• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 춘계학술발표대회 논문집
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• pp.145-149
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• 2006

China which has 960km of domain area is one of the biggest countries in the world. Also China has a large population of 1,300,000,000 which are 25% of total world population and consist of 56 ethnic groups. In addition, History of China is immemorial and Confucianism of feudalistic and Taoism idea have effect on Chinese for a long time and architecture is influenced by them. Thus a large degree of variety, abundance, and uniqueness can be found in Chinese traditional dwelling. This research will be focusing on Sanapwon, a traditional housing in Beijing, which represents China's original and distinctive dwelling features. By looking at Sanapwon, we can learn the distinguishable characteristics of Chinese residential area and understand the concept of space. By looking closely at the worldly outlook, historical view, originality, and the spatial notion centered around human beings, many types of Sanapwon and its formation process have been examined Likewise indoor plane construction, and basic element of composition of space will help to study the whole of residing space.

• 한국실내디자인학회논문집
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• 제41호
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• pp.198-205
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• 2003

In this multi-cultural era, the cultural identity of each nation has appeared as a major issue, and needs to clearly define it through comparisons with other cultures have been raised. This research aims to analyze characteristics of traditional furniture of Korea and China according to residential culture and to find out their similarities and dissimilarities. ‘Banga’ in Korea ‘Sahapwon’ in China in the same era were selected for the comparison for traditional furniture between Korea and China. In the part of comparative analysis, characteristics of the furnitures are summerized based on classification into spatial system of housings and types of furniture. After that, traditional residential cultural differences between two countries that reflected on characteristics of furniture are distinguished and compared. The result of analysis is expected to act a part role of defining the cultural identity of Korea.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 추계학술발표대회 논문집
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• pp.237-240
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• 2005

The types of China Ancientry Architecture are rich and colorful. Among all these architectures, the Traditional Residence Architecture have the closest relationship with the mass's life. Traditional Residence Architecture reflected the connotation of the culture, philosophy ideology, especially the relationship between dwelling house and the nature, which can't be ignored by our modern people as well as the modern design. Beijing Sahap-won residence architecture is one of the apotheosis of China Traditional Residence Architecture, it'svery suitable for family's habitation. There's brilliance layout in space; around symmetry and radioactivity in plane, discretion grade in line, independence and continuity in inner spatial, with high privacy and benignity, Before the development and explore of modern APT Architecture design, we should fully understand the feature of Ancientry Residence House, inherit and carry forward its culture. The proposed design is started from the consolidation of the traditional feature of Beijing Sahap-won and the modern residence architecture, therefore to satisfy the modern people's fierce pursuing to the traditional culture.

• 대한건축학회논문집:계획계
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• 제35권12호
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• pp.75-82
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• 2019

After 1840 the first opium war, that changed the social nature and living habitats in China. The purpose of this study is to observe the influence of the war on the plan layout of traditional Chinese residential houses in Beijing Siheyuan. To find out the changes that were made after 1840, and reservation of the past, the space syntax model is used to analyze different social contexts and also compare the ancient and modern residential buildings. The result of the study indicate the following: Before the war, the ancient Siheyuan people's way of life strictly abide by the hierarchy system; External emphasis shows the host's status. However, in modern times, the social status became equal, efficient and harmonious relationship internally, while externally, it arranged the orientation and position of buildings to adapt to the natural environment. However, the boundaries between family members and visitors the emphasis on the courtyard and respect for private life remain unchanged.

• 한국지역지리학회지
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• 제15권1호
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• pp.53-66
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• 2009

본 연구는 베이징의 후통(호동(胡同))을 지리적 시각에서 연구한 것이다. 후통의 어원은 몽골어에서 유래된 것으로 우물을 의미하는 호톡이 변형된 것으로 고대인들은 우물 주변에 모여 사는 경향이 있었다. 해방 이후 중국 베이징은 도시건설에 박차를 가했으며 수많은 주거지가 새로 생겨나면서 후통도 3,000여 개에서 6,000여 개로 늘어났다. 최근 현대화과정에서 새로운 빌딩이 들어서면서 후통은 점점 사라지고 있다. 전통적인 쓰허위엔(사합원(四合院))은 베이징 후통 속에 있는 사각형의 독특한 건축물이다. 최근에 쓰허위엔은 게스트하우스, 상점, 술집, 기념품점, 식당 등으로 변화하고 있다. 특히, 베이징 난루오구샹(남라고항(南羅鼓巷)) 후통은 고대 수도 베이징의 풍모를 간직한 곳으로 관광 및 문화적으로 매우 매력적인 장소가 되었다. 1990년 이래로 베이징시 당국은 25개 후통지구를 역사보호구역으로 선정하여 보호하고 있다.

• 한국농촌건축학회논문집
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• 제7권1호
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• pp.112-120
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• 2005

The object of this study is one of the traditional houses about Siheyuan(courtyard house) which is one of the most remarkable types of dwelling in China. The purpose of this paper is to examine and analyse the formation process of the Siheyuan. Its organizational formation process are based on historical and natural-geographical background. With the passage of time this house developed into one of the Chinese house style. The technique of Siheyuan's spatial composition goes so far back in the New Stone Age. The relics of this are the colony layout, the system of four sides, the layout type of a palace, the picture of lacquered ware, the picture of brick, the earthenware of house type, the painting of cave, the paintings of painters and others.

• 한국전통조경학회지
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• 제32권3호
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• pp.130-138
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• 2014

본 연구는 중국 원림의 조경기법에서 배치, 축 대칭, 주종(主從) 관계, 공간 대조, 경관 은폐 등으로 나타나고 있는 풍수지리사상인 "혈효응(穴效應)", "용사효응(龍砂效應)" 및 "수구효응(水口效應)" 의 이론을 파악하고 원림 공간에서의 표현 방식에 대해 고찰하고자 하였다. 배치 방식을 증명하기 위하여 사합원(四合院)과 소주 망사원(網師園)을 대상으로 하였으며, 축 대칭과 주종(主從) 관계를 증명하기 위하여 명 청대 북경성과 자금성, 운남성 선위시(宣威市) 도시 광장 설계를 대상으로 분석하였고, 공간 대조와 경관 은폐 방식을 증명하기 위하여 소주 유원(留園)과 창랑정(滄浪亭), 졸정원(拙政園), 태안시 남호공원을 대상으로 분석하였다. 연구 방법은 문헌조사와 현지답사 및 사례 분석으로 나누어 진행하였으며 연구 결과는 다음과 같다. 첫째, 배치 방식은 사합원, 소주 망사원 등에서 중국 풍수지리사상의 "혈효응"이 적용되었으며, 둘째, 축 대칭과 주종관계는 명 청대 북경성의 도시 계획과 자금성 공간 배치에서 풍수지리사상의 "용사효응"이 적용되었으며, 운남성 선위시 도시 광장 설계 등 중국 현대 조경 설계기법에도 풍수지리사상을 도입하고 있다. 셋째, "수구효응"은 공간 대조 기법과 경관 은폐 기법에서 나타나고 있다. 이는 소주 유원(留園), 창랑정(滄浪亭), 졸정원(拙政園), 태안시 남호공원 등의 설계에 도입되었다.

• 한국전통조경학회지
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• 제28권3호
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• pp.53-59
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• 2010

본 연구는 한국민속촌 양반가와 중국 북경의 사합원(四合院)을 대상으로 Munsell Conversion을 기준으로 색채분석을 시도하여, 양국의 도장재료나 기법상 표현된 전통 주택의 색채효과를 비교분석하고자 하였다. 동양사상의 중심축은 음양오행사상으로, 이것은 종교와 풍수, 그리고 우주의 질서 등에 따라 모든 분야에 영향을 주었다. 음양오행사상이라는 이론적 배경을 토대로 정량적 색채 분석을 시도한 결과, 전체적으로 색상에서는 양반가가 Y, YR계열과 무채색에 집중해 있는 반면 사합원은 R, GY계열이 많이 분포되어 있었다. 한편 전반적으로 명도차는 중국이 낮으며, 한국보다 중국은 고채도의 이용 빈도가 비교적 높다는 것이 확인되었다. 그리고 사회 문화적 선호사상의 영향으로 R계열 색상이 많이 나타나 있는 중국의 전통주택에 비하여 오방색의 영향을 많이 보이지 않았던 한국의 양반가는 소박한 색채미가 특징적인 것으로 나타났다. 이와 함께 한국과 중국의 공히 Y, R, YR계열의 색상에 대한 선호경향이 높은 것으로 밝혀졌다.

• 한국주거학회논문집
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• 제14권5호
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• pp.19-26
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• 2003

The purpose of this paper is to examine and analyse the features of plan type and space composition of the Siheyuan(courtyard house) which is one of the most remarkable types of the traditional dwellings in China. With the passage of time this house developed into one of the chinese house style. The technique of Siheyuan's spatial composition goes so far back in the New Stone Age. The relics of this are the colony layout, the system of four sides, the layout type of a palace, the picture of lacquered ware, the pictured brick, the earthenware of house type, the cave painting, the paintings of painters and others. The fundamental spatial conception of it arranges one or more courtyards to compose, sometimes in a very complex way, a general walled compound. The main longitudinal axis is mainly north-south, but the chief buildings, or halls are always placed transversely to it. These rectangular buildings mayor may not connect, by means of open galleries variously planned, with rows of smaller buildings flanking the courtyards on both sides. On this system, enlargement is never carried out by adding to height, but by continual duplication of existing units, and growth in breadth or preferably depth. The need for family security is thought to have led to the development of this rectangular houses with walls mainly blank on the outside, defensible entrances, and public service facilities in the center of the houses.

• 한국주거학회논문집
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• 제22권2호
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• pp.101-109
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• 2011

Until now, several comparative approaches were developed within the studies of Korean, Chinese, and Japanese traditional housings. In those studies, however, each space in the traditional houses was only treated in individual and fragmentary manners, and they lacked the interpretation of the topological attribute of each space within a holistic structure organized by unit spaces, and of the cultural-behavioral meaning of them within a holistic space-use pattern of the housing. The topological attribute and behavioral meaning can be analyzed and interpreted with the quantitative spatial analysis method such as Space Syntax. This study aims to analyze the traditional housings in Korea, China and Japan in the holistic aspect of spatial structure using Space Syntax, and to compare the analysis results with relating the structural attributes to the space-use pattern. In this study, the 'Banga' in Chosun era, the 'Siheyuan' in Ming-Ching era, and the 'Shoinzukuri' in Edo era were selected as the analysis subjects. The integration indices were calculated from the convex maps representing the subjects, and the common and different attributes of the three subjects were defined through comparative analyses.