• Journal of the Korean Society of Costume
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• v.51 no.6
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• pp.67-83
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• 2001

The purpose of this study is to define the aesthetic consciousness in the late Modernism fashion which generated a sudden style change and craze, and to identify the essential meaning of the style. In order to achieve this the aesthetic approach was applied. Visual commonalities were sought between fashion and contemporary architecture, furniture, ceramic and metalware, to lead to a deeper insight into the aesthetic consciousness. Common visual characteristics are curvedness of the line, obliqueness of the line, asymmetry of the form, exaggeration of the form and symbolic nature of the form. The content which can be analogized from the visual characteristics are the beauty of the nature, the beauty of the glamourous feminity, the beauty of the ideal and the beauty of the creative personality. In the creating process, the existential aspect of human being became a focus of attention, and human being's subjectivity operated as a principal force. In the late Modernism fashion, the appreciator's aesthetic experience became more important, and the appreciator's psychological satisfaction and pleasure were considered in the creative process. Fashion, architecture and crafts, which fulfill functional duties in everyday life, facilitated the appreciator's aesthetic experience through empathy. This study inquires into the relationship between aesthetic consciousness and visual form. This study offers meaning because to uncover the connoted aesthetic consciousness in the late Modernism fashion is to pursue the roots of current aesthetic consciousness and it is hoped that in doing so this study will provide a basis for interpreting and understanding today's fashion style.

• Korean Institute of Interior Design Journal
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• v.20 no.6
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• pp.145-152
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• 2011

Salvador Dali put a title of his work as 'A Propos of the Treatise on Cubic Form by Juan de Herrera' at 1960. Through this work which is consisted in cube frame surrounding black and white letter squares and nails in the sky, he directly referred about the cube which were showed in his pictures. To understand the meaning of this work, Dali's paintings and Juan de Herrera's design and architectural ideas are analysed by building. His concerning about absolute existence like god and nuclear takes the cubic form by Juan de Herrera instead of pictorial tendencies of Cubism, however pictorial elements such as sky and nails were still used in the work. He use alphabet letter as pattern consisting wall and symbol representing 'Juan de Herrera', moreover number '2' is taken to show up line attribute. Dali had several design develop process, and finally he reached an new stage called 'Hypercube'. Hypercube can distinguish from Cubism and Herrera's architectural idea, and it will be free from objective world based in Euclid geometry. Although cubic is the simplest shape. It can contain the variety of developments in these fields - philosophy, architecture, painting and etc.- from Platon to nuclear physics and coexists in a picture of Salvador Dali.

• Journal of the Korean Society of Costume
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• v.9
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• pp.75-88
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• 1985

This study is on the expressive will of human beings by way of examining turtle patterns. Turtle represents spiritual, incantatory implications and the idea1s of long life and of fortune. From ancient to the present the turtle patterns have expressed various kinds of arts on these concepts. The researchs on the examples of turtle patterns are summed up as follows. 1. Single form of turtle shows a turtle wrapped by snakes and is generally regarded as a symbol of long life with respect to the mysteries of the Tao. 2. HyunMu type is of an imaginary animal which is wrapped by snakes. 3. Turtle shell type is hexagon accumulated 1ike successive bee-hives.

• The Research Journal of the Costume Culture
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• v.5 no.4
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• pp.44-53
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• 1997

The purpose of this study is to analyze dress meanings painted by elementary school girl. As in language, the dress is the symbol and form of non-verval communicator its wearer by means of the mentalistic semantics. Also it is to analyze meanings of dress by applying the semantics of Geoffrey Leech. The followings are the findings of the analysis 1. The conceptual are the findings of the analysis 2. The social meaning is indicating the feminine image. 3. The offective meaning is indicating the aesthetic value.

• The International Journal of Costume Culture
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• v.13 no.2
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• pp.82-87
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• 2010

Frog or toad is an animal adoration of ancient ancestors in ethnic minorities in South China, in Li tribe tradition, frog is not only a symbol of avoiding evil and the expression of maternal love, but also the decoration of missing the ancestors. This article has discussed the origin of frog pattern, summarized the frog pattern's forms in Li brocade. At last also discussed the common frog pattern in Li tribe.

• East Asian mathematical journal
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• v.40 no.1
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• pp.95-107
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• 2024

Let K be an imaginary quadratic field with ring of integers 𝓞_K and N be a positive integer. By K_(N) we mean the ray class field of K modulo N𝓞_K. In this paper, for each prime p of K relatively prime to N𝓞_K we explicitly describe the action of the Artin symbol (${\frac{K_{(N)}/K}{p}}$) on special values of modular functions of level N. Furthermore, we extend the Kronecker congruence relation for the elliptic modular function j to some modular functions of higher level.

• Bulletin of the Korean Mathematical Society
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• v.44 no.4
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• pp.743-751
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• 2007

The aim of this article is to derive twenty five transformation formulas in the form of a single result for the triple hypergeometric series $X_8$ introduced earlier by Exton. The results are derived with the help of generalized Watson#s theorem obtained earlier by Lavoie et al. An interesting special cases are also pointed out.

• Journal of information and communication convergence engineering
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• v.2 no.3
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• pp.145-148
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• 2004

The performances of M-ary signals using L-branch maximum ratio combining (MRC) diversity reception in correlated Nakagami fading channels are derived theoretically. The coherent reception of M-ary differential phase shift keying (MDPSK), phase shift keying (MPSK), and quadrature amplitude modulation (MQAM) is considered. It is assumed that the fading parameters in each diversity branch are identical. The general formula for evaluating symbol error rate (SER) of M-ary signals in the independent branch diversity system is presented using the integral-form expressions.

• Journal of architectural history
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• v.2 no.2 s.4
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• pp.89-106
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• 1993

Wherever Buddhism has flourished, there were stupas in the form of monuments which have their origin in the tumulm of prehistoric times. After the death of Buddha, his body was cremated following the Indian funeral custom. His ashes, which long reserved for the remains of nobles and holymen, were enshrined under such artificial hills of earth and brick. The Stupa was in origin a simple burial-mound. The form of the burial-mound was a symbolical or magic reconstruction of the imagined shape of the sky, like a dome covering the earth. The domical form of the earliest tumuli may have been concious replicas of the shape of the Vedic hut. There are relationships which may have originally existed between the stupa and West Asiatic monuments. Buddhist Stupa originally cosisted of an almost hemispherical tumulus(anda) and an altar-like structure (harmika) on its top, surmounted by one or several superimposed honorific umbrellas (hti, catta). This hemispherical form is associated with centralisation, lunar worship, mother earth, and Siva. Anda means a symbol of latent creative power, the harmika symbolizes the sanctuary enthroned aboved the world. The honorific umbrella, as an abstract imitation of the shade-giving tree is one of the chief solar symbols and that of enlightenment.

• Proceeding of Spring/Autumn Annual Conference of KHA
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• 2003.11a
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• pp.301-306
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• 2003

The main gate of university is a symbolic role to grasp the its activities within a limited area. The form or shape is various at its circumstances such as activity type, region, etc. The study aimed at offering the information to grasp the fixed quantity to an university gate plan which analyzed a psychological judgment criteria according to form or shape characteristics of the university main gate. It selected ten universities through a classification of the types. The twenty adjective phrases were extracted by review of the further research. After then, it extracted to draw high adjective in observers visual image formation. This study analyzed the preference, symbolized representation of the university main gate. The results are summarized as follows : 1. The symbol and representation of form has a high correlation. In other words, the symbolic scale would be high positively when the representation scale be high. 2. Eight items among the twenty adjective items appeared to explain the university main gates. The twelve items of them wouldn't be related to grasp the main gate