• 제목/요약/키워드: personality (social style)

검색결과 48건 처리시간 0.026초

스탠리 큐브릭의 영화 <로리타(1962)>에 나타난 의상의 상징성에 관한 연구 (A Study on the Costume and the inner Symbolic Meaning expressed in the Stanley Kubrick's film )

  • 김혜정;이상례
    • 패션비즈니스
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    • 제13권1호
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    • pp.152-166
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    • 2009
  • By virtue of the development of mass media, the cinema, the composite space art taking the visual and auditory elements together, exhibits the actual life of the realities, thereby having a mutually close relationship to social, cultural and economic fields and continuing to generate the fashion code as well as reflecting the image of the times. Especially, fashion style in movies delivers their image and atmosphere and becomes the means for containing the personality, spiritual world and inner thinking of the characters in the movie and inducing its plot. Therefore, this study was intended to make clear that fashion fuses and shares with a diversity of genres such as movies and the like, becomes the cultural model that proceeds to create a new culture in relation to daily life and induces and presents the trend of contemporary fashion. For this purpose, this study attempted to analyze fashion style in the movie. Lolita is the fiction published by the Russian?American writer Vladimir Nabokov($1899{\sim}1977$) in 1954. It is the fiction that portrays the unethical love between Humbert, a middleaged man, and Lolita, a girl in her 10s. It was cinematized by the director Stanley Kubrick for the first time in 1962 and revived by the movie director Adrian Lyne in 1997. The character of Lolita has a younger look like a girl and looks immature in the movie directed by the movie director Stanley Kubrick and the movie director Adrian Lyne. But the character of Lolita has the commonality that she showed an incomplete female image of having a sexually freewheeling thinking. Thereby, this study sought to prove that the created fashion style of the character in the film not only became the clue to enable us to know the time and space background in the film but also helped the film develop effectively by performing a role of portraying the character in the movie. And it attempted to present that it becomes both the foundation for leading the fashion trend shown in contemporary fashion and the code of mass culture. Fashion style of Lolita in the movie appears to be reflected diversely in mass culture as well as fashion style in the contemporary times.

인물의 매력에 관련된 아름다움의 차원 (The Beauty Dimensions Related to Human Attractiveness)

  • 박상준;이영란;김은정
    • 감성과학
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    • 제11권2호
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    • pp.139-152
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    • 2008
  • 대부분의 경영분석가들은 뷰티산업이 미래의 주요산업의 하나가 될 것이라고 예견하고 있다. 뷰티산업은 뷰티에 관련된 서비스와 상품을 포함하고 있는데, 이 시장에서의 경쟁은 더욱 치열해지고 있다. 뷰티 서비스와 뷰티 상품을 마케팅하기 위해서는 뷰티가 측정될 수 있어야 하지만, 실제적으로 뷰티를 측정할 수 있는 수단은 사실상 개발되어 있지 않다. 본 연구에서는 Langmeyer and Shank(1994)의 연구를 바탕으로 인물의 매력을 단일의 차원이 아닌 다차원으로 규명하고자 하였다. 총 258명의 대학생 응답자를 대상으로 인물의 매력에 관련된 뷰티의 차원에 관련된 설문을 실시했고, 이를 바탕으로 인물의 매력에 관련된 뷰티의 차원을 도출하고, 뷰티 측정에 대한 관리적 시사점을 제시하였다. 본 연구에서는 수행된 정량적 분석에 기초하여 최종적으로 인물 매력에 관련된 4가지 뷰티 차원을 도출하였는데, 2개 차원은 인물의 내면의 아름다움에 관련된 것(역동적 성격, 배려)이었고, 나머지 2개 차원은 인물의 외면의 아름다움에 관련된 것(형상, 스타일)이었다. 또한 본 연구에서는 추가적으로 응답자 특성에 따라 아름다움 인식에 차이가 있는지 분석하였다. 응답자 특성으로는 성별, 외적 아름다움의 인식 차이, 자신의 외모 만족도가 고려되었다. 분석결과는 자신의 외모 만족도와 아름다움의 인식 가치가 본 연구에서 도출된 아름다움 차원에 있어서 아름다움 인식에 영향을 미친다는 것을 보여주고 있다: 1)자신의 외모 만족도가 높은 경우 전반적으로 외모차원과 심성차원의 아름다움을 모두 높게 평가하는 것으로 나타났다, 2)아름다움의 인식 가치가 높은 경우 외면의 아름다움 차원을 내면의 아름다움 차원보다 상대적으로 더 긍정적으로 평가하는 것으로 나타났다.

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2011 F/W 여성복컬렉션에서 나타난 과장형 재킷패턴제작 연구 (Study on Manufacturing Exaggerated Jacket Pattern Shown in Women's Collections 2011 F/W)

  • 이세종;곽태기
    • 복식
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    • 제62권5호
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    • pp.138-155
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    • 2012
  • Exaggerations have always been seen in the past and present. In the past, they represented wealth and high social status, but now they are being used to express one's beauty and personality. This has led to the diversity in design through widening each person's emotions. Likewise, exaggerations have been changed from the past to the present and so will they in the future. This study focuses on proposing patterns to enhance the utility and practical use of exaggerated jacket designs and its methods are based on documents and preceded studies. Pattern making is composed of drawing patterns and showing their forms by basting - which are a technique that is explained in this study's outcome - and the basic pattern is the style of Wan Suk. Suh. Jackets are made with exaggerating factors in the women's collections of 2011 F/W and are designed for various ages. With the knowledge of structuring a jacket, anyone could easily follow the instructions. In the end, he/she could elevate the ability to express, use practically and apply this idea in general fields of fashion industry.

학습전이와 상사 리더십의 효과적 팀 성과를 위한 모델 개발의 실증적 연구 (An Empirical study into the relationship of team performance and learning transfer influenced by leadership types)

  • 정상무;박희용;송관배;강경식
    • 대한안전경영과학회지
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    • 제15권4호
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    • pp.383-392
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    • 2013
  • In order to promote social responsibility, a company reads to engage in various activities to increase their competitiveness to ensure stable and continuous development. One of the activities is to input human/material resources in order to draw and develop the core abilities of member for the productivity improvement of the company. This study is concerned with capability improvement of members in relation to core company performance, the focus of the study is to identify how education training in a company may contribute to team performance by leaning transfer through empirical study. As a result of this study, it was found that the personality of members, as well as the training programs, within the company can be a significant factor for improving productivity and performance of the company. In addition, team members noted that learning transfer take place when effectively lead through the leadership of a boss and identified that this leadership ultimately has a significant effect on team performance.

알프레드 히스콕의 스릴러 영활에 나타난 복식의 상징성 (A Study on the Symbolism of Costumes Appeared in Aflred Hitchcock′s Film)

  • 이효진;류근영
    • 복식문화연구
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    • 제9권2호
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    • pp.259-276
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    • 2001
  • Hitchcock, "a master of the thriller" "leading figure of thriller", was famous for his work style. He never starts filming until completing a perfect conception in his mind before shooting. He started filming after getting a perfect filming plan adding a picture even one detailed shot picture. Also the movie costumes was not an exception in his movie. He put more main object to express a symbolic meanings by recreating movie costumes which were fit to drama′s subject than function which spoke for contemporary popularity also he guides actors to put on the movie costumes examined previously to shape a definite visual character in that works. This research intends not only to look into symbolic and expressive means of dresses through the movie costumes on thriller appeared in Hitchcock′s movie, but also the comprehension width by grasping importance of the movie-costume and dress image in the movie. Hitchock made about 55 movies, mostly thriller movies, from Number 13(1922) n unfinished work to family plot(1976) ones posthumous work. This research examined his the second half of term works(after 1950) such s Rear Window(1954), Vertigo(1958), Psycho(1960), Torn Curtain(19660, Topaz(1969) and Frenzy(1972) which are generally familiar to the public. In conclusion, we can find that the thriller movie costumes as well s the other movie and appeared a character of the film′s characters, social rank, economic level, personality. But expecially, a costume of Hitchcock′s thriller movie can be contained a characteristic factor of a kind of five.

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20~30대 남성의 의복태도와 가방구매에 관한 연구 (Fashion Attitude and Bag Purchase Behaviors of Males in their 20s-30s)

  • 김정우;진선영
    • 한국의류학회지
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    • 제35권3호
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    • pp.267-280
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    • 2011
  • This study examined bag purchase behaviors for male consumers based on fashion attitudes. Data research were conducted on 304 males in their 20s and 30s located in Seoul & Gyeonggi province. The SPSS 17.0 software program was used to conduct data analyses such descriptive statistics, frequency analysis, factor analysis, cluster analysis, $X^2$-test, t-test, ANOVA, and Scheffe's test as a post-hoc analysis. The results of this study were as follows: Fashion attitude was identified with four factors personality, social recognition, practicality, and dignity. Customers were segmented into three subdivisions: conspicuous, recognition of individual style, and practicality of clothing. The factors derived from the factor analysis of selection criteria included intrinsic attributes and extrinsic attributes. Males in their 30s valued the intrinsic attributes and males in their 20s valued extrinsic attributes. The group of conspicuous of clothing, valued both intrinsic and extrinsic attributes as important. The factors derived from the factor analysis of bag pursuit benefit included pursuit of fashion/economic, famous brand, quality/convenience. Males in their 20s and 30s pursued famous luxury brands and fashion attitudes had a positive relevance to the bag pursuit benefit.

메트로섹슈얼과 위버섹슈얼 이미지에 따른 남성패션 디자인 분석 (Design Analysis of Men's Fashion Based on the Metrosexual and Ubersexual Image)

  • 안현주;박민여
    • 한국의상디자인학회지
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    • 제9권3호
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    • pp.99-113
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    • 2007
  • This study aims to investigate the concepts and characteristics of Metrosexual and Ubersexual image which are the recent fashion phenomena representing the lifestyles of comtemporary men, and to analyze the design of contemporary men's fashion based on the represented characteristics of these sexual images. To accomplish these ends, various related publications, articles and papers, divers serial publications, and numerous internet articles are collectively reviewed for theoretical studies, and design analysis are conducted for content analysis(style, color, material, detail, etc) using photo data taken from the collections from 2001 through 2006. The results of this study shows that recent appearance of Metrosexual and Ubersexual fashion image represents the change of aesthetic standards in the contemporary society. With the influence of sociocultural phenomena which allow the pursuit of individual personality, the contemporary men, instead of expressing the socialized sexual identity, came to acquire the freedom of sexual identity which represents their personal desires. As an expression of hmnan will to pursue unrestricted sensibility and aesthetic sense, these sexual phenomena of Metrosexual and Ubersexual will be reinterpreted and reappear in various forms as the social atmosphere and aesthetic standards changes.

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취학전아동의 의복디자인 선호성과 사려성-충동성 성향과의 상관연구 (A Study on the Relationship Between the Preference of Clothing Design and the Nature of Reflactiveness-Implulsiveness for a Group of Preschool Children)

  • 신혜봉;임숙자
    • 한국의류학회지
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    • 제11권3호
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    • pp.89-99
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    • 1987
  • The purpose of this present study is not only to investigate mutal relationship between the preference of clothing design and the nature of Reflectiveness-Impulsiveness, but to offer clothing design for desirably developing of child, especially of preschool children. And the practical research was performed for 166 preschool children who are in kindergarten located in Seoul and are selected according to their sex and social class. This study used Kagan's MFFT and Personality Inventory of Hwang Eung-Yeon for the test of Reflectiveness-Impulsiveness, while for the preference of clothing design used the photo deck which is showed to children. The data analysis was based on frequency, percentage, mean, standard deviation, chi-square ($x^2$) test, t-test, F-test, and Duncan's Multiple Range Test. It can be concluded that girls rather than toys, high class children rather than middle or low class children were more reflective as a general trend. The relationship between the preference of clothing design and the nature of Reflectiveness and Impulsiveness is as follows : 1. In color, reflective boy liked blue series and reflective girl liked pastel coloring series, while they disgusted red series and non-coloring series. The group of impulsiveness liked red series, while they disgusted non-coloring series. 2. In color combination, group of reflectiveness liked similar color, while group of impulsiveness liked contrasting color. 3. In texture, group of reflectiveness liked soft and shiny texture, while they disgusted thick and rough texture. Also Group of impulsiveness liked soft texture. 4. In pattern, reflective boy liked lettering pattern and reflective girl liked flower pattern, while she disgusted lettering pattern. Impulsive boy liked stripe pattern and limpulsive girl liked flower pattern. 5. In pattern size, group of reflectivenss liked small size, while group of impulsiveness liked large one. 6. In style, group of reflectiveness liked formal style.

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컴퓨터 에이전트와의 상호작용이 사용자의 심리적 경험에 미치는 영향 (Effects of the Interaction with Computer Agents on Users' Psychological Experiences)

  • 박주연
    • 감성과학
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    • 제10권2호
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    • pp.155-168
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    • 2007
  • 컴퓨터 에이전트가 우리의 일상에 미치는 영향력이 커지고 에이전트와의 상호작용이 대인 상호작용과 유사하게 변화할수록, 업무적 효율성보다 에이전트와의 상호작용에서 사용자가 겪게 되는 심리적 사회적 경험이 중요해진다. 사용자의 긍정적인 심리적 경험을 유도하기 위해 에이전트와 사용자의 상호작용에서 사회적 실재감(social presence)을 증진시키고자 하는 연구가 이루어져 왔다 이러한 연구들에서는 에이전트의 언어적/비언어적 커뮤니케이션에 대인적 요소를 적용함으로써 사회적 실재감을 증진시키고자 하였다. 본 연구에서는 대인관계에서 매우 중요한 커뮤니케이션 요소인 상호적 자기노출(self-disclosure)이 사용자들의 사회적 실재감 인식과 에이전트 평가, 사용자 경험에 있어 어떠한 효과를 갖는지 살펴보고 개인의 성격변인인 애착유형(attachment styles)은 어떠한 영향을 미치는지 살펴보았다. 또한 사회적 실재감이 에이전트 평가와 사용자 경험에 대한 효과를 매개하는지 알아보았다. 실험 결과, 사용자와 에이전트의 상호적 자기노출 교환은 사회적 실재감을 증진시키고 에이전트에 대한 호의적 평가와 긍정적인 사용자 경험을 유도하였으며, 향후 상호작용 의사를 증진시켰다. 피험자의 애착유형에 따라 사회적 실재감, 에이전트 평가, 사용자 경험, 향후 상호작용 의사가 다르게 나타났다. 종속변인에 대한 자기노출 교환과 애착유형의 효과는 지각된 사회적 실재감에 의해 매개되는 것으로 나타났다. 본 연구의 결과는 에이전트 메시지의 설계에 커뮤니케이션적 측면이 중요하게 고려되어야 함을 시사한다. 또한 에이전트가 사용자들에게 미치는 심리적 효과는 사용자의 성격 특성에 따라 다르게 나타날 수 있다는 것을 시사한다.

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패션 소재 트렌드 분석 및 컬렉션별 수용에 관한 연구 - 2007년 S/S부터 2010년 S/S 국내외 컬렉션을 중심으로 - (A Study on the Analysis of Fashion Fabric Trend and the Acceptance by Collection - Focus on Domestic and International Collections in 2007 S/S ~ 2010 S/S -)

  • 윤재심;김순자
    • 한국의류산업학회지
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    • 제17권5호
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    • pp.704-717
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    • 2015
  • In modern fashion fabrics became an important element that leads the current of fashion beyond materials. Also, it has a creative role that reflects emotional and visual aspects, and it is considered as a mega trend that will lead the $21^{st}$ century fashion industry. The value of fashion products is affected not only by the style and design but also the sensuous properties like color, pattern, texture, and drape of fabrics. Therefore, in this study, characteristics of fabric trend between 2007 S/S and 2010 S/S will be analyzed focused on Premiere Vision, which influenced many Korean fashion trend information companies, while looking into the fabric trends shown in the world's top four collections-Paris, Milan, London, and New York-and Seoul collection, and comparing and analyzing the acceptance level of those. Fashion fabric is an important part in fashion design and change with social environment and value, its considered that the role and importance of subject matters increases in changing fashion design toward globalization by meeting various personality which is diversified more and more. It is to provide specific and practical data to be used for the Korean fashion industry, which can be used as useful information for future fabric researchers and people in the fashion industry for integrated study of fashion design and fashion fabric.