• Journal of Broadcast Engineering
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• v.15 no.3
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• pp.368-379
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• 2010

As high-definition video is broadly used in various system such as broadcast system and digital camcorder the proper method in order to improve the quality of high-definition video is needed. In this paper, we propose an efficient method to improve color and contrast of high-definition video. In order to apply the image enhancement method to high-definition video, scale-down video of high-definition video is used and the parameter for image enhancement method is computed from small size video. To enhance the color of high-definition video, we apply color constancy method. First, we separate the video into several scenes by cut detection method. Then, we apply color constancy to each scene with same parameter. To improve the contrast of high-definition video, we use union of original image and histogram equalized image, and weight is calculated based on sorting of histogram bins. Finally, the performance of proposed method is demonstrated in experiment section.

• Proceedings of the Korea Information Processing Society Conference
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• 2011.04a
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• pp.1024-1027
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• 2011

본 논문은 HD (High-definition) video, SD (Standard-definition) video, low quality video, handset video, 4 가지 Imaging Device 에 대한 프로파일 분석을 통해 비디오 프레임 상에 나타나는 위 변조를 검사하는 방법을 제안한다. High-definition video, Standard-definition video, low quality video, handset video 에 대한 분석을 하고 각 영상의 특이 점을 파악 하여 분류한 클래스에 대한 프로파일검사를 통해 EM Algorithm 을 이용하여 영상의 위 변조를 검사 하고 영상의 신뢰성을 높인다.

• Journal of Korea Society of Digital Industry and Information Management
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• v.9 no.4
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• pp.167-175
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• 2013

This study is the process of making high-definition TV broadcast color correction affects the end result comparison is focus on implement through study. In the production process and the impact on the color Correction in the video as an study for UHD, 4K, 6K video production workflow improvement of an effective program in the present and time and cost in the post production process, color correction for the final video through the production and overcome the failure of further in-efficient color correction study will help you to solve the problem. This study is the color changes over the course of the final video to see how much influence color correction of post-production. Color correction using a program of courses in Visual quality, regularly presented the possibility to retain and make on high definition video production post-production process for color correction method is utilized as the basis of study.

• Journal of Digital Contents Society
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• v.10 no.3
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• pp.461-468
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• 2009

In a recent year, the broadcasting system has been changed from analogue to digital all over the world, not just in Korea, and Korea aims at accomplishing 100% digital broadcasting by 2013. The HD(High Definition) Video Format, which currently plays a key role in digital broadcasting system, has been gradually extended in the field of broadcasting and movie. Additionally, many kinds of camcoders and editing systems have been rapidly converted into the digital types, and they are supporting to photograph and video editing systems with the various types of image formats such as SD(Standard Definition) format, HD format, 2K, 4K, etc. Tape Video Storage System, which has been usually used in the stage of photographing by this day, is gradually evolving into Tapeless Video Data Storage System. Thus in this study, Video Compression method of HD format photographed by Sony PMW-EX3, one of major tapeless camcoders, is studied and also the way of applying it effectively in Avid Media Composer, a non-linear editing system, is discussed.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2014.05a
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• pp.513-515
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• 2014

Ultra High Definition(hereafter UHD), Next-generation video technology, was quickening in the request of many years of the recipient and the authors who have been towards the higher sense of reality. The change of the medium has resulted in a mutation in the detailed content and the point of view overlooking the world as evidenced through the history. Thus the emergence of UHD will also be expected to require to manufacture unique technology. Therefore, this paper, especially in the documentary among the video content, tries to study the changes in the manufacturing process by UHD video technology. Moreover UHD video screen technology such as high resolution tries to analyse for the fitness for purpose of the documentary that transmission of the accuracy and the change from a documentary video production. In addition, I try to explore the improvement in the choice of shooting material expected to be a problem, even for the advance of the work on the second half and backup according to the enormous data. We derive the developmental aspects that UHD video technology in documentary production is brought about by the research plan described above. It is intended to contribute to the development of content production with the development of technology.

• Journal of Broadcast Engineering
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• v.20 no.6
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• pp.963-966
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• 2015

This paper introduces a programmable multi-format video decoder(MFD) to support HEVC(High Efficiency Video Coding) standard and for other video coding standards. The goal of the proposed MFD is the high-end FHD(Full High Definition) video decoder needed for a DTV(Digital Tele-Vision) SoC(System on Chip). The proposed platform consists of a hybrid architecture that is comprised of reconfigurable processors and flexible hardware accelerators to support the massive computational load and various kinds of video coding standards. The experimental results show that the proposed architecture is operating at a 300MHz clock that is capable of decoding HEVC bit-stream of FHD 30 frames per second.

• The Journal of the Korea institute of electronic communication sciences
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• v.9 no.10
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• pp.1197-1205
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• 2014

Recently signal transmission of ultra high-definition(4K-UHD) video system is transferred as uncompressed high speed data. However, this has a limit to compose the system because EMI between separate cables of high speed interface section and skew bring distortion of the video signal and jitter. In this paper we applied V-by-One HS interface technique to transfer uncompressed high speed data. We analyzed HSD(High Speed Differential) transmission line signal integrity. Also we applied RF transmission technique instead of UHD video pattern control interface PCB design. When we measured V-by-One HS video signal of designed 4K-UHD class signal generator, We found that the transmission performance has been signal standard.

• Journal of Broadcast Engineering
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• v.15 no.4
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• pp.513-526
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• 2010

In this paper, we propose a de-blocking filter for improvement of coding efficiency and computational complexity reduction on a high definition video coding. Recently, the H.264/AVC standard-based research for high definition video coding method is under way because the amount of used of high definition videos is on the increase. The H.264/AVC de-blocking filter is designed for low bitrate video coding and it improves not only the subjective quality but also coding efficiency by minimizing the blocking artifact. However, the H.264/AVC de-blocking filter that strong filtering is performed is not suitable in a high definition video coding which occurs relatively low blocking artifact. Also, the conventional de-blocking filter has high computational complexity in decoder side. The computational complexity of the proposed method is reduced about maximum 8.8% than conventional method. Furthermore, the coding efficiency of the proposed method is about maximum 7.3% better than H.264/AVC de-blocking filter.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2013.11a
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• pp.190-192
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• 2013

최근 HD(High Definition)화질 및 UHD(Ultra High Definition)화질과 같은 고품질 방송 서비스가 등장하고, 무선 네트워크 기술의 발달로 스마트폰, 태블릿PC 등과 같은 다양한 휴대용 멀티미디어 기기들이 존재함에 따라, 소비자들은 다양한 환경에서 고해상도 영상을 고품질로 사용하기를 원하고 있다. 따라서 스케일러빌러티의 현실적 필요성이 점점 대두되고 있으며, 이에 따라 ISO/IEC의 MPEG(Moving Picture Experts Group)와 ITU-T의 VCEG(Video Coding Experts Group)이 공동으로 결성한 Joint Collaborative Team on Video Coding(JCT-VC)에 의해 시간, 공간, 화질 등이 확장성을 제공하는 Scalable Video Coding(SVC)의 표준화가 진행되고 있다. 이에 본 논문은 공간적, 시간적, 화질적 스케일러빌러티(Scalability)를 제공하기 위한 SHVC의 표준 기술들에 대해 설명하고, 기존 단일 계층 부호화 방식(Single Video Coding)으로 서로 다른 해상도의영상을 Simulcast부호화한 결과와 비교하여 SHVC의 부호화한 결과와 비교하여 SHVC의 보호화 효율에 대한 성능을 분석 하였다.

• KSII Transactions on Internet and Information Systems (TIIS)
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• v.7 no.10
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• pp.2479-2496
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• 2013

Increasing demand for Full High-Definition (FHD) video and Ultra High-Definition (UHD) video services has led to active research on high speed video processing. Widespread deployment of multi-core systems has accelerated studies on high resolution video processing based on parallelization of multimedia software. Even if parallelization of a specific decoding step may improve decoding performance partially, such partial parallelization may not result in sufficient performance improvement. Particularly, entropy decoding has often been considered separately from other decoding steps since the entropy decoding step could not be parallelized easily. In this paper, we propose a parallelization technique called Integrated Multi-Threaded Parallelization (IMTP) which takes parallelization of the entropy decoding step, with other decoding steps, into consideration in an integrated fashion. We used the Simultaneous Multi-Threading (SMT) technique with appropriate thread scheduling techniques to achieve the best performance for the entire decoding step. The speedup of the proposed IMTP method is up to 3.35 times faster with respect to the entire decoding time over a conventional decoding technique for H.264/AVC videos.