• Proceedings of the Korea Multimedia Society Conference
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• 2003.05b
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• pp.550-553
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• 2003

본 논문에서는 그래픽 기반 인터페이스 환경에서 사용자의 지각과 인지 활동을 가능하게 하는 인터페이스 방식으로 가상공간에서 3차원 캐릭터를 매체로 한 아이콘을 설계함으로써 웹 기반 컨텐츠 제작에 있어서 사용자의 탐험을 유도할 수 있는 인터페이스 구조를 제안하고 그 적용사례로 가상 테마 파크의 인터페이스를 구현하였다.

• Proceedings of the Korea Contents Association Conference
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• 2006.05a
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• pp.517-520
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• 2006

Crowd behavioral scenes in virtual underwater world are presented in many entertainments such as films and games. According to the increase of digital films and animations caused by the development of computer graphics, it is easy for us to meet with the cyber characters in those scenes. Characters which appear in computer animation put life into virtual world. The more characters we have in this virtual space, the deeper we are immersed in the space. There were many researches which processed the crowd scene and implemented the crowd behavior system in Korea. They were related to developing VR contents which were available to feel actually in the construction of the virtual environment. But they are far from reaching the step to put to practical use in developing the crowd behavior modeler. Therefore, we suggestion the fish schooling behavior modeler that provides interaction and action behavior in 3D object to present vividly and effectively in underwater world.

• Proceedings of the Korean Information Science Society Conference
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• 2006.06b
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• pp.208-210
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• 2006

최근 온라인 게임을 비롯하여 영화, 애니메이션 등 가상현실에서 캐릭터가 중심적인 역할을 하게 되었고 좀 더 능동적이고 사람에 가까운 캐릭터 개발이 필요하게 되었다. 이러한 요구 중에서 본 논문에서는 감성기반 캐릭터에 초점을 맞추었고 Emotion Al사의 Artificial Emotion Engine Model과 OCC Model를 바탕으로 각 캐릭터의 특성을 반영하고 캐릭터간의 상호 작용을 바탕으로 감성을 도출해 낼 수 있는 Emotion Engine의 Architecture를 제시한다.

• Journal of the Institute of Electronics Engineers of Korea CI
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• v.37 no.5
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• pp.54-63
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• 2000

In this paper, we implemented cyber character that can do speech recognition, speech synthesis, Motion tracking and 3D animation. For speech recognition, we used Discrete-HMM algorithm with K-means 128 level vector quantization and MFCC feature vector. For speech synthesis, we used demi-syllables TD-PSOLA algorithm. For PC based Motion tracking, we present Fast Optical Flow like Method. And for animating 3D model, we used vertex interpolation with DirectSD retained mode. Finally, we implemented cyber character integrated above systems, which game calculating by the multiplication table with user and the cyber character always look at user using of Motion tracking system.

• Proceedings of the Korean Information Science Society Conference
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• 2001.10b
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• pp.541-543
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• 2001

본 논문에서는 실세계에서의 사용자 동작을 가상 광간의 캐릭터를 통해 나타낼 수 있는 제어방법에 대해 논한다. 사용자의 캐릭터는 스테레오 카메라 영상으로부터 얻어지는 3차원 좌표값 5개를 이용하여 표현된다. 영상에서 구하는 3차원 좌표값은 노이즈가 들어있고 불안정하므로 자연스럽고 부드럽게 변형할 수 있도록 프레임 내에서 보간 작업이 필요하다. 안정된 데이터는 신체 제약조건을 만족하는 범위에서 inverse kinematic을 이용하여 joint angle을 계산한다. 하지만 이 방법은 수학적인 계산을 통해 나온 결과이기 때문에 가끔 사용자가 원하지 않는 동작을 만들어 내는 단점을 극복해야 한다.

• Journal of Korea Game Society
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• v.16 no.3
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• pp.77-86
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• 2016

As the focus of game market moves to mobile era, payment on cyber money, specifically for Gacha system, possesses a large portion for creating profit in game industry. For this reason, this study mainly focuses on Puzzle and Dragon, the mobile game of Gungho online entertainment in Japan, which has made enormous profit for several years. The analysis on consumer sentiment for Gacha are categorized as below: (1) gambling mentality and cognitive error in stochastic game in God festival (2) reactional psychology for scarcity message in limited time God festival and collaboration (3) personal satisfaction through friend system and character collection.

• Journal of Korea Game Society
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• v.15 no.1
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• pp.185-198
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• 2015

The purpose of this study is to analyze representation of characters of AOS online-game in order to find out the meanings of ontological game characters. This study selects characters of on-line game to analyze representations of game characters by Pierre L$\acute{e}$vy's ontological theory. The characters which represented in on-line games reproduced by costume play in off-line world reflect human desire and construct human existence. Online game character is an existing substance, which could expand human experiences by crossing virtual game world and reality in digital era.

• Journal of Convergence for Information Technology
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• v.7 no.6
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• pp.245-251
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• 2017

This presents an English conversation training system with which learners train their conversation skills in English, which makes them converse with native speaker characters in a virtual reality environment with voice. The proposed system allows the learners to talk with multiple native speaker characters in varous scenarios in the virtual reality environment. It recongizes voices spoken by the learners and generates voices by a speech synthesis method. The interaction with characters in the virtual reality environment in voice makes the learners immerged in the conversation situations. The scoring system which evaluates the learner's pronunciation provides the positive feedback for the learners to get engaged in the learning context.

• Journal of the Korea Computer Graphics Society
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• v.18 no.2
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• pp.55-62
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• 2012

This paper presents a new method to represent the secondary deformation effect using simple mass-spring simulation on the vertex shader of the GPU. For each skin vertex of a 3D character, a zero-length spring is connected to a virtual vertex that is to be rendered. When a skin vertex changes its position and velocity according to the character motion, the position of the corresponding virtual vertex is computed by mass-spring simulation in parallel on the GPU. The proposed method represents the secondary deformation effect very fast that shows the material property of a character skin during the animation. Applying the proposed technique dynamically can represent squash-and-stretch and follow-through effects which have been frequently shown in the traditional 2D animation, within a very small amount of additional computation. The proposed method is applicable to represent elastic skin deformation of a virtual character in an interactive animation environment such as games.

• Cartoon and Animation Studies
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• s.49
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• pp.383-398
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• 2017

Virtual Reality contents are being used as media in various fields. In order for the virtual reality contents to be realistic, the scale of the objects in the virtual reality must be the same as the actual size, and the user must feel the same size. However, even if the size of the character in the virtual reality space is made equal to the size in comparison with the size of the character in the reality, the distortion of the size can occur when the user looks at the object in the image with the HMD. In this paper, I investigate the requirements related to size in virtual reality, and try to find out what difference these requirements have in virtual reality and how the difference affects users. Experiments and surveys to compare the size of objects in virtual reality space and the size of objects in real space were conducted to investigate how scale distortion occurs at distant and near places. I hope that this paper will be a useful research for virtual reality developers.