• Proceedings of the Korean Fiber Society Conference
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• 2002.04a
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• pp.57-61
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• 2002

점탄성학은 고분자물과 같이 기계적 성질이 시간에 따라 변하는 물질의 응력과 변형해석에 관한 학문이다. 이에 대한 이전의 문헌들은 균일변형시의 조성식에 대한 주제를 주로 다룬 반면, 경계조건 문제(boundary value problem)로서의 불균일 변형해석에 대한 논의가 부족한 편이다. 본 논문에서는 불균일 변형해석에 유용한 상응원리 (correspondence theorem)[1]을 보이론(beam theory)에 적용하는 경우, 적용가능조건을 유도하는 한편 상응원리를 적용 예를 들어 설명하였다. (중략)

• Korean Journal of Logic
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• v.12 no.2
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• pp.171-199
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• 2009

This essay will consider evolutionary views that attempt to capture the continuity of theory-change from Newtonian to Einsteinian physics via the formal aspects of these theories. Although it cannot be denied that the formal aspects such as 'correspondence principles' and 'covariance principles' provide important information concerning this theory-change, these formal properties are not sufficient to capture the essential elements of any evolutionary account of the development of Einstein's special and general theories of relativity from Newtonian mechanics.

• Transactions of the Korean Society of Mechanical Engineers
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• v.11 no.2
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• pp.322-330
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• 1987

Isotropic linear viscoelasticity problems are analyzed numerically in time domain by Boundary Element Method with quadratic isoparametric boundary elements. Viscoelastic fundamental solutions are newly derived by using the elastic-viscoelastic correspondence principle and corresponding boundary integral equations are also presented. Numerical results of two examples are compared with the derived exact solutions to verify the accuracy and validity of the method. A detailed study on the accuracy of displacement and stress in terms of time integration step is given.

• Korean Journal of Logic
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• v.22 no.1
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• pp.25-42
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• 2019

This paper deals with Kripke-style semantics, which will be called set-theoretic Kripke-style semantics, for weakly associative substructural fuzzy logics. We first recall three weakly associative substructural fuzzy logic systems and then introduce their corresponding Kripke-style semantics. Next, we provide set-theoretic completeness results for them.

• (The) Research of the performance art and culture
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• no.20
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• pp.339-367
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• 2010

Despite that it is relatively difficult to compare the movements in eastern and western dancing, this study approached hand-foot coordination movements, which involve lifting both an arm and a leg to stand on one foot, from a figurative point of view. In ballet, arabesque, developpe, and attitude were recognized as the example hand-foot coordination movements, and in Korean Dance, Oesawi, Gyeopsawi, and Meongseokmari of Mask Dance were classified into the hand-foot coordination movements. The figurative characteristics of these dances were approached from the aspects of racial traits, philosophies of dancing, and forms of movements. The following summarizes the findings about hand-foot coordination movements of this study. First, in relation to human physiology, eastern and western races have different traits. The forms of dancing have developed differently according to the builds and figures of dancers. Ballet is an elegant form of dancing using long legs and arms and its arabesque, developpe, and attitude movements emphasize stretching the body for an elegant and beautiful presentation. On the other hand, Korea was an agricultural society and lived closer to the land. As its people developed petite figures, its dancing movements, especially the hand-foot coordination movements, involved 'twisting' and 'walking down and up.' Second, despite that the hand-foot coordination movements are identical for east and west, ballet aims at the heaven and Korean Dance aims at the land according to the differences in the views of nature. Although the principle of hand-foot coordination movements is about aiming at the land, western philosophies and aesthetics pursue the heaven. Third, in ballet, the focus of beauty is the presentation of beautiful movements. Therefore, the hand-foot coordination movements precisely control the position and angle of arms and legs for the perfect balance of the body. On the other hand, the hand-foot coordination movements of Korean Dance are mostly rooted from natural daily movements and movements that enhance the efficiency of labor. Therefore, it is considered beautiful techniques even if the body looks rather unbalanced.

• Journal of the Computational Structural Engineering Institute of Korea
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• v.18 no.3
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• pp.321-332
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• 2005

In this paper, the time-domain finite element formulations for axisymmetric linear viscoelastic problems, especially for the viscoelastic hollow sphere and cylinder, under various boundary conditions are presented with the theoretical solutions of them obtained by using the elastic-viscoelastic correspondence principle. It is assumed that the viscoelastic material behaves like a standard linear solid in distortion and elastically in dilatation. Numerical examples are solved based on the spherically symmetric, axisymmetric and plane strain finite element models. Good agreements are obtained between numerical and theoretical solutions, which shows the validity and accuracy of the presented method.

• Journal of Korean Philosophical Society
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• v.145
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• pp.351-380
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• 2018

In every society, citizens must decide how to punish criminals, uphold the virtue of justice, and preserve the security of the community. In doing so, the members of society must ask themselves how they will punish those who carry out the most abhorrent of crimes. Many common responses to such a question is that death is an acceptable punishment for the most severe crimes. But to draw some theoretical distinction between a crime that deserves incarceration and a crime that is so heinous that it deserves capital punishment is subject to three errors. First, what possible line could be drawn? To decide on a particular number of deaths or to employ any standard would be arbitrary. Second, the use of a line would trivialize and undermine the deaths of those whose murderers fell below the standard. Third, any and all executions still are unjust, as the State should not degrade the institution of justice and dehumanize an individual who, although he or she has no respect for other human life, is still a living person. Simply put, all murders are heinous, all are completely unacceptable, and deserve the greatest punishment of the land; however, death as punishment is inappropriate. Also, while this article arrives at the conclusion that the death penalty is an inappropriate form of punishment, I have not offered an acceptable alternative that would appease those who believe capital offenders deserve a punishment that differs in its quality and severity. This is a burden that, admittedly, I am unable to meet. I finally conclude that the death penalty is unjustified retribution. This is the only claim that can effectively shift the intellectual paradigms of the participants in the debate. The continued use of the death penalty in society can only be determined and influenced by the collective conscience of the members of that society. As stated at the outset of this article, it is this essentially moral conflict regarding what is just and degrading that forms the backdrop for the past changes in and the present operation of our system of imposing death as a punishment for crime.

• Korean Journal of Logic
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• v.19 no.3
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• pp.437-461
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• 2016

This paper investigates weakening-free fuzzy logics with three weak forms of associativity (of multiplicative conjunction &). First, the wta-uninorm (based) logic $WA_tMUL$ and its two axiomatic extensions are introduced as weakening-free weakly associative fuzzy logics. The algebraic structures corresponding to the systems are then defined, and algebraic completeness results for them are provided. Next, standard completeness is established for $WA_tMUL$ and the two axiomatic extensions with an additional axiom using construction in the style of Jenei-Montagna.

• Electrical & Electronic Materials
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• v.5 no.4
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• pp.430-438
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• 1992

본 논문은 단로기의 조작 또는 전력기기의 고장시에 흐르는 급준성 대전류에 의하여 발생하는 자계의 측정이 가능한 새로운 센서의 개발에 대하여 기술한다. 동축케이블을 이용한 자기적분형 자계센서의 동작원리 및 설계방법 등에 대하여 이론적으로 해석하고 인가된 자계에 대한 센서응답을 정확하게 결정할 수 있는 교정실험을 수행하였다. 또한 센서의 동작원리에 상응하는 이론적 모델을 제안하였다. 시제작된 자계센서는 적분저항의 증가와 더불어 감지전압이 상승하고 감쇠시간은 줄어드는 특성을 나타내었다. 과도대전류에 의하여 유발되는 방사자계는 거리의 제곱에 반비례하는 특성을 보였으며 전자기기의 보호를 위한 전자차폐장치의 설계시 방사자계성분에 대한 영향을 고려하여야 됨을 확인하였다.

• Journal of the Korean Institute of Landscape Architecture
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• v.41 no.6
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• pp.1-19
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• 2013

This study tries to review 'Sakuteiki(作庭記)', the Book of Garden Making, compiled at the end of the 11th Century during the Heian Period of Japan, from the East-Asian perspective. 'Sakuteiki' is a Garden Theory Book, the oldest in the world as well as in Asia, and it contains the traditional knowledge of Japanese ancient garden culture, which originated from the continent(Korea and China). Traditional knowledge related to East-Asian garden culture reviewed in this paper is "Fungsu Theory"(風水, Asian traditional ecology: Fengshui in Chinese; Fusui in Japanese), stemmed from the culture to seek sound and blessed places to live in. Viewed from modern landscape architecture, the Fungsu Theory corresponds to ecology(science). The Fungsu Theory was established around the Han Dynasty of China together with the Yinyangwuxing(陰陽五行) Theory and widely used for making human residences including gardens. It was transmitted to Japan via Korea as well as through direct transaction between Japan and China. This study reinterprets garden design principles represented in Sakuteiki, which were selected in 5 key words according to the Fungsu Theory. The 5 key words for the Fungsu Theory are "the place in harmony of four guardian gods(四神相應地)", "planting trees in the four cardinal directions", "flow of Chi(氣)", "curved line and asymmetry", and "mountain is the king, water is the people". Garden design principles of "the place in harmony of four guardian gods(四神相應地)" and "planting trees in the four cardinal directions" are corresponding to "Myeongdang-ron(明堂論, Theory of propitious site)". The place in harmony of four guardian gods mentioned in Sakuteiki is a landform surrounded by the flow of water to the east, the great path to the west, the pond to the south, and the hill to the north. And the Theory originated from Zhaijing(宅經, Classic of dwelling Sites) of China. According to this principle, the city was planned and as a miniature model, the residence of the aristocrat during the Heian period was made. At the residence the location of the garden surrounded by the four gods(the flow of water, the great path, the pond, and the hill) is the Myeongdang(明堂, the propitious site: Mingtang in Chinese; Meido in Japanese). Sakuteiki explains how to substitute for the four gods by planting trees in the four cardinal directions when they were not given by nature. This way of planting originated from Zhaijing(宅經) and also goes back to Qiminyaoshu (齊民要術), compiled in the 6th Century of China. In this way of planting, the number of trees suggested in Sakuteiki is related to Hetu(河圖) and Luoshu(洛書), which are iconography of Yi(易), the philosophy of change, in ancient China. Such way of planting corresponds to that of Yongdoseo(龍圖墅, the villa based on the principle of Hetu) presented in Sanrimgyeongje (山林經濟), an encyclopedia on agriculture and living in the 17th Century of Korea. And garden design principles of "the flow of Chi(氣)", "curved line and asymmetry" is connected to "Saenggi Theory(生氣論, Theory of vitality)". Sakuteiki explains the right flow of Chi(氣) through the proper flow and the reverse flow of the garden stream and also suggests the curved line of the garden stream, asymmetric arrangement of bridges and stones in the garden, and indented shape of pond edges, which are ways of accumulating Chi(氣) and therefore lead to "Saenggi Theory" of the Fungsu Theory. The last design principle, "mountain is the king, water is the people", is related to "Hyeongguk Theory(形局論, Theory of form)" of the Fungsu Theory. Sakuteiki explains the meaning of garden through a metaphor, which views mountain as king, water as the people, and stones as king's retainers. It compares the situation in which the king governs the people with the help of his retainers to the ecological phenomena in which mountain(earth) controls water with the help of stones. This principle befits "Hyeongguk Theory(形局論, Theory of form)" of the Fungsu Theory which explains landform on the analogy of social systems, people, animals and things. As above, major garden design principles represented in Sakuteiki can be interpreted in the context of the Fungsu Theory, the traditional knowledge system in East Asia. Therefore, we can find the significance of Sakuteiki in that the wisdom of ancient garden culture in East-Asia was integrated in it, although it described the knowhow of a specific garden style in a specific period of Japan.