• Spatial Information Research
• /
• 제21권3호
• /
• pp.89-101
• /
• 2013

최근 공간정보 서비스 대상 영역의 범위가 실외 공간에서 실내 공간으로 급속하게 확대되어 가고 있으며, 이러한 변화는 IT 모바일 등 첨단기술의 발달과 함께 다양한 분야와의 융 복합을 통한 연계 활용으로 향후 실내공간정보의 다양한 서비스 수요를 창출하게 될 것으로 판단된다. 따라서 본 연구에서는 현재 활용 가능한 실내공간정보 구축방법에 대해 살펴본 후, 서울 시청 지하철 역사를 대상으로 실내 고정밀 레이저 측량 및 3차원 벡터 가공기술을 활용하여 정밀 3차원 실내공간정보를 구축하였다. 구축된 정밀 3차원 실내모델은 1:1000 수치지도와의 중첩분석을 통해 정확도 평가를 실시하였으며 그 결과, X축으로 최대 0.04m Y축으로 최대 0.06m 이내의 위치정확도를 확보할 수 있는 것을 확인할 수 있었다. 이러한 결과는 향후 실내공간정보 구축 및 실내외 공간정보 연계활용을 위한 기초자료로 활용될 수 있을 것이다.

• 복식문화연구
• /
• 제8권2호
• /
• pp.197-204
• /
• 2000

With the current of the end of a century and social, economic, political, and cultural turbulence, people take advantage of the various ways to express their stagnation. This study introduces the term representativity and it will explain the men's fashion of the end of a century. On a theoretical basis, the concept of the representativity, image, symbol and imitation which are used as a tool for expression will be examined, and together with this, inner representation and outer representation will be categorized. The inner representation of the men's fashion in the end of a century can be taken for the purpose of connecting the image of masculinity. The image of masculinity is widely spread owing to the mass communication of a consumption-oriented society, so its hard to define that image as one thing specific. Hence, in order to discuss the male gender and mens fashion, New Man phenomenon should be noticed of. 1980's New Man influence has lasted till now. New Man images were largely categorized into two images like New Lad and Iron John after the mid 1990's. Therefore, the image of masculinity is largely classified New lad, who desires success and pursues the hedonistic life style and Iron John, who enjoys thrill and follows economical life style. The image of masculinity has influence on the outer representation how it is imitated and symbolized via many designer's works and street fashion. Two masculinity images are dominant over the men's fashion of the end of a century. One is inhumane and rational corporate power look that stems from symbolization and imitation of New Lad. The other is outdoor casual that originated from the symbolization and imitation of Iron John.

• 한국조경학회지
• /
• 제35권2호통권121호
• /
• pp.13-24
• /
• 2007

This study aims to investigate the characteristics of Lee Kyo-Won's landscape architecture and add to the literature in this field. Also, the current status of and issues in landscape design will be dealt with through the lens of the individual landscape architect's worts. By adopting a critical analysis, this study will look closely into the background of his career and ideas regarding landscape design. The inherent nature of his coherent style in landscape design will be listed as follows: total design, design-build systems, experimentation with new kinds of plants and materials, and the pursuit of minimalism. His design domain covers various elements such as paving, street lamps, and clock towers, among others. He was often involved in managing outdoor sculpture and he also provided the total packaging of the design-build systems for most of his landscape projects. These are the main reasons why his landscape works can maintain their high end quality; through his craftsmanship, a fine quality of detail was achieved in his landscape design. This tell us the possible options that can be adopted such as landscape architectural design management or landscape architectural turn-key systems, which differ from the prevailing dual system between design and construction. However, his own particular system can not be replicated in ordinary situations because contemporary practices require us to coordinate the various stakeholders concerned in the decision-making process of the design. In general, it is fair to say that we can give him the credit for enhancing the status of landscape design as an independent, specialized field.

• 한국실내디자인학회논문집
• /
• 제24권6호
• /
• pp.212-220
• /
• 2015

The study aims to identify the design character of libraries today into outwardness which enhances publicity in the library buildings. This design trend tends to be emphasized in contemporary civic libraries. In these days, the libraries become not only to be the traditional places of information but also to be the multi-purpose places to provide community services and cultural spaces. Thus the contemporary libraries, especially big civic libraries, are willing to open to the public of diverse purposes and to accelerate social communication among them through outward design in the buildings. This study surveys literatures and identify accessibility, symbolism, openness, amenity, connection, as the characters of publicity in the libraries. The study also examines the outward design strategies of the libraries which enhance publicity in the ways of design to connect surrounding environment, to symbolize buildings, to wrap transparent external surfaces and to build interior spaces. The study finds in the case studies of ten outstanding civic libraries abroad which were built in relatively recent years that the outward design is achieved mainly through four ways. First, the libraries have connection with surrounding urban environment, thus have continuities from the surrounding. Second, the libraries have the shapes of landmarks which expose themselves and their roles to the outside. Third, the libraries have transparent surfaces through which outdoor environment penetrates into the buildings. Fourth, the libraries have corridors and halls which look like traditional urban public streets and plazas. The study concludes that outward design strategies which employ in contemporary libraries enhance publicity in the libraries. Thus the libraries can perform as multi-functional cultural and open places which accelerate social interactions among the public of cities. This study has the value as a research which emphasizes outwardness as the design strategies which enhance publicity in contemporary libraries.

• 산경연구논집
• /
• 제12권11호
• /
• pp.33-50
• /
• 2021

Purpose: In South Korea, two kinds of mandatory insurance, Fierce Liability Insurance and Outdoor Advertising Liability Insurance sells as of February 2021 according to relevant codes. This study analyzed third party liability and personal living liability insurance in terms of various risks not corporation side but personal side arising from normal living and life. Research design, data and methodology: Some cases of drone accident hit man and fierce dog accident were taken into analysis to verify blame ratio and insurance claim money. The former case is that on the way down the elevator, the dog, American pit bull terrier rushed in and bit the lower part of the knee against the visitor. The latter case is that while flying in the sky as usual, the drone suddenly crashed, fell, and hit the head of a young child while walking on the street. Further previous studies such as third party liabilities, liability insurance, mandatory insurance were deeply analyzed. Results: Based on some case studies and previous studies, the author suggested valuable comments in turn realization of insurer as provider, exhaustive creation and operation of mandatory insurance, realization of insured as demanded, and arrangements of laws and systems in special consideration of amendment of companion animal and exhaustive execution of mandatory insurance by the government. Conclusions: This study was about third party liability, personal living liability insurance and expansion of mandatory insurance caused by relevant laws by the government. In this study the author verified what issues were observed from two cases drone accident and fierce dog accident and then suggested some valuable comment as above both systemic plans and practical plans. First of all, the individual should get Comprehensive Property Insurance(CPI) that covers the risks of his/her own property arising from the everyday life. And then the individual should further buy Personal Living Liability Insurance(PLLI) in order to prepare 'accidents that may happen when, where, or how' and overcome the said accidents. Moreover, the individual should take a look every single insurance contract whether he/she has a special terms and conditions of Personal Living Liability Insurance(PLLI) or not.

• 디지털융복합연구
• /
• 제20권4호
• /
• pp.519-528
• /
• 2022

연구 목적은 COVID-19 사태 이후 1인이 경험한 고립 요인을 시각적 전이에 기초한 내러티브 방법으로 살펴, 1인 경험의 디자인 방향을 탐구하는 데 있다. 연구 범위는 비대면 디지털 플랫폼을 통해 참여한 20대 여성 8명의 COVID-19 경험이다. 연구 방법은 참여자가 COVID-19 상황과 유사한 디지털 이미지를 선택하여 이에 근거한 경험 사실을 기술하면, 이를 연구자가 미시적으로 분석한 것으로 한정한다. 분석 결과, 고립 요인은 대면 소통의 부족, SNS 의존, OTT 서비스 중독, 외부 장소 이용 및 활동 한정, 비대면 기술의 한계, 비대면 교육 효과의 한계, 감염병 우려 등으로 요약되었다. 그러므로 고립 극복 요소에 근거한 1인 경험 디자인 방향은 관계 회복을 위한 커뮤니케이션, 온·오프라인 통합의 비 경계 장소, 현존감 구현을 위한 디지털 융·복합 콘텐츠 등이 전제되어야 할 것으로 예측된다.

• 한국조경학회지
• /
• 제48권1호
• /
• pp.46-56
• /
• 2020

88올림픽공원은 한국 근현대사의 주요 전환점인 88서울올림픽대회를 기념하는 공간으로서 체육공원, 사적공원, 조각공원 등 다양한 기능의 수행을 목적으로 한 도시 공원이다. 문화올림픽이라는 슬로건 아래 88서울올림픽은 국가 홍보의 장으로 적극 활용되었으며, 이와 같은 차원에서 1986년 기 준공되었던 공원은 1, 2차 세계야외조각 심포지엄 및 국제조각초대전을 거치며 190여 점의 작품이 설치되면서 조각공원으로 재조성되었다. 본 연구는 조각공원으로서 88올림픽공원의 조성 과정 및 전후 담론을 살펴봄으로써 88올림픽공원의 역사·문화적 가치를 재고하고자 한다. 조성 과정 및 그 전후, 88올림픽공원을 둘러싼 여러 담론이 나타났다. 먼저, 추상 양식 조각품의 비율이 높아 한국의 문화를 보여주는 데 역부족이라는 비판이 지속적으로 제기되며, 한국 문화의 세계화에 대한 논의가 번졌다. 둘째, 조성 과정에서 몽촌토성 훼손 등 사적지 보존 문제에 대한 논쟁이 이어졌다. 셋째, 공원의 정체성에 관한 공방이 있었다. 이에 더해 조각공원 프로그램의 후속 도입으로 인해 공간과 작품의 간극이 해소되지 못했기에 통합된 도시공원으로 자리 잡지 못했다는 의견도 제기되었다. 조각공원으로서 88올림픽공원은 세계화, 민족성, 공공성, 예술성 등에 대한 논의가 대형 공원 조성과 맞물려 공론화된 초창기 사례로, 추후 도시 경관의 문화·예술적 실천에 대한 탐구에 있어 유의미한 역사적 맥락을 제시한다. 본 연구는 정치·문화·예술·조경을 아우르는 88올림픽공원의 조성 전후 담론을 살펴봄으로써 1980년대 문화예술과 도시 공간에 대한 논의가 벌어진 지점을 포착하고 해석했다는 의의를 지닌다.

• 복식
• /
• 제63권4호
• /
• pp.84-100
• /
• 2013

Ancient Greece was a patriarchal society that distinguished gender roles between men and women. Although their costumes were composed of simple rectangular fabric without any technical complications in itself, the Greeks did try to express gender differences in their clothing. The final look of the Greek costume was dependent on the way the cloth draped onto its wearer as well as the wearer's identity. Greeks costume could just be seen as a rectangular fabric when it was not draped on a person's body. The purpose of this study is to examine how the gender differences were expressed in the ancient Greek drapery costume, which was made by using a completely different technical process, compared with the modern tailored costume. There are four elements of the costume that give the costume its formative shape, which are the wearer's body, the rectangular fabric (material as the first formative costume), the way the fabric is draped, and the final appearance as the second formative costume (the relationship between the wearer's body and the costume) and this study analyzes these elements individually. It is intended to analyze the gender characteristics and how each element appears in a different way from the perspective of Structuralism, an analytical method that considers a phenomenon as a total sum of the elements. Literature research was conducted and representative sculpture, painting and pottery, were used between the Archaic Period (B.C. 800~500) and the Classical Period (B.C. 500~323). The results show that the gender differences appear in each formative element of costume: First, the body was distinguished by the ancient Greek custom. The man's nudity was accepted while the woman's body was concealed. Second, in regards to the first formative costume, which was the rectangular fabric, men's were made with thick high quality wool because their involvement in outdoor activities meant that they needed clothes to stay warm, while the women wore clothes made of thin wool or hemp cloth, because their most of their activities were at home. Third, the way to drape the fabric shows the gender differences by changing the length of the clothing and its design ; men's short khiton was practical for big movement and at the same time the clothing exposed the man's body. The woman's doric khiton diversified its decoration by the size of the apotigma and by using the belt. Finally the second formative costume reflected the Greeks' social distinction between a man's body and a woman's body. The man's costume naturally exposed the man's body. On the other hand, the woman's long costume has a variety of shapes on the ground, that concealed her lower body, while the ornamental function was more accentuated than the man's costume. The gender differences expressed in Greek costume fundamentally reflected the point of view of the male and female body and their social roles in society.

• 한국연극학
• /
• 제48호
• /
• pp.261-288
• /
• 2012

This paper attempts to research on the new language in the directing of Ara Kim. She was cranky on working on the stage to experiment with her own style since the 1980s and so opened a new dawn in modern Korean theatre. She leaded the Korean experimental theatre. The background of this experiment is her idea on theatre. And here, we have to look the subject that she setted for the work in Chuksan: Ritual Past, Ritual Present. To her, the theatre has the function of ritual and fest. The theatre suggests universal tragedy given to human as natural life force and has its own agenda to drive people to healing. For it, Ara Kim explores archetypal forms and languages before the fragmentation of genres of art. Her theatre shows the results of experiments in which such languages are recreated with modernized sensibilities. We here, for example by outdoor performance in Chuksan Human Lear, try to interpret the aesthetic principles that body out her ritual theatre. And what we looked at though, is the base of the 'complex-genre-music-theatre', the methode to 'compose' the stage elements and put it all together. The directing of Ara Kim has, in terms of the composition of the stage elements, much of the indisputable artistic value. Her theatre is, so to speak, theatre of image, and it is theatre of imagination that completed by the audience's imagination. Human Lear which has its own characteristic in image fragments, convert the original Lear into a simple tale. It serves as background of the modern ritual that shows the most basic human instincts. We meet in Human Lear a ritual tale with some list of image for the human instincts. The arrangement of image, the montage of scene shows the performance as a kind of artistic space. In Human Lear the space is the natural one. It centers around the arena stage. The objects installed in the space changes it into the laboratory for 'seeing' the happening. The spectators see the performance and at the same time see themselves in the nature laboratory. They see, and equally, they are visible objects. They see the performance and us in the space in which the performance takes place. That is what Ara Kim with her modern ritual really aims. That aim is to this days still in effect. It is a major driver of her experiments to extend the boundary of the theatre. The ritualistic site-specific performance in Akor Wat, Cambodia, A Song of Mandala is the latest great product from her experiments. On the other hand, she continues on her way to experiment with pure stage elements. The 'Station' series(Station of Water, The Station of Sand, The Station of Wind) she recently showed are the non-verbal performance with all the stage elements: movement, sound, body, light, colour, objects and so on.

• 한국산학기술학회논문지
• /
• 제20권5호
• /
• pp.334-342
• /
• 2019

본 연구는 자녀의 숲체험 활동에 따른 학부모의 인식이 교육적 효과에 미치는 영향력을 밝히는데 목적을 갖고 실증 분석하였는데 그 결과를 보면 다음과 같다. 첫째, 숲체험 운영활동에 관한 부모의 인식에 따른 교육효과의 차이에 있어 숲체험 교육에 참여한 기간에 따라 교육효과는 유의한 결과를 나타냈고, 숲체험을 지원하는 교사의 수가 적절하다고 생각하는지 부모의 인식에 따른 교육효과도 유의한 것으로 나타났다. 둘째, 현어린이집이 미세먼지가 많은 날과 날씨가 안좋은 날을 제외하고 매일 숲체험에 참여에대해 적당하다고 생각하는지에 따라 교육효과는 유의하게 나타났고, 숲체험 장소에 따라 교육효과의 차이도 유의한 것으로 나타났다. 셋째, 하루동안 숲체험 활동하는 시간에 따른 교육효과도 유의한 것으로 나타났다. 넷째, 숲체험 활동에 관한 부모의 인식에 따른 소통의 차이에 유의한 차이가 있음을 나타냈다. 이상의 결과를 종합해보면 유아의 숲체험 활동 전반에 대한 부모의 인식에 따라서 교육효과와 소통에 차이가 있음을 의미하며, 이는 실외야외활동에 따른 인솔 교사의 수와 미세먼지에 따른 날씨와의 연관성 및 숲체험 장소와 교육소요시간 등에서 교육적 효과에 따른 인식의 차이가 다름은 이들의 공통된 관심사항으로 유아들의 안전한 교육활동과 연관되어 있음을 시사한 것으로 평가할 수 있다.