Browse > Article
http://dx.doi.org/10.7233/jksc.2013.63.4.084

Analysis on Gender Characteristics Expressed in Male and Female Costume During the Ancient Greek Age  

Yi, Myoung-Hee (Dept. of Clothing and Textiles, Chungnam National University)
Choi, Yoonmi (Dept. of Clothing and Textiles, Chungnam National University)
Publication Information
Journal of the Korean Society of Costume / v.63, no.4, 2013 , pp. 84-100 More about this Journal
Abstract
Ancient Greece was a patriarchal society that distinguished gender roles between men and women. Although their costumes were composed of simple rectangular fabric without any technical complications in itself, the Greeks did try to express gender differences in their clothing. The final look of the Greek costume was dependent on the way the cloth draped onto its wearer as well as the wearer's identity. Greeks costume could just be seen as a rectangular fabric when it was not draped on a person's body. The purpose of this study is to examine how the gender differences were expressed in the ancient Greek drapery costume, which was made by using a completely different technical process, compared with the modern tailored costume. There are four elements of the costume that give the costume its formative shape, which are the wearer's body, the rectangular fabric (material as the first formative costume), the way the fabric is draped, and the final appearance as the second formative costume (the relationship between the wearer's body and the costume) and this study analyzes these elements individually. It is intended to analyze the gender characteristics and how each element appears in a different way from the perspective of Structuralism, an analytical method that considers a phenomenon as a total sum of the elements. Literature research was conducted and representative sculpture, painting and pottery, were used between the Archaic Period (B.C. 800~500) and the Classical Period (B.C. 500~323). The results show that the gender differences appear in each formative element of costume: First, the body was distinguished by the ancient Greek custom. The man's nudity was accepted while the woman's body was concealed. Second, in regards to the first formative costume, which was the rectangular fabric, men's were made with thick high quality wool because their involvement in outdoor activities meant that they needed clothes to stay warm, while the women wore clothes made of thin wool or hemp cloth, because their most of their activities were at home. Third, the way to drape the fabric shows the gender differences by changing the length of the clothing and its design ; men's short khiton was practical for big movement and at the same time the clothing exposed the man's body. The woman's doric khiton diversified its decoration by the size of the apotigma and by using the belt. Finally the second formative costume reflected the Greeks' social distinction between a man's body and a woman's body. The man's costume naturally exposed the man's body. On the other hand, the woman's long costume has a variety of shapes on the ground, that concealed her lower body, while the ornamental function was more accentuated than the man's costume. The gender differences expressed in Greek costume fundamentally reflected the point of view of the male and female body and their social roles in society.
Keywords
body; gender; Greek costume; the first formative costume; the second formative costume; way to drape;
Citations & Related Records
Times Cited By KSCI : 2  (Citation Analysis)
연도 인용수 순위
1 Barthes, Roland (1998), 모드의 체계, 이화여자대학교 기호학 연구소 역, 서울: 동문선, p. 22.
2 주경복 (1996), 레비스트로스 슬픈 열대와 구조주의자의 길, 서울: 건국대학교 출판부, p. 61.
3 Storey, John (1995), 문화 연구와 문화 이론, 박모 역, 서울: 현실 문화연구, p. 111.
4 Butler, Judith (2008), 젠더 트러블, 조현준 역, 서울: 문학동네, p. 99.
5 Spivey, Nigel (1998), 그리스 미술, 양정무 역, 서울: 한길아트, p. 141.
6 Spivey, Nigel (1998), 그리스 미술, 양정무 역, 서울: 한길아트, p. 66.
7 김복희 (2002), 스파르타 시대 여성체육의 정치.사회적 의미, 한국체육교육학회지, 7(2), pp. 1-11.
8 김복희, 오동섭 (2001), 고대 그리스 운동선수의 의상과 나체경기, 한국체육학회지, 40(2), pp. 21-31.
9 Pedley, John Griffiths (2004), 그리스 미술, 조은정 역, 서울: 예경, p. 220.
10 Bonfante, Larissa (1989), Nudity as a costume in classical art, American Journal of Achaeology, 93(4), p. 543.   DOI   ScienceOn
11 김복희, 오동섭 (2001), 고대 그리스 운동선수의 의상과 나체경기, 한국체육학회지, 40(2), pp. 21
12 Sweet, Waldo E. (1987), Sports and recreation in ancient Greece, New York: Oxford University Press, p. 127.
13 Horn, Marilyn J. & Gurel, Lois M. (1995), 의복: 제2의 피부, 이화연, 민동원, 손미영 역, 서울: 까치, p. 52.
14 Descamps, Marc-Alain (1988), Ce corps hai et adore, Paris: Tchou, pp. 37-38.
15 자료검색일 2013. 2. 28, http://terms.naver.com/entry.nhn?cid=2907&docId=1015063&mobile&categoryId=2907
16 자료 검색일 2012. 5. 5, http://www.proprofs.com/flashcards/cardshowall.php?title=greek-art-midterm
17 자료 검색일 2012. 5. 5, http://www.boekpraat.nl/Genres/Leuke_wetenschap/Blink__Intuitie
18 자료 검색일 2012. 5. 5, http://www.proprofs.com/flashcards/cardshowall.php?title=g reek-art-midterm
19 자료 검색일 2012. 5. 5, http://wamtac.wordpress.com/art-history/greek-art-900-30-b-c-e
20 Boardman, John (2003), 그리스 미술, 원형준 역, 서울: 시공사, p. 90.
21 Pedley, John Griffiths (2004), 그리스 미술, 조은정 역, 서울: 예경, p. 219-220.
22 이정옥, 최영옥, 이경순 (2003), 서양 복식사, 서울:형설출판사, p. 62.
23 Cosgrave, Bronwyn (2002), Histoire de la mode, Paris: Maxi-Livres, p. 47.
24 Losfeld, Georges (1991), Essai sur le costume Grec, Paris: Edition du Boccard, p. 137.
25 Heuzey, Leon (1922), Histoire du costume antique, Paris: Champion, p. 136.
26 자료 검색일 2012. 12. 27, http://www.artsalive.ca/en/thf/histoire/auteurs.html
27 자료 검색일 2012. 12. 27, http://www.lookandlearn.com/history-images/XB094608/Organisers-and-ergastines?img=1
28 Boucher, Francois (1983), Histoire du costume, Paris: Flammarion, p. 103.
29 자료 검색일 2013. 1. 1, http://www.arkeo-tr.com/khiton-Xitwv
30 Heuzey, Leon (1922), Histoire du costume antique, Paris: Champion, p. 163.
31 자료 검색일 2013. 1. 1, http://www.goddess-athena.org/Museum/Sculptures/Alone/Mourning_Athena_x.htm
32 자료 검색일 2013. 1. 2, http://www.arkeo-tr.com/khiton-Xitwv
33 Heuzey, Leon (1922), Histoire du costume antique, Paris: Champion, p. 212.
34 Boucher, Francois (1983), Histoire du costume, Paris: Flammarion, p. 107.
35 Boucher, Francois (1983), Histoire du costume, Paris: Flammarion, p. 85.
36 Heuzey, Leon (1922), Histoire du costume antique, Paris: Champion, p. 212.
37 Bequlieux, Michele (1974), Le costume antique et medieval, Paris: PUF, p. 52.
38 자료 검색일 2012. 12. 31, http://deitchman.com/mcneillslides/units.php?unit=%20Greek%20Sculpture
39 Delong, Marilyne Revell (1997), 복식 조형을 보는 시각, 금기숙 역, 서울: 이즘, p. 47.
40 류기주 (1990), 인체에 대한 미의식에 따른 복식 형태 연구, 서울대학교 대학원 석사학위논문 p. 65.
41 자료 검색일 2012. 5. 7, http://etc.usf.edu/clipart/16300/16381/exomis_16381.htm
42 자료 검색일 2013. 1. 8, http://en.wikipedia.org/wiki/Parthenon_Frieze
43 자료 검색일 2012. 12. 31, http://www.bbc.co.uk/history/ancient/greeks/greek_olympics_gallery_06.shtml
44 김복희 (2002), 스파르타 시대 여성체육의 정치.사회적 의미, 한국체육교육학회지, 7(2), pp. 5.
45 Heuzey, Leon (1922), Histoire du costume antique, Paris: Champion, p. 153.
46 자료 검색일 2012. 12. 24, http://matricien.org/matriarcat-religion/paganisme/artemis
47 자료 검색일 2012. 5. 7, http://www.metmuseum.org/toah /works-of-art /32.11.4,
48 Potvin, Manon & Decamps-Lequime, Sophie (1991), Plis et Drape, Paris: Louvre, p. 20.
49 자료 검색일 2013. 1. 8, http://iloveparis.tistory.com/41
50 자료 검색일 2013. 1. 8, http://lib.haifa.ac.il/collections/art/mythology_westart_aphrodite.html
51 자료 검색일 2013. 1. 8, http://pinterest.com/pin/97531148151672895/
52 김정연, 제갈미, 이연희 (2010), 현대 남성패션에 나타난 젠더 특성, 한국의류학회지, 60(7), pp. 1-13.   과학기술학회마을
53 Losfeld, Georges (1991), Essai sur le costume Grec, Paris: Edition du Boccard, p. 103.
54 Heuzey, Leon (1922), Histoire du costume antique, Paris: Champion, p. 151.
55 Butler, Judith (2008), 젠더 트러블, 조현준 역, 서울: 문학동네, p. 147.
56 이민선, 김민자 (1995), 고대에서 근대까지 성의 가시적 불일치에 대한 사적 연구, 한국의류학회지, 19(2), p. 344.
57 최나리, 우주형 (2007), 에디토리얼 패션 사진에 나타난 성별에 따른 젠더 이미지 표현, 복식, 57(2), pp. 143-154.
58 이경아, 금기숙 (2011), 패션 일러스트레이션에 표현된 스테레오타입 여성성, 복식문화연구, 19(2), pp. 430-448.   과학기술학회마을
59 류기주 (1990), 인체에 대한 미의식에 따른 복식 형태 연구, 서울대학교 대학원 석사학위논문.
60 板倉壽卽(1989), 복식미학, 이현숙 역, 서울: 경춘사, p. 83.
61 미학 예술학 사전 (1989), 미학 예술론의 역사, 서울: 미진사, pp. 184-185.
62 류기주 (1990), 인체에 대한 미의식에 따른 복식 형태 연구, 서울대학교 대학원 석사학위논문. p. 36.