• 한국멀티미디어학회논문지
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• 제21권6호
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• pp.712-722
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• 2018

This study investigates the merits of incorporating augmented reality in mobile games and proposes a mobile game application that combines augmented reality technology with gaming. The proposed study postulates that augmented reality technology can be employed for developing games on smartphones. The proposed application involves the implementation of a 3D virtual object in the real world by incorporating a target image. The proposed application also employs an intuitive interface with simplified manipulation based on touch, and allows players to collect and combine items for acquiring new items, thus making it elementary to pass the game stages. Furthermore, a ranking system has been introduced in the proposed application for enhancing the amusement factor of the game. The novelty of the proposed application lies in the fact that the virtual button function has been employed for combining physical and virtual objects while playing the game, without incorporating location-based services.

• 한국디지털건축인테리어학회논문집
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• 제9권3호
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• pp.85-93
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• 2009

In this study, the ex-formal expressions observed in space form of Korean modern architecture are distributed for characteristic analysis based on the period and type. The result of the study is certified by the work analysis and the result is as follows. Initially, due to the limited materials and influence of western brutalism, the works developed during 1960~70 tend to be plastic and contain expressionism. Around 1980's, the works tend to show forms of amusement and popularity. In 1990's the works show significance in deconstructive expression. From after 2000, ecological concept of architecture was introduced and organic expression started increasing Secondly, the ex-formal expressions are found to be in four different types. The organic expression is shown regardless of the period. In modern days, not only the physical properties of materials, but also the ecological concept is combined with the organic expression and is in increase. The plural expression started appearing after the 1980's and the sculptural diversity is enhancing with the addition of decorative factors or modification of geometrical form. The ex-construction and deconstructive expression show significance in some characteristics such as folding, inclination, and geometrical explosion. The free form and nonlinear expression tend to increase dramatically based on the development of structure technology as well as execution and introduce of the digital design technique.

• 한국주거학회:학술대회논문집
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• 한국주거학회 2009년 춘계학술발표대회 논문집
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• pp.310-315
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• 2009

Current improvements on the standard of living reduced working hours and increased leisure time. Therefore, people's ideas on life style changed and different demands on residential environment are being made. Residents of apartment want a community facility that enables constant exchange with other residents and supports living. Ideas on how to use physical space to strengthen a community is becoming an issue these days. Community facility plays a crucial role in giving a certain characteristic to the whole apartment and improving the image as a community. It also provides a physical environment and induces active participation of community life from apartment residents. The community facility in an important environment for children, which helps them develop in growth and in society as well. Community facility is a space where children fulfill their curiosity and amusement. Since children are greatly influenced by the physical surroundings, community facility for children should not remain as a space for fun but should change into a space for interaction. This study chose six apartments at Dongtan New Town, located in Hwaseong, Kyunggido. This study focuses on the characteristics of design for children's community facility and would like to make a proposal about future space planning for children's community facility.

• 복식
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• 제61권9호
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• pp.74-83
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• 2011

In the sense that it performs a function of communication with public, fashion illustration, which visualizes fashion information in an illustrated way, shares similar characteristics with graffiti, which represents the society of its time while having a value as a modern art itself. Therefore, the study aims to seek possibility of graffiti expression of fashion illustration, and to establish theoretical research systems for reestablishment of practical development methods of the graffiti expressions. The concrete contents of this study include followings: First, it examines the methods and characteristics of the graffiti expressions by analyzing the works of graffiti artists in order to understand the concept of graffiti and to find out the theoretical approach to it. Second, it investigates the characteristics of graffiti, and proposes concepts associated with graffiti after analyzing examples of fashion illustration which graffiti expressions are reflected. Third, it draws meanings that the use of graffiti expressions has in fashion illustration. In conclusion, graffiti expressions in fashion illustration are used in brand logos and text, human body deformation and omissions, autonomous expressions of variety of materials, symbolism, amusement, and autonomy as they are characterized by strong colors to express significance.

• 복식
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• 제53권5호
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• pp.33-48
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• 2003

The purpose of this study was to define the moaning and features of humor in modern fashion. by examining how it's being grafted into fashion, based on artistic expression including collage, assemblage, photo montage, graffiti, transformation, distortion, exaggeration and optical illusion. Beside. humor of fashion is to examine not only laugh and fun but also formative expression and creativity. Furthermore, it is to enlarge the range of conception for future fashion. The findings of this study could be described as below: The features of humorous fashion by collage and assemblage boiled down to unexpectedness, disharmony and creativity. The photo montage was marked by popularity, reproduction and recreativity, and graffiti was characterized by attention, simpleness, and amusement. And there were unexpectedness, creativity and strangeness in transformation, distortion, magnification and optical illusion. The meaning of humorous fashion that carries such features could eventually be summarized into the followings : First, the fashion, from which collage, assemblage, photo montage. graffiti, transformation, distortion, magnification and optical illusion were detected. could be sorted out into several categories that used different things : introduction of objects of different nature, dramatic impression and wit based on photo montage technique, introduction of comic components and infant image, and destruction of aesthetic principles. Second, the substance of humor in art could be applied to fashion design as well as visual art. Humor is a property related to accidental, unexpected incident, behavior, situation or idea, and it puts laugh, disharmony or awkwardness in fashion. Third, spicing fashion with humor could serve to draw people's attention, break down the barrier among people exposed to dry sentiment, and connect the public with art.

• 농업과학연구
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• 제39권4호
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• pp.535-543
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• 2012

Botanic gardens are steadily increasing based on people's increased interests in environment and ecology, lengthened leisure hours and improved transportation. However, similar florae and undifferentiated display are considered as problems, while their functions, purposes and characteristics have been more diversified. This study aims to investigate the present conditions and problems of display at botanic gardens and to find out solutions to make them exhibit plants through various ways of display and have their own characteristic, through a case study of seven botanic gardens. As botanic gardens are being recognized as a cultural institution, they should have limitations in the aspect of places that simply collect and exhibit rare plants. The current problems are unclear setting of design goals and communication with visitors. The gardens should escape from the existing supplier-oriented view to a visitor-oriented view, thinking about what the visitors will be able to see and get there. In particular, their display lacks differency, aesthetics, eye-level display, and multi-layered display. In addition to the essential functions of collecting the world's plants, exhibiting them according to purposes and giving scientific learning, botanic gardens should also show a sense of seasons with plants, trigger interests and amusement through unique plants, make visitors more interested in florae and closer to plants, and include social functions. Botanic gardens should be capable of leaning resources display, speciated display, complex and convergent garden-type display, and display fit for local and cultural contexts.

• 정보교육학회논문지
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• 제10권3호
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• pp.327-340
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• 2006

에듀게임은 학습자들로 하여금 흥미롭고 자기 주도적인 교육환경을 제공하기에 매우 적절한 분야이다. 본 논문에서는 고구려 역사에 초점을 맞추어서 역사 학습에 적용이 가능한 에듀게임을 개발하였다. 이름은 북벌로 명명하였다. 북벌의 주된 내용은 학생들로 하여금 고구려 역사에 대한 올바른 이해를 하도록 하기 위함이다. 중국이 고구려 역사를 왜곡하고 있다는 내용의 교육이 필요한 때이다. 단순히 교육과 재미의 형식적 결합이 되지 않도록 게임의 의미 요소를 염두에 두었다. 북벌은 일본의 Enterbrain사에서 만든 RPG making 2003(RPGツワ一ル2003)을 가지고 구현하였다. 마지막으로 학생들을 대상으로 에듀게임의 만족도 조사를 하였다. 조사 결과, 본 에듀게임의 역사 학습으로서의 긍정적인 활용 가능성과 더 나은 그래픽 인터페이스의 필요성을 알 수 있었다.

• 한국실내디자인학회논문집
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• 제40호
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• pp.34-41
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• 2003

A purpose of this study is to comprehend a concept of 'Open Space', realization of a deconstruction, presented in his works, based on a deconstruction and surrealism Coop Himmelblau's philosophical contemplation and to look into how this concept is interpreted in spaces. A concept of 'Open Space' is functioned as not a singular meaning but a multiple meaning accompanied with other formative ingredient and contemplation, scientific paradigm and a realation with a surroundings. The concept of 'Open Space' in their architentural space is applied. First, the space openness that represents to the extreme a concept 'Open Space', as a 3D designing ways that demolishes a structure and outgrows an ex siting thinking pattern, represents multiple grade spaces and an anti-gravity space. In a material, using glass and iron provides a spacial transparency and through this, visibly liberal sense that an interior and exterior is felt as an unification. Second, an non-expressive box pattern repulses to a spatial rank nature, outgrowing an uniform geometrical system, through demolishing a geometrical system, an edge and fold pattern. This is, as an anti-gravity, dynamic a typical structure, outgrowing an orthogonal system, interpreted as a composite meaning without division in spatial area. Third, the collage is used to represent a complexity and pluralism in representing 'Open space'. The collage that forms a image through combining a fragmentary elements into being a space change, composite constitution and spatial amusement. Thus, It is worthwhile to study how the collage that forms a diverse shape will be developed making what impact as an age and surroundings changed. As we contemplate in former part, Coop Himmelblou has deployed 'deconstruction beyond deconstruction' realm as just their midterm concept in their works like the words 'The architecture must climb', the deconstructive architect. A studying for their works reflecting the 'Open Space' concept based on deconstruction must be lasted and this enables us to comprehend space concept containing an architecture and interior design.

• 디자인학연구
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• 제16권4호
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• pp.225-232
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• 2003

독일의 철학자 노르베르트 볼츠(Norbert Bolz)는 디지털 영상미디어가 초래할 인간사고 방식의 근본적이고 전면적인 방식의 전환을 예고하면서, 마샬 맥루한으로 시작했던 활판인쇄로 강화된 근대문자 문화에 대한 비판의 맥락으로 근대 이성문명의 상징인 '구텐베르크의 은하계'의 종말을 강조하고 있다. 그는 디지털미디어라는 첨단 복합 미디어를 통해 이성을 중심으로 한 유럽 문명의 한계가 극복되리라 예견한 것이다. 커뮤니케이션의 상실된 생명력을 재생할 수 있다는 관점에서 미학의 원해 의미인 '감성적 지각(aisthesis)'을 강조하고, 칸트가 말하는 오감의 자유로운 유희 상태가 가능한 커뮤니케이션 미디어의 회복을 주장한다. 본 소고는 하이퍼미디어로써 영상 미디어의 선두 격인 디지털 애니메이션이 그 독특한 예술적 형식으로 효과적인 커뮤니케이션을 가능케 할 것이라 보고 있다. 이는 근대 이성 중심 주의에 짓눌려온 인간의 감성을 회복하는데 디지털 애니메이션 이 중요한 역할을 할 수 있다는 데서 출발한다. 또한, 디지털 애니메이션이 시간과 공간을 다루고 자유로운 표현이 가능하다는 점, 그리고 컴퓨터 기술의 집약으로 종합 미디어적 특성을 발휘해 효과적인 커뮤니케이션을 수행할 수 있다는 전들에 근거해, 새로운 예술 형식으로써의 가능성에 대해 분석하고자 한다. 특히, 미디어 분석가 겸 디자인과 교수인 노르베르트 볼츠의 하이퍼 미디어적인 뉴미디어 이론과의 연계성에 중점을 두고 있다.

• 디자인학연구
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• 제16권4호
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• pp.345-354
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• 2003

그리스의 극장은 인공적으로 구축된 최초의 극장이며, 로마의 극장은 그리스의 것을 모방하여 독창적 형태로 발전시킨 것으로 이 두 극장의 형태와 관습이 현대에 이르기까지 많은 영향을 끼치고 있다. 두 극장을 비교해 볼 때 다음과 같은 차이점을 발견할 수 있다. 극장이 설립된 목적과 기능 면에서 볼 때 그리스 극장은 종교적 목적에서 기인한 것이나 로마의 극장은 오락적 목적에서 기인한 것이다. 극장의 형태 면에서 볼 때 그리스 극장은 완전 노천 구조로 위엄 있고 웅장한 것이었으나 로마의 극장은 무대에 지붕을 포함하고 있었으며 화려하고 장식적인 것이었다. 극장의 성격 면에서 볼 때 그리스 극장은 민주적이었으나 로마의 극장은 계급적이었다. 그리스, 로마극장은 그 시대의 사회적 특성 및 연극적 특성에 따라 서로 구별되고 있지만 그리스 로마 고전극이 유럽 연극에 있어 하나의 원천이 되고 있는 것처럼 이 두 극장도 역시 하나가 되어 현대 극장의 원천이 되고 있다.