• 제목/요약/키워드: Fashion Cultural Goods

검색결과 77건 처리시간 0.021초

가야(伽倻) 유물을 활용한 패션문화상품 디자인 데이터베이스 구축 (Construction of Fashion Cultural Goods Design Database using Gaya Relics)

  • 송미정;박혜원
    • 패션비즈니스
    • /
    • 제16권1호
    • /
    • pp.160-179
    • /
    • 2012
  • One of the representative local cultures in Gyeongnam is Gaya culture. This research aim s to develop fashion cultural goods design applying Gaya relics. Based on the study on cu ltural character, formative characteristics of relics, and questionnaire survey on cultural reco gnition and fashion cultural goods purchasing status of Gaya, the plan of Gaya fashion cul tural goods design was made and progressed. To develop design pattern, TexPro Design CAD was used. As to selection of relics to extract motif, Mounted vessel in the shape of warrior on horseback, Chariot wheel-shaped Pottery, Armor and Shield were selected. The main concept of design was 'Timeless Images of Gaya' to re-illuminate a long forgotten p eriod of Gaya, and to create modernization image of ancient period into modern living. By using oring image scale of IRI C or Lab, the 4 main themes of 'Timeless Images of Gaya' including 'Romantic Gaya', 'Dynamic Gaya', 'E -friendly Gaya', 'Modern Gaya' were constructed. According to the 4 themes, basic pattern, repeating pattern, application patter n were developed. And applied cases were developed to seek reality of design in the fashi on cultural goods. Also web page was constructed to develop educational and industrial accessibility and utilization in collaboration with design patterns and fashion cultural goods ap plying cases.

한국 전통신발을 이용한 한국적 이미지 패션신발 문화상품 개발 (Development of Fashion Shoes with Korean Image as Cultural Goods by Using Korea Traditional Shoes)

  • 박혜령;차은진
    • 한국의상디자인학회지
    • /
    • 제11권2호
    • /
    • pp.99-115
    • /
    • 2009
  • Recently, the development of design of cultural goods is focusing on excessively workmanship-oriented craft items. However, an advanced strategy that is practical and develops market-oriented goods in the world needs to be suggested from now on and the selection of goods item aimed to world market is very urgent. Therefore, the purpose of this study was to design practical and worldwide market-oriented shoes with Korean traditional image as a cultural goods. As software tools, 2D Adobe Illustrator Adobe Photoshop and 3D MAX 8.0 Photoshop CS were used to design the shoes. From 8 types of pattern design to which Koran traditional pattern was applied and 7 types of shoe design to which Korean traditional shoes were applied, 60 types of planar shoes design coating developed pattern designs were made. Furthermore, 3D design of cultural goods of shoe made possible to observe it three-dimensionally and accurately from the top, the front and the side respectively. Finally, 43 types of cultural goods of shoe to which Korean traditional shoes were applied were designed successfully according to traditional patterns and colors. The systematic database was established based on the developed pattern design of the shoes and might make the best use of the development of related design of cultural goods. Although there were partly some limitations in the aspects of design and material development of Korean traditional shoes, this study would help the economics of shoe industry in Korea producing high value-added products.

  • PDF

패션문화상품 디자인 개발을 위한 가야문화에 대한 인지도 조사 (A Survey on the Recognition of Gaya Culture for the Design Development of Fashion Cultural Goods - Focussed on the Visitors of National Museum -)

  • 송미정;박혜원
    • 패션비즈니스
    • /
    • 제16권2호
    • /
    • pp.44-61
    • /
    • 2012
  • The 21st century directs designomics to achieve wealth by designing old beyond a simple recognition of the importance of culture. One of the representative local cultures of Gyeongnam is Gaya culture. The Gaya period had over 600 years history with rich and excellent iron manufacturing skill and advanced pottery culture. It is the very time to reevaluate the importance of Gaya equivalent to the Three Kingdoms in our ancient history which was has been so far ignored and isolated. In order to develop unique and excellent culture of Gaya as local fashion cutural goods, questionnaire survey on the recognition of Gaya culture and cultural goods purchasing status had been conducted to target visitors of Representative National Museum. Data Analysis Using SPSS 18.0 Win was performed with frequency analysis and t-test. As to the questionnaire survey, important criteria for purchasing in case of buying cultural goods could be found and the residents in Gyeongnam had higher recognition of developing cultural goods by the motif of Gaya relics. 'Mounted vessel in the shape of warrior on horseback(12.4%)' and 'Chariot wheel-shaped Pottery(10.8%)' were selected the most suitable motif, 'Cellphone strap(11.0%)' and 'key holder(10.2%), 'cup (7.2%)'were selected the most suitable item of cutural goods. These will be actively reflected in the development of fashion cultural goods design applying Gaya relics.

한류 문화상품으로써의 아동복 디자인 개발에 관한 연구 -작품 제작을 중심으로 (A Study on the Development of Children's Clothing Design as a Cultural Korean Wave Product -Focusing on the Production Work)

  • 변미연;백민숙
    • 한국산학기술학회논문지
    • /
    • 제16권11호
    • /
    • pp.7485-7493
    • /
    • 2015
  • 한류의 활성화에 따라 한류 관광객을 위한 문화 상품의 중요성이 부각되고 있다. 그러나 현존하는 상품들은 연예인 캐릭터의 생활용품이 주를 이루고 있으며, 실용성이 가미된 의류제품의 문화상품은 현저히 그 수가 적다. 특히 아동복과 관련된 문화상품은 거의 개발되지 않았으며, 소수의 상품은 기본 티셔츠에 그래픽 또는 전통한복이 주를 이루었다. 이러한 상황에서 중국인들의 소비 패턴과 한류 문화상품을 적용시켜 볼 때, 한류 문화 상품으로써의 아동복이 개발 된다면 한류의 활성화 및 국내 패션시장에도 도움이 될 것으로 사료된다. 이에 본 연구에서는 한류 문화상품으로써의 아동복 디자인을 개발하여 실증적인 연구 결과물을 제시하고자 하며 다음의 연구목적을 수행하고자 한다. 첫째, 한류 문화상품의 개념을 파악하고 이들의 현황을 분석하여 현 시점의 한류 문화상품 개발을 위한 데이터를 구축하고자 함이며 둘째, 디자인 개발을 통한 실물작품을 제작하여 한류 문화 상품 시장에 실증적 자료로 제공하고자 함이다. 연구방법 및 내용으로는 선행연구 리뷰 및 질적 연구를 위한 일대일 심층 면접, 시장조사와 작품 개발의 실증적 연구로 진행하였으며, 최종 연구결과물인 4벌의 작품을 통해 소비자 니즈를 만족할 수 있는 한류 문화상품 아동복을 실증적 자료로 제시하였다. 본 연구는 국내 패션 시장 및 문화상품 시장에 기초자료로 활용될 수 있으며 중국 소비자 니즈 분석을 위한 참고자료로 그 의의가 있다.

한국적 이미지를 응용한 패션문화상품디자인 개발연구 - 스카프, 넥타이 상품을 중심으로 - (Design Development of Fashion Cultural Goods to which Korea Image is applied - mainly centering around the goods of scarf and necktie -)

  • 남재경
    • 조형예술학연구
    • /
    • 제6권
    • /
    • pp.249-266
    • /
    • 2004
  • Nowadays more than 200 countries are living on the earth in international relation. Having their own culture and history, these countries constitute international society, creating their national image with their own identity based on the culture and history. Though each country has cultural goods in which it combines its culture and history to economic area, the global and cultural goods representing a country is not made in short term, but completed by the combination of its long tradition, cultural consciousness of the nation and artistic level. That is to say, the image developed by the country is naturally embodied in the goods and the world recognizes the image and confirms the goods. To embody such Korean and global goods, it is essential to put priority on the research of history and culture of our society. Needless to say, it is very important to find the value of our own differentiated beauty and apply it to each area of design industry. Recognizing the differentiated value of our own cultural originality, this research performs the design of scarf and necktie to exhibit Korean image in modern and fashionable ways for commercialization by developing design of fashion and cultural goods to which Korean image is applied. Through literature and various informations, the theme of design that can best convey Korean image is determined to be the national flag of Korea, Taegeukki and five cardinal colors and the researching method is as follows. First, though the area of developing designs of cultural goods is very wide and various including commerce, industry, products , fashion, handicraft and traditional handicraft, etc., this research sets the scope of developing design, focusing on the fashion accessories utilizing the textile design such as costume, scarf, necktie and so on. Second, the definition and scope of cultural goods and the present situation of domestic cultural goods will be examined. Third, the modelling property and symbolic meaning of the national flag of Korea (Taegeultki) and five cardinal colors, the theme of design will be studied. Fourth, on the basis of above research, scarf and necktie will be designed by modern and fashionable design to which Korean image is applied. Fifth, this is textured in textile printing and gradation for commercialization.

  • PDF

보보스 스타일과 패션제품 구매행동 (A Study on Bobos Style and Buying Behavior of Fashion Goods)

  • 이유경
    • 한국의상디자인학회지
    • /
    • 제3권2호
    • /
    • pp.23-34
    • /
    • 2001
  • This study aimed to investigate the Bobos style which represents new upper class in the information age and has influence on fashion world, and present the marketing strategy for that. As a result, Bobos' buying behavior of fashion goods and marketing strategy for that were as follows. The first, Bobos fashion style and their characteristics of buying behavior were 1. the pursuit of luxury and high quality 2. the pursuit of blending taste and of the traditional bourgeois and the bohemians 3. the pursuit of utility and practical thing 4. the pursuit of self expression and sense 5. the pursuit of natural and antique taste 6. pursuit of cultural and artistic aspect. The second, marketing strategy for Bobos' buying behavior of fashion goods were as follows. 1. Blending of the traditional prestige and freedom should be reflected on fashion goods. 2. The utility and natural style of fashion goods are needed. 3. The non-conspicous self expression and artisticㆍcultural taste should be reflected on fashion goods.

  • PDF

지역문화상품 개발을 위한 가야유물의 조형성 연구 (A study on the plasticity of Gaya relice for the development of local cultural goods)

  • 송미정;박혜원
    • 패션비즈니스
    • /
    • 제14권5호
    • /
    • pp.158-175
    • /
    • 2010
  • Culture means a lifestyle realizing a definite object or ideal. Each local special culture is enormous in value as a local culture inheritance. If it is developed a local culture products representing local culture, it can perform an important role on one of the strategies for revitalizing local economy. One of the typical cultures in Kyung-Nam is the Gaya culture. The most characteristic of the Gaya culture is powerful iron culture and lots of cultural properties have been founding as relics. Judging from a lot of iron relics, we can figure out a high level of iron manufacturing technology. I studied focussing on the plasticity of Gaya relics and collected base materials for developing local cultural goods, using the motif of Gaya culture with excellent aesthetic consciousness. I classfied Gaya relics into a crown style, jewelry, harnessry, weapons, armor, earthenware, and considered its characteristic of the plastic arts, based on the preceding studies and document data. There exists natural, moderate, polished, indigenous, simple, rhythmical, delicate, florid, technical, symbolical, strong, diverse, naive beauty in the plastic characteristic of Gaya relics. Gaya culture with the special excellence of aesthetic resources, is worthy enough to be recreated as local cultural goods. Variable and special cultural fashion-products with the distinctive feature of Gaya culture need to be developed without delay.

문화사회학적 시각에서 본 한국사회에서의 명품의 인상관리적 효과 (Image Management and Luxury Goods in Korean Society: A Cultural Sociological Perspective)

  • 최샛별;진기남
    • 한국의류산업학회지
    • /
    • 제8권6호
    • /
    • pp.672-678
    • /
    • 2006
  • This study examines the implications of fashion in self-expression or image management among college students in Korea. Socio-demographic factors are considered in addressing following research questions: why Korean college students seek luxury goods; how they recognize the effects of using luxury goods on their image management; whether or not they have purchased counterfeit luxury goods; and why they buy counterfeit goods. In order to explain the relationship between fashion and social class, the study examines various sociological theories including Erving Goffman's dramaturgical approach. The data were drawn from 1419 students from 10 universities nationwide in 2005. Chi-square analyses yields outcomes as follows: Using luxury goods works as a class symbol that gives the users the image of higher socio-economic background; use of counterfeit luxury goods and its symbolic effects in image management do not have significant relationship with socio-economic background.

환경 친화적 시각에서 본 패션 미니멀리즘에 관한 연구 (A Study of Minimalism in Environment-Friendly Fashion)

  • 신하나;이민선
    • 복식
    • /
    • 제59권7호
    • /
    • pp.154-171
    • /
    • 2009
  • The purpose of this study is to analyze minimalism in the environment-friendly aspect and to suggest methodology of environment-friendly fashion design. The results of this study are as follows. First, it is possible to create newly fashion-designed goods by re-arranging used goods. This method is environment-friendly, in that it recycles resources and simplifies production process. It can also meet the sense of beauty of consumers by reviving the intrinsic beauty of the used goods. Second, When we produce brand new fashion-designed goods with used goods as raw materials, the new ones reflect specific characters of the used goods which originate from their own times and regions. In this way, this method can be a fashion design which accommodate multi-cultural trends. Third, it is possible to produce goods designed by inspiration from a human body. This fashion-design method includes several ways, such as usage of human body silhouette, composition of colors using natural dyeing, and usage of natural materials. Recognizing a human being as a creature interacting with the nature can broaden range of imagination in design methodology.

패션문화상품의 한국전통문양 활용 실태에 관한 연구 (A Study on the Utilization of Korea Traditional Patterns for Fashion Cultural Products)

  • 현선희;배수정
    • 한국의류학회지
    • /
    • 제31권8호
    • /
    • pp.1252-1261
    • /
    • 2007
  • The purpose of this study was to grasp the utilization of traditional Korean Patterns used for fashion cultural products. To achieve this purpose, this study examined the range of fashion cultural products through literature review, previous researches, and market surveys and analyzed the situation of fashion cultural products and the kinds, expression methods, expression techniques, and repeat styles of utilized patterns. The analysis results are as follows. First, in the use of traditional pattern, the most frequently-used fashion cultural products were small and inexpensive accessories, followed by fashion apparel, miscellaneous goods, and living cultural goods. Second, the most frequently-used traditional patterns were plant patterns, especially flower patterns. The next frequently-used ones were mixed patterns, especially in the mixture of flower and letter patterns, and $cloisonn\'{e}$ and flower patterns. The next frequently-used traditional patterns were animal patterns(especially butterfly patterns), followed by geometric patterns, lucky omen patterns, and letter patterns. In the expression methods of used patterns, most products except handicrafts preferred simplified patterns to real patterns. Finally, in the expression techniques of traditional patterns, the most frequently used technique was traditional embroidery, followed by the use of weaving fabrics such as fine gauze and brocade which are used for Hanbok. Also, transfer dyeing which is one of printing techniques, DTP(digital textiles printing), a mixed technique which adds embroidery to weaving fabrics, hand-painting, and a gilt technique were used. The results of this study suggest that most fashion cultural products except few designers' works attached weight to some specified patterns and expression techniques regardless of the characteristics of products since there is little understanding of a variety of patterns and are few researches and development on expression techniques.