• Transactions of Materials Processing
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• v.19 no.8
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• pp.468-473
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• 2010

Shape memory alloys (SMAs) have the ability to recover their original shape upon thermo-mechanical loading even after large inelastic deformation. The unique feature is known as pseudoelasticity and shape memory effect caused by the crystalline structural transformation between two solid-state phases called austenite and martensite. To support the engineering application, a number of constitutive models, which can be formally classified into either micromechanics-based or phenomenological model, have been developed. Most of the constitutive models include a kinetic law governing the crystallographic transformation. The present work presents a one-dimensional, phenomenological constitutive model for SMAs in the context of the unified viscoplasticity theory. The proposed model does not incorporate the complex mechanisms of phase transformation. Instead, the effects induced by the transformation are depicted through the growth law for the back stress that is an internal state variable of the model.

• Proceedings of the Korean Powder Metallurgy Institute Conference
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• 2006.09a
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• pp.513.1-513.1
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• 2006

• Korean Institute of Interior Design Journal
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• v.26 no.4
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• pp.57-64
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• 2017

Modern Christian spaces are developing from the past architectural styles to the phenomenological aspects. This study was conducted since it was judged that research and analysis is desirable with the application of religious phenomenological theories which fit the characteristics of religious spaces. A scholar of religion, M. Eliade studied religious phenomenology based on religious studies. This study analyzed the characteristics of religious phenomenology of the Christian spaces based on his theory. As a research method, this study analyzed the category of religious studies and religious phenomenology derived from them and selected M. Eliade as one of the theorists in the field of religious phenomenology. Study drew out the characteristics of Christian spaces from the perspective of M. Eliade's religious phenomenology as follows; In the Christian spaces, characteristics of experiential spatiality and ambiguous spatiality appeared in relation to the spaces of 'Sacred' and 'Profane' which M. Eliade aimed to explain. The characteristics of Christian spaces drawn out from the time of 'Sacred' and 'Profane', which is M. Eliade's theory, were fundamental temporality, environmental temporality and subjective temporality. From the structure and form of 'Sacred' and 'Profane', which is M. Eliade's theory, the characteristics of Christian spaces can be considered to be formative symbolism and physical naturalness. Various characteristics of Christian spaces materialize the concepts of 'hierophany' and 'sublimity' vaguely felt in religious spaces. The results of this study is expected to provide researchers, religious people and general public who study Christian spaces with research basis to further objectify results of their studies as well as basic data on the phenomenological methodology of religion.

• Korean Institute of Interior Design Journal
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• v.23 no.3
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• pp.212-221
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• 2014

This study aims to analyze and explore phenomenological elements that appear in small-scall art museums with spatial concepts, such as top and bottom, depth, movement, and experienced space on the basis of Merleau-Ponty $Ph\acute{e}nom\acute{e}nologie$ de la perception.' Therefore, small-scale art museums may be regarded as an ideal space that can be analyzed with Merleau-Ponty's phenomenological theory since they should provide viewers with various spatial experiences in a limited space, breaking away from spatial limitations beyond appreciation of artworks. As research subjects, the range of art museums was limited to ones whose designs architectures or interior designers participated in out of all the small-scale art museums constructed after the 1990s, when the concepts and directing methods of spatial experience elements started being applied to art museums. Small-scale art museums chosen as cases were analyzed with Merleau-Ponty's spatial concepts explained earlier, and this study drew conclusions for each one. The significance of this study is that the results of this study can be used as efficient materials to reflect phenomenological elements on planning future small-scale art museums through further studies on various small-scale art museums.

• Korean Journal of Optics and Photonics
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• v.6 no.2
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• pp.135-141
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• 1995

Phenomenological nonlinear gain saturation effect on the noise characteristics of a multi-electrode DBR laser, when the lasing wavelength changes continuously, is presented theoretically. Using the optical transmission line theory, noise characteristics reliant on output power are analyzed by taking into account both the spontaneous enhancement factor K due to the distribution of the spontaneous emission along the active cavity and the nonlinear gain saturation effect. Spontaneous emission rate was increased due to an increase in injected current into the passive section, which in turn lead to increase in relative intensity noise (RIN) and frequency noise. Phenomenological nonlinear gain saturation was found to have significant effect on RIN and frequency noise characteristics. However. Iinewidth was found to decrease due to a phenomenological nonlinear gain saturation effect. ffect.

• Korean Institute of Interior Design Journal
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• v.22 no.5
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• pp.135-142
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• 2013

This research regards that experiencing certain space according to looking through sensations of body will finally make visual perceptional experience to happen. Our bodies incorporate sensible experience along with interactions with surrounding environment while making movements. The analysis of Seongyojang in Gangleung through top and bottom, depth, movement and experience space which are Merleau Ponty's phenomenological space elements has led to the following conclusions. First, the up and down directivity inherent in Seongyojang has different directions in movements by the axis of plane. Second, the depth by the correlation between things and bodies shows the interactions with things and the depth of space rendered by the servants' quarters of '一字形' and the overlapping effect from the movement between buildings can be seen and felt. Third, mobility is focused on the surroundings for the movements of body and thing. Fourth, the experienced space remains as what it is and is experienced through the experience of traditional cultures. The temporality where the past and the present subsist is given with the application of the modern living pattern in the traditional space. That is, the space from the point of phenomenological view makes the visual-perceptual experience possible through the senses of body, with which the space is experienced and sensed. In other words, the space from the phenomenological viewpoint makes visual-perceptual experience possible through the senses of body so that the space may be experienced and perceived. Through this study, a new viewpoint toward Korean traditional space is expected to be discovered.

• Proceedings of the KIEE Conference
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• 2001.07c
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• pp.1366-1368
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• 2001

In this study it can be confirmed that the formula by the free-rotational dipole theory is similiar with that by the phenomenological theory and the non-linear permittivity is determined only with the third harmonic conponent of polarization. Various parameters of VDCN copolymers were obtained from fitting results with the related formula.

• Bulletin of the Korean Chemical Society
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• v.11 no.5
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• pp.446-449
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• 1990

A phenomenological theory of viscosity which has been proposed by authors is applied to liquid metals for which the calculation is a severe test for liquid theories. The thermodynamic properties used in the calculations can be obtained by using the Roulette liquid theory. The calculated values of the viscosities for liquid metals are in good agreements with the observed values.

• 한국정보디스플레이학회:학술대회논문집
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• 2005.07a
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• pp.195-198
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• 2005

Using theoretical analysis based on Landau theory, it is shown that only five phenomenological parameters are necessary to describe the twelve bulk elastic constants of a biaxial nematic phase. Further, a simple method for determining the values of these five parameters experimentally is given. Comparison with the values of the well-known splay, twist, and bend elastic constants of the uniaial nematic is made.

• Korean Institute of Interior Design Journal
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• v.25 no.6
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• pp.89-97
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• 2016

The aim of this study is to review Norberg-Schulz's architectural phenomenology to find out its meaning and limitations in contemporary architecture. His phenomenological trilogy, 'Existence, Space and Architecture', 'Genius Loci' and 'The Concept of Dwelling' are main texts to examine background, characteristics, meaning and limitations of his theory in relation to Structuralism and Heidegger's thoughts. Heidegger's phenomenology, especially his dwelling concept, had great impacts on forming Norberg-Schulz's architectural phenomenology. However, since his architectural phenomenology was strongly influenced by Structuralism, his theories present unstable combination of phenomenology and semiotics. And this results in instrumentalization, and overlooking body movement and socio-economical elements in his theory. In spite of these limitations, his theory also shows possibility to go beyond the theory of Modern architecture and plays important role in suggesting direction for better environment through applicability from single building to city in Postmodern architecture. Another meaning of his theory lies in presenting theoretical background for new way to interpret regionalism and specific policy tool to make town planning in Finland.