• 한국의류학회지
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• 제17권3호
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• pp.475-490
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• 1993

Even though modem ideal body type is rather tall and slim one, most of women don't coincide with it exactly. The objective of this research was to study the optical illusion effect of clothing design line so that average Korean women can approach the modern ideal body type. This research also tried to show the more scientific method to make stimulus by computer simulation and to present quantitative data. For the experiment, 9 design variables were selected from design principal book as follows : waistline level, skirt length, horizontal line emphasis, vertical line emphasis. princess line, vertical stripe, horizontal stripe, diagonal stripe. Each variable was divided into 4 levels so that 36 experimental designs were made. Visual stimuli which same model was wearing each design were recreated by the CAD system. These were given to evaluating panels through slide projecter. Then panels compared experimental design with basic design by 'tall effect' and 'slim effect', All the data from the experiment were analyszed by ANOVA and DUNCAN test for multiple comparison to study significance, direction(positive or negative), degree, proper extent of optical illusion effect. The result showed that some designs have optical illusion effect to make better look. In addition, it proved that the stronger design variable does not mean the more optical illusion effect and there was proper extent which produce the best illusion effect in each design variable.

• 한국국방경영분석학회지
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• 제25권1호
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• pp.14-28
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• 1999

Statistical data have shown that most of aircraft accidents attributed to the spatial disorientation result from visually restricted environments such as a flight amid clouds or a night flight, in particular during roll maneuvering. This study investigates the time necessary for a flighting pilot to recognize a sloped status as a horizontal status on the condition that the roll maneuver is operating when the visual sense is blocked In this study, aspects which affect such disorientation phenomena are examined. The result of this study shows that a pilot is rushed into a somatogyral illusion when a certain time elapses with visual sense blocked, and that as a speed of the flight increases and a bank of aircraft decreases, so a rushing time increases rapidly.

• 영상문화
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• 제19권
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• pp.189-221
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• 2012

본 논문은 영화의 출현 이전 19세기 시각기구들의 발전과정에 주목하여 동영상의 원리와 동영매체가 발전된 과정을 탐구하고자 한다. 이를 위해 본 논문은 잔상 이론이 본격적으로 연구되기 시작한 1820년대부터 1895년 영화의 발명에 이르기까지 시각 및 동영상기구들의 발전단계를 살펴보고, 동영상의 인지 원리로 알려진 '잔상효과(殘像效果)'(afterimage effect) 이론을 검토하고자 한다. 19세기 시각기구들은 소마트로프(Thaumatrope)-페나키스티스코프(Phenakistiscope) / 스트로보스코프(Stroboscope)-조이트로프(Zoetrope) -프락시노스코프(Praxinoscope)로 발전되었고, 1892년 투영식 프락시노스코프가 처음으로 동화(動畫)(moving pictures)를 스크린 위에 '움직임의 환상'(illusion of motion)으로 보여주었다. 이러한 시각기구들은 '잔상의 지속' 내지 '잔상효과'라고 알려진 이론을 근거로 발달되었지만, 20세기 초반 연구에 의하면, 동영상의 인지는 기존의 잔상 이론만으로는 설명이 부족하다는 것이 드러났다. 동영상의 인지에 관해 가장 유력한 설명 모델로서 인정받는 것은 인지심리학자 막스 베르트하이머(Max Wertheimer 1880-1943)의 1912년 실험·연구에 근거하는 '파이 현상'(Phi-phenomenon)이다. 또한, 동영상의 인지에서는 인간 눈의 특수한 시각적 인지체계가 작용하고 있으므로, 동영상의 인지 원리는 과학 지식과 더불어 재검토될 필요가 있다.

• 복식
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• 제53권5호
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• pp.33-48
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• 2003

The purpose of this study was to define the moaning and features of humor in modern fashion. by examining how it's being grafted into fashion, based on artistic expression including collage, assemblage, photo montage, graffiti, transformation, distortion, exaggeration and optical illusion. Beside. humor of fashion is to examine not only laugh and fun but also formative expression and creativity. Furthermore, it is to enlarge the range of conception for future fashion. The findings of this study could be described as below: The features of humorous fashion by collage and assemblage boiled down to unexpectedness, disharmony and creativity. The photo montage was marked by popularity, reproduction and recreativity, and graffiti was characterized by attention, simpleness, and amusement. And there were unexpectedness, creativity and strangeness in transformation, distortion, magnification and optical illusion. The meaning of humorous fashion that carries such features could eventually be summarized into the followings : First, the fashion, from which collage, assemblage, photo montage. graffiti, transformation, distortion, magnification and optical illusion were detected. could be sorted out into several categories that used different things : introduction of objects of different nature, dramatic impression and wit based on photo montage technique, introduction of comic components and infant image, and destruction of aesthetic principles. Second, the substance of humor in art could be applied to fashion design as well as visual art. Humor is a property related to accidental, unexpected incident, behavior, situation or idea, and it puts laugh, disharmony or awkwardness in fashion. Third, spicing fashion with humor could serve to draw people's attention, break down the barrier among people exposed to dry sentiment, and connect the public with art.

• 한국의류학회지
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• 제29권8호
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• pp.1114-1124
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• 2005

The purpose of the paper is to find the elements of jacket pattern far the obese women who went to slenderize their shape by optical illusion. Representative four subjects participated in wear tests. Subjective evaluation of the visual appearance we collected and, at the same time, 3D clothing air volume was observed for the four types of experimental jackets. As results it was found that narrower shoulder width, back upper width, and front waist width resulted in slender look, however, back abdomen width and front shoulder length induced more slender appearance in waist area. The result of the distance between clothing and skin measured by 3D scanner clearly demonstrated the distribution of ease due to the elements of pattern, which is useful to find the pattern variables responsible for the slender appearance of the obese women.

• 복식
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• 제53권7호
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• pp.57-68
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• 2003

The purpose of this study is to develop a creative perspective technique in fashion illustration through analyzing perspective in visual art experienced a great variety. This study was analyzed by examining the general theories based on the discovery of perspective and investigating the modern perspective in fashion illustration related to the method of spatial expression in visual art. A complex perspective of existing perspective gives the effect of reapperance of actual space and three-dimentional form in a plane. Because of being used as not only one perspective technique but also some perspectives technique, its expression can be more realistic. An amplified perspective gives the effect of visual illusion just like being suck in space inside and come out from screen outside by distorting the human body. A confused perspective of space gives the visual illusional effect of collapsing actual space and misunderstanding three-dimensional form by distorting the form of the space and changing the nature as an object of fashion. A reiterated or duplicated perspective gives effect of interpreting invisible space as imaginary space by overlapping and eliminating the object of fashion. An irrational perspective of spatial illusion gives the effect of disorganization experienced thinking by strange shapes and new recognition of irrational space by extraordinary visual connection. It has a tendency to surrealism. In conclusion, the modern perspective in fashion illustration has made the best use of not only new perspective since 1980, but general perspective before 1980. By the modern perspective expression. the viewer has made a chance to experience imaginary spaces indirectly, and the author has been able to express emotions by his or her new attempt in the screen.

• 패션비즈니스
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• 제19권2호
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• pp.182-199
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• 2015

This research aims to design a new style jacket by developing patterns with dart manipulation, to achieve a tailored jacket which has been familiar to us, but with a more creative design. Tailored jackets has been widely worn both by women and men, and used to create various fashion styles. Generally the classic design with a basic lapel and collar is worn the most, and this shows demonstrates an importance of its design. Giacomo Manzu's work of relief art inspired for a creative design of tailored jackets. As a result of the analysis on the visual properties of the relief sculptures, it was found that an omissions of line for cubic effect and dramatized expression give an illusion effect. Based on the illusion effect shown in the case of a relief design, it was patterned and designed with dart manipulation. Through dart manipulation, the shape of a lapel was designed to meet the rear collar, which corresponds to a background plane, by making it like a sculpture at the front background pattern. Then it was found through dart manipulation could be extensively applied for various designs, as well as used to generate massing. Hopefully this creative pattern and design development would be helpful not only in diversification of consumer's needs, but also in the educational field for pattern and development of the fashion design industry.

• 디지털융복합연구
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• 제12권12호
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• pp.513-520
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• 2014

인간은 유사 이래로 자신을 둘러싼 모든 것들을 본능적으로 미메시스(Mimesis)하고 환영(Illusion)을 생산하며 예술과 문화를 계승 발전시켜왔다. 그 대상으로는 단지 지시할 수 있는 객체만이 아닌 객체를 둘러싼 공간 역시 포함되었다. 르네상스 시대에 등장한 원근법은 서구 역사에 있어 공간을 바라보는 지배적인 방식으로서 자리를 잡았고, 근대 시각 체계를 형성하였다. 오랫동안 원근법에 기반 했던 공간의 연출방식은 디지털 미디어 시대에 접어들면서 다층적 구조를 내포한 수평적 데이터 구성이라는 개념으로 재정의 되었다. 이러한 구성적 특성은 보다 효율적이고 합리적인 방식으로 공간의 사실적 재현을 가능하게 만들었다. 공간의 연출방식은 시각 예술 문화에 있어서 하나의 방법론이라는 외피적 범주를 넘어 세상을 바라보는 인간의 가치관을 반영한다는 의미를 지니므로 디지털미디어 기반의 공간 연출방식에 대한 심도 있는 연구의 필요성이 있다.

• 한국의류산업학회지
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• 제15권5호
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• pp.682-693
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• 2013

Camouflage is evaluated by scientific principle in the fields of biology, military science, and art. It has a strong influence on contemporary fashion and means exposure with concealment. This study analyzed the visual characteristics of camouflage patterns in fashion design through documentaries and fashion photos. The fashion design results areas follow. The simple blending of a disruptive motif indicated an inaccurate repetition of a disruptive motif, the discontinuous or continuous connection of disruptive motif, the irregular repetition of a disruptive animal silhouette, the collage of a different disruptive motif, the craft of a disruptive motif and the intensive color match of a disruptive motif. It represented the maximization of complication, fantastic and fanciness. The overlap of a disruptive motif showed the overlap of disruptive print patterns with transparency and an overlap of different fabrics with a disruptive pattern. It represented spatial relationships of three dimensions as well as the maximization of visual illusion and the reinforcement of attractiveness. The blurring of a disruptive motif showed the pointage of disruptive motif, the pointage of image, value gradation, the whole blurring of a disruptive pattern cluster and stained appearance. It represented the obscurity of motif form, the uncertainty of object and double meaning. The trompe l'oeil of a partial background object showed the realistic and the painterly imitation of color and texture for partial objects through a close-up. It represented amazement and pleasure by illusion, scarcity and the decoration of surface and synecdochical remind. In conclusion, camouflage in fashion was weakened and modified from a classical military context by a unique expression of various motifs.

• 디지털융복합연구
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• 제14권12호
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• pp.209-215
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• 2016

스케니메이션의 중요한 요소는 이미지 프레임 수, 틈새의 넓이, 스트라이프 레이어의 넓이이다. 이는 최종적으로 시각효과에 영향을 미치고 있다. 이 외에 백그라운드 이미지의 사이즈, 스트라이프 레이어와 백그라운드 이미지의 색깔, 명도 등의 요소도 최종적으로 스케니메이션의 시각적인 효과에 영향을 미칠 수 있다. 본 연구는 스케니메이션 제작 기법 원리에 근거하여 여러 개의 실험을 하였다. 3D 입체 스케니메이션 제작 기법을 찾고, 이에 대한 문제를 제시하였으며, 다양한 실험을 통하여 최종 결론을 얻었다. 본 연구 목적은 실험을 통해서 3D 입체 스케니메이션에서 각 요소가 모션 착시 효과에 어떤 영향을 주는지 증명하고 싶다. 이를 바탕으로 본 연구가 향후 3D 입체 스케니메이션의 모션 착시 효과에 대한 연구의 참고가 될 수 있기를 기대한다. 그리고 향후도 Z축 활용을 극대화한 스케니메이션에 대한 연구를 목표로 한다.