• 건축역사연구
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• 제19권4호
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• pp.35-54
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• 2010

This study aims to examine the development process of the early stone pagodas of Unified Silla. The history of stone pagodas traces back to both Baekje and Silla in the Three Kingdoms period, but the styles and structures of pagodas began differently. In other words, Baekje attempted to recreate the wooden pagoda style, while Silla attempted to recreate China' brick pagoda style. These different stone pagoda cultures, around the unification of Three Kingdoms, underwent new style changes, and after the mid-7th century, some changes in the five-storied stone pagodas in Tapri appeared, and the milestone perfection of Silla's stone pagodas was achieved through those of Gameusa Temple and Goseonsa Temple. After the mid-7th century, Silla's stone pagodas accommodated some of Baekje's wooden pagodas' elements, shifted from the wooden pagoda style and developed into its own stone pagoda style. This is shown in numerous stone pagodas. However, in Silla's stone pagodas, including the three-storied stone pagoda in Hwagboksa Temple in 692, the size of the pagoda became small and underwent sudden changes. In other words, a new direction of Silla stone pagodas was presented in terms of how massive stones could be reduced, but they differed only in the reduced stone amount; the basic developed style of the Gameunsa Temple stone pagoda and the Goseonsa Temple stone pagoda inherited the traditional style. Thus, the construction of these two pagodas is considered to be significant in the Silla's history of stone pagodas.

• 복식
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• 제29권
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• pp.197-208
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• 1996

Skins were manufactured in Korea since the early prehistoric period and were manufac-tured and used from the period of the three Kingdoms and Koryo through the Chosun era. These materials were developed into skins through a tradition of thousand years, . In Korea the Orient Culture of nomadic tribes and Mesopotamia Culture of stock-farming come together and developed these original woolen fabrics and skins culture. In this study the characteristics of Korean skins will be disscussed from the literature survey of the relevant references researched remains and pictures. During the Chosun period skins were fre-quently manufactured and used. Vsarious skins were used as necessites of life such as cloth-ing shoes bedclothes and so on.

• 복식
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• 제57권2호
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• pp.59-68
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• 2007

It seems that Balhae(渤海) had built up its national power through the international relationship from the early years of an establishment of a dynasty. And the envoys that were sent with the official duties dressed up the official uniform for a diplomatic courtesy. Accordingly, this study will be considered about the official uniform in the early years of the Balhae era. The system of the official uniform of Balhae was classified into two form as the starting from $739\sim742$ A.D. The official uniform of the early years of the Balhae($698\sim739$ A.D.) was based on the costume of the three Kingdoms[三國時代], that is, Yu, Go(待), Jo-u-gwan(鳥羽冠). These results were available owing to the reasons that the Balhaehad succeeded the culture of Go-gu-ryo(高句麗), which was the basis for the development of Parhae's own culture, and the most of the governing group and the ruling class in Balhaewere the drifting people from Go-gu-ryo. After that, which the 3th King Mun(文王), acrepted the Tang's culture positively, assumed the reins of government ascended the throne and the brisk exchange with Tang(唐) by the envoys and Suk-wui(宿衛) were dispatched to Tang, the official uniform of the Balhaewas transformed into the system of Tang. This system was similar to that of Tang in point of using a four colors and the items as Danryeong(團領), Bokdu.

• 한국조경학회지
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• 제23권2호
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• pp.124-136
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• 1995

This study was conducted to find the distinguished pattern of Korean 'Dae'. Therefore, the purpose of this study is to define how the pattern of 'Dae' has been developed and what is the characteristics of the pattern of Korean 'Dae'. The summarized results are as follows; 1. The types of 'Dae'(rock in the nature, a 'Dae' built artificially, a structure) were identified in the era of the three kingdoms. And in the era of the three kingdoms, 'Dae' was regarded as: a mysterious place related with a king, the place where concrete activities of a specific person had occurred in there, and a mountain peak 2. in the era of Koryo , artificial aspect of 'Dae' were emphasized. In addition, the activities occurred in the 'Dae' took concrete shape by kings. 3. The characteristics of the pattern of 'Dae' during Chosen Dynasty are: 1) A type of huge flat rock(27.6%), a type of mounts고 peak and a type of cuff(24.1%), a type of fantastic rock(15.5%), a type of stratified rock(6.9%) were shown 2) The main activities on 'Dae' were play , observation, and rest 3) In the viewpoint of the locational characteristics, 'Dae' were found in the mountains, at the top of the mountain peaks, on high hill, on cliffs, at the riversides, and on the beaches, etc. 4. With consideration on change trend of the number of'Dae' according to literature(time) , the biggest geographical distributions of 'Dae' were shows in Hamkyungdo in noddle of 15th century (Saejongsillockjiriji), in Kangwondo in the middle of 16th century (Sinjeongdonggukyecjiseongram), in Chunrado in middle of 17th century(Donggukyeojiji), and in Kyungsangdo in middle of 18th 19th century(Yeojidoseo, Eubji) 5. Through the whole period of Chosen Dynasty, the geographical distribution of 'Dae' had much in Kyungsangdo and Pyungahndo.

• 대한지리학회지
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• 제44권4호
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• pp.497-509
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• 2009

삼국사기 신라본기를 통하여 고대(BC 57$\sim$AD 935)에 발생한 가뭄, 홍수, 역질, 메뚜기의 내습 그리고 지진 등 자연재해 기록을 유형별로 분석하여, 각각 인간생활에 어떻게 영향을 미치고 상호 관련되어 있는지 검토하였다. 농업생산에 가장 크게 영향을 미친 것은 가뭄이며, 홍수의 영향은 미약하였다. 고대에는 곡저평야에 경작지를 만들며 하천 범람으로부터 안전한 공간에 도시와 마을을 조성하였으므로 대부분의 홍수가 파괴적인 재해는 아니었다. 메뚜기 떼는 가뭄이 발생한 시기에 출현하는 빈도가 높았다. 고대의 역질은 기근, 홍수, 가뭄과 관계 없이 발생한다. 이것은 당시 수인성 전염병이 주기적으로 발생하였으며, 통일 이후 도시화로 인해 수도에 인구가 집중되면서 전염병의 발생이 지속적으로 증가하였다. 신라 천 년 고대 동안의 가뭄 현상은 두 번의 주기가 인정되며 대략 500년의 시간 간격으로 발생하였다.

• 복식
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• 제66권1호
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• pp.122-134
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• 2016

The Mural Tomb of Xu Xianxiu(AD 571), a high ranking official in Northern Qi period, is located in Taiyuan, Shanxi province, China. Despite having been raided, it was still discovered to contain over 530 pieces, such as artifacts and murals, in excellent state of preservation. These murals are noteworthy for their high level of detail compared to other murals from the same era, and are important for understanding the historical context of active East-West and Han-Hu cultural exchange in the $6^{th}$ to $7^{th}$ century. The murals of Xu Xianxiu's tomb depict round-collared and narrow-sleeved garments as well as straight collared robes typical of the Xianbei tribe's attire. Notable are the ermine fur overcoat and a headwear with flares on the left and right thought to be unique to the Xianbei. The wife and female servants show female attire of the Xianbei at the time; this attire can be characterized by narrow-sleeved long gowns and asymmetrical flying-bird buns. Despite the anti-Han policy of Northern Qi, influences such as the right sided gathering of the robes and embellished hair styles remain. The procession also depicts the three-cornered headdress and long-tailed hood of the Xianbei men, which have been recorded in documents. The large rounded pearl pattern containing the palmette, the divine animal, and bodhisattva's head motifs show the influence of the Western China [Xi'yu]. Considering that Northern Qi had more active interactions with the three ancient kingdoms of Korea than with the Southern Kingdoms[Nanchao], the findings of this study call for further research on the correlation between the attire of ancient Korea and Northern Qi.

• 복식
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• 제63권6호
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• pp.140-149
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• 2013

The study aims to suggest new skirt designs through a modernistic application of the silhouette of Hanbok skirts. It also aims to promote the aesthetic beauty and excellence of Hanbok to the world by using Hanbok skirts that best express the beauty of Korea as motifs, and to promote a pride in Korean culture through a reinterpretation of Hanbok skirts. The study was focused on examining Hanbok skirts from the Three Kingdoms era to the Joseon Dynasty, and the skirts in each era were compared to western silhouettes to suggest design centering on the characteristics of each silhouette. As for the theoretical background, shapes were classified according to waist-grip, the width and length of a skirt, wrinkles and ornamental lines, before being compared to skirt silhouettes of western costume. As a result, it was found that Hanbok skirt silhouettes in the Three Kingdoms era were similar to the A-Line silhouette of western costume, the Empire silhouette of unified Silla, the H-Line silhouette of the Goryeo Dynasty, the Bell-Line silhouette of the Joseon Dynasty and the Bustle Style applied to ceremonial costume in the early Joseon Dynasty. The researcher suggested five skirt designs by applying the above-mentioned five silhouettes, confirming the research premise that Hanbok skirt silhouettes are as diversified as those found in western costume. Designs were suggested for each silhouette, and are expected to lead to the development of designs befitting future trends and concepts through detailed research and development on Hanbok skirt silhouettes.

• 한국콘텐츠학회논문지
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• 제18권10호
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• pp.618-630
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• 2018

현대 신발디자인은 형태적 변화뿐만이 아니라 문양을 통한 다양한 디자인 전개가 적극적으로 시도되고 있다. 그러나 이런 문양이 일시적인 유행에 그치지 않고 세계적인 경쟁력을 지닌 디자인으로서 지속적인 가치를 갖기 위해서는 우리나라의 고유한 정체성을 반영할 수 있는 문양을 개발해야할 것이며, 이것은 전통문양에 대한 분석이 선행됨으로써 가능해질 것이다. 문양은 집단적 가치의 상징으로, 전통문양은 현재까지 이어져 내려오면서 소속된 사회구성원의 철학적인 사상을 함축적으로 표현하기 때문이다. 이에 본 연구에서는 전통신발 중 문양이 특징적 디자인 요소로 활용된 삼국시대의 금동신발을 분석했으며, 그 문양의 상징성은 시간과 공간의 초월(超越), 정신과 물질의 조화(調和), 지역과 종교의 융합(融合) 등으로 나타났다. 이것은 우리의 선조들이 자연의 한계를 인간 중심으로 해석, 극복하고, 현실을 넘어 이상을 추구하였으며 다양한 사상을 수용했다는 측면에서 인간중심주의, 이상주의, 포용주의를 나타낸다고 볼 수 있다.

• 복식문화연구
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• 제21권1호
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• pp.1-16
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• 2013

This study analyzed the characteristics of Korean traditional plain weave excavated from Sang-go period to Joseon Dynasty. To do this, this study classified the Korean traditional plain weave into fiber types(cotton, hemp & ramie, plain weaved silk), analyzed and compared the thickness, twist type of yarns and density by times. First, in characteristics of cotton, the average and maximum density of Joseon Dynasty were higher than those of Goryeo, twist type was mainly s-twist and the density of warp was higher than that of weft. Second, the maximum density of hemp & ramie was found in era of Three Kingdoms of Korea. In common characteristics of hemp & ramie, twist type was mainly s-twist(sometimes non-twist) to the Three Kingdoms of Korea and was changed into non-twist from the Goryeo. The density of warp was higher than that of weft in common. Generally, the average density of ramie was higher than that of hemp. Third, in the characteristics of plain weaved silk, twist type was mainly non-twist(sometimes s and z-twist) from Sang-go period to Joseon Dynasty. Warp-faced ribbed tabby was excavated in Goryeo, the average density of warp-faced ribbed tabby was higher than that of other fiber types plain weave. Generally, in all fiber types, the density of warp was higher than that of weft.

• 고문화
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• 57호
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• pp.41-75
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• 2001

영남지역의 삼국시대 고분은 대형 봉토분이 지역별로 군집을 이루고 분포하고 있다. 그런데 이들 봉토분들은 일반적으로 봉분 기저부에 원형 혹은 타원형의 호석을 설치하고 있다. 호석은 봉토의 유실을 방지하기 위하여 분묘 둘레에 구축한 시설이면서 분묘의 범위를 나타내는 경계선이기도 하다. 이러한 호석 시설은 수혈식 석실의 봉토분 및 횡혈식 석실분은 물론이고 경주의 적석목곽분에도 설치되고 있어 삼국시대 봉토분의 일반적인 축조방식으로 보인다. 이와 같은 봉토분의 호석들은 현재는 대부분 봉토 속에 묻혀 있어 겉으로 드러나지 않고 있으나 원래는 봉분의 밖에 노출되어 있었을 가능성도 매우 높다고 생각된다. 그래서 필자는 성주 성산동고분군의 삼국시대 봉토분 28기와 기존에 조사된 4기 등 32기의 기저부를 조사하면서 호석의 형태를 면밀히 관찰하게 되었다. 이번에 조사한 32기의 봉토분 중에서 호석을 가지고 있는 고분은 27기었으며, 호석이 없는 고분은 5기에 불과하였다. 즉, 성산동고분군의 봉토분들은 대부분 타원형 호석이 설치되고 있음을 확인하였다. 성산동고분군의 호석들은 대개 원형 혹은 타원형의 봉분 외연 전체를 둘러 설치하였고, 축조방법은 자연석이나 할석으로 2단내지 3단을 옆으로 뉘어 바깥 면을 정연하게 쌓은 것이 가장 많고, 할석 1단을 옆으로 돌린 것도 있다. 호석의 높이는 1단 10cm로부터 4단 1m까지 있으나 2$\~$3단 30$\~$50cm가 일반적이다. 이와 같은 축조방법이나 축조양상으로 볼 때 삼국시대 봉토분의 호석은 대부분 봉분의 밖에 노출되어 축조되었다고 생각된다. 그리고 이와 같은 외곽 호석 관습이 통일신라 이후에 왕릉의 12지상 호석으로 발전한 것으로 생각된다. 따라서 호석이 있는 삼국시대 봉토분을 복원정비 할 때에는 호석을 봉분 밖으로 노출시켜 복원하는 것이 바람직할 것이라고 생각된다.