• 호남수학학술지
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• 제40권3호
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• pp.401-431
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• 2018

In this paper, some kinds of (skew) filters are defined and are studied in residuated skew lattices. Some relations are got between these filters and quotient algebras constructed via these filters. The Green filter is defined which establishes a connection between residuated lattices and residuated skew lattices. It is investigated that relationships between Green filter and other types of filters in residuated skew lattices and the relationship between residuated skew lattice and other skew structures are studied. It is proved that for a residuated skew lattice, skew Hilbert algebra and skew G-algebra are equivalent too.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2007년도 하계종합학술대회 논문집
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• pp.49-50
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• 2007

We are now using separate ID Database, Permission System, OS and Standard Data Format in PC, Cell phone, IPTV service and these are not good in many kind of usage, data sharing, contents servicing and supervising efficiency To merge these multiple services into one system we need to make a single ID systems for all and this paper will gide you to the new ID system that was much better than the old one. This new type of ID system is made with 3D Data and this will give fantastic visual effect & rich information data to the ID users in 3D way which is much better than 2D image & Text information technology.

• 한국자기학회:학술대회 개요집
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• 한국자기학회 2000년도 International Symposium on Magnetics The 2000 Fall Conference
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• pp.121-146
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• 2000

A novel system of magneto-optical microscope magnetometer (MOMM), capable of simultaneous local problems of magnetic properties as well as real-time magnetic domain evolution imaging of ferromagnetic thin films with 400-nm spatial resolution, New findings in domain reveral dynamics of Co-based multilayers: The reversal ratio of V/R is a governing physical parameter. The activation volumes of wall-motion and nucleation processes are generally unequal. Submicron-scale local coercivity variation determines domain reversal dynamics. A thermally activated relaxation process during domain reversal is existed on the submicron-scale in realistic films. Local variation of magnetic properties should be considered for a realistic simulation. The fantastic capabilities of the MOMM can open many possibilities to broaden and deepen our understanding of domain reversal phenomena in ferromagnetic thin films.

• 한국주거학회논문집
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• 제12권3호
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• pp.61-73
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• 2001

This study is to examine and classify the phasic characteristics of organic thoughts in modern architecture. Organic architects have applied organic thoughts to solutions for the problems of each period in architecture since modern times. As results of this study, the architecture of organic thoughts from 1850s to 1940s could be divided into two phases. The phasic characteristics of the first phase from 1850s to 1910s was physical resemblance in real or fantastic appearance that the work of art and architecture should imitate organic forms from the view of solid empiricism. The phasic characteristics of the second phase from 1920s to 1940s was organic growth that the form appropriate to a work of art and architecture should grow from the nature of the problem itself as a system in nature grows from the view of pragmatism and was organic unity that the form and function or the form and content of a work of art should be inseparably integrated as the form in nature should grow out of the inner nature of the thing and be an expression of that inner nature from the view of expressive theory.

• 한국보육지원학회지
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• 제9권6호
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• pp.243-265
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• 2013

본 연구는 개별적으로 환상그림책을 읽어주는 동안 그림책에 대한 반응의 주체자인 유아가 그림책의 등장인물에 대해 어떻게 반응하고 있는지를 유아들의 질문과 코멘트에 대한 분석을 통해 알아보고자 하는데 목적이 있다. 연구 대상은 만 5세 유아 54명이며, 연구 도구로는 환상그림책 9권이 사용되었다. 분석 내용은 환상그림책의 등장인물에 대한 유아들의 질문과 코멘트의 빈도 및 각각의 반응유형, 등장인물에 대한 선호 근거를 분석한 것이다. 분석 결과, 첫째, 환상그림책의 등장인물에 대해 유아들은 질문하기 보다는 코멘트 하는 빈도가 3배 이상 높은 것으로 나타났다. 둘째, 환상그림책의 등장인물에 대해 유아들은 '평가적 질문'을 가장 많이 하였고, 다음이 '상상적 질문'을 많이 한 것으로 나타났다. 이 두 가지 질문 유형에 비해 '몰입적 질문'과 '개인적 질문' 빈도는 매우 낮았다. 셋째, 환상그림책의 등장인물에 대해 유아들은 '평가적 코멘트'를 가장 많이 하였고, 다음이 '상상적 코멘트', '몰입적 코멘트', '개인적 코멘트' 순으로 나타났다. 넷째, 환상그림책의 등장인물 선호 근거로 '등장인물의 외형'을 제시한 경우가 가장 많았고, 다음이 '등장인물에 대한 주관적 느낌', '등장인물의 역할', '등장인물의 특성'의 순으로 나타났으며, '등장인물의 성'을 제시한 경우는 한 명 밖에 없었다. 이와 같은 연구 결과는 향후 유아교육현장 교사들의 그림책 읽어주기 전략의 계획 실행과 그림책에 대한 유아들의 반응 증진을 위한 전략 연구에 도움을 제공할 수 있을 것이다.

• 만화애니메이션 연구
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• 통권24호
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• pp.25-48
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• 2011

환상은 역사적인 측면과 공시적 측면을 살펴 볼 때, 크게 경이와 기괴의 두 가지 계열성을 가지며 다양한 의미체계를 가진다. 경이는 고전적인 형이상학체계와 마법담의 전통을 한 축으로 하는 조화롭고 풍부한 환상의 세계이고, 기괴는 근현대의 문제적 의식으로부터 출발하여 부조리와 부정적 진실을 발견하고자 하는 전복적인 환상 세계이다. 만화에서는 매체적 특징상 리얼리티보다 환상을 사용하기가 유리하다. 그러나 환상과 만화의 연관관계가 구체적으로 논의된 바는 드물다. 본 논문은 환상에 대해 기괴와 경이의 계열성으로 이해하는 데서부터 출발하여 기괴와 경이의 다양한 조합을 드러낸 만화작가 유시진의 작품들의 경향을 살펴봄으로써 각 계열의 환상이 만화의 개별 작품의 스타일과 주제의식에 어떻게 영향력을 주고받는지 알아보았다. 작가 유시진은 현대 작가답게 기괴 계열의 감성으로 작품을 시작하였으나 자의식과 관련된 주제를 발전시켜가면서 동시에 견고한 2차세계의 경이계열 환상세계를 구축하고자 노력했다. 그러나 "신명기"에서 환상세계가 작품의 주제를 압도하는 양상을 겪었다. 이후 작품인 "폐쇄자"와 "온"에서는 자의식을 붕괴하고, 새롭게 만들어가는 과정을 혼합된 환상양식을 통해 이루었고, 이러한 터닝 포인트 이후 유시진의 작품은 주제의식과 환상양식에 있어서 보다 일관되게 기괴 계열의 성향을 드러내고 있다.

• 복식
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• 제55권6호
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• pp.141-158
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• 2005

This study was motivated not only by the important role of the special make-up effects in films, but also by the prominent contributions created by make-up artists. The first objective was to study of Jack Pierce, Dick Smith, Tom Savini, Rick flake., and Stan Winston's impact in the most challenging and creative field of all make-up artistry. The second objective was to examine both affinities and differences in artistic styles as well as in make-up techniques through a comparative study of special make-up effects of horror and sci-fi movies in the 20th century films produced by Hollywood studios. The sci-fi films were designed to thrill the audience through the potential of futuristic ideas by fantastic special effects of futuristic creatures such as an extra-terrestrial, a mutant, a robot and a cyborg. In contrast, the horror films were designed to frighten the audience with more reliance on horrifying special effects including a vampire, a werewolf, a zombie and a psycho killer. Their features were shown in a common thread (masquerade, otherness and surrealism) as well as a number of different themes between horror and sci-fi films (transformation vs. extension, satanism vs. monstrosity, and primitivism vs. futurism).

• 인문언어
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• 제7집
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• pp.227-246
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• 2005

The difference between presentation of cities in the European modern drama and its counterpart the American modern drama denotes and comes from two very different images of cities. While the European modern drama presented cities that were desolate and fantastic to certain measure, the American modern drama presented the images of actual cities that can be identified by the spectators and readers. Although one cannot 'actually' identify any actual representation of cities in both the European and the American dramas, the images of cities can be discerned in the dialogues of the characters in the plays themselves. In this perspective the images of cities that are represented in any work of modern drama are actually represented through metaphors and connotations. The images in this instance rests and can only be identified within the boundaries of psychology. The dialogues are means through which the author communicates with the spectators. Because drama is above all categorized as being a work of text before representation, deciphering drama also falls in to same cadre as any other literary texts. Through the means of 'decontextualisation' the reader/spectator identifies with the associated images that the text proposes.

• 복식
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• 제63권8호
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• pp.188-208
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• 2013

This study aims to find out factors of historical specialty and cultural ethnicity that influenced the formation of Spanish fashion as well as examine the characteristics of Spanish fashion by comparing its historical costumes, such as folk costume and court costume with contemporary fashion of major Spanish designers in the 20th century. Documental investigation and analysis of visual materials were used as research method. The study results are as follows: The major factors that affected the characteristics of Spanish fashion in the history include the geographical features, invasion of foreign nations, cultural heritage of various ethnic groups, strengthening of the national power, advancement of international trading through the newly developed routes, and influence of religions such as Christianity, Islam, and Judaism. Featuring the coexistence of variety and heterogeneity, the ethnicity reflected in the culture harmoniously embraces various spirits such as conflict and coexistence, individualism and collectivism or regionalism, and exclusion and tolerance of religions. In addition, the characteristics in the cultural phenomena include passion, sensuousness, individualism, sense of reality, sense of chic, and the people-centeredness. The basic Characteristics of Spanish fashion include the sensuality of excessive zeal, decorativeness of gorgeous handicrafts, exoticism of people-centered variety, extreme contrast of harmony, touching artistry of chic, and fantastic surrealistic wits.

• 한국의류학회지
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• 제31권5호
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• pp.777-787
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• 2007

The purpose of this study is to consider various characteristics in the graffiti-look in the modem fashion by interpreting meanings and properties of graffiti, transferred from street art to a new main stream in art. The scope of this study is limited to works from the 1990s to the present, and the materials for the literatures and exploratory study are fashion-related portfolios and the domestic and foreign fashion magazines. The first characteristic is satire. The graffiti-look conveys directly or indirectly with phrase or symbol various messages of politics, social ideology, wealth and poverty, environmental pollution, anti-war, etc. Body is even more used for graffitiand designers express freely their identity or ideology through the formative style of graffiti. The second characteristic is pleasure. Fantastic expressions from a fairy-tale or fable in the graffiti-look give humor meaning freedom and sense of liberation in a sense of catharsis to the modem people's emotion. The graffiti-look uses graffiti works to introduce its original message of humanism, happiness, humor, etc. to clothing; as a result, the graffiti-look features pleasure. The third characteristic iscommercial application. Brand logo designed by graffiti style is decorated with clothing, accessory, or ornament. This may not only emphasize brand name through lingual function of graffiti, but also be used for a distinctive marketing strategy against other brands. Logo which is regarded motive or pattern of design leaves a image instead of a meaning and performs a design function stressing formative sense.