• 제목/요약/키워드: figure

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침구동인(鍼灸銅人)의 발달(發達)과 변천과정연구 (The Reserch of Alternation and Developement of Acu-Figure)

  • 손인철
    • Journal of Acupuncture Research
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    • 제15권2호
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    • pp.551-563
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    • 1998
  • 1. as following report, bronze-figure manufacture. started already in Jin(秦) monarchy. Bronze-figure had been existed in Ju(周) monarchy by ancient book, which is called Guem-In. And in 221 B.C., bronze-figure was manufactured. 2. In history, acu-figure was manufactured in 1027, Song(宋) Dynasty at first to study medicine. 3. ChunSeong acu-figure etc. were remade but new acu-figure was not. 4. GunRuang acu-figure, etc new acu-figure made in Jin Dynasty. 5. ChimGuem acu-figure are preserved in Korea at now.

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Appearance Pattern of Figures in Commercial Domestic Hardwoods (I)

  • Park, Byung-Ho;Kwon, Sung-Min;Kwon, Gu-Joong;Jang, Jae-Hyuk;Kim, Nam-Hun
    • Journal of the Korean Wood Science and Technology
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    • 제38권5호
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    • pp.391-398
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    • 2010
  • In this study, the figure of domestic hardwood was observed using the naked eye and the possibility of substituting imported wood with domestic one in the making woodcraft or furniture was investigated. It was known from the investigation on 8 different hardwoods that there were various figures such as cloud-shaped figure, blister figure, crotch figure, bird's eye figure, etc. in Zelkova serrata wood and the beautiful pigment figure in Diospyros Kaki wood. There were the unusual figures such as wavy grain figure, fiddle back figure, etc. in Cedrela sinensis wood and was clear ray-fleck figure in Quercus variabilis wood. There were also various figures such as wavy grain figure, blister figure, pigment figure, etc. in Sophra japonica, Tilia amurensis, Castanea crenata, Kalopanax septemlobus wood, etc. It is thus that distinguished figures appeared in each kind of wood can be used for craft, sculpture, furniture, and interior material. These kinds of figures can also be used for instrument, toy, stationery, life article material and souvenir, etc. And it can be expected that they will replace the imported wood has been mainly used to make the woodcraft or furniture until now.

표준침구동인(標準鍼灸銅人) 제작(製作) 과정(過程) 소고(小考) (Study on the Process of manufacture of Standard Acu-Figure)

  • 손인철
    • Journal of Acupuncture Research
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    • 제17권1호
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    • pp.13-25
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    • 2000
  • According to development of acu-figure which has been existed in Korea, China and Japan through successive generation and conservation status, I classified the process of manufacture of Standard Acu-Figure that is the first manufactured form in Korea historically. And conclusion was as follows. In history, the first acu-figure was manufactured in Song(宋) Dynasty by Wang Yu Il(王維一). after that acu-figure had been made various type in the each countries. In japan, Cheon Seong Acu-Figure(天聖銅人) was imported and preserved and similar shape acu-figure was manufactured. In Korea, Chim Geum Acu-Statue(鍼金銅像) is unique acu-figure that is conservated and exhibited in museum. Standard Acu-Figure was manufactured after the model of standard human body. First step process of standard acu-figure manufacture undertook at my lab, next step, investigation, discussion, reform was proceeded along with other chief professors major in meridian and acupuncture point.

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청소년들의 체형에대한 관심과 인식에 관한 조사연구 -밀양시를 중심으로- (A Survey of Adolescents' Concern and Perception about Body Image)

  • 류호경
    • 대한지역사회영양학회지
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    • 제2권2호
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    • pp.197-205
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    • 1997
  • This study was conducted to investigate adolescents' body size and their concerns and perceptions about body image. Group means of heights and weights were 171.5cm and 60.3kg for boys and 159.3cm and 52.3Kg for girls. Body Mass Index(BMI) of the subjects were 20.5 for boys and 20.6 for girls. Only 11.5$\%$ of subjects were overweight or obese, however 42.5% of subjects had experienced weight control, and the main reason for weight control was to lose weight(80.6$\%$). In concern for body image and frequency of eating distrubance ; females had more concern than males, the group who had attempted weight control had more concern than those who had not, and the group who were overweight had more concern than those who were under and normal weight. In perception about body image, using a set of nine figure drawings arranged from very thin to very heavy figures, subjects rated their current figure, considered figure(how they appeared to others), ideal figure, and attractive figure. For boys, the current, ideal, and most attractive figures were almost identical, but for girls, the ideal figure was significantly thinner than current figure and attractive figure was significantly thinner than current figure. The greater the preference for thinner figure as idal and attractive figure, the higher the concern for body image and frequency of eating distrubance. Thus it seems that a distorted perception of ideal body size affects adolescents' concern for body image and eating behaviors.

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Exploration and Analysis of "Integration of Chinese and Western Cultures" of Chinese Realistic Ink Wash Figure Painting

  • Guo Yuan
    • International Journal of Advanced Culture Technology
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    • 제11권1호
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    • pp.204-211
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    • 2023
  • Chinese figure painting is the earliest type of painting to be mature in the history of Chinese painting. After its peak in the Jin and Tang dynasties, Chinese figure painting turned into a low tide in the Ming and Qing dynasties. Under the influence of the May Fourth New Culture Movement's concept of "introducing the Western culture into China", realistic ink wash figure painting emerged, which was different from traditional painting. Realistic ink wash figure painting is a new kind of painting that combines traditional Chinese painting methods with concepts of Western scientific painting. With the mutual reconciliation of realistic modeling and traditional Chinese painting, it makes up for the shortcomings of traditional Chinese figure painting in reproducing life, thus forming the diversified development of Chinese figure painting. Through an in-depth interpretation of the fusion of Chinese realistic ink figure painting with Chinese and Western, this paper accurately grasps the characteristics of the painting language, which is an important guide to the creation of Chinese realistic ink painting today.

피겨스케이팅 음악의 장르별 의상 분석 (An Analysis of Figure Skating Costumes In Relation to the Musical Accompaniment)

  • 김성은;정현숙
    • 복식문화연구
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    • 제19권3호
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    • pp.579-596
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    • 2011
  • As a sport with artistic characteristics, figure skating draws upon important elements such as costumes, music, melody interpretation, and choreography. The combination of figure skating music and costume is an important influence on scoring, moreover, it forms some images and characteristics of the athlete. The purpose of this study is to consider and analyze the correlation between figure skating music and costumes. The study mostly focuses on the main international competitions from 2008 to 2010, such as the Winter World Figure Skating Championships, Four Continents Figure Skating Championships, Grand Prix of Figure Skating Final and gala shows of a single female and male and female pairs, ice dances of the medalists. The concepts and characteristics of figure skating music were examined collected the literature quotes internet sites, photos and video, clips through the homepage and internet sites. Focusing on the medalists of the main international competitions from 2008 to 2010, following the analysis results of figure skating by genre of music, the differences among classical music, pop music, movie music, musical music, folk music have been classified, and according to the features of music genres, the differences of items, colors, details and accessories of clothing were brought out. Depending on the features of music genres, figure skating costumes have been changed of items, colors, materials, details and accessories. Thus, the close correlation between the story of figure skating music and atmosphere has been analyzed. This study contributes to improve the completion of programs which is completed through the development of figure skating costumes design that is regarded specially for the artistic value.

인체 모델의 컴퓨터 형상화 방법 (A survey on human figure representation in computer graphics)

  • 한치근;정의승
    • 대한인간공학회지
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    • 제12권1호
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    • pp.57-73
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    • 1993
  • In this paper, methods of human figure representation in computer graphics are described. Many applications of the human figure representation are found in areas including industry, advertisement, and cartoon production and further research for the methods that show the human figure more realistically is ex- pected. Two analytic methods for human model, kinematics and dynamics, are ex- plained and the characteristics of the man-machine interface systems that include human figure representation are presented. Various techniques of the human figure representation based on kinematics or(and) dynamics are discussed and representation methods of human body segments such as hand, face, spine are introduced in this paper.

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만평 속 인물캐릭터인 '국정원 여직원'의 기호적 분석 (Symbolic Analysis of a Figure Character in Satirical Cartoon 'National Intelligence Service Female Agent')

  • 박경철
    • 만화애니메이션 연구
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    • 통권37호
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    • pp.307-334
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    • 2014
  • 만평은 특정인물 또는 사회현상을 풍자하기 위해서 특정인물 또는 사회현상에 비유되는 인물캐릭터를 등장시킨다. 만평 속 인물캐릭터의 말과 행위를 통해 부정행위를 한 권력자나 부조리한 사회현상을 드러낸다. 본 연구의 인물캐릭터인 국정원 여직원은 장기간에 걸쳐 만평에 등장하고 있으며, 실제 인물 대신에 사회현상을 비유하고 있다. 이처럼 국정원 여직원이 장기간에 걸쳐 만평 속 인물캐릭터로 등장하는 이유는 관련된 사회현상이 종결되지 않고 진행 중이기 때문이다. 또한 실제인물 대신에 사회현상을 비유하는 이유는 국정원 여직원의 숨겨진 얼굴로 인해 얼굴을 알기 쉽지 않은데 기인한다. 숨겨진 얼굴은 인물의 특징을 과장하기 힘들게 한다. 숨겨진 얼굴은 야구모자와 목도리로 상징되는 숨고 싶은 욕망의 표현이기도 하다. 숨겨진 얼굴과 숨고 싶은 욕망은 실제 인물 대신에 관련 있는 다른 인물 혹은 사회현상으로 치환하기 쉽게 만든다. 즉 국정원 여직원의 외형적 특징은 만평에서 '추가된 기의'를 결합시키기에 좋은 조건을 갖추고 있는 셈이다. 만평 속 인물캐릭터인 국정원 여직원은 실제 국정원 여직원과 무관하게 여러 의미가 필요에 의해 결합하여 실제 인물은 사라지고 다른 인물 혹은 집단 또는 사회현상으로 치환된다. 이처럼 본 연구는 만평에서 '국정원 여직원'으로 등장하는 인물캐릭터를 기호적으로 분석함으로써 만평 속 인물캐릭터의 역할을 밝히는데 목적이 있다. 본 연구에서 만평 속 인물캐릭터의 기호적 분석을 통해 다음을 알 수 있다. 첫 번째, 만평은 사회현상을 풍자한다. 만평 속 인물캐릭터가 실제 인물을 대신하여 사회현상을 풍자한다. 두 번째, 만평은 정치가 만들어내는 부조리한 사회현상의 핵심적이거나 감추고 싶은 치부를 드러내어 풍자한다. 만평 속 인물캐릭터가 실제 인물을 대신하여 사회현상의 핵심적이거나 감추고 싶은 치부를 드러내어 풍자한다. 세 번째, 만평은 정치가 만들어내는 부조리한 사회현상의 책임자에게 경고의 메시지를 보낸다. 만평 속 인물캐릭터가 실제 인물을 대신하여 정치가 만들어내는 부조리한 사회현상의 책임자에게 경고의 메시지를 보낸다. 네 번째, 만평은 정치가 만들어내는 부조리한 사회현상에 의해 개인이 받게 되는 상처 혹은 스트레스를 견딜 수 있게 카타르시스를 제공한다. 만평 속 인물캐릭터가 실제 인물을 풍자하고 조롱함으로써 부조리한 사회현상에 의해 개인이 받게 되는 상처 혹은 스트레스를 견딜 수 있게 카타르시스를 제공한다.

Exploring the Formal Language of Contemporary Meticulous Figure Painting

  • Wan Guo Long
    • International Journal of Advanced Culture Technology
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    • 제11권1호
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    • pp.212-220
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    • 2023
  • The meticulous figure painting is one of the wonders of traditional Chinese painting and has blossomed in art history with its unique and interesting style. The period from the Warring States period to the Song and Yuan dynasties was a glorious period in its history, after which it tended to decline due to changes in painting materials and many socio-historical reasons. The extensive cultural exchanges in the world today, the penetration of Western values and the expansion of information technology have brought a huge impact on Chinese meticulous figure painting, which has developed an active way of thinking and expression after absorbing certain elements of Western culture and thought on the basis of inherited tradition. Contemporary Realistic Figure painters continue to explore new developments in meticulous figure painting in the contemporary context, and give contemporary meticulous figure painting a new cultural and ideological connotation, forming a new look that meets the requirements of the times, with richer and more lively content, subject matter and formal language. Traditional meticulous figure painting is characterised by a highly refined use of line and coloring composition. Contemporary meticulous figure painting focuses on the use of purely formal language and the expression of the personality of the creative subject, with a new outlook on the world of painting. In the contemporary multicultural context, new formal language and methods of expression are constantly being explored to create a new look. In the process of development, contemporary meticulous figure painting has merged the best qualities of traditional and contemporary culture, making it an art with a subtle language, rich in meaning and with the charm of the times and oriental characteristics. The author in the form of contemporary fine brushwork figure painting language as the research object, explore new form of fine brushwork figure painting, and in the contemporary society and multicultural context factors. Innovation, enrich and develop new forms of art language of contemporary social form and aesthetic temperament and interest.

영상미디어(게임, 애니메이션, 영화 분야)의 확장에 따른 피규어 산업에 대한 고찰 (Investigation about Figure Industry by Extension of Image Media (Game, Animation, Motion Picture))

  • 손종남;이종한
    • 한국콘텐츠학회논문지
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    • 제8권3호
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    • pp.67-74
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    • 2008
  • 게임, 애니메이션, 영화와 같은 다양한 영상 미디어가 발전함에 따라 한 가지의 콘텐츠 소스를 여러 형태로 이용을 하는 확장으로서 피규어(Figure)라 일컬어지는 상품이 만들어 졌으며, 오늘날 많은 인기를 모으고 있다. 하지만 국내에서는 어린이들의 단순한 장난감 취급을 받으며 관련 산업의 발전이 더디게 이루어지고 있는 반면 외국의 경우 콘텐츠 산업에 있어서 마케팅의 수단으로 중요성을 인정받고 있다. 본 논문에서는 피규어에 대한 의미와 종류를 알아보고 철학적 사상과 이론을 통하여 피규어가 지닌 성격을 학문적고찰(발터 벤야민, 프로이드 및 심리학자들의 이론)을 통하여 분석하였다. 현재 국내 외 피규어 산업은 발전을 지속하고 있으며, 특히 한류 스타라는 콘텐츠를 활용한 피규어는 문화 아이템으로서 많은 가치를 지니고 있으며 발전성이 있음을 알 수 있다.