• 한국산림과학회지
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• 제98권4호
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• pp.379-391
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• 2009

본 연구의 목적은 문수산 옥석산 일대의 현존 산림식생을 대상으로 2008년 5월부터 9월까지 식물사회학적으로 조사하고, 식물군락의 종조성과 구조적 특성, 입지요인 및 종간 상관관계를 구명하여 산림식생의 생태적 정보의 축적과 동시에 합리적이고 과학적인 산림자원관리를 위한 기초자료의 제공목적에 바탕을 두었다. 이를 위하여 문수산 옥석산 일대에 총 105개소의 산림식생조사자료를 토대로 Z-M 식물사회학적방법에 의해 식생유형분류를 수행하였던 바 총 10개의 식생단위로 분류되었으며, 최상위 수준에서 신갈나무군락군이 분류되었고, 군락단위에서는 금강소나무군락, 산수국군락, 갯버들군락, 잣나무군락, 일본잎갈나무군락이 분류되었다. 금강소나무군락은 군단위에서 꼬리진달래군, 굴참나무군, 금강소나무전형군의 3개 군이 세분되었고, 산수국군락은 곰취군, 물참대군의 2개 군으로 세분되었으며, 물참대군은 다시 가래나무소군, 개벚지나무소군, 작살나무소군의 3개 소군으로 세분되었다. 또한 각 식생단위는 해발고와 지형에 높은 상관관계를 가지고 있었으며, 종의 연관관계에 의하여 3개 유형으로 구분되었고, 이는 식생단위의 식별종 및 표징종과 일치하는 경향이었다.

• 감성과학
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• 제11권4호
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• pp.599-612
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• 2008

오늘날 금융 산업은 개방화와 자율화에 따른 외국금융브랜드의 진출 및 증가, 다양한 금융브랜드의 신설 등으로 급속도로 변화하고 있다. 이러한 변화의 추세 속에서 기업들은 점차 자사의 브랜드 차별화를 위해 다양한 마케팅 방법을 동원하고 있다. 그 중 최근의 금융 브랜드에서 사용하는 '컬러마케팅'은 중요한 브랜드 차별화 요소로 인식되고 있다. 그러나 일부 브랜드를 제외하고 기업의 경영성향을 내포한 브랜드의 컬러마케팅과 투자자의 투자성향에 근거한 컬러선호가 상이함이 있다고 보여진다. 이는 커뮤니케이션의 목적인 브랜드이미지 문제와도 관계가 있을 것이라고 생각된다. 따라서 본 연구는 기업과 고객 간의 효율적인 커뮤니케이션 방안을 제시하기 위해 현재 증권회사들의 브랜드 컬러마케팅과 개인금융 투자자의 투자성향 선호컬러의 상관관계에 대해서 확인해 보고자 하였다. 롤랑 바르트의 컬러의 기호학적 의미해석과 실제 투자자들의 투자성향별 집단의 선호컬러와는 차이가 있음이 확인해 볼 수 있었다. 즉, 공격적인 투자성향을 가진 투자자의 경우 열정적이며 적극성을 상징하는 적색이나 주황의 강렬한 컬러를 선호할 것으로 예상 하였으나 분석 결과 뜻밖에도 의외의 컬러를 선호하는 것으로 알 수 있었다. 이러한 분석들을 토대로 증권사의 경영성향과 투자자의 컬러성향과의 관계를 보다 면밀히 조사하고 체계화하는 과정의 일환으로 본 연구 결과는 향후 맞이하게 될 자본시장통합법에 따른 시장개방에서 금융브랜드와 고객과의 커뮤니케이션 수단의 기초적인 연구 자료가 될 수 있기를 기대한다.

• 한국실내디자인학회논문집
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• 제22권6호
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• pp.11-19
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• 2013

The number of visitors to historic sites and museums in Korea has been on a rapid decrease and in order to search for creative ways to work on the problem, the study proposed a theme park-typed museum with cultural heritage applied and reviewed spatial strategies for such theme park-typed museums. Applied methods of research of this study are as follows. First, in order to understand definitions and current situations of cultural heritage use and theme park-typed museums, the study went thoroughly over all sorts of literature and reports as well as findings of advance researches on how to make a use of cultural heritage. Based on the results of the investigations, the study determined characteristics of the theme park-typed museums with cultural heritage applied which the study was proposing and the characteristics were categorized by type. Considering those characteristics and types gained in the study, the study looked for cultural heritage-based theme parks and museums in the world which were good enough to be used as research subjects in the study from the aspects of profitability and level of awareness. The study examined those theme parks and museums in the world and in the end, it found out ways to adopt the findings to the situations in Korea and discussed expecting effects as well. As to the characteristics of the theme park-typed museums with cultural heritage applied, the study divided those characteristics into mutual cooperation, location, communicability, authenticity, maintainability, education, durability, narrativity, undailiness, interactivity and leisure. The types were categorized into ride, environment direction, cartoon character and souvenir by attraction pattern. When cultural heritage is used actively, it would improve competitiveness of historic cultural sites and museums in return, making people realize the iterative structure of excavation, conservation, maintenance and use of cultural heritage. That would create many kinds of added values, re-discovering culture of the country. At the same time, it would also create a new value of culture as well. Now, it is important for us to do harder with researches on how to evolve museums and exhibition spaces. Considering that, the study is believed to make a contribution to revival of historic sites and museums in Korea but also establishment of scientific strategies.

• 대한가정학회지
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• 제37권7호
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• pp.17-27
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• 1999

According to the design method for constructing the Korean Men's Jo-go-ri(the traditional Korean jacket)collar, there are differences in form after its completion. In the construction design of the midsection of the gusset as in that of the basic pattern Jo-go-ri, not only was the positioning of the two sides of the collar not smooth, but also, when the collar strip(Dongjung) was attached, there would be an imbalance on one side or the other so that it was difficult to achieve symmetry. Therefore in this project, by applying the pattern design of the gusset midsection to that of the collar midsection, not only did attaching the collar(Kit) and the collar strip create a visual effect by equalizing the lengths of the two sides, but the construction was also easy. This method of construction introduces the three-dimensional aspect of the human form in its conic, spherical and cylindrical aspects, so that, through schematizing the scientific character of Korea's clothing, its appropriateness is verified. As a matter of fact, since there is no standardization of pattern whether for educational use or for mass-produced clothing, so that even the patterns used in computer-assisted design are executed according to the designer's personal skill, the reality is that after completion of construction the quality has not been uniform. For this schematization, inverse calculation of measurements pertaining to the calculation formula and of teaching materials has been referenced. In particular, the partial regulation of the calculation formula pertaining to the basic pattern construction, the method of making the collar midsection, and the construction method of the extreme and mean ratio adjustment, can be adjusted for all measurements, thereby providing the establishment of a design criterion and the possibility of the standardization of construction methods. The production method for the basic pattern design is as follows: 1) The conic angle for the Jo-go-ri's girth, length end neck width is fixed at 70(72) degree. 2) The radius of the cone is sleeve length. 3) The bust girth calculation formula is B/4 + 2.5 cm. 4) The armhole formula is B/4 + 2.5cm. 5) The neck width formula is B/10. 6) The ratio of the collar junction{width of collar(Kit) + width of collar strip(Dongjung) to the gusset length is 5:8. 7) The length of the side seam is a length intersecting the armhole line and the conic radius of sleeve length, that is an arc that exceeds the length of the Jo-go-ri's midsection.

• 미술이론과 현장
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• 제16호
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• pp.175-199
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• 2013

Capriccio which has emersed in Italy of the 18th century is a new genre of the landscape painting. This genre represents reality, but it is very artificial product correspondingly its concept and character. It's birth place is distributed on various regions in Italy, but the main stage was Rome. Till the middle of the 18th century Rome was the Holy city of the Grand tour, the home of the Neo-Classicism and furthermore the field where archaeology and art history began to be instituted. On such historical situation the Capriccio came out and was recognized as the best popular genre in the visual art. It was favor of the art collection with the antiquity together and reflected the consciousness of the contemporary to the ancient. This study will examine the phenomena in the newly-developed archaeology and with few representative works of Giovanni Paolo Pannini as central term consider the Capriccio and the archaeological connotation. The systematical and institutional archeology which appeared at the age of the Enlightenment, on the contrary to the critical theories at the same time against capriccio, because it was regarded by them as paradoxical and too much sensitive, utilized it as a theoretical method very actively. Some among Historians and archaeologists did it, especially Francesco Bianchini distinguished the capriccio from simple imagination and made it a capacity of the knowledge. And through it he wanted to find out the historical truth. The visual art was influenced and encouraged by such attitude of the archaeology. However it's output spreaded out in various courses. While Giovanni Battista Piranesi, the best known Capriccist of the 18th century, tried to revive the antique through the epical value and his own imagination, Pannini gave priority to the strict historical research. In the such context Panni succeed Giovanni Battista Nolli who made the great map of the city Rome. Their Capriccio profited motive and was inspired by the historians and archaeologists such as Bianchini and Muratori. The Capriccio reflects not only the academic and popular interest for the antique, but also influenced on the upcoming scientific archaeology vice versa. It caused by their reasonable Interpretation and restoration of the antique through the visual medium. Finally as archaeological landscape Pannini's Capriccio is a historical case, in that the Capriccio applied the theoretical method of the archaeology to make art. It served as a momentum for the connotation to the archaeological thought.

• 한국직업건강간호학회지
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• 제14권2호
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• pp.93-107
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• 2005

Purpose: The purpose of this study is to identify the trends of studies on work-related musculoskeletal disorder and to suggest the direction of future research. Method: 144 research thesis for a degree on work-related musculoskeletal disorder were systematic reviewed and published from Jan. 1990 to Mar. 2005. The analyzed using descriptive statistics, an actual number, percentage. Result: As its result the work-related musculoskeletal disorder research which is announced from domestic the doctorate dissertation at the 2004 year 42 the most many 144 dissertation middle most to be 129 in master degree dissertation was 15 in Ph D degree. Dissertation contents character the contents against the result relation that it analyzes especially and a condition and an obstacle was many most at 84. Research plan in most description investigation research 121 the dissertation field to be the especially public health (hygiene, industry and environment) at this 57 most many research object person distribution manufacturing industry in the research object one dissertation was many most at the 40. The tools which are used in each measurement in the question tool which it uses most the question price of land which uses the condition investigation ticket which it made from the NIOSH and the ANSI most many 33, the hazard which analyzes a work attitude in the tool which it uses the RULA was many most at 14. In the stress test tool social psychological healthy measurement PWI (Psychological Wellbeing Index) the dissertation which uses the Job Strain of the Karasek Model to be many most at 19 PWI (Psychological Wellbeing Index) 7 easy use. Work-related musculoskeletal disorder measurement hazard in physiological index and the machinery and tools which it uses there were 9 researches to use an electromyogram most plentifully. With the effect goes to a work-related musculoskeletal disorder they are 33 where the age is many most from general quality. From healthy act with the relation of smoking the year to be many from 16 dissertations. Work of the corpse an attitude (the attitude which is inappropriate) with 5 and the work market the work burglar is many most at 9, the society-support of 36 where the stress is many psychologically most, the stress and service also the most many duty discretion (authority and autonomy) is 6 at the duty demand boat song 9. The service career to be many is 22 of extraordinarily with relation of service. Conclusion: It is recommended the research which it sees being limited in only domestic thesis for a degree the international comparative study to become accomplished. It comes to think with the fact that it will be necessary to make the protocol which it conforms in the civil official guide the test researches for the protocol or arbitration program which is standardized are necessary. Prevention and the civil official of work relation bones and sinews standing total disease hazard scientific base one program is necessary with base.

• 디자인학연구
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• 제13권4호
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• pp.95-103
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• 2000

빠르게 변화하는 사회 구조와 생활환경 안에서 다양해진 소비자의 욕구를 충족시키고 제품이 갖는 독특한 캐릭터를 창출하기 위해서, 현대의 디자이너들은 보다 새로운 아이디어를 지속적으로 시도해야만 하게 되었다. 지난 20세기는 기술의 획기적인 진보와 더불어 산업화로 인한 다양한 측면에서 디자인의 성장이 이루어졌고, 시대의 흐름에 따라서 그 의미와 스타일이 각기 다른 양상으로 변화되어 왔다. 과거에 유행했던 디자인과 스타일을 차용하여 현대적 의미와 개념의 디자인으로 재창조하는 레트로(Retro) 디자인이 최근의 디자인 트렌드로 확산 적용되고 각광받고 있다. 이러한 복고적 스타일의 현상은 다양한 분야에서 과거를 회상하게 하는 이미지로 나타나고 있으며 새로운 감각으로 또 다른 가치로 인정받고 있다. 제품디자인 측면에서 가장 대표격인 자동차 디자인은 지난 100여 년 간의 스타일의 변천사에 있어서 시대적 사회·문화적인 변화와 기술의 진보에 의하여, 점차 다른 형태로 나타났으며 다양한 디자인이 끊임없이 시도되어 왔다. 최근의 자동차 스타일의 흐름은 첨단과학기술의 비약적인 성장으로 인해, 그 스타일의 변화가 빠르고 다양한 형태로 나타나고 있는 반면에, 과거의 디자인을 재 도입하는 레트로 스타일이 새로운 트렌드로 관심을 끌고 있다. 자동차디자인에 있어서 복고적 스타일의 의미는 트렌드 이전의 인간의 감성을 자극하고 인간성 회복이라는 또 다른 차원에서, 과거의 문화와 자신과의 연결을 회복하는 의미에서 현대적 감각으로 재창조되어, 향후 미래 디자인 영역을 확장시킬 것으로 보이며 새로운 디자인 트렌드로 발전을 예측할 수 있다.

• 대한한방내과학회지
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• 제32권1호
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• pp.87-99
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• 2011

In the 18th century, Xu Lingtai (徐靈胎) and Yoshimasu Todo (吉益東洞) were medical revolutionaries. They emphasized researches about synthesis of formulae, efficacy of medication and observation and then classification of clinical phenomena, so they assumed a modern scientific character. But, there were clear differences between their academic thoughts. In this paper, we examine the causes of difference in three fields, i.e. traditional culture, viewpoints of talented people and academic personality. The first, difference was due to traditional culture. Chinese medicine has a long history and heavy traditional culture. Yin-Yang (陰陽) theory, Five Phase(五行) theory, Viscera and Bowels (臟腑) theory and Meridian and Collateral (經絡) theory stemmed from everyday practice, and Chinese people learn these theories from experience and observation. From the standpoint of Chinese people, particularly scholarly doctors [儒醫] such as Xu Lingtai, it was easy to debate medical theories. In contrast, Japanese traditional culture didn't have as long a history as China. Thus as a necessity, it was harder to disseminate traditional Chinese medicine theories in Japan. Yoshimasu Todo simplified it by cutting out the superfluous traditional Chinese medicine theory, so at that time it must have been shocking to the Japanese medical world's trends. The second, difference was due to viewpoints of talented experts. From the standpoint of Xu Lingtai, above all, medicine is just a learning, only a kind of technique, even more not a means of living. Xu Lingtai was concerned with the appearance of very talented experts such as 'great man' (偉人), and 'exceptional man' (奇士) who carried out medical research. Instead of cultivating a few talented people, Yoshimasu Todo tried to produce a large number of clinicians quickly who could treat ordinary people. The third was due to personality difference. As Xu Lingtai threw away Confucianism and studied medicine in his youth, although he had a critical attitude, he was always mild-mannered. Yoshimasu Todo always had a clearly critical and rebellious nature. Personality influenced their literary spirit and learning style, so although both advocated reactionism, the academic thought of Xu Lingtai was reformative and mild, while that of Yoshimasu Todo was revolutionary and fierce. Xu Lingtai and Yoshimasu Todo had considerably similar research domains and academic thought, so it is proper for them both to serve as examples for making a comparative study of medical history in China and Japan in 18th century.

• 과학교육연구지
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• 제41권3호
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• pp.297-317
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• 2017

본 논문은 과학과에서 사회정서학습(Science Social and Emotional Learning, SSEL)의 적용 가능성을 탐색하기 위하여 과학과 사회정학습 요소를 제안하고, 그에 따라 중학교 과학 교과서의 물질 분야 및 고등학교 화학I 교과서의 내용을 분석하였다. 과학과 사회정서학습의 가능성과 필요성은 과학교육의 목표인 과학적 소양과 과학의 본성에서 찾을 수 있었다. 과학과 사회정서학습의 요소는 '수리(Numeracy),' '정보통신활용(Information and Communication Technology, ICT),' '비판적 사고(Critical Thinking),' '창의적 사고(Creative Thinking),' '사회적 기술(Personal and Social Capability),' '윤리적 이해(Ethical Understanding),' '문화적 이해(Intercultural Understanding)' 등으로 구분하여 제시하였고, 그에 따라 과학 교과서 중 물질의 분야 및 화학I 교과서의 내용을 분석하였다. 분석 결과에 따르면, 과학과 물질분야의 교과서 내용 및 화학I 교과서의 내용에 수리, 정보통신활용, 비판적 사고, 창의적 사고가 60~70% 이상 포함되어 있으나, 사회적 기술능력, 윤리적 이해 능력, 문화적 이해 능력 등은 제한적으로 반영된 것으로 나타났다. 교과서의 부족한 요소들에 대해서는 추후 교과서의 내용의 수정 또는 교사의 수업을 통한 보완 등이 필요하다. 또한 과학 교과에서 얻고자 하는 과학적 탐구 능력과 사회정서적 역량을 동시에 기를 수 있는 과학과 활동이나 실험 활동 등 구체적인 적용 방안에 대한 연구가 필요하다.

• 보존과학회지
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• 제36권2호
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• pp.123-142
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• 2020

고문헌 조사를 토대로 밀랍주조법을 이용한 사전실험, 재현실험을 통해 청동반가사유상의 복원 연구를 실시하였다. 복원대상은 국보 제83호 금동미륵보살반가사유상으로, 이에 대한 과학적 분석결과를 바탕으로 합금비, 주조방법 등을 설정하였다. 사전실험에서 합금비는 구리:주석:납=95.5:4.0:0.5로 설정하였으나, 본실험에서는 기화량을 감안하여 납과 주석을 각각 2.5%씩 증량하여 장입하였다. 밀랍주조법을 적용하였으며, 본실험에서는 밀랍 경도 실험을 실시하여 송진 30%를 투입하였을 때 적정 강도를 가짐을 알 수 있었다. 미세조직은 일반적인 주조조직(α-Cu, δ)이 확인되었고, 성분분석 결과 선행연구와 유사한 양상을 나타내었다. 거푸집 분석결과, 구조적 안정성과 내화성을 위해 석영 비짐을 넣었으며, 다수의 유기물이 확인되었다. 본 연구가 향후 청동반가사유상의 전통주조법과 복원기술 연구에 대한 기초 자료로 활용될 것을 기대한다.