• 전기학회논문지P
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• 제66권1호
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• pp.48-52
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• 2017

This paper proposes a hybrid algorithm of space-time block coding and space-frequency block coding using alternate time switch. The traditional alternate time-switched space-time or space-frequency block coding technique for orthogonal frequency division multiplexing system does not provide a good performance with a variety of communication environments. This hybrid algorithm has searched good performance ranges in various environments in view points of mobile speed and doppler frequency. In this paper, we investigate better performance ranges for two algorithms, suggest a hybrid algorithm for dynamically changing communication environments, propose a structure for transmitter and receiver, and show that its performance is better than the traditional algorithm by simulations.

• Journal of Communications and Networks
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• 제14권2호
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• pp.206-212
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• 2012

In this paper, in order to effectively apply unitary space-time modulation to the direct-sequence spread-spectrum multiple-access (DSSS-MA) networks, we propose a low-rate, noncoherent, unitary, and space-time modulated DSSS system supporting any number of transmit antennas based on Walsh matrices. The proposed scheme simultaneously performs bandwidth spreading and space-time coding and outperforms those using high-rate, conventional unitary space-time constellations. Furthermore, the proposed scheme allows for a simple detector structure based on fast Walsh transforms.

• 한국경제지리학회지
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• 제16권3호
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• pp.492-511
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• 2013

국제회계기준위원회(IASB)에서 규정한 R&D 산업은 다양한 분야에서 '연구'와 '개발'을 동시에 진행하는 3차 산업에 해당한다. R&D 산업과 관련한 기존 정성적 연구들은 공간군집 사례들을 기반으로 분류한 클러스터 유형 중 하나인 하이테크 혁신 클러스터로 취급하여 분석한다(Coe et al., 2007). 그러나 이는 다양한 R&D 산업의 공간군집 사례들을 일반화하는데 그쳤으며, 특히 클러스터 형성 과정에서 시간의 흐름을 고려하지 않은 R&D 클러스터가 시공간적으로 유의미한 것인지 알 수 없다. 이에 본 연구는 기존 공간적인 혹은 시간적인 측면만을 강조하는 클러스터 분석의 한계를 인식하고, 섬유 및 의복 제조업의 비교를 통해 R&D 시공간 클러스터를 탐색해본다. 연구방법으로는 시공간 클러스터의 발견 및 위치탐색을 위해 시공간 K-함수와 시공간 스캔통계를 이용하였다. 그 결과, R&D는 공간적 측면만 고려한 분석에서는 유의미한 클러스터가 발견되었지만, 공간적 분포와 시간적 흐름을 동시에 고려한 시공간 클러스터는 발견되지 않았다. 즉, 시간에 따른 R&D의 신설 과정은 이미 존재하는 R&D의 공간적 위치와 독립적인 것으로 나타났다. 반면 섬유 및 의복 제조업은 공간과 시공간 클러스터 모두 유의미한 클러스터를 발견했다.

• 한국우주과학회:학술대회논문집(한국우주과학회보)
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• 한국우주과학회 2009년도 한국우주과학회보 제18권2호
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• pp.26.2-26.2
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• 2009

The Solar and Space Weather Research Group (SOS) in Korea Astronomy and Space Science Institute (KASI) is constructing the Space Weather Prediction Center since 2007. As a part of the project, we are developing automatic real-time system of the global 3-D magnetohydrodynamics (MHD) simulation. The MHD simulation model of earth's magnetosphere is designed as modified leap-frog scheme by T. Ogino, and it was parallelized by using message passing interface (MPI). Our work focuses on the automatic processing about simulation of 3-D MHD model and visualization of the simulation results. We used PC cluster to compute, and virtual reality modeling language (VRML) file format to visualize the MHD simulation. The system can show the variation of earth's magnetosphere by the solar wind in quasi real time. For data assimilation we used four parameters from ACE data; density, pressure, velocity of solar wind, and z component of interplanetary magnetic field (IMF). In this paper, we performed some initial tests and made a animation. The automatic real-time system will be valuable tool to understand the configuration of the solar-terrestrial environment for space weather research.

• 한국우주과학회:학술대회논문집(한국우주과학회보)
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• 한국우주과학회 2010년도 한국우주과학회보 제19권1호
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• pp.38.3-39
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• 2010

While major solar proton events (SPEs) come from the coronal mass eject (CME)-driven shocks in solar wind, there are many evidences that potentiality of CMEs to generate SPEs depends on its early evolution near the Sun and on different solar activities observed around the CME liftoff time. To decipher origin of SPE release, we have investigated onset time comparison of the SPE with CME, metric type II radio burst, and hard X-ray flare. For this, we select 30 SPEs observed from 1997 to 2006 by using the particle instrument ERNE onboard SOHO, which allows proton flux anisotropy measurement in the energy range ~10 - 50MeV. Onset time of the SPEs is inferred by considering the energy-dependent proton transport time. As results, we found that (1) SPE onset time is comparable to that of type II but later than type III onset time and HXR start time, (2) SPE onset time is mostly later than the peak time of HXR flare, (3) almost half of the SPE onsets occurred after the HXR emission, and (4) there are two groups of CME height at the onset time of SPE; one is the height below 5 Rs (low corona) and the other is above 5Rs (high corona). In this talk, we will present the onset time comparison and discuss about the origin of the SPE onset.

• ETRI Journal
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• 제39권4호
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• pp.493-501
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• 2017

This paper introduces a new motion-synthesis technique for animating multiple characters. At a high level, we introduce a hub-sub-control-point scheme that automatically generates many different spline curves from a user scribble. Then, each spline curve becomes a trajectory along which a 3D character moves. Based on the given curves, our algorithm synthesizes motions using a cyclic motion. In this process, space-time warp curves, which are time-warp curves, are embedded in the 3D environment to control the speed of the motions. Since the space-time warp curve represents a trajectory over the time domain, it enables us to verify whether the trajectory causes any collisions between characters by simply checking whether two space-time warp curves intersect. In addition, it is possible to edit space-time warp curves at run time to change the speed of the characters. We use several experiments to demonstrate that the proposed algorithm can efficiently synthesize a group of character motions. Our method creates collision-avoiding trajectories ten times faster than those created manually.

• 한국안전학회지
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• 제8권4호
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• pp.201-206
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• 1993

동적 문제에 대한 공간-시간 유한요소법을 제시하였다. 이 방법은 공간과 시간을 동일한 변수로 취급하였으며 공간-시간 영역에서의 유한요소 전개에 있어서는 연속적 갤러킨 방법에 근거하여 가중여분법을 이용하였다. 이 방법은 조건부 안정을 주는 고차원적 정확성을 주는 해법인 것이다.

• Kyungpook Mathematical Journal
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• 제60권1호
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• pp.185-195
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• 2020

This paper aims to study the 𝒲^⁎-curvature tensor on relativistic space-times. The energy-momentum tensor T of a space-time having a semi-symmetric 𝒲^⋆-curvature tensor is semi-symmetric, whereas the whereas the energy-momentum tensor T of a space-time having a divergence free 𝒲^⋆-curvature tensor is of Codazzi type. A space-time having a traceless 𝒲^⁎-curvature tensor is Einstein. A 𝒲^⁎-curvature flat space-time is Einstein. Perfect fluid space-times which admits 𝒲^⋆-curvature tensor are considered.

• 한국실내디자인학회논문집
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• 제21권4호
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• pp.87-95
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• 2012

This study is for the analysis to which element of space the users observing the lobby at a public space pay more attention for their visual perception. It is focused on the typology process of observation characters. The subjects, in the observation process, came to be interested in the circumstantial clues for space perception and the detailed characters drawing their interest. I could analyze the observation characters of the subjects observing the space by the comprehension and typology of their observation characters. First, from the viewpoint of successive 9 times of observations, each subject observed for 0.32 second to get the visual perception in the applied space, but spent another 0.39 second for the exploration of another observation object or the space roaming. The observation character of the subjects at the lobby of the public space selected for this experiment was that they spent more time on space exploration than on concentration on a point in the space. Second, I analyzed the typology process through the time range. Since the subjects' frequency varied depending on the way to set up the time range, the necessity was proposed that the time range for the analysis of observation characters should be set up more objectively. Third, in case of analyzing the observation characters by 10-second-unit time range, the concentration in the beginning and the middle was 25%, and that in the beginning and the final 41.7%, which showed that 75% of the subjects concentrated in the beginning of the observation time when the concentration in the beginning is added to it. Fourth, the type 3 categorized as "concentration in the beginning and the middle" is the group 47.1 percent of the subjects belong to, and each subject concentrated 1.1 times in the beginning and 2.1 times in the final, which showed that the concentration in the final was 1.75 times as high as that in the beginning.

• 조형예술학연구
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• 제1권
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• pp.165-188
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• 1999

When we think about visual art, we can't pass over the matter of images and spaces. An image is fixed in a painting space. If the image were posited in the river of time, it would be changed as time flowed on. Its image might be created, rigged, transfigured or it might vanish or remain as traces. The image is changed through the process of expressing them on the painting surfaces. In paintings the changing of the image is caused not only by working processes but also recognizing the objects. In modernist painting, the idea of space was important, but in postmodernist view, the idea of time becomes essential. In this thesis I will focus on the matter of time and image of painting in the late 20th century. Studying the relationship of image and time is not familiar because we had considered the space as being more related to painting distinction than time. Presently, the concept of space can't be divided from that of time. In Physics, they recently called it as a united concept- time-space. Painting space also becomes one asking and recieve the concept of time actively. Now in painting, time is no more a supporting matter but becomes a major matter. In the late 20th century, we can find many trials to catch the change of images as time flowes on and express them as a trace through using verioty media. One of the way to drawing the change of images as time passes could be seen through various joint images in one painting space and another in the traces of one image. The other could be done by using new media such as computer in the example of fractal art. It shows the images chainging of practically as time changes. New understanding about time of this era has to be affirmatively accepted because it reflects the contemporary cultural situation and in art, the concern about the possiblity of it and finding new medias which has to go on.