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http://dx.doi.org/10.7741/rjcc.2016.24.6.839

A study of the influences of Malevich's "Victory Over the Sun" on contemporary fashion design - Focused on Martin Margiela -  

Park, Yoon Jeong (Dept. of Clothing & Textiles, Sookmyung Women's University)
Publication Information
The Research Journal of the Costume Culture / v.24, no.6, 2016 , pp. 839-853 More about this Journal
Abstract
This study proposes that Malevich's 1913 performance "Victory Over the Sun" was not just Cubo Futurism, but that it produced Suprematism in the early 20th century. "Victory Over the Sun" did away with traditional set and costume design and a call to the Russian avant garde. Therefore, this study analyzes the characteristics of set and the costume design in "Victory Over the Sun", and considers how it impacted twenty-first century fashion designers like Margiela. The results of the study are as follows: first, Margiela reinterpreted the characteristics of the costumes featured on "Victory Over the Sun" from a cubist perspective and represented geometric spatial structures and mechanical human images through changes in methods and materials. second, he designed costumes by applying to the set and costumes expressed black & white images on "Victory Over the Sun". and third, Margiela reinterpreted the warrior image using geometric forms and colors in a creative way. Contemporary fashion designers, including Margiela, express their artistic creativity through various representational and materials choices. They want to convey their subjective personality and emotional sensibility to the public by mixing and deforming existing arts like painting, sculpture, and crafts to create new images. Thus, the creative intentions of the latest fashion designers have expanded art of costume design, exemplifying the process by which art is evolves and is made new.
Keywords
Suprematism; Cubo futurism; analytic cubism; non objective art; Victory Over the Sun;
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