• Journal of Fashion Business
• /
• v.11 no.5
• /
• pp.110-123
• /
• 2007

This study aims at analyzing the characteristics and the mode of deconstructionism expressed in fashion design centering on review of literatures and precedent researches. Through the review of previous studies and various articles, three major features with regard to deconstructionism were found: indeterminacy of meaning, decentralization, and inter -textuality. In fashion, the feature of indeterminacy of meaning expressed by non formula way such as unfinished, layering, obi or straight line cutting and it was divided into unstructured and unorganized factors. The feature of decentralization expressed by disorganization of sex, race, culture and humanism such as trans-gender, third world costume, sub-culture, posthumanism. Last, the feature of inter-textuality expressed by employing the fashion texts more than two simultaneously such as mixture of unmatched or unusual various clothing items, fabrics, patterns and styles. Non formality features in fahsion which divided into unstructured and unconstructed factors. The decentering of meaning means that disorganized the existing concepts of sex, race, culture and humanism features in fashion which divided into cross-gender, subculture, and post-humanism. Lastly, the feature of inter-textuality means that employed the fashion text more than two which is classified into factors of mixing mode and mixed styles. Unstructured factors were expressed by destroying the design principles such as balance, harmony and unit in fashion. Unconstructed factors were expressed by ignoring the basic costume structures and components in fashion. Cross-gender was expressed by manish and duality style in fashion and 3rd world costume was expressed by folk costume style. Anti fashion was expressed by anti aesthetics in fashion such as kitch, punk, and hippie styles. Post-human was expressed by futurism and the 4th Sex style in fashion. Mixing mode were expressed by mixture of item, and unmatched materials and pattern in fashion. Mixture of style were expressed by mixture of pastiche expression of various styles.

• Journal of architectural history
• /
• v.26 no.5
• /
• pp.7-18
• /
• 2017

The 1960s in Britain was the period of rapid economic and social change. Under this circumstance, the visionary architect Cedric Price designed the Fun Palace, of which idea came from the theatre producer, Joan Littlewood. They hoped this place to be an improvisational learning space, so Price proposed the building as 'kit of parts' which can respond to programmatic indeterminacy. Cybernetics was introduced to control this flexibility dramatically changed the character of the project from 'theatre of people' to 'interactive machine'. That resulted in the change of the status of user from subjective human beings to abstract data in the cybernetic algorithm as well, and led the project to a completely opposite direction from that Price intended. After Fun Palace, cybernetics technology could still be found in his other projects, and it can be assumed that this was because the algorithmic system of cybernetics were on the same line of thought of Price's idea - anti-building or 'kit of parts'. The effects of cybernetics varied in projects; Similar negative effect in Fun Palace can be found in Generator project, but on the other hand, in Potteries Thinkbelt project, cybernetics showed a positive aspect by contribution to the development of project on the formal analogy of algorithmic network.

• Journal of the Korean Society of Costume
• /
• v.61 no.9
• /
• pp.27-38
• /
• 2011

This study focused on the body modification in fashion illustration based on 'Corps sans Organes' of Deleuze. An argument about the changes of ideal body to define the aesthetic consciousness of times has lasted for a long time. Therefore, analyzing body modification in fashion illustration to express the ideal beauty could be effective motives to understand the changes of ideal bodies related with socio-cultural meanings, and be helpful to understand the overall trends of modern fashion illustration. To classify the types of body modification, the concept of 'Corps sans Organes' of Deleuze was used as an analyzing tool. As the final result, the characteristics of body modification could be divided into three groups; the fragmentation of bodies, the pastiche of bodies, and the abstraction of bodies. First, in the fragmentation of bodies, which is related with flexibility, pluralism, and subjective views on body, the bodies were separated as molecules. Second, the elements of pastiche of bodies could be subdivided into five sub-groups; sex, plants, animals, texts and figure, and machines. The pastiche of bodies was used to extend the limitation of human capabilities and to reinterpret the human identities. Last, the abstraction of bodies based on contingency, indeterminacy, and subjective associations could be related with the nomadic and indefinite body images. The body modification could be considered as the context of nomadism, indeterminacy, and virtuality of modern-times, and it would be the basic data to understand the body modification in fashion illustrations.

• Bulletin of the Korean Mathematical Society
• /
• v.55 no.5
• /
• pp.1317-1332
• /
• 2018

In this paper, we introduce the D-ratio of a rational map $f:{\mathbb{P}}^n{\dashrightarrow}{\mathbb{P}}^n$, defined over ${\bar{\mathbb{Q}}}$, whose indeterminacy locus is contained in a hyperplane H on ${\mathbb{P}}^n$. The D-ratio r(f; ${\bar{V}}$) characterizes endomorphisms and provides a useful height inequality on ${\mathbb{P}}^n({\bar{\mathbb{Q}}}){\backslash}H$. We also provide a dynamical application: preperiodic points of dynamical systems of small D-ratio are of bounded height.

• Journal of the Korean Society of Costume
• /
• v.58 no.4
• /
• pp.113-127
• /
• 2008

Artificial lights have effected the changes of art and fashion concepts as well as human life since the invention of electric light bulb in late 19th century. Artist and designer have had more interested in these artificial lights as the development of digital technology and the change of millennium and they have tried to apply the lights into their works. The purpose of this study is to analyze the aesthetic characteristics of contemporary fashion design using artificial light as a medium. Artificial light for fashion design means the light using luminescent material like phosphorescent and fluorescent materials or in combination with electroluminescent digital technology or the light that can be perceived as images when light projects from media using a light projector or other digital equipment. Fashion design using this light type can change colors or form temporarily and it can playa role as a gadget for hm or as equipment to provide information much as a computer monitor does. And designer can create virtual patterns on the surface of clothes, or virtual fashion like a 3-dimensional holography in empty space. In these fashion designs, the virtual image of light is substituted for physical formative elements in fashion, and the viewer can experience an ambiguity between reality and virtuality. The results of the study were as follow; The formative characteristics of those fashion designs were identified as visibility, indeterminacy, integration and virtuality. And they reflected the internal meanings; the persue of protection and safety, the search for experiment and innovation, the will for interaction and communication and the desire for the deviation and fun.

• Korean Institute of Interior Design Journal
• /
• v.21 no.6
• /
• pp.204-211
• /
• 2012

The purpose of this study is to analyze characteristics and expression methods of contemporary art museums from the perspective of 'Rhizome', which is considered under similar context as 'indeterminacy' that represents the characteristics of contemporary public spaces. Methods of this study are as follows. First, necessity of this study is verified by investigating literature data and preceding studies, and by examining the fact that indeterminate characteristic is a new approach to contemporary public spaces. Second, in order to analyze Rhizomic expression in public spaces, analysis criteria are suggested by extracting components of public spaces and spatial characteristics of R150hizome from the literature. Third, Rhizomic characteristics and expression methods used in contemporary art museums are understood based on such analysis criteria. Fourth, when each spatial characteristic is expressed in art museums, the study found out that two factors among 'program', 'circulation', and 'form' are planned out as a mixture. Therefore, 'cohesion' is expressed as 'program' and 'form' in contemporary public spaces viewed from the perspective of 'Rhizome'. Also, 'diversity' is actively expressed through 'program' and 'circulation', and 'non-hierarchy' through 'form' and 'circulation'. Such methods are positive methods of expressing indeterminate contemporary public spaces. Since this study conducted analysis on characteristics and expression methods of public spaces from Rhizomic perspective of contemporary society, such results are deemed valuable in planning out public spaces that reflect the characteristics of contemporary society.

• Journal of Electrical Engineering and Technology
• /
• v.7 no.4
• /
• pp.468-479
• /
• 2012

In this paper, by a simple example it is shown that existing market-based criteria alone cannot completely and correctly evaluate the transmission network expansion from market view. However criteria congestion cost (CC) and social welfare (SW) together are able to correctly evaluate transmission network from market view and so they are adopted for the market-based transmission expansion planning. To simply indicate the limits of CC and SW social welfare percentage (SWP) and congestion cost percentage (CCP) are defined. To consider uncertainty in bids of market producers and consumers, and also indeterminacy in the acceptable boundaries of the SWP and CCP and their priorities, fuzzy assessment approach is used. In this approach, appropriate fuzzy sets and a fuzzy rule base are provided to evaluate the acceptability of an expansion plan. Then, the least-investment cost plan, which is acceptable in all probable scenarios, is searched. The proposed method is applied to an 8-bus system.

• Korean Institute of Interior Design Journal
• /
• v.13 no.2
• /
• pp.80-90
• /
• 2004

Scientism is a kind of paradigm since the birth of Modernism. Architectural design was also effected from scientism in the 1st Machine age, and being effected still In the End Machine age. But many architects in the 2nd Machine age express scientism in architectural design as a "science for kick" as SF. The design of Rem Koolhaas follows the line of Modernism which was effected from scientism in many ways. However he shows modified machine aesthetics as SF pataphysics mixed with literary imagination, and now shows new science paradigm in post-modern age. He expresses many new science theory like indeterminacy theory, chaos, catastrophe theory in his works. And those are expressed as indeterminate program that proceeds in non-linear way, rhizome in space, order out of chaos, topological metamorphosis as a catastrophe. This study analyzes the expression of scientism in architectural design of Rem Koolhaas since 1970s.nce 1970s.

• Journal of the Korean Mathematical Society
• /
• v.48 no.6
• /
• pp.1171-1187
• /
• 2011

Silverman [14] proved a height inequality for a jointly regular family of rational maps and the author [10] improved it for a jointly regular pair. In this paper, we provide the same improvement for a jointly regular family: let h : ${\mathbb{P}}_{\mathbb{Q}}^n{\rightarrow}{{\mathbb{R}}$ be the logarithmic absolute height on the projective space, let r(f) be the D-ratio of a rational map f which is de ned in [10] and let {$f_1,{\ldots},f_k|f_l:\mathbb{A}^n{\rightarrow}\mathbb{A}^n$} bbe finite set of polynomial maps which is defined over a number field K. If the intersection of the indeterminacy loci of $f_1,{\ldots},f_k$ is empty, then there is a constant C such that $ \sum\limits_{l=1}^k\frac{1}{def\;f_\iota}h(f_\iota(P))>(1+\frac{1}{r})f(P)-C$ for all $P{\in}\mathbb{A}^n$ where r= $max_{\iota=1},{\ldots},k(r(f_l))$.

• Proceedings of the Korean Institute of Interior Design Conference
• /
• 2006.11a
• /
• pp.62-65
• /
• 2006

Various kinds discussion are brought up to the table about modern social phenomenons that are practically difficult sometimes even impossible to predict in field of architecture. At the very moment, 'landscape' emerged as an important concept defining contemporary architecture a very different way. Architects have and still are processing various experiments with the changed concept of 'landscape' as it became new means to construct reality. In modern cities that have possibility and potential energy, many architects have proposed 'Landscape architecture' as an architecture mode that have indeterminacy and open to all possibilities. The present study analyzes the characteristics of landscaping that appear in contemporary architecture and interior space in recent years, and present landscape as a new possibility in interior space.