• 복식문화연구
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• 제17권3호
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• pp.383-395
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• 2009

The purpose of this study was to provide a formative charateristics by analyzing aesthetic charateristics of Egypt costume expressed in contemporary fashion. The result of this study obtained through this process were as follows. Aesthetic characteristics were expressed as a primative-retro characteristics, and a erotic-retro characteristics and a decorative-retro characteristics. Based on these trends, this study analyzed formative charateristics in an aspect of form, color, material, and decoration. In the modern fashion, unlike the H-line silhouette given by a natural fit in the primitive retro, the erotic retro was characterized in the shape by a tight H-line silhouette. For the color, peach, yellow green, gold, light blue, red, and black were used as the main color. For the material, see-through, gauze, mesh, organdy, and tight vinyl were utilized to emphasize an erotic image and expose a body secretly. For the decoration, the characteristic of erotic retro using the simple or same colors frequently was the use of similar accessories colors matched with material colors. The decorative retro was characterized in the shape by a H-line silhouette connected as a part of clothing which applied passium and a greatly modified silhouette from an Egyptian simple style which was well-matched with splendid accessories. For the color, the broadest range of color changes was found from light pastel such as white, yellow, light pink, burnt orange, blue, purple, silver, gold, and red to strong vivid tones. For the material, modern materials such as organdy, tulle, leather, and furs were often used. For the decoration, passium, an eagle pattern, scarab earrings, a crown, a sneak-shaped coronet, and pictograph printed on the fabric were frequently used.

• 대한심미치과학회지
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• 제12권1호
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• pp.33-38
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• 2003

• 복식
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• 제19권
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• pp.29-40
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• 1992

The aesthetic of traditional Korean costume has been used as one of the design themes in the field of Korean contemporary fashion design for western style clothing. Using the Korean aesthetic comes from the idea that such ethnic beauty could gain an international reputation. The beauty of the Korean costume is rooted in the particular aesthetic consciousness of the Korean people : the aesthetics of nature, personality, the evil's eye. and tradition. From an artistic viewpoint, the formative elements are analyzed into the following categories: form including line and shape, color, pattern, materials and ornaments. The aesthetic elements of the costume are transformed into present fashion design through the formative elements of the fashion ; form including line, color, pattern, materials and ornamentation. To express Korean atmosphere, adapting traditional elements such as, needle cases, hinges of furnitures, closing function of big gate are active, As a conclusion, the actual fashion design of adapting Korean beauty are so confined to the original form of Korean Dress that the results of design are tend towards ethnocentric atmosphere. Therefore, to understand and express traditional Korean beauty in contemporary fashion design, one has to keep in mind the aesthetic of the traditional Korean costume. Then one must develop and pursue one's own methods of adapting Korean beauty. The sophistication and refinement of fashion design could be accomplished only through the deep appreciation of the Korean culture. The second, the sense of International perspective is needed to be understanded and obtaining public sympathy from an international society. The third, Critics and scholars are the most concerned with promoting Korean fashion at an international level. Korean fashion at an international level. Korean fashion design will only mature with the support of scholars and the theoretical understanding they bring with them. The last, public support including government level is needed to enhence the standand of Korea fashion today.

• 대한치과교정학회지
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• 제32권6호
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• pp.383-393
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• 2002

본 연구의 목적은 심미적 안모를 가진 한국 성인 여성을 대상으로 연조직 측모 분석을 시행하여 현재 선호되는 안모 형태를 알아보고, 국내 및 국외 연구 결과와 비교하여, 향후 교정치료 및 악교정수술 복합교정치료시 진단과 치료 계획수립에 도움이 되고자 하는 것이다. 연구 대상은 조화롭고 심미적인 안모를 가지며 competent lip을 가진 30명의 성인 여자 모델이었다. 이들을 natural head position에서 중심교합 상태 및 상하순을 이완시킨 상태에서 측모 두부계측방사선 사진과 정모, 측모 사진을 촬영하여 18명을 최종 선정하였다 연조직 측모의 각도, 거리, 비율 계측을 시행하여 평균과 표준 편차를 구하였고 국내외의 다른 연구와 비교하여 다음과 같은 결과를 얻었다. 1. 상하순은 Ricketts' E line에 대해서 모두 후방에 위치하였다(상순 : -2.08mm to E line, 하순 : -0.04 mm to E line). 2. 정상교합자를 대상으로 한 이전의 연구에 비해서는 상하순 모두 후방에 위치하였고, 심미성을 기준으로 선정한 이전의 연구에 비해서는 상하순 모두 전방에 위치하였다. 3. 이 대상의 비순각의 평균은 101.03도이며 표준편차는 8.47도였다.

• 한국의류학회지
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• 제26권7호
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• pp.993-1004
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• 2002

This study was designed to examine the aesthetic characteristics of traditional wedding dress in Japan based on the internal$.$external aesthetics. They were extruded external and internal aesthetics based on pattern, color and fitting. The results of this study can be summarized as follows; Decorative characteristics in external aesthetics extracted into three factors; fantasticism, movement, amusement. The fantasticism was based on the omitted pattern, painting gold. The movement was presented through irregular composition, fitting method, and silhouette. The amusement was expressed through the composition focus on a near view and pattern reminded of bring up the image. Fitting characteristics in external aesthetics extracted into four factors; grace, cubic effect, optical illusion, and tradition. The pace was expressed through the weight, formativeness, and layered look The cubic effect was presented through spacing of belt and H-line silhouette. The optical illusion was based on the straight line of seam, V-pleats and straight silhouette of fitting, and high-waisted belt. The tradition expressed through the unchanged form since Heian-dynasty. Internal aesthetics were characterized by the naturalism and the moderation. The naturalism was presented through the natural pattern which based on subjective feeling, indignity and position of wearing man, and color based on taste. The necessaries, or pressed artificial moderation, were expressed through the clothing silhouette by simplicity.

• 한국멀티미디어학회논문지
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• 제16권11호
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• pp.1288-1296
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• 2013

단일 영상에서 배경선은 공간 구조를 이해하거나 심미적 평가를(Aesthetic scoring) 내리는데 중요한 판단 기준이 된다. 본 논문에서 소개하는 배경선 추출은 소실점을 분석하거나 3차원 공간의 재구성, 영상의 기울어짐을 판단하는데 도움을 준다. 또한 삼등분 법칙(Rule of thirds)을 계산하는데도 용이하게 해준다. 본 논문은 크게 구간 허프 변환 매핑과 배경선 우선순위 결정, 배경선 선택으로 구성되어 있으며 각 기술은 차선 추출이나 건물 구조 분석, 소실점 추출, 문서의 직선 추출과 같은 다양한 분야에 응용될 수 있게끔, 기술이 세분화되어 있다. 이는 사용자가 객체의 특성과 조명 환경등을 고려하여 선택적으로 기술을 구성할 수 있게끔 해 준다. 본 논문에서 소개하는 방법은 허프 변환을 사용하는 만큼, 원 추출과 같은 허프 변환의 응용에도 적용될 수 있다. 구간 허프 변환은 추출하고자 하는 배경선의 개수를 설정할 수 있다. 또한 영상 내에서 중요한 배경선의 개수를 분석하여 중요한 배경선만을 추출할 수 있다. 본 논문은 실험결과를 통해 배경선 추출 결과를 볼 수 있다.

• 패션비즈니스
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• 제20권1호
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• pp.127-141
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• 2016

Korea traditional dresses are making news everyday through popular media and a number of exhibitions and fashion shows that have been held as a way to activate the use of the hanbok. This study intends to examine the current status of handbook brands and analyze the aesthetic characteristics of the hanbok. This study defined the terms related with the hanbok and examined the chronological changes in the hanbok through a literature review, an examination of the aesthetic characteristics of Korean traditional clothing, and an analysis of the aesthetic characteristics by dividing currently available hanbok brands in to the traditional hanbok. According to the results of the study, hanbok brands were divided into Traditional Hanbok, Life Hanbok, and New Hanbok. The Traditional Hanbok brands represented traditional beauty, the beauty of formality, symbolic beauty, and the beauty of nature. The Life Hanbok brands represented symbolic beauty, natural beauty, the beauty of blending, and the proportional beauty. The New Hanbok brands represented natural beauty, unproportaional beauty, the beauty of line, and the beauty of moderation. Therefore the New Hanboks gave changes to the traditional clothing and the unique clothing of our nation. Its formative elements coexist according to their characteristics.

• 한국의류학회지
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• 제38권2호
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• pp.231-250
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• 2014

This study considers types of design expression and examines aesthetic characteristics by analyzing images shown on clothes worn by Korean First Ladies. This study is to accumulate a fundamental database for the effective style coordination for images of First Ladies and future directions of clothing design. The types of design expression on the clothes of Korean First Ladies are as follows. First, in terms of silhouette, H line and A line is generally represented on the silhouette of clothes; in addition, the H line is highly expressed on the silhouette. The keyword of images by design types are generally feminine, elegant on the silhouette of First Ladies' clothing, and represented a progressively more modernized image on the silhouette. Second, in terms of color, it is expressed diverse images on the color of First Ladies' clothing, and exceptionally the tendency of elegant image is highly charged on the color of clothes. This sort of tendency is influenced by the preferences of First Ladies; subsequently, most First Ladies wear their clothes with a high brightness and chroma. Third, in terms of materials, the image of elegant and simple is highly expressed through First Ladies' clothes and it is caused by choosing the clothes of a plain texture rather than a visible and fancy one. The aesthetic characteristics based on an analysis of the types of design expression on the clothes of Korean First Ladies are as follows. First, 'femininity' on First Ladies' clothes is expressed by A line silhouette of a feminine curve and decorative effects. Second, 'simplicity' on First Ladies' clothes is expressed on the H line silhouette of a straight figure or through the solid colors of high chroma. Third, 'elegance' on First Ladies' clothes is represented on the silhouette of a restrained curve, long skirt hemlines, and woolen fabric with a neat, warm and soft coordination of colors. Forth, 'traditionality' on First Ladies' clothes is expressed through the application of materials and colors that influence culture, traditions, and detailed decorativeness.

• 대한심미치과학회지
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• 제27권2호
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• pp.105-115
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• 2018

치과기공사는 구강 모델에 기초하여 보철물을 제작하기 때문에 안모와의 부조화가 되는 경우가 있다. 안모와의 부조화에 기인한 보철물의 실패를 예방하기 위해서는 진료실과 기공소 간의 소통에 기반한 모델 진단, 안면 및 구강사진을 참고하여 제작해야한다. 그리고 치과기공사는 색과 형태에 대한 이해를 위해 자연치 관찰이 필요하며 Kuraray Noritake의 internal stain 및 투명감을 부여해 주는 powder를 이용하면 자연감 있는 보철물을 제작하데 용이하다.

• 한국의류산업학회지
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• 제11권2호
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• pp.252-261
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• 2009

The purpose of this study was to investigate the influence of female university students' cosmetic purchase motivation on cosmetic attribute evaluation and brand repurchase intention. Questionnaires data of 202 female university students who had purchase experience of cosmetic product in recent 6 months through off-line were analyzed. The results are as follows. First, situational purchase motivation had a positive impact on extrinsic and economic attributes. Second, intrinsic purchase motivation had a positive impact on extrinsic, utilitarian, aesthetic, and economic attributes. Third, hedonic purchase motivation had a positive impact on extrinsic attribute. Fourth, aesthetic attribute had a positive influence on brand repurchase intention and extrinsic attribute had a negative effect on brand repurchase intention. Therefore, when cosmetic companies dealing with female university students' cosmetic product establish marketing strategies, they need to pay attention to aesthetic attribute evaluation and intrinsic purchase motivation to highten their brand loyalty.