• Annual Conference on Human and Language Technology
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• 1995.10a
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• pp.240-243
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• 1995

최근에 들어와 퍼스는 인지과학적 관점에서 몇몇 영미철학자들의 각별한 관심을 끌고있다. 그러나 퍼스의 기호학과 현상론의 기본 바탕이 현대 인지과학의 노선과 그렇게 쉽사리 일치가 될 것 같지는 않다. 본 발표에서 논자는 퍼스와 인지과학의 관계를 본격적으로 탐구하기 위한 준비작업으로서 기호와 사고의 관계에 대한 퍼스의 이론을 그의 초기 논문들의 분석에 기초하여 비교적 선명하게 정리해보고자 한다. 발표 초반부에서 먼저 퍼스의 프래그매티시즘의 본질을 규정하고 이어서 기호학과의 관련성을 해명한 후, 기호와 인지의 관계를 밝혀보고자 한다.

• Proceedings of the Korean Fiber Society Conference
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• 1998.04a
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• pp.253-257
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• 1998

지금까지 직물의 역학적 특성을 고찰하기 위하여 직물의 구조에 대한 기하학적인 모델들이 많은 연구자들에 의해 소개되어 왔다. 1937년에 Peirce$^1$가 원형 단면의 모델을 제안하면서부터 이 모델을 기본으로 한 기하학적 모델에 대한 연구가 활발히 진행되어 race track 모델, lenticular 모델, circular arc 모텔, 직선 모델등 여러 가지 모델이 제시되었다. 이러한 모델들은 직물의 종류와 이완상태에 따라 직물의 역학적 특성을 예측하는데 있어 커다란 차이가 있다.(중략)

• Proceedings of the Korean Fiber Society Conference
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• 1998.10a
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• pp.373-376
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• 1998

직물에 있어서 경ㆍ위사의 밀도, crimp, cover factor, 직물의 두께, 무게 둥은 경ㆍ위사의 섬도, 직물의 패턴 등과 더불어 직물의 특성을 나타내는 기본적인 인자들이며 이러한 직물 구성 인자간의 관계에 대하여 Peirce의 연구[1] 이래 많은 연구가 이루어져 왔다. 그러나 이러한 인자들을 실제로 측정하기 위해서는 직물을 자르거나 분해하여야 하며, 측정에 많은 시간이 소요되고, 측정 방법이나 기기 또는 측정자에 따라 측정치에 차이가 나는 등의 단점이 있다. (중략)

• Proceedings of the Korean Fiber Society Conference
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• 2003.10b
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• pp.299-300
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• 2003

직물은 유연하여 외력에 의해 쉽게 굽힘, 비틀림 등의 변형이 일어난다. 이러한 특성 중 직물의 굽힘은 태, 봉제성, 드레이프성 등의 중요 인자로서 지금까지 여러 연구들이 직물의 구조에 관련하여 굽힘강성을 분석하려는 시도가 계속되어 왔다. 이러한 연구의 최초의 시도로서 1930년대 Peirce가 직물을 선형탄성체로 가정한 후 외팔보법을 적용시켜 굽힘길이로 굽힘강성을 나타내었으며[l] 현재까지도 이 시험법이 시행되어 오고 있다. (중략)

• Journal of Digital Convergence
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• v.13 no.11
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• pp.1-6
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• 2015

This study is based on semiotic analysis with a focus on film 'Veteran'. The film is to the reproduced movie in the sign for social problems facing our society. The purpose of this study is to interpreted the implication is that referents and presents of the film to be directed by semiotic. The methodology is the study that the Saussure's semiology as a signifier and signified, and Peirce's semiotic as iconic, index, symbols in contemporary scholars. The Semiotics is analyzed on the basis myth and ideology of Barth. The film director thinks the 'veteran' was replaced by the implications of the role of the actor as a signifier that is the out referent of our society. Thus, the film was sublimated into more than the real as myth in our society desires. So, our society is to implement the right ideas as ideologies process. that is, rewarding the good and punishing the evil, and eventually implement justice society. The implications of this study is going to create a society that is not for specific groups tycoon, is for mutual dependence like the interpretation of the song of the film veteran.

• Journal of the Korean Society of Costume
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• v.39
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• pp.197-215
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• 1998

Vivienne Westwood, the revolutionary cre-ator of Punk fashion(ripped T-shirts, bondage clothes, fetishist accoutrements) was a street fashion designer. Although Westwood's clothes have frequently been described as decadent, degenerate and unwearable, they have also exerted a powerful influence on interntional fashion. Westwood became a fashion designer in the mid-1970s, when he emergence of Punk put London back on the fashion map for the first time since 1965. Just as the Mods, Rockers, and Hippies of the 1960s had embraced par-ticular styles of dress and music, so also did the Punks create their own subculture. The Punk“style in revolt”was a deliberately“re-volting style”that incorporated into fashion various offensive or threatening objects like tampons, razor blades, and lavatory chains. Vivienne Westwood and parter Malcolm McLaren articulated this youth culture, who roots lay in music. A sign is something which stands for some object or idea, while the semiotics are the ex-ternal expression for an internal meaning. Semiotics can be used as a medium of communication between dress and music. A language is simply used for explicit of meaning, while the style of dress and music express the explicative and implicative signs. Peirce's scheme among several theories of the semiotics was chosen for this study, because the Peirce's scheme was the first non-language communication medium between external and internal stages, and readily inter-preted the styles of dress and music. Punk rock was studied at first to identify the style which influenced Vivienne Westwood's works and then Semiotics were used to apply the above results to the 1970s and 1990s for analyzing and interpreting the Vivienne Westwood's works were also interpreted by the symbolic characteristics of Semiotics, because the symbol of semiotics often found at Youth Cults reflected punk rock. The symbol of revolt, decadence, grungy, freedom in Vivienne Wes-twood's works wre determined by using Punk rock's semiotics. This study could conclude that the style of dress and punk rock were able to be interpreted by semiotics.

• Journal of Fashion Business
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• v.7 no.1
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• pp.84-100
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• 2003

The purpose of this study is to analyze the meanings of signs represented in contemporary fashion based on the Peirce's trisection theory in order to present various types of sign representation that satisfies aesthetic value and characteristics of the age of information and image. Types of signs represented in contemporary fashion can be summarized into letters, numbers, codes, pictures, logos, characters and emblems. The meanings of signs were analyzed based on the Peirce's trisection theory, resulting in representation of play, brandsymbol, eroticism and suggestion. The play was categorized into infantile and parodic. The former inspires unexpected interest and laughter from contemporary people in the age of disorder through humorous characters, cartoons and illustrations. The latter inspires laughter by parodying things and it's intention is to release the isolation of people and their relative poverty through pictures for which techniques of parody and surrealism were used. Most of the brandsymbols represented by logos, used for textile and clothing design as well as accessories are optimal signs that construct brand images. Eroticism means emotion, impulses, senses of value and sexual attraction. A desire to represent sexual attraction is an expression of eroticism and self-expression to adjust in a changing society. Suggestion tends to pursue the image of harmony with nature in a world which is pressed by material civilization. Humans represent illuminating messages through direct slogans by characters, natural objects and motives of social phenomenon in pursuit of the benefits of abundant material civilization in the structure of a highly advanced scientific civilization and industrial society.

• Journal of Educational Research in Mathematics
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• v.13 no.4
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• pp.463-483
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• 2003

In the learning of mathematics, students experience the semiotic activities of representing and interpreting mathematical signs. We called these activities as the representing and interpreting of mathematical signs. On the foundation of Peirce's three elements of the sign, we analysed that students constructed the representamen to interpret the concept of correlation as for the object, "as one is taller, one's size of foot is larger" 4 middle school students who participated the gifted center in Seoul, arranged the statistical data, constructed their own representamen, and then learned the conventional signs as a result of the whole class discussion. In the process, students performed the detailed representing and interpreting of signs, depended on the templates of the known signs, and interpreted the process voluntarily. As the semiotic activities were taken place in this way, it was needed that mathematics teacher guided the representing and interpreting of mathematical signs so that the representation and the meaning of the sign were constructed each other, and that students endeavored to get the negotiation of the interpretants and the representamens, and to reach the conventional representing.

• Journal of Educational Research in Mathematics
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• v.25 no.3
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• pp.323-345
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• 2015

This study examined the types of abduction appeared in the exploration activities of 'law of large numbers' in order to figure out relation between statistical reasoning and abduction. When the classroom discourse of students was analyzed by Peirce's abduction, Eco's abduction type and Toulmin's argument pattern, students used overcoded abduction the most in the discourse of abduction. However, there composed a low percent of undercoded abduction leading to various thinking, and creative abduction used to make new principles or theories. By the CAS calculators used in the process of reasoning, students were provided with empirical context to understand the concept of abstract probability, through which they actively participated in the argumentation centered on the reasoning. As a result, it was found that not only to understand the abduction, but to build statistical context with tools in the learning of statistical reasoning is important.

• The Journal of the Korea Contents Association
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• v.15 no.4
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• pp.65-74
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• 2015

This study is dealing with sound of Hitchcock's movie <The Man Who Knew Too Much (1956)> from Peirce's semiotic perspective. This paper examined Peirce's theory prior to semiotic discussion, and analyzed the three elements of sound(speech, noise, music) depending on the type of sign that he presented. Music is possible to express emotions as an index through intervals. The instrument sound under firstness works as the element of narrative and it may be a dynamic object, transferred to the dicisign of secondness. Also, a word in speech is possible to represent an object allusively through an icon in the film. Noise and music as an index are serving to increase the tension of film. Meanwhile, two different genres of music on the juxtaposition are in charge of narrative function as a dicisign. Thus, Hitchcock's sound has various semiotic qualities of signification depending on the context.