• 한국초등수학교육학회지
• /
• 제16권1호
• /
• pp.167-183
• /
• 2012

이 논문에서는 제1차 교육과정에 근거한 초등학교 수학과 교과서 1학년의 내용을 분석하였다. 생활 단원 중심 교과서를 표방한 제1차 수학교과서는 생활상에 있어 자연친화적이며 아이들의 놀이에 해당하는 소재들이 많이 등장하고 있으며, 아이들의 수 세기 능력에 관한 연구 결과를 활용하는 등 실증적인 자료를 교사들에게 제공하려고 노력하였으며, 문자나 기호 등의 사용이 상당히 유예되어 있었다. 또한 연습을 강조하여 반복적인 연습 문제 구성을 선호하였다.

• 자원리싸이클링
• /
• 제4권4호
• /
• pp.22-36
• /
• 1995

현대 문명의 상징인 자동차 수가 매년 증가함에 따라 여기에서 발생되는 폐타이어의 수도 증가하고 있다. 이 폐타이어는 환경, 미관상 나쁜 이미지 및 매립에 의한 국토 면적 점유등으로 문제점이 대두되고 있다. 그래서 이 페타이어를 재활용함으로서 자원의 소모를 줄임과 동신에 부가가치를 높일수 있는데, 이 페타이어들은 원형상태, 및 가공한 상태로 사용되기도 하고 에너지원으로 유용되고 있다. 본 연구에서는 페타이어를 재활용할 수 있는 방법들을 국내외적으로 조사하였다. 또 페타이어를 가공하여 사용하기 위한 전 처리로서 분말 분쇄기술에 대해 사례를 연구하였다.

• 한국실내디자인학회논문집
• /
• 제9호
• /
• pp.127-133
• /
• 1996

Water is the origin of all things and has been standing as a symbol of eternity which neglectes birth and death, or time and space. We mankind , however, confronts the water pollution or moreover the situation threatening even our existence as the results of considering it as mere consumables without any study on its original meaning or nature. Now, we should search for the way to understand the substance of water and to use it in the course of nature, getting rid of the altitude of merely consuming it. Our traditional way of life is in harmony with the nature and water has been adopted in the space as the important element of the nature especially as per the theory of geomancy. Man can be inspired by the plasticity , motion, sound , and reflectivity of water adopted and harmonized in the space, and the concept such as water both of inner and outer space or hierachy of a microcosmis to be composed by the natural order which lines up a man-water-space.

• International Journal of Advanced Culture Technology
• /
• 제10권2호
• /
• pp.92-97
• /
• 2022

This study studied the seasons in the novel Snowy Read and the archetypal characteristics in natural phenomena. Summer and winter are the main seasons of Snowy Road. The cycle of the day is the time of dawn and early morning, evening, or night. It is summer now, and memory day is winter. In Snowy Road, 'I' is in sharp conflict with my mom during the summer season. This conflict is resolved and resurfaced with the feeling of 'love' as the story of the day is told in the mother's memory. It was a long time of conflict and trials for winter in the memory of me and my mother. As a result of examining the circular symbols in the Snowy Road, each symbol represents the 'I' and 'the mother's feelings'. 'I' and 'Mom's Emotions' collide, but they confirm each other's sincerity and rebuild their feelings of conflict with 'love'. In Snowy Road, the mother and son's 'love' shows that the mother's son is deeply in love, but the son's mother's love is also very deep.

• 패션비즈니스
• /
• 제18권4호
• /
• pp.66-79
• /
• 2014

Unlike other body arts, body painting illuminates the value of art using eco-friendly formative activity and natural environment and highlights the need of eco-friendly activity. However, although body painting has focused on forming right relationship between human beings and nature, there are few researches which are linked with nature art. Therefore, the purpose of this study is to argue the need to study body painting as nature art in connection with natural environment and analyze body painting according to nature art types. The study methods included both theoretical review and empirical review. The theoretical review examined the concept and characteristics of nature art through previous researches and literature and the empirical review looked into the types and works of nature art and applied them to body painting works. The results were as follows. First, an installation type was possible by arranging and attaching certain materials to the body. Second, a physical type was possible by representing body itself as the part of nature. Third, a symbolic type was possible by making body appearance as a some symbol based on artist's idea. Fourth, a sound type was possible by stimulating auditory hallucination using the nature of objects and sensing a sound. Fifth, an ecological type was possible by conveying the message of living things in nature to the body. Sixth, an interior type was possible by inducing indoor installation of works. Seventh, a poetic type was possible by making one feel a poetic inspiration expressed in nature using the mystery of the sea and a simple sequential pattern of floral leaves. Eighth, a drawing type was possible by adding artist's intentional hand with a pictorical technique. Ninth, a indigenous type was possible by reproducing South American indian's primitive style. The review of this study suggests that body painting works have been expressed in experimental and temporary arrangement like nature art in nature and can be applied according to nine types of nature art.

• 복식
• /
• 제18권
• /
• pp.225-245
• /
• 1992

The button is a part of costume. But it has the symbolism of costume in itself and reflects the sociocultural phenomena. The purpose of this study is to clarify symbolism of button of eighteenth and nineteenth century which had been most popular. This study is based on the library research. Through this paper, I reached conclusions as follows. The symbolism of button is found in various ways. First, Aesthetics is found in material, color, design and type etc. of button. Especially Indian silver button of abstract type shows well distinctive aesthetics of Indians. Second, The material and the number of button vary with one's status and show off one's privilege. I England, there was the rule, in which the symbol of the King was a silver button with a figure of lion. The livery button represents his family to the nble and shows the meaning of obedience to the servant. Third, The button on uniform varies with ranks. This is prominent in a uniform of a soldier or a policeman. Fourth Material and craft of button show one's economic position. The button gives a Very good picture of what one's life was then. Precious button with gold, silver, and other jewels is an index to one's property. Fifth, The button of political event is used for election, which shows the face and the name of runner. Besides that, there were buttons designed for the flag or the slogan for political event. Sixth, The button of social event reflects a social phase of life in war or revolution, for example, it satirizes the burning of the Bastille in the French Revolution, or the taxpayer bearing the burden. Seventh, the buttons that symbolize a historic event are made to commemorante an epochal and critical occurrence or an important person's birth, death, visit to some place, etc., Eighth, there were well-known persons, for example, a president, a king, a queen, a singer, or an artist in the buton of personality. Nineth, The button of one's company shows one's community in figures or pictures, that is, this button is used as a symbol one's community. Tenth, The button varies with the development of science and technology. It gives a very good picture of what it was and what the technological level was. Eleventh, The buttons that symmbolize on occupation most impressively are uniform buttons. Symbolic marks related with a particular occupation are carved on the buttons of compary employees' uniforms. Twelfth, Various natural phenomena are designed to appear on buttons, Some express themselves simply as they are, and others appear as a symbolic form such as environmental relationship between men and nature, four seasons, a constellation and all other natural things occurring during a year. Finally, The button of rebus is a motto expressed by a combination with objects figures, letters, words, or phrases.

• 동양고전연구
• /
• 제49호
• /
• pp.225-260
• /
• 2012

하서(荷棲) 조경(趙璥) 시(詩)의 특징은 우선 신선, 꽃의 신, 귀신, 주조(朱鳥), 용(龍) 등 신이한 존재가 등장하는 환상적 내용에서 찾을 수 있다. 이러한 내용은 하서가 도학의 정치이상과 사회 현실 사이에 존재하는 커다란 간극을 인식하고 그로 인한 비애(悲哀)를 표출한 것이라 생각된다. 물론 그가 당대 현실을 비관적으로 바라보기만 했던 것은 아니다. 그의 시에는 여느 도학자의 시처럼 '봄'이라는 상징이 출현하는데, 이는 절망 속에서도 세상에 대한 낙관적인 믿음을 지니고 있었다는 점을 드러낸다. 그는 자연물을 형용함에 있어 그 배후에 놓인 우주의 이법(理法)과 함께 자연물 자체의 활처(活處)를 선명하고 예리하게 묘사하였다. 조선전기 도학자들이 궁극적으로 천리(天理)와 본성(本性)의 체인(體認)이라는 주제를 겨냥한 데 비하여 그는 사물의 천기(天機)를 묘파하는 쪽으로 시세계를 더 확장했던 것이다. 특히 산수(山水)의 정신(精神)을 묘사한 시들은 강인한 힘과 역동적인 운동을 형상화 함으로써 쇠잔해가는 세상에서 용맹스럽게 전진하려는 인생태도를 암시하였다. 자연물의 천기(天機)에 주목한 하서는 새로운 매화의 형상을 그려냄으로써 더욱 풍부하게 자신의 인생이상(人生理想)을 제시하였다. 이전의 매화시와는 달리 하서의 매화시에서는 매화의 모습이 도를 체득한 도인(道人)의 형상, 동시대인을 감화시키는 대인(大人)의 형상, 그리고 천기(天機)를 발현한 처사(處士)의 형상으로 나타난다. 어두운 사회 현실을 의식하면서 매화의 모습을 도인(道人)과 대인(大人)의 형상으로 그려냈다는 점도 특이하지만, 매화를 천기(天機)를 발현한 존재로서 묘사하였다는 점은 더욱 주목할 만한 것이다. 이는 천진(天眞)한 인격에 대한 지향과 그러한 인격의 상실에 대한 두려움을 동시에 드러내어 인간적인 자아 형상을 선명하게 그려냈다고 할 수 있다. 하서는 당대의 천기론적 사유를 도학시 창작에 수용하여 보다 인간적이고 현실적인 인격이상(人格理想)을 창조했던 것이다. 이는 18세기 도학시의 새로운 변화를 보여주었다는 점에서 의미 있는 성과라 할 수 있다.

• 미술이론과 현장
• /
• 제13호
• /
• pp.7-33
• /
• 2012

The memory of the Korean War is about the time period when people lived toughly during evacuation, due to being exposed to the natural climate such as intense cold or heat without any protection, leaving their comfortable home and living in temporary built shelters which were barely enough to avoid the wind. 'Death is concealed and only the figures of evacuation for survival were expressed, just as how the government ordered. Since the experience of the battlefield is personal and fragmentary, that is broken into pieces, it does not have compatibility. As war is a distorted experience that cannot be placed in a big picture, it is not possible to take a view of the war's big picture. Having this individualized experience as a common collective memory is an issue and it is the will that people tries to pursue. The reason why the evacuees from north to south, and as well as from the south to further south were all able to be adopted as the theme of artworks due to the military action that emptied the occupied territories of the North Korean Army under the forced removal command. In such situations, the natural state of the 'snow' was like a symbol of the 1.4 Recession. The group of people who were thrown into the intense cold displaced the war damage of loosing their base livelihood, and symbolized the obedient citizens who faithfully follow their government's command. The figure of advocating anti-communism is projected as a figure of a refugee during cold winter-time and it contains ones past which he or she obeyed its own country's commands. Evacuation, especially the evacuation during the winter is a visual device that can confirm these kinds of country's command. The consequences were same for the artists as well. Therefore, the situation being communal could be found due to the individual experiences during war are ideological. The image of the refuge shown in the picture played the role of strengthening the consciousness of defecting to South Korea into the meaning of the 'Finding Freedom.' I would like to express that the reason of them leave their home during the harsh winter is in order to avoid the oppression of the Communist Party. The evacuation that people went through was not to 'Finding Freedom', but 'To Survive'. Later, this evacuation has been imprinted as a behavior of choosing free Republic of Korea, which was an ideological issue. Anti-communism was the rule of survival in South Korea society, and people have the tendency to remember what they want to remember. As it is not the people who possesses an incident, but the memory that possesses ones, people cover their memory with disguised plots in order to forget the violence and to live a different prologue. They share the incident of violence as a hurtful memory. The tragedy of the Korean War was the result of Ideology and being in between the powerful nations' rights, but the violence during the war has been depicted as a natural disaster, which was the evacuation in heavy snow.

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2007년도 춘계학술대회 논문집
• /
• pp.204-209
• /
• 2007

As people are getting interested in themselves ever than before, the value of culture industry which can satisfy their emotions has been considered much more important. According to this, in terms of the 'space', it is better to represent 'space' not just as a functional space, but the human-centered and making human and nature together. In this society, the most human-centered design can be achieved by pursuing value which is friendlier to nature. And it is sure that the interior design that completes life quality as well as emotions of human will be common in near future. There already has been a try 'Green interior' in subway station in variety ways, and now it is needed to make indoor display in Seoul subway station different in order to satisfy human emotions. If culture space in Seoul subway station applied eco-element interacts with indoor environment, it is surely expected that people have better feeling on subway station as well as help eliminate negative elements which underground have had. In culture space, there are many advantages for displaying space into 'nature', that is, natural space represents the best comfortable and agreeable space, and future-oriented design when it gets interacted with environment. Application of 'Green interior' in Seoul subway station makes special place ness by its symbol and image, so that it derives people to have more natural and comfortable movement distance in subway station, offers more comfortable and cozy place as well. Furthermore, it makes people very moved by experiencing the most special culture space that they have ever had.

• 자연과학논문집
• /
• 제16권1호
• /
• pp.111-128
• /
• 2005

This study was conducted under the theory of hermitage ever built from buddhist belief. Directing to hermitages within temples of Korea Jogye Order, we focused on the layout correspondence relationship among them. and 161 hermitages were the first object of the investigation. For the accomplishment of the research purpose, the general epitome and spatial specification through various literature studies, on-the-spot survey and personal communications with a lot of priests were made. As one of the basic surveys, the foundation year were thoroughly investigated, followed by the form of building, main buddha and hermitage name. The results obtained were summarized as follows : Forty five hermitages which are equivalent to twenty eight percent of total hermitages within the parish-level temples of Korea Jogye Order, were built in shilla Dynasty and twenty hermitages that are 12.4 percent of the total were constructed in Koryo Dynasty and thirty seven percent of the total were founded during both of dynasties. This fact makes us to consider that many of hermitages in those days were constructed with the simultaneity of principal temple foundation which means hermitage had responded the spirit of the times. Every hermitage has its main Buddha and this thing happened that each hermitage enshrines its main Buddha according to the thought which was developed with the Buddhism expansion and sutra that is in accordance with their own intention. .Basically a capital temple has differed in its central sanctum in accordance with resourceful sutra, and, at the same time, twenty seven in avatamsk sectenshrine for Sakyamuni as their sanction and eight for the Merciful Goddess and 42.7 percent for Chajang's hermitages. The name of hermitage not only represents its symbol but comprises the characteristic meaning of ascetic practice. 31.7 percent of the hermitages studies was found to have the names of relating to 'ascetic practice' or 'thought' followed by the 'nature' or 'environment' to 21.7 percent.