• 제목/요약/키워드: e-textile

검색결과 441건 처리시간 0.021초

Developing an Assortment Planning Process Model for Clothing Retail Buyers: An Exploratory Research

  • Kang, Keang-Young;Kincade, Doris H.
    • 한국의류산업학회지
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    • 제6권6호
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    • pp.815-824
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    • 2004
  • 학계에서나 업계에서도 패션에 민감한 상품의 상품구색계획이 체계적이고 객관적으로 연구된 사례는 찾아보기 힘들다. 이 연구의 목적은 현장에서 실제 사용되는 상품 구색 모델을 연구하여 개념적인 상품구색 모델과 조합함으로써 여성복 유통 바이어에게 제안하는 상품구색모델을 개발하기 위한 것이다. 개념적인 상품구색모델을 개발하기 위해서 이 연구는 문헌들에서 발견되어지는 상품구색 활동들에 대한 단편적인 묘사들을 IDEF0 모델링 분석 도구를 이용하여 수집하고 분류하였다. 실제 사용되는 상품 구색 모델을 개발하기 위해서 백화점과 유통전문점에서 근무하는 10명의 유통 바이어들과 인터뷰했다. 인터뷰 내용은 IDEF0 분석도구에 의해 개념과 연구 요인들에 의해 분류되고 요약되었다. 요약한 내용은 인터뷰 대상자들에 의해 검증되었고 실제 사용되는 모델을 위해 재구성되었다. 5명의 전문가들이 개념적인 모델과 실제 사용되는 모델을 비교하고 관계분석과정을 거쳐 최종적으로 제안 모델을 완성하였다. 최종 제안 모델에 포함된 모든 업무활동의 유효성과 신뢰성 검증을 위한 설문지를 인터뷰 대상자들에게 보내어 검증과정을 거치었다. IDEF0 모델 상의 추상 개념 단계에서 상품구색모델과정은 (가) 문제 인식, (나) 정보 조사, (다) 상품의 질적 평가, (라) 상품의 양적 평가, (마) 상품 선정, (바) 계획 수립의 단계로 정리되었다.

섬유 재질에 대한 천연 살충·살균제의 적용성 평가 (Evaluating the Application of Natural Pesticides on Textile Materials of Organic Cultural Heritages)

  • 김영희;홍진영;정미화;조창욱;김수지;이정민;최정은
    • 보존과학연구
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    • 통권32호
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    • pp.25-35
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    • 2011
  • 천연물로부터 항균 및 방충작용에 효과적인 물질을 검색한 결과, 목초액과 세신추출물이 강한 생물활성을 나타내는 후보물질로 선발되었다. 천연 항균 및 살충제로서 선발된 목초액과 세신추출물은 자체에 색을 지니고 있어 이들을 이용하여 문화재 보존 처리제로 사용하였을 경우 유기질 문화재 재질에 나쁜 영향을 줄 수 있다. 따라서 본 연구에서는 섬유 재질에 대한 영향을 평가하기 위하여 무염색 섬유 시편과 염색 섬유 시편을 대상으로 두 종의 천연 살충소재를 $28^{\circ}C$ 온도와 70% 습도 조건에서 노출 실험을 실시하였으며, 천연 살충소재 처리 후 6개월 동안 이들 섬유의 색변화를 2주 간격으로 측정하였다. 그 결과 세신추출물의 경우 무염색 섬유뿐만 아니라 천연 염색한 붉은색과 푸른색의 섬유에서 또한 색변화가 크게 나타나지 않았으며, FT-IR spectrum 분석 결과에서도 초기 시편과 비교 시 큰 변화가 관찰되지 않았다. 그러나 목초액의 경우 무염색 면섬유에 있어서 3주차부터 뚜렷한 색변화가 관찰되었으며, FT-IR spectrum 분석 결과에서도 초기 시편과 비교했을 때 특정 파장대의 피크가 없어지는 것으로 나타났다. 그러므로 목초액의 경우 유기질 문화재 보존처리제로 적용할 경우 섬유 재질에 영향을 미칠 수 있어 사용에 제한을 두어야 한다.

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고속 주행 상황에서 CFRP 리어 스포일러의 내부 폼 코어 종류에 따른 성능 분석 (Performance Analysis of CFRP Rear Spoiler according to Types of Inner Foam Core under High-speed Driving Condition)

  • 김성은;안준걸;김문성;양승지;김기영;양현익
    • Composites Research
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    • 제37권2호
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    • pp.86-93
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    • 2024
  • 내부 폼 코어는 자동차에 사용되는 탄소섬유강화플라스틱(CFRP) 리어 스포일러의 성능에 중요한 역할을 한다. 하지만, 고속 주행 상황 (200 [km/h])에 대한 내부 폼 코어에 따른 CFRP 리어 스포일러에 관한 연구는 여전히 부족한 실정이다. 이러한 동기를 바탕으로, 본 연구에서는 고속주행 조건에서 다양한 폼 코어 종류에 대한 CFRP 자동차 리어 스포일러의 성능 분석을 수행하였다. 이번 연구에서 사용한 폼 코어의 종류는 Polymethacrylimide (PMI), Polyvinyl chloride (PVC), 그리고 Styrene acrylonitrile (SAN) resin이며, 선정된 폼 코어를 활용하여 진동 특성 및 고속주행상황에서의 거동 양상을 분석하였다. 추가적으로, 고속주행 상황에서 리어 스포일러의 내부 폼 코어의 중요성을 파악하기 위해 내부 폼 코어가 존재하지 않는 중공인 경우 또한 분석하였다. 그 결과, 변형 양상에서는 PMI 폼코어가 가장 좋은 성능을 보였고, 진동 특성에서는 PVC 폼 코어가 가장 좋은 성능을 보임을 확인할 수 있었다. 또한, 중공의 경우에는 변형양상 및 진동 특성 모두에서 가장 낮은 성능을 보임을 확인할 수 있었다. 결과적으로, 본 연구를 통해 고속 주행상황에서 내부 폼 코어 구조가 CFRP 리어 스포일러의 성능을 크게 향상시킬 수 있음을 확인할 수 있었으며, 또한 내부 폼 코어의 선택에 따라 강점을 보이는 특성이 다르게 나타남을 확인할 수 있었다.

염색산업단지 종합폐수처리용 재순환 통합시스템 (Recirculating Integrated System for the Treatment of Authentic Integrated-textile-dyeing Wastewater from Dyeing Industrial Complex)

  • 이은주;임광희
    • Korean Chemical Engineering Research
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    • 제55권6호
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    • pp.837-845
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    • 2017
  • D염색공단의 폴리에스테르 알카리 감량폐수 및 호발폐수가 혼합된 실제 종합염색폐수를 처리하기 위하여 D염색공단의 종합폐수처리장 반송슬러지를 고정한 폐타이어담체를 충전한 재순환 유동상 바이오필터와 소성된 $TiO_2$ 코팅-glass bead를 광촉매담체로 적용한 UV/광촉매반응기를 결합한 재순환 통합시스템을 구축하여 운전하였다. 그 결과로서 재순환 통합시스템의 총 $COD_{cr}$ 제거율과 총 색도 제거율 추이는 각각 약 81% 및 55% 정도를 유지하였다. 이러한 재순환 통합시스템의 총 $COD_{cr}$ 및 총 색도 제거율의 제고효과는 각각 최대 약 7% 및 3%로 평가되었다. 재순환 통합시스템의 유동상 바이오필터 및 광촉매반응공정은 총 제거율에 대한 상대기여도로서 각각 총 $COD_{cr}$ 제거율의 약 94% 및 6%를 처리하고, 총 색도 제거율의 약 86% 및 14%를 처리하였다. 이와 같이 재순환 통합시스템의 광촉매반응공정에서는 총 제거율에 대한 색도 제거율의 상대기여도가 $COD_{cr}$ 제거율의 상대기여도보다 약 2.4배 정도 컸다. 따라서 본 연구의 재순환 통합시스템에서 광촉매반응공정은 $COD_{cr}$ 제거보다 아조결합과 같이 염료에서 색을 나타내는 화학결합을 깨는 역할에 더욱 효율성이 있었다. 또한 본 연구의 재순환 통합시스템에서 각 단위공정들의 $COD_{cr}$ 및 색도 제거율이, 재순환 통합시스템의 총 $COD_{cr}$ 및 색도 제거율에 미치는 영향에 대한 모델식과 대수적 상관관계를 구하고 분석하였다.

전통 패션상품의 시장기회분석을 통한 브랜드 마케팅 전략 제안 (Suggestions for Brand Marketing Strategies through Market Opportunity Analysis of Traditional Fashion Products)

  • 고은주
    • 한국의류학회지
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    • 제29권5호
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    • pp.692-702
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    • 2005
  • The purpose of this study was to explore global consumer behavior with fashion products, Korean fashion products, and Korean traditional fashion products (i.e., Han-Bok). Clothing selection criteria for fashion products and Korean fashion products were included as major constructs far the comparison among global consumers based on their nationality. Other consumer behavior variables were shopping place, buying frequency, purchase experience/plan, preferred brand, purchase items, information source, purchasing usage, and the product evaluation of Hanbok. A convenience sample of 236 global consumers was selected for this study. A questionnaire was pilot tested, and the revised questionnaire was used for the interview survey. Descriptive statistics and ANOVA were used for data analysis. Various nationality were existed such as Europe, North America, Japan, China, South East Asia. The results indicated that the most important criteria for fashion buying were design, fit, and size in order. Fit, size, and color item from buying criteria were significantly different among global consumers by nationality. Country of origin was found as less important factor among global consumers. Department store was most favorable shopping place, and once a month is the most mentioned category in buying frequency. Preferred brands were Levi's, Polo, Gucci, and Prada, etc. Secondly, regarding the evaluation of Korean fashion products, textile quality was highly evaluated. Significant difference except design/style category were existed among global consumers by nationality. Thirdly, regarding the evaluation of Hanbok, the product evaluation of Hanbok highly represented as special event clothing, unique image, beautiful details and oriental beauty in order. Significant difference in good quality of textiles, oriental beauty, coordination with good colors and fabrics, beautiful details and unique style and design were existed among global consumers by nationality. Managerial implications were discussed.

부드러운 조각과 패션에 나타난 우연성에 관한 고찰 -프레쉬레의 유형분석을 중심으로- (A Study of Contingency Found in Soft Sculpture and Fashion -Focused on Maurice Frechuret's Type Analysis-)

  • 김보영;금기숙
    • 복식
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    • 제59권5호
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    • pp.41-52
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    • 2009
  • In contemporary art, soft materials are used in various forms and ways as a medium expressing contingency beyond a simple nature of materials. In the late 1960's, the appearance of soft sculpture as a refusal of the stereotyped 'Erection' characteristic of traditional sculpture served as an opportunity for more attention to soft materials. Fashion is the reflection of age, and the mirror of society, culture and arts. In other words, soft sculpture and fashion are artistic behaviors in the same context, which have neither been fixed nor erected. This study finds its significance in analyzing correlation between soft sculpture and fashion, and the importance of contingency as artistic expression means in this age when boundaries between genres are obscure, and artistic values are given to fashion. By doing so, it aims to present the direction toward which fashion should face in the future, establishing a new aesthetic consciousness with which more creative and various expressions are available in fashion as well. This study presented as its theoretical background the concept of soft sculpture affected by Marcel Duchamp among representative examples of the contingency that started to appear in art starting in the early 20th century. It also analyzed the soft sculpture appeared in 1960s and the expression methods and features of contingency appeared in fashion after late 1990s through a new approach of piling up, hanging up, and tying, three categories classified by Maurice $Fr{\acute{e}}churet$. Common features of the contingency expressed in soft sculpture and fashion were derived in the analysis, which are intensive effects of energy, values given to physical properties themselves, and esthetics of anti-form.

물방울무늬의 크기가 의복이미지에 미치는 영향 -원피스드레스를 중심으로- (Influence of the Size of Polka Dots on the Image of Clothes -Focused on One-piece Dress-)

  • 최혜원;류숙희
    • 한국의류학회지
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    • 제31권5호
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    • pp.742-752
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    • 2007
  • The purpose of this study is the image of clothing according to the change of the dots' size was analyzed and its influence on the formation of the image of polka dots clothing was investigated. White waterdrop patterns were designed on the 12 kinds of black texture using Photoshop and CAD program in regular arrangement of diamond figure, composed of white waterdrop(0.5cm, 1.0cm, 1.5cm and 2cm in diameter) and interval(diameter : interval-1 : 1, 1 : 2, 1 : 4). Applying above specification, the photograph stimulus of 12 kinds of X-line one-piece dress with wide square neckline and without sleeve or detailed ornament was presented on a screen in the same size as when putting it on. The image of polka dots clothes was investigated by questionnaire survey. The object of the study was 320 females aged between 16 and 29. Factor analysis, one-way ANOVA, $Scheff\acute{e}$ verification and two-way ANOVA using SPSS 10.0 were carried out for data analysis. Followings are the results: 1) The image of polka dots clothing consists of 4 factors as aesthetics, brevity, dynamism and lightweight. 2) The size of the dot has a great influence on the formation of the image of polka dots clothing. 3) The evaluations of the image of polka dots clothing were different depending on the age and physical image, the personal characteristics of the object of investigation.

현대 패션에 나타난 에스닉(Ethnic) 특성 분석에 관한 연구 -2005년 S/S부터 2010년 F/W까지 파리.밀라노 컬렉션을 중심으로- (Study on Ethnic's Major Characteristics Expressed in Modern Fashion -Focus on 2005 S/S - 2010 F/W Paris, Milan Collection-)

  • 김영삼
    • 한국의류학회지
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    • 제34권11호
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    • pp.1844-1858
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    • 2010
  • Ethnical tendency follows the current political, economical, and cultural influence eastwards, highlighting films, architecture and interiors as well as fashion. With this tendency, the ethnic outfits are expressed by various styles. This study analyzes the features of current ethnic styles with 1,535 ethnic image pieces from 2005 S/S to 2010 F/W of Pr${\^{e}}$t-${\'{a}}$-Porte in Paris and Milan. First, 'ethnic' is to refer to the distinct features of an ethnic group or a country. 'Ethnic look' refers to the adaptation or re-arrangement of various ethnic group's traditional costumes, dying, textile, patterns, color, silhouettes, and accessories. Second, the most popular ethnics in the modern fashion is the African style, followed by India, Japan, China, and Latin America in both collections. Third, the proportion of ethnics decreased, 2005 (14.9%), 2006 (12.8%) and 2007 (8.2%). In 2008 the proportion increased again. 2010 (27.3%) and compared 2010 to 2007, it increased by 20%. By season, S/S had 1.4 times more ethnic styles than F/W with the prevalence of African and Indian styles. Fourth, as of 2005, the ethnic style became colorful and went through changes to combine various images. This is from the polycentric tendency of co-existing various styles with a prevalence of low tone and various colors. It also shows warm colors in front to show a sense of nature.

근대이후 여자저고리 실물의 색채와 배색에 관한 연구 (Color Selection and Arrangement in Relics of Women's Jeogori in Modern Korea)

  • 박춘순;조우현;이호정
    • 복식
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    • 제59권2호
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    • pp.1-17
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    • 2009
  • This study is to understand the characteristics of Korean Women's Jeogories in modern times on the changes of its color and coloration over the time. The research was that the characteristics of the costumes produced in modern times ($1890{\sim}2000$) can be categorized into six periods according to the change of times. 1106 women's Jeogories were researched intensively in order to understand them, the conclusions are following: When the Chi-Square Test is applied to conduct cross analγsis of the said six periods divided on the basis of relevant theories, it is found that there is just partial difference in the hues in1890-1959 while there has been a big change in the hues of all Jeogories since 1960. It also seems that such a sudden change In hues took place till the end of the 1970s but there have been no significant difference and no distinct changes in hues sin[e the 1980s. As for color tones, high luminosity and low chroma hues were mainly used in all periods, but low luminosity and high chroma hues have been frequently used since the 1960s. It indicates that the long-used conventional and traditional colors gave way to various colors which were freely applied according to the tendency of individualism In the selection of colors as well. As for the coloration, one-color arrangement was predominant in white clothes while the combination of main color Y and supplementary rotor R was overwhelming in two-color arrangement. After the 1960s, not just the five major rotors but diverse colors, including bluish green, dark blue, were used, even varied patterns for linings.

미생물 고정화를 이용한 산성염료의 처리 (Treatment of Acid dye Using Microbial Immobilization)

  • 김정목;조무환;양용운
    • 한국염색가공학회지
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    • 제11권2호
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    • pp.19-26
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    • 1999
  • Strains degrading and decolorizing acid dyes, Nylosan red E-BL 150%. were isolated from natural system, was named as ARK3. The optimal culture conditions of temperature and pH were $35^\circ{C}$, 7.0, respectively. Growth rate of cells in conditions of aerobic shaking more than standing culture conspicuously increased, and optical density of those to strain ARK3 were found as 1.38 and 0.25 after 42 hrs. Decolorization efficiency in batch culture which used as immobilization media to natural zeolite was 15% after 6 hrs, while suspension culture was 5%, also its of immobilization and suspension culture were 90% and 85% after 48 hrs, respectively. Decolorization efficiency of air-lift bioreactor was more than 90% to a dilution rate of $0.038hr^{-1}$, but that was decreased as 70%, when the dilution rate was $0.05hr^{-1}$. Even though at maximum dilution rate of this study, there was not appeared "wash out" phenomienon of biomass. Decolorization efficiency was 97.7% at a dilution rate of $0.025hr^{-1}$, when influent dye concentration was $100mg/\ell$. But if influent dye concentration increased as $150mg/\ell$, even though MLVSS increased, that of treatment water decreased as 93%. Also, when influent dye concentration increased as $200mg/\ell$ and $300mg/\ell$, decolorization efficiencies of treatment water abruptly decreased as 85% and 63%, respectively. Decolorization efficiency was more than 92% to the limit volumetric loading rate of $3.75mg/\ell\cdot{hr}$hr, without regard to variation of influent dye concentration or hydraulic retention time. if volumetric loading rate was more than $3.80mg/\ell\cdot{hr}$, at same condition, decolorization efficiency was lower decrease of retention time than increase of influent dye concentration.entration.

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