• 문화기술의 융합
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• 제9권3호
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• pp.509-518
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• 2023

독일 신표현주의와 중국 현대 수묵은 지리적으로 멀리 떨어진 두 나라에서 시작됐으나, 등장한 시기가 유사하며 서로 공통되는 부분이 많다.창작 태도 측면에서 두 풍격의 예술가들은 모두 외래 풍격을 받아들이고 저항하며 과거로 회귀하고 전통을 초월하여 포스트모던의 불확실성을 함께 드러내고 있다. 표현 형식 측면에서 보면, 두 화풍이 그리는 대상은 모두 형상을 갖추고 있으나 사실적이지는 않으며, 매개의 재료 특성을 활용하는 것을 중요하게 여긴다. 정신적 함의 측면에서 보면, 신표현주의와 현대 수묵은 모두 사회적 관심사를 중시하고, 상통하며 유동적인 현대성을 지닌다. 독일 신표현주의와 중국 현대 수묵의 상통성은 차이점을 지우자는 것이 아니라 차이점과 공통점이 공존할 수 있도록 해야 한다는 것이다.

• 한국실내디자인학회논문집
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• 제24권6호
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• pp.58-67
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• 2015

Expressionism is an art trend that prospered in the early 20th century and was represented in art activities in the diverse fields. As capitalism spread and people underwent wars, people's consciousness became impoverished, and it was created by the artists as a reaction against this, and notable achievements were made in film art and this is called expressive film which still inspires many artists. The modern age is a multicultural age and art is not limited to one area but influences many fields and interchanges and communicates with one another. This study attempts to analyze how an art trend has been passed down and developed and has influenced modern space. The purpose of this study is to derive the keywords of their characteristics through expressive films and to study how expressionism has been transformed and represented by putting them into modern space and to explore new perspectives and directions. First, the theoretical backgrounds of expressionism and expressive films were examined through the analysis of the existing researches, and the types of the characteristics of the space represented in the films were classified. Based on this, the representative expressive films were selected and the keywords of the characteristics of the expressive films were derived. A museum among modern spaces is a space that reflects the art trends and culture of the times and modern spaces are represented best in it. Also, recently the construction of museums has been vitalized and has explosively grown quantitatively and qualitatively, and shows diverse designs to the point that they are called the laboratory of modern architecture, so by analyzing the cases focusing on museums among modern spaces, the conclusion was derived. As a result, it could be seen that the expressive film space is represented diversely in the museums by the architects' inner desire of expression, centering on nonlinear expression, nonobjective form, and representational perception.

• 복식문화연구
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• 제24권6호
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• pp.839-853
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• 2016

This study proposes that Malevich's 1913 performance "Victory Over the Sun" was not just Cubo Futurism, but that it produced Suprematism in the early 20th century. "Victory Over the Sun" did away with traditional set and costume design and a call to the Russian avant garde. Therefore, this study analyzes the characteristics of set and the costume design in "Victory Over the Sun", and considers how it impacted twenty-first century fashion designers like Margiela. The results of the study are as follows: first, Margiela reinterpreted the characteristics of the costumes featured on "Victory Over the Sun" from a cubist perspective and represented geometric spatial structures and mechanical human images through changes in methods and materials. second, he designed costumes by applying to the set and costumes expressed black & white images on "Victory Over the Sun". and third, Margiela reinterpreted the warrior image using geometric forms and colors in a creative way. Contemporary fashion designers, including Margiela, express their artistic creativity through various representational and materials choices. They want to convey their subjective personality and emotional sensibility to the public by mixing and deforming existing arts like painting, sculpture, and crafts to create new images. Thus, the creative intentions of the latest fashion designers have expanded art of costume design, exemplifying the process by which art is evolves and is made new.

• 인지과학
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• 제35권1호
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• pp.1-21
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• 2024

본 연구는 두 가지 이론적 모델인 통합된 객체 모형과 특장 병렬-독립 저장 모형을 검증함으로써 시각작업기억 표상의 특성을 조사하였다. 실험 I에서 참가자들은 색상 사각형, 방위 막대 또는 두 가지 모두로 구성된 배열을 기억한 뒤 이를 토대로 변화탐지과제를 수행했다. 단일 특징 조건에서 기억배열은 하나의 특징(방위 또는 색상)으로만 구성된 반면, 두 가지 특징 조건은 둘 모두를 포함했다. 두 조건간 변화탐지 수행의 차이는 없었으며 이는 병렬-독립 저장 모형보다는 통합된 객체 모형을 지지한다. 실험 II에서는 이등변삼각형의 방위, 색상 사각형 또는 두 특징 모두로 구성된 기억배열을 대상으로 회상과제가 실시되었으며, 단일 특징과 두 가지 특징 조건 간 회상 수행이 비교되었다. 두 조건 간 회상 정확도에는 차이가 없었으나 표상 선명도와 추측반응에 대한 분석 결과는 강한 객체 모형보다는 약한 객체 모형을 시사했다. 본 연구의 결과는 시각작업기억의 표상 특성을 둘러싼 현시점의 논쟁에 있어서 병렬-독립 저장 모형이 아닌 통합된 객체 모형의 우세를 지지한다.

• 한국실내디자인학회논문집
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• 제17권1호
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• pp.110-119
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• 2008

A lobby of a hotel is an important space by which the image of a hotel as a whole, the brand-identity, is determined. This study has researched and analyzed the special property in presentation of a landmark in a hotel lobby for its spatial factors, which affects visual cognition, and it is to provide information that can set out the foundation of space design for the appropriate landmark in a certain hotel lobby corresponding to the unique characteristics of a hotel. The regional range of this study includes the lobby spaces of 10 five-star hotels in Shanghai China and Seoul Korea. The types of spatial factors as landmarks and manifestation of those, which affect the visual cognition of the users are the range of context in this study. For this study, field-study and survey were both used in research. The results that have been concluded through this study are as follow. First, manifestational quality of a landmark in a hotel lobby is represented in its size, figure and contrast of 'shape', in its visibility and territory of 'space' and in its symbolic value and historical property of 'meaning', and each of those factors are related to the others. Secondly, the types of spatial factors in a landmark are displayed as being focused on the openness of the space or with large-scaled spatial factors. Light and lumination intensify the manifestation of various spatial factors in a landmark. Thirdly, each representational characteristic of spatial factors in a landmark, which are closely linked to each other should be controlled precisely in order to bring out functional and symbolic feature of a hotel lobby.

• 한국콘텐츠학회논문지
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• 제20권10호
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• pp.353-368
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• 2020

본 연구의 목적은 예비음악교사들의 교수내용지식(PCK) 및 교사의 자기효능감에 발달에 미치는 동료멘토링의 영향에 관한 연구이다. 37명의 예비음악교사들이 16주간 동료멘토링을 통해 수업지도안 작성 및 수업시연을 진행하였다. 예비음악교사들의 인터뷰와 성찰저널을 활용하여 PCK의 구성요소 '교수법지식', 표현지식, 내용지식, 교육과정지식, 평가지식, 학생지식, 환경상황지식 및 교사의 자기효능감에 대해 분석하였다. 반구조화된 인터뷰 내용과 성찰저널 분석은 질적연구의 '현상학적 경험 연구'방법에 제시된 절차에 따라 진행하였다. 인터뷰와 성찰저널 분석결과 예비음악교사들은 동료 멘토링을 통해 다양한 지식을 습득하고 수업지도안 작성 및 수업시연에 대해 자신감을 형성하였다. 이 과정에서 예비음악교사들은 자기주도적 학습을 통해 교사로서 자기 효능감이 향상되었다고 하였다. 이와 같은 결과를 통해 실질적인 수업시연 및 교수법에 대한 연구와 교수법 개발에 대한 다양한 기회가 제공되어야 함을 시사하고 있다.

• 한국정보과학회논문지:데이타베이스
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• 제35권2호
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• pp.132-142
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• 2008

현재 생물학 분야에는 단백질이라는 동일한 대상에 대해 각기 고유한 의미를 지니고 있는 다양한 형태의 단백질 분석 데이타베이스들이 존재한다. 이렇게 산재되어 있는 이종의 단백질 정보들을 효과적으로 통합한다면 개개의 데이터베이스로부터는 얻을 수 없는 유용한 정보를 도출해낼 수 있다. 생물학 데이타의 특성상 이 각각의 정보들은 자신만의 고유한 형태와 의미를 지니는데, 시맨틱 웹 기술의 표준인 RDF(S) 모델을 이용하여 데이타를 기술하면 형태론적인 통합뿐만 아니라 의미론적인 통합까지 이루어낼 수 있다. 이에 본 논문에서는 RDF 통합 스키마에 기반한 새로운 통합 레이어(layer)를 제안하였다. 이를 위해 개념적 모델 차원으로서는 단백질 정보를 중심으로 통합 스키마를 구축하였고, 표현적 모델 차원으로 서는 래퍼(wrapper)가 해당 데이터베이스들로부터 필요한 정보를 취하여 동적으로 RDF 인스턴스를 구축하는 방법을 제안하였다. 실제로 이 통합 레이어는 연구자들이 필요로 하는 통합 질의 예제를 성공적으로 처리하여 그 결과를 보여줄 수 있음을 확인하였다.

• 대한가정학회지
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• 제44권6호
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• pp.23-34
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• 2006

Graffiti has been recognized as an art form since the influence of free, black culture and Neo-Expressionism in the 1980s, though Graffiti remains the subject of controversy both inside and outside the school Modem Art. Jean Michel Basquiat is the most famous Graffiti artist of the '80. He was regarded as the genius and star of American art, leaving a lot of experimental and creative works during his short, 9-year, creative period. In his works, Basquiat well expressed the isolated and dark shadows in the U.S., the pursuit of self identification, the purpose of expression and the epochally social phenomenon. The purpose of this study is to investigate the application of Jean Michel Basquiat's Graffiti to fashion painting. To achieve this purpose, we present a lot of fashion painting works which apply Jean Michel Basquiat's Graffiti by focusing on autographic experience, racialism, cartoon themes, monely value, and anatomical death in the characteristics of Basquiat's works. Through this process, we can express and apply Basquiat's Graffiti to fashion painting by analogizing the themes and modeling the methods of his works, such as childish and simple features, intentionally wrong spellings and sentences, and symbols of death including skeletons, intestines, bones and teeth. In addition, Basquiat's techniques are examined in this study, including the representational handling of a brush, primitive and strong colors, and maximized shape. This study found that fashion painting can juxtaposes art and fashion by expressing Jean Michel Basquiats' Graffiti.

• 건축역사연구
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• 제21권1호
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• pp.135-154
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• 2012

The goal of this paper is to analyze the Freedom Center Apacle in Seoul designed by Kin Soo Geun who was a leading architect in Korean Modern architecture. Freedom Center was built in 1963, that was the largest monumental building to support military regime during cold war period in Korea. This paper deals with historical background of construction of Freedom Center and its characteristics compared to similar monumental buildings, especially Corbusier's Chandigar and Kenzo Tange's Hiroshima Peace Center. The Monumentality in Freedom Center came from the reference to these two buildings and its site plan. This paper tried to show how similar the layout of buildings between the Freedom Center and Peace Center. The origin of the sublime aura in Tange's linear layout of Peace Center is from Japanese Famous Shrine(Jinku). Kim translated it to serve the ideological purpose to protect from socialist regime in the name of freedom. Its over-scaled roof and weak contents showed Freedom center was a kind of theaterical setting belong to formalist building. But in spite of its symbolic and representational gesture its also had a architectonic physical quality to make it a monument. The change and duration in time testified the autonomous power of architecture in Freedom Center. Freedom Center was also important for using the exposed concrete and its superior finish. It was influenced not from western way of Benton Brut which was usually called New Brutalism but Japanese way of treating expose concrete. In spite of its limits Freedom center achieved new trend and sensibility in Korean Modern Architecture.

• Architectural research
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• 제21권3호
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• pp.79-90
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• 2019

The ephemeral and temporal nature of pavilions is the underlying motivation that led to the development of this paper. From the beginning of the industrial era through contemporary history, there have been many instances of architects attempting to rethink architectural design in the context of modern social, cultural, and technical imperatives. Today, the leading changes in humanity are accompanied by a revolutionary electronic digital medium. The pavilion has been in an amalgamation of architectural integration since the beginning of human history. World's Fairs/Expos have, since their establishment, served as international presentations of goods and achievements of particular nations. They became a popular stage wherein potential architectural achievements were showcased through the evocative architecture of pavilions. Due to the pavilion's "temporary nature," its coverage includes various perspectives: social, historical, geographical, post-colonial, iconographical, temporal, and ephemeral. It has also served as a receptacle due to its representational value at a given time. The pavilion has offered architectural designers, clients, and visitors a place to use their imaginations. Moreover, the architect's role in creating pavilions cannot be overestimated. Due to fact that they abound in symbolism, contemporary designs, and innovative solutions, pavilions often mirror modern mankind and plan for the next aesthetic revolutions and ideological architectural theories. To understand and appreciate architects' original intentions with their pavilions, this paper focuses on noteworthy pavilions that were created from the beginning of industrialization through the present. It explores and discusses the pavilion's characteristics, highlights the significance of its physical form as generated by a specific theme.