patterns. Through the fabrication of several patterns using the NSL process, the possibility of effective patterning technique fer various N/MEMS applications has been demonstrated.