• Design Convergence Study
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• v.16 no.6
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• pp.59-74
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• 2017

Louis Sullivan insisted, "Form follows function." Functionality is one of the most fundamental elements for users to use product or space, and "function" in space and architecture has the meaning of the most important factor in determining its form. In this way, from the viewpoint of "Functionalism," the research selected Toyo Ito to see how important elements pursued by Functionalism are related to his forms of creation. Small residential space projects of Toyo Ito from the early 1970s to the present are selected, so that the structure, material and space type of space and architecture can easily grasped and analyzed. Space and architectural structures and surfaces were classified into the characteristics of materials and classified according to the strength of openness of space. As a result, the space and architecture that pursue the function use a method that can maximize the efficiency of the function while excluding the whole decoration in order to highlight the function. The characteristics found in Toyo Ito's small-scale residential space can be defined as the formalization and simplification of the form, the openness of space, and the versatility of each element.

• Korean Institute of Interior Design Journal
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• v.22 no.5
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• pp.293-301
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• 2013

The purpose of this study was to find the space perception by the scene and to analyze the characteristics in the exhibition space. The data for the analysis was collected through a questionnaire survey method. The questionnaire is composed of a scene selection on the panoramic photographs of the exhibition space. 'The 4 Rivers Cultural Center - The ARK' was selected as the subject of this survey. The results of the study are presented as follows : First, the space perception perceived imaged scenes rather than the specific elements of space. Second, the space perception was revealed through the 'Form', 'Materials', 'Light', 'Lighting', 'Furniture' and 'Media' of notable elements. Also that was perceived by forming 'Line', 'Surface' and 'Volume'. Particularly, the perception of 'Surface' was higher than 'Line' and 'Volume'. 'Surface' was perceived mostly through the 'Color'. The perception of 'Line' was positive to 'Boundary' or 'Continuous placement of the light'. In addition, the perception of 'Volume' was positive to 'The curve of the form', 'Transparent material', 'Three-dimensional elements'. Finally, The type of space perception was chosen as 'Extension', 'Center', 'Deep', 'Boundary' and 'Formative'. In this way, the results of this study will set a foundation for developing design methods to induce the space perception by the scene in the exhibition space.

• Journal of The Korean Digital Architecture Interior Association
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• v.8 no.1
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• pp.65-74
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• 2008

Light creates ambiance that affects our impression of space. Before the modern age, the role of light is a religious factor and a primitive state to see. In the modern space design, light is used to achieve the continuous transformation and translation of building's image. Ever-changing space is a flexible corresponding of space to its environment, caused by certain dynamic light. The space turn into some other thing from what it was before, or just changing its character. approaching men and society with different meanings. The purpose of this study is to explore the relation between light(natural and artificial) and ever-changing space through the case study. The impacts of light on ever-changing in today's space design can be summarized as follows. 1) Materialization of light in space design. Nowadays light becomes a form itself. The geometric properties of the space form playa secondary role as compared to the importance assigned to light. 2) Pixelization of space by a light effect. The impacts of digital technology on the space design have come through enhancing the 'pixelization' of the surface from which buildings are made their responsiveness and adaptability to changing needs. The surface with ever-changing lights that blur the boundary of space and expand the image of space.

• Journal of the Korea Fashion and Costume Design Association
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• v.22 no.4
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• pp.93-104
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• 2020

This paper focuses on the spatial changes that create a three-dimensional or deep feeling on the surface of a scarf centering on the cube shape. Through this, consumers with various tastes were able to satisfy their image presentation. The cube form has simplicity and order and is likely to be used as a formative object. The cube shapes can be expressed in various forms through visual and perceptual spatial changes by presenting various shape changes based on the viewpoint of the two-dimensional silk surface, that is, by changing the eyes' position and orientation. Various visual theorists' discussions about cube-shaped visual changes were discussed. In addition, the three-dimensional spatial illusion caused by the shape and color of Victor Bazaarelli's cube was examined. The cube shape was printed silk surfaces to give a three-dimensional sense of space on a two-dimensional scarf design using the size change, the difference in the length of the line, and the color change. As such, the cube shape has infinite possibilities as a method that can express three-dimensional depth and space on the flat surface of a scarf. Therefore, it is hoped that this study will be applied to various aspects as the basic data for the scarf design that expresses the spatial changes in the form of cubes.

• Honam Mathematical Journal
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• v.32 no.4
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• pp.747-761
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• 2010

It is known that there are no real hypersurfaces with parallel structure Jacobi operator $R_{\xi}$ (cf.[16], [17]). In this paper we investigate real hypersurfaces in a nonflat complex space form using some conditions of the structure Jacobi operator $R_{\xi}$ which are weaker than ${\nabla}R_{\xi}$ = 0. Under further condition $S\phi={\phi}S$ for the Ricci tensor S we characterize Hopf hypersurfaces in a complex space form.

• Bulletin of the Korean Mathematical Society
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• v.51 no.2
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• pp.567-577
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• 2014

In this note, we generalize the weak maximum principle in [4] to the case of complete linear Weingarten hypersurface in Riemannian space form $\mathbb{M}^{n+1}(c)$ (c = 1, 0,-1), and apply it to estimate the norm of the total umbilicity tensor. Furthermore, we will study the linear Weingarten hypersurface in $\mathbb{S}^{n+1}(1)$ with the aid of this weak maximum principle and extend the rigidity results in Li, Suh, Wei [13] and Shu [15] to the case of complete hypersurface.

• Communications of the Korean Mathematical Society
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• v.25 no.2
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• pp.225-234
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• 2010

In this paper, we study the geometry of lightlike hypersurfaces of a semi-Riemannian manifold. We prove a classification theorem for Einstein lightlike hypersurfaces M of a Lorentzian space form subject such that the second fundamental forms of M and its screen distribution S(TM) are conformally related by some non-vanishing smooth function.

• Journal of the Korean Mathematical Society
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• v.44 no.3
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• pp.647-659
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• 2007

Relationships between the Ricci curvature and the squared mean curvature and between the shape operator associated with the mean curvature vector and the sectional curvature function for slant submanifolds of an S-space-form are proved, particularizing them to invariant and anti-invariant submanifolds tangent to the structure vector fields.

• Communications of the Korean Mathematical Society
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• v.21 no.4
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• pp.729-737
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• 2006

We study Ribaucour transformations on nondegenerate local isometric immersions of Riemannian space forms into Lorentzian space forms with flat normal bundles. They can be explained by dressing actions on the solution space of Lorentzian Grassmannian systems.

• Journal of the Korean Mathematical Society
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• v.45 no.6
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• pp.1577-1590
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• 2008

We study Ribaucour transformations on nondegenerate local isometric immersions of Lorentzian space forms into Lorentzian space forms with the same sectional curvatures which have flat normal bundles. They can be associated to dressing actions on the solution space of Lorentzian Grassmannian systems.