• Title/Summary/Keyword: 무황변

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The Development of the Unfading Urethane Polymer Based on Reversible Properties for Ceramics and Restoration with This Urethane Product (가역성을 갖는 도자기 복원용 무황변 우레탄 수지의 개발과 이를 이용한 도자기의 복원)

  • Han, Won-Sik;Park, Gi-Jung;Lim, Sung-Jin;Lee, Young-Hoon;Hong, Tae-Kee;Wi, Koang-Chul
    • Journal of Conservation Science
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    • v.26 no.2
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    • pp.183-190
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    • 2010
  • We fabricated urethane material based on properties of reversible and unfading for antic-ceramics restoration. This material with low viscosity was made hardness control possible that user want. And it have very strong adhesion and shear strength properties and is shown the best properties for pigment filling, anti-contractibility, coloring as like epoxy system materials. Particularly, the yellowing and ir-reversibility problem in epoxy restoration material were finally solved. So, there is guarantee in the eternity and stabilization of restoration for antic-celamics. And in order to show the reversible state of the restoration, we successfully dissolve this urethane materials in solvent after perfect restoring subsequently.

The Development of the Unfading Polyvinyl Butyral Gap-filling Material Based on Reversible Properties and Restoration of a Punchong Plate from Sam-cheon Temple Site with This Polyvinyl Butyral Product (가역성을 갖는 무황변 Polyvinyl Butyral 메움제의 개발과 이를 이용한 삼천사지 분청사기접시의 복원)

  • Han, Won-Sik;Wi, Koang-Chul;Park, Gi-Jung;Hong, Tae-Kee
    • Journal of Conservation Science
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    • v.25 no.3
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    • pp.293-298
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    • 2009
  • We fabricated the gap-filling material for antic-ceramics restoration which were made up polyvinyl butyral (butvar) base and silane system additive in iso-propyl solvent. This was made hardness control possible that user want. And it have very strong adhesion and shear strength properties and is shown the best properties for pigment filling, anti-contractibility, coloring as like epoxy system materials. Particularly, the yellowing and ir-reversibility problem in Epoxy restoration material were finally steadiness. So, there is guarantee in the eternity and stabilization of restoration for antic-celamics. And in order to show the reversible state of the restoration, we successfully dissolve this polyvinyl butyral gap-filling materials in solvent after perfect restoring the Punchong plate from sam-chun temple site subsequently.

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A Study on Curing Rate of Non-Yellowing Type Acrylic Urethane Resins (무황변 Acrylic Urethane수지의 경화속도에 대한 연구)

  • Suh, C.S.;Park, T.W.
    • Applied Chemistry for Engineering
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    • v.5 no.4
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    • pp.743-747
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    • 1994
  • The catalytic effects of carboxylic acid and dibutyltin dilaurate(DBTL) on the curing rate of acrylic polyol with isocyanate prepolymer were investigated. In this work reaction of a biuret type aliphatic isocyanate with acrylic polyol follows the second order reaction in the thin film state. Carboxylic acid of acrylic polyol has a strong catalytic effect on the isocyanate groups and influences greatly on curing rate, also DBTL is more effective catalysis on acrylic polyol without carboxylic acid than with carboxylic acid.

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Effect of BLU Ingredient on Electrical and Optical Properties of Light Diffusing Film used for TFT-LCD TV (백라이트 유니트 구성요소가 TFT-LCD TV용 광확산필름의 전기, 광학적 특성에 미치는 영향)

  • Ahn, Cheol-Heung;Kim, Geon-Joong
    • Applied Chemistry for Engineering
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    • v.17 no.4
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    • pp.397-402
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    • 2006
  • We have investigated the effect of each ingredient in the light diffusing film (LDF) which was used as backlight unit (BLU) of TFT-LCD TV on physical, electrical, thermal and optical properties of LDF. In anti-blocking layer, the excellent anti-blocking ability was obtained when 0.5~1.5 wt% of acrylic bead was added, and good decay-time and water-stability were shown when 0.8 wt% of tertiary ammonium salt was added. Optimal results for adhesion strength, curing rates and flexibility on the surface of PET film have been obtained in the light diffusing layer by using acrylic polyol as a binder resin, and by addition of 30~35 wt% non-yellowing type HDI crosslinker. In addition, the highest normal luminance value was obtained by addition of 250 wt% poly-dispersive polystyrene ($20{\mu}m$ PS) and polymethylmethacrylate ($20{\mu}m$ PMMA) beads into the binder resin (100 wt%). The higher normal luminance could be got for PMMA beads than PS beads because of the transmittance difference.

Property and performance comparative analysis of yacht sail product using high modulus polyester (고강력 폴리에스터 소재 요트 세일 제품의 특성 및 성능 비교 분석)

  • Son, Hyun-Sik;Sim, Seung-Bum;Yang, Sung-Young;Kim, Su-Sung
    • Proceedings of the Korean Society of Dyers and Finishers Conference
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    • 2011.03a
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    • pp.105-105
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    • 2011
  • 국내 해양레저산업 중 세일요트산업은 현재 초기시장을 형성하고 있으나, 현재 정부의 해양레저 활성화 정책과 해양레저 인구 또한 관련 협회, 클럽 등의 중심으로 급속한 증가세를 이루고 있다. 이에 요트수요 증대에 따라 요트 관련 부품 소재의 경우에도 향후 그 수요가 대폭 증가할 것으로 예상되어지고 있으며, 그 중 요트용 돛(Sail)의 경우에는 전량 해외 수입에 의존하고 있어 제품개발을 통해 국산화함으로써 해외 제품의 수입대체가 요구되고 있다. 본 연구는 해외의 산업용 폴리에스터 원사로 제조된 요트세일 제품의 특성 및 성능 분석 결과와 국산 고강력 폴리에스터 소재로 제조된 요트 세일 개발 제품의 물성 및 성능을 비교 분석하고자 한다. 세일 제품 개발을 위해 해외 요트용 세일 제품을 분석한 결과, 소재는 고상중합형태의 폴리에스터 산업용 원사를 사용하여 직물자체의 고강도 및 저신도 특성발현을 위한 고밀도 제직을 실시한 것으로 분석 되었으며, 가공에서는 해양에서 사용하는 세일 직물의 특성 상 일광 및 자외선에 대한 내구성을 높이고, 황변을 방지할 수 있도록 하기 위해 직물표면에 멜라민계 수지를 이용한 함침방식의 특수코팅을 실시한 것으로 분석되었다. 이러한 해외 요트용 세일 제품의 분석결과를 바탕으로 국산 고강력 폴리에스터 고밀도 직물에 자외선 및 일광에 대한 내구성이 우수한 무황변 타입의 폴리에스터계 수지를 사용하여 단면 코팅으로 양면코팅 가공효과를 부여하는 나이프 방식의 특수코팅, 에이징 처리를 통해 세일을 제조하였다. 본 연구에서는 제조된 세일 직물 제품에 대해, 물리적 특성을 분석하기 위해 인장 강신도, 무게, 두께 및 주사전자현미경 관찰 등의 테스트를 실시하였으며, 세일 성능 분석을 위해 공기투과도, 일광견뢰도 자외선 조사 후 강도변화, 황변 Test 등의 테스트를 실시하여, 해외 선진 제품과 개발제품의 물성 및 성능에 대해 고찰하였다.

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Study on the Urethane Restoration Filling Material and Adhesive for Stone Cultural Heritage (석조문화재 복원용 우레탄 메움제 및 접착제에 관한 연구)

  • Han, Won-Sik;Lee, Ho-Youn;Park, Gi-Jung;Hong, Tae-Kee;Wi, Koang-Chul
    • Journal of Conservation Science
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    • v.27 no.1
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    • pp.115-121
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    • 2011
  • A Urethane resin restoration material was made to be used in the restoration of stone cultural assets. The Urethane resin restoration material showed strong adhesive strength and tensile strength similar to epoxy recovery material, which had been mainly used for the recovery of stone cultural assets. The sealing property, anti-shrinking property and paint-ability of Urethane resin restoration material are also similar to existing epoxy system restoration materials. Especially, this Urethane resin restration material is expected to give permanence and continuous stability in the restoration of cultural assets made in stone by resolving the two big issues of existing epoxy recovery material, which are 'yellowing' and 'ir-reversibility'. This Urethane resin restration material had been directly applied as a filling material and adhesive and it was dissolved again. The Urethane resin, which had been used for the recovery, was able to be perfectly removed, which means that this Urethane resin recovery material has perfect reversibility. This Urethane resin restoration material also has enhanced convenience since user can adjust the working-life dependent on work environment. It is believed that this Urethane resin restoration material can also be used as a filling material or adhesive for other cultural assets made of ceramic or metal heritage, in addition to stone, since it has strong adhesive strength and tensile strength.

A Study on the Development of Poly-Urea for Porcelain Restoration (폴리우레아 도자기 복원 재료의 적용)

  • Han, Won-Sik;Wi, Koang-Chul;Oh, Seung-Jun;Lee, Young-Hoon
    • Journal of Conservation Science
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    • v.34 no.1
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    • pp.23-29
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    • 2018
  • This study synthesized poly-urea and used it as a filler material for the restoration of porcelain. The synthesized poly-urea was manufactured as a resin and hardener mix that does not undergo contraction during curing, and is unfading. Given an adhesion strength of $180kg/cm^2$ and shearing strength of $200kg/cm^2$, the synthesized poly-urea exhibited the same efficacy as the epoxy putty currently sold in the market. Moreover, it also overcame the drawback of foaming encountered by urethane restoratives, which are a structurally similar type. The hardening time and pot life could also be controlled using additives. The poly-urea used for the restoration of modern artifacts presented a pot life of approximately one hour and took 12 h for complete hardening ($T_{90}$). When a $2{\times}2{\times}2cm$-sized test sample was added to xylene, poly-urea started to separate approximately two hours later and completed perfect pulverization within the solution 24 h later, demonstrating its reversibility. When directly applied to contemporary artifacts, it demonstrated the potential for restoration, as well as convenience and colorfulness.