• 동양고전연구
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• 제41호
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• pp.477-516
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• 2010

최근 한국미술사학계에서는 우리나라의 미술시장과 미술품 수장가에 대한 연구가 활발히 시도되고 있다. 이 분야의 연구는 명품대가(名品大家) 및 그 유파, 영향 등을 추적하고 분석하던 종래의 연구경향과 한계를 극복하고 미술과 사회, 미술품 유통과 소비 등 기존의 연구방식과 관점으로는 접근하기 힘들었던 주제에 접근하고자 하는 시도라는 점에서 의미가 크다. 이 글에서는 일제시기의 손꼽히는 서화가이자 수장가 가운데 한 사람인 송은 이병직(1896-1973)의 생애와 예술 및 수장활동을 살펴보고자 하였다. 이 작업은 필자가 최근 시도하고 있는 한국 근대 수장가 연구의 일환으로서 주요 수장가 개인의 구체적 삶의 양상을 복원하고 수장활동 및 수장품의 대강을 파악하는 데에 일차적 목적이 있다. 일제강점기 당시 굴지의 수장가 가운데 한사람이었던 이병직은 자신의 방대한 수장품을 1937년과 1941년 두 번의 경매회에서 처분하였고, 1950년 6.25 두 주 전에는 또 한 번의 경매회를 개최하여 전적류를 처분하였다. 이병직이 이처럼 자신의 수장품을 처분한 것은 교육에의 투자를 위함으로 여겨진다. 이와 함께 격동의 시대를 거치면서도 '국보' "삼국유사"를 안전하게 잘 간수한 사실은 수장가로서의 모범을 보여준 미담이다. 이병직이야말로 수장과 사회로의 환원 및 보존이라는 측면에서 모범적 수장가의 모습을 보여준 인물이 아닐까 싶은 것이다. 그러나 이병직의 일생을 제한하고 규정한 것은 그가 내시였다는 점이다. 이병직이 뛰어난 서화가, 중요한 수장가, 예리한 감식안이었지만 미술계에서 주류가 되지 못한 것은 그가 내시였다는 점이 가장 큰 요인이었으리라 추정되는 것이다.

• 미술이론과 현장
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• 제6호
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• pp.7-25
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• 2008

The following thesis has been composed with the inspiration attained from Paul Ardenne's conception on Contextual Art. In Europe and in the United States, there is a group of artists who emphasize in the importance of artist's participation in social, political, economical, environmental and moral issues. Since the 1960's, these artists have pondered on Modernism's ideas where art is contextually separated from humanly issues whereas the manners of such artists put on emphasis in the intent to participate in the real human social and ethical issues. Forerunner in this field of art such as Wolfgang Leib display hybrid or meta style in their work. His work displays a quadrilateral form of pollen which represents the simultaneous blending of two mixed ideas such as the abstract from the real. Thus heterogeneous style and philosophy which includes a range of medias and today's trend is observed in Contextual Art. Such art form is also found in landscapes where it is not seen as an observable object but rather an interactive object. It is correlated to Arte Povera of the Italian Art Movement, Support-Surface of the French Art Movement and lastly to the Fluxus. Through these art movements, we find a mutual antipathy towards putting art for sales in the capitalism market and reflect the social role of art in postmodern era.

• 한국가구학회지
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• 제26권2호
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• pp.112-121
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• 2015

Concept based Design-Art is a flow formed while focusing on works not dividing boundaries with concept on top in a transition to content-centered communication methods from medium-centered communication methods so far dividing design genres. This movement begins in a try to create upper-level concepts before works and products come into being in pure art and design respectively. This thesis draws out the definition of Concept based Design-Art through its researches, diagnoses directionality of Concept based Design-Art by analyzing Concept based Design-Artists' works and considers their social duties and roles. Outcome of this study will help working authors, designers, and Design-Artists grasp the changing phases of design and art, establish their own directionality, and predict how the Concept based Design-Art market will change in the years ahead. Besides, it will be a good reference by which for them to build their own 'concept,' consider their relationship to the society and check where they are.

• 패션비즈니스
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• 제26권1호
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• pp.41-52
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• 2022

Since the dissolution of the Soviet Union in 1991, the Russian public has been rapidly adapting to belated globalization, consistent with the ever-changing market economy. The purpose of this study was to investigate the social background and modern fashion of Russia after the collapse of the Soviet system and consider the characteristics of modern Russian fashion that have emerged in various ways amid the social changes. This study has significance in expanding the breadth of understanding the rapidly growing modern Russian fashion by considering modern Russian fashion and preparing the foundation while filling the need for research on the Russian fashion market, which has great potential. In the scope of the study, we investigated fashion from the post-2000s, when consumption began in earnest after Russia suffered a period of social and economic turmoil and switched to a liberalistic economy in 1991, to the present. In addition, we conducted an analysis focusing on the works of fashion designers who came from Russia and actively participated in work activities in Russia or abroad. Russian fashion designers reflect the unique cultural characteristics of Russia in their designs and incorporate Russian art into their designs to represent new fashion. Through continuous attempts for creative fashion design, modern Russian fashion will be developed in more diverse ways in the future. Thus, a follow-up study using various approaches to Russian fashion is needed.

• International Journal of Advanced Culture Technology
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• 제12권1호
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• pp.175-181
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• 2024

The paper examines the impact of digital media art on urban creative products, analyzing opportunities and challenges in the digital era. It emphasizes the development of urban cultural and creative products, highlighting their significance and future growth potential. The digital media era provides unprecedented innovation opportunities, utilizing advanced tools for efficient design, production, and marketing. Trends like personalization, customization, AI, and big data offer new expressions and market prospects. Cultural products evolve in design, marketing, and sales channels due to digital media, with tools like social media and e-commerce platforms opening new promotion avenues. Case studies illustrate digital media's role in driving innovation and enhancing user experiences. The paper addresses challenges in market competition, copyright, and technological renewal, while recognizing opportunities from AI and big data. The creative industries must adapt and innovate to remain relevant. Looking ahead, urban creative products will evolve under digitalization, relying on digital means to attract consumers and enhance brand value. Cultural products, beyond economic entities, disseminate urban culture and creative spirit. In the digital era, urban creative products demonstrate potential and necessity, prompting a reevaluation of digital technology's role. Through continuous innovation, this field contributes to cultural and economic levels, impacting urban characteristics and heritage. Urban creative products play an increasingly vital role in the global cultural and creative economy.

• International Journal of Advanced Culture Technology
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• 제11권3호
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• pp.199-204
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• 2023

"New Dimension Art" is an artistic concept of the new era that the author puts forward by combining the background, the artistic environment and the artistic market.It relates to the consciousness of thought, the way of feeling, the form of expression and even the style of language in artistic creation.The author expounds this concept of art.At the same time, this paper deeply studies the characteristics of "new dimension art" by analyzing personality and commonality, as well as the creator's personality transformation.The author hopes that he and more artists can create and express more accurately through this concept, so that his works can fully reflect the author's individual characteristics and release more dimensional field energy. We are confident that this paper will affect the area of painting in the future.

• 한국산학기술학회논문지
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• 제12권2호
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• pp.629-639
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• 2011

본 논문에서는 현재 미술시장에서 주목 받고 있는 중국 컨템퍼러리 미술품 가격을 형성하는 요인을 분류하고, 중국 미술품만이 가지고 있는 가격형성 특징에 대해 고찰해 본다. 중국 컨템퍼러리 미술품의 급격한 성장에는 일반적인 미술품의 가격 형성요인과 차별화되는 중국만의 특수한 요인들이 영향을 미쳤을 것으로 판단하여 기존 선행 연구에서 사용되었던 가격형성요인에 중국의 작가 및 사회적 특징을 반영한 요인을 추가하였다. 미술품이 가지고 있는 다양한 특성들을 개별요인함수로 두고 실거래 가격을 종속변수로 하는 헤도닉 가격모형을 적용하여 데이터를 분석하였다. 그 결과로 중국 컨템퍼러리 미술품은 경매도시, 경매회사, 경매 월 등의 판매요인보다는 출신지역, 주 활동지역, 최종학력소재지 등의 작가적 요인이 더 많은 영향을 미치는 것으로 나타났다. 또한 최근 제작된 작품일수록 가격이 높게 책정되었고, 중국 컨템퍼러리 미술의 특징인 '인물의 유무' 요인에서는 작품 속 인물이 존재할수록 가격이 높게 책정된 것을 알 수 있었다. 사회적 요인인 중국 GDP가 중국 컨템퍼러리 미술품 가격과 동반 상승하였다는 점에도 주목할 만하다. 중국 컨템퍼러리 미술에 대한 관심과 수요가 높은 시점에서 본 연구의 결과는 중국 컨템퍼러리 미술품에 대한 이해도를 높이고, 컬렉터들에게 설득력 있는 구매방향을 제시해 줄 것이라 생각한다.

• 한국가구학회지
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• 제26권2호
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• pp.101-111
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• 2015

Today, boundaries between genres are collapsed and there are mutual convergence and consilience in each field of the society. In art and design, new concepts for the convergence of art and design, such as graft of 'art and design' and 'technology and art', 'art design', 'commercialization of art', etc, are suggested. Especially, furniture is changed from the furniture as a living tool whose purpose is practical properties to the furniture combined by artistic properties and emotional factors with a concept related to the convergence of art and design, such as 'design as an art', 'useable art', etc. For the evidence, Artfurniture which was treated as just a part of decorative arts is focused by expressive media of the convergence between art and design and it became a genre of independent art. In addition, it is approaching to people as 'furniture as an art' and 'art as furniture'. Popularization of art and art of design are generalized and now, it's meaningless to divide the boundary between art and design. Before the discussion about convergence of each concept in non-boundary phenomena of art and design, it should be grasp essentials of art and design and understand the boundaries. The exploration of the essences and roles will be the first step to find new value through the convergence of art and design. Therefore, this thesis intends to grasp the stream value of two concepts have been changed by examining periodical situation, market changes, etc. from division between previous art and design to modern times, based on them, analyze roles of art and design in modern artfurniture and interpret relations between art and design for current time.

• 한국융합학회논문지
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• 제10권12호
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• pp.215-221
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• 2019

블록체인 기반 예술품 거래 플랫폼의 발전은 최근 암호화폐 시장의 회복에도 불구하고 다시 활성화되지 못하고 있는 실정이다. 본 논문에서는 블록체인 기반 예술품 거래 플랫폼이 활성화되지 못하고 있는 원인을 암호화폐 가격의 큰 변동성에서 찾았으며, 그 해결책으로서 Stablecoin 형태의 암호화폐와 기존 암호화폐를 이원화하여 거래하는 시스템을 제안한다. 암호화폐 이원화를 통해 제안하는 시스템은 예술품 가격의 안정성과 블록체인 시스템의 가치 성장이라는 사용자의 요구사항을 모두 만족시킬 수 있다. 또한, 제안하는 시스템은 이원화된 두 가지 암호화폐의 사용과 시가총액의 비율이 시장 원리에 따라 조절되어 안정적으로 균형을 이룰 수 있을 것으로 기대된다. 마지막으로 제안하는 암호화폐 이원화는 거래 대상의 가치 안정성과 블록체인 시스템의 가치 성장이 동시에 요구되는 다른 응용 분야에서도 쓰일 수 있을 것으로 예상된다.

• Asia Marketing Journal
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• 제17권3호
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• pp.105-127
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• 2015

This study compares experienced and inexperienced consumers' patterns in cue utilisation in product evaluations in the arts market. Borrowing the notion of high- and low-scope cues introduced by the cue-diagnosticity framework, we differentiate between the two most readily discernible extrinsic cues in the fine arts market - an art gallery's brand reputation (a high-scope cue) and certificates of authenticity (a low-scope cue). These two cues are different in nature; the former is more abstract, intangible, and rich in content, so is more difficult to interpret than the latter. Given the differences in experienced and inexperienced consumers' information processing styles, we hypothesise that experienced arts consumers form perceived credibility of and purchase intentions towards artworks based on high-scope cues, whereas inexperienced consumers do so based on low-scope cues. To test our hypothesis, we conducted a consumer intercept study at Korea's two most representative art fairs. The survey participants were categorised into either experienced or inexperienced consumers based on their prior purchase experience, and their responses to a set of attribute combinations about two artworks created by the same artist were collected. The results indicate that experienced participants show higher purchase intentions when an art gallery's reputation is very high, whereas inexperienced participants show higher purchase intentions when artworks are accompanied by certificates of authenticity. This congruency effect between prior experience and cue type is mediated by the perceived credibility of the artworks. The findings suggest a correspondence between a consumer's prior experience and the types of extrinsic cues that are important in product evaluations. To the best of our knowledge, this study is the first attempt ever to investigate the role of prior experience in determining when to use high- or low-scope cues. It also provides a useful frame of reference to advise marketers on the effective sales approach based on a client's prior purchase experience.