• 조명전기설비학회논문지
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• 제24권12호
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• pp.47-56
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• 2010

For a human being's smooth activity, the clean air and comfortable lighting environment are needed. The suitable lighting environment is obtained generally by making it available for being formed the bright situation easy for seeing object and the visually comfortable atmosphere. In this way, even the lighting environment was changed along with economic development. Even a light source was diversified. Thus, several kinds of new light sources such as LED, OLED, PLS, and CNT came to appear. Halogen lamp, which has low efficiency due to high color rendering among lamps of being used now, is being much used yet. However, owing to radiation of UV and IR, there are many limitations to the subject in general exhibition lighting, museum, and art museum. Accordingly, a research was performed on filter that is blocked UV and IR at the same time, by using halogen lamp that is excellent in color rendering and in life.

• 한국가구학회지
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• 제26권4호
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• pp.328-333
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• 2015

The museum is a important place to inform the value of various antiquities and relics. The museum, founded in domestic, were increased 90% in 2013 compared to 2006, and total number of including private museums were increased more than three times over the past decade. There are installing a variety of illumination and air-conditioning system, such as the spot lighting of exhibition explanation. But the exhibition explanation should not happen to visual perception disabilities by lighting. According to ICOM (International Council of Museum), it is stipulating that the museum should not to occur glare. However, we confirmed some occurred the glare and it was lack of previous studies about prevention plan. In this study, we verified occurrence of the glare by illumination angles and visitor's eye-level. The luminance values were determined by using DSLR camera and illuminometer. As a result, when illumination angle is 90 degree, the glare did not occurred by the luminance value ratio of over 0.167 regardless of eye-level. By contrast, the angle 30 degree was appeared glare with all level. And this study was compared luminance values that obtained through experiment and surveying.

• 조명전기설비학회논문지
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• 제20권3호
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• pp.1-5
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• 2006

현대의 박물관에서는 조명에 의한 다양한 연출 효과를 얻기 위해 같은 전시공간 내에서도 여러 종류의 광원들을 사용한다. 이는 역으로 각각의 유물들이 다양한 환경의 빛에 노출되어 전시되고 있다는 것을 말해준다. 유물의 전시를 위한 최적의 조명환경 조건과 보존을 위한 최적의 조명환경 조건이 서로 다른 측면이 있다. 본 연구에서는 국립중앙박물관의 전시실 및 진열장에 조사되는 가시광선, 자외선 및 적외선 등을 측정하였으며, 측정 데이터를 바탕으로 국립중앙박물관의 조명환경을 비교, 분석하였다.

• 한국조명전기설비학회:학술대회논문집
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• 한국조명전기설비학회 1999년도 학술대회논문집-국제 전기방전 및 플라즈마 심포지엄 Proceedings of 1999 KIIEE Annual Conference-International Symposium of Electrical Discharge and Plasma
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• pp.80-84
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• 1999

Sunlight Collector System is a new way to make sunlight available to living things. It transmits sunlight through fiber optics to wherever is needs. It applies the artificial lighting, underground lighting, intelligent building, museum lighting, restoration-room to health etc. Cutting out most of the ultra-violet and intra-red radiation. In this paper, we measured the spectrum analysis of sunlight and Sunlight collector System's light. Also, we found out the distance to get visible light.

• 한국조명전기설비학회:학술대회논문집
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• 한국조명전기설비학회 1996년도 추계학술발표회논문집
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• pp.67-69
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• 1996

This paper describes the visual adaptation in the transition zone in the iterior of museum. Peoples can feel the interior of exhibition room brighter than it is through two-stage adaptation of visual system, which enables comfortable viewing under somewhat low illuminance level. It is recommended using low-reflectance materials on the front wall of the museum, and providing sufficient tranzition zones in front of the exhibition room and in intermediate spaces between rooms.

• 한국실내디자인학회논문집
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• 제17호
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• pp.65-72
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• 1998

This study intends to analyze the various spatial structures and characteristics of the museum based on the two of the Renzo Piano's recent projects Menil Collection '||'&'||' Museum and Beyeler Foundation Museum Which defined the direction of the "Third Generation" in museum architecture with reference to the quality of spatial experience and design applications. Comparison and analysis were done on the basic spatial organization floor layout accessibility exhibition area lighting plan and circulation between the two museum. Through the itemized common characteristics of the museum the architect's proposal on meaning and direction of the new museum architecture can be viewed. The contemporary museums distinguish themselves quite clearly from their predecessors and this applies both to their own form and to their spatial organization. As the public demands and requests toward the museum building facility expand everyday the architect must respond by providing multiple types of space where people can experience different atmosphere in each area. One concept he used to create multi experienced area was manipulation of the natural light using by the state-of-the-art techniques of the light filtering system and multi-layering roof system to protect the valuable collections against the direct sunlight. But mainly it was to prove his strong belief in "architecture of light" by creating space with minimized meaning by purposely distinguished area in order to provide maximum support to the physical value of the collection " The connection with nature" is another concept which Piano used to provide the public a tranquil experience through out the architecture which engages in a lively dialogue with art. In spatial organization Piano concerned on functionality which not only concentrated on the visitor's point of view but also on the museum staff's comfort. Unlkie the traditional museum he alternates various size of exhibition areas for spatial hierarchy. Specially the spatial flexibility that the temporary exhibition areas are able to be expanded to the permanent exhibition areas by adjoining t재 spaces differentiate Piano's new museum from the rest. museum from the rest.

• 전기학회논문지P
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• 제58권2호
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• pp.196-201
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• 2009

In this paper, We developed specifications light-way lighting appliance for efficient construction Wiring embody lighting appliance is convenient for divergence of circuit and arrangement construction of lamp. Also, it can be shortened construction period because series construction is available. Improved product is high work efficiency because the volume is small and the weight is light. Power line and line of communication are received each tray, so equipment is secure. We believe that the product is available for gallery, museum, and parking lot etc.

• 한국실내디자인학회논문집
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• 제22권2호
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• pp.81-88
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• 2013

Foundation Beyeler museum located near Basel, Switzerland is one of the most-visited art museum of the world. Although the entire volume of the museum is not huge, its art collection as well as the well-known museum building designed by Renzo Piano deserve to attract many visitors. The initial design was started in 1991 when the city of Basel decided to fund and support the project. Through a couple of design stages, the museum was finally opened to public in 1997. There have been various research papers dealt with general design issues of Beyeler museum such as composition of exhibition spaces, and natural lighting. However, this paper aims to study the design methods and relationship between art, architecture and nature. Although the museum building is located on the site quietly, there are various specific design solutions to create unique spatial experience of art and nature at each parts. This study focuses on 4 parts of the museum that are located on the main circulation. How art, architecture and nature are integrated together is the main target of the analysis. The analysis is based on visual-perceptual experience and spatial configuration. In chapter 2, general background of the project was studied. In chapter 3, characteristics of the site's natural environment and Piano's design concept's were examined. In chapter 4, each parts were analyzed in detail with diagrams. In chapter 5 & 6, the spatial characteristics were compared together and the fundamental role of the museum architecture was concluded.

• 건축역사연구
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• 제16권4호
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• pp.7-22
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• 2007

In San Francisco, two new museums were recently built in 1995 and 2005. The one is San Francisco Museum of Modern Art designed by Mario Botta and the other is De Young Museum designed by Jacques Herzog & Pierre de Meuron. The urban settings for the museums are compared with each other and theories of the architects are evolved on different branches in the modernist trends. The theories and settings are followed by the representation in the forms, facades, interior spaces and towers. SFMOMA is located on the SoMa area, which was recently developed into a cultural urban core with Moscone Center and Buena Yerba Garden. De Young Museum was rebuilt in the old museum site in the Golden Gate Park. The one is on the context of urban artefacts and the other on the context of natural artefacts. To Botta, the museum in today's city plays a role analogous to that of the cathedral of yesterday. It is a place of common encounter and confrontation. The volume of SFMOMA which is geometrical and symmetric with double pylons. The frontality on the street and public green open space and the axiality of SFMOMA runs through the Buena Yerba Garden over Buena Yerba Center for the Arts are reminded us of an urban core with a religious monument and a city square. The staircase with grandiose design in the atrium seems to work as an altar with lighting from skylight above enhancing the liturgical ambiance. De Young Museum is shaped in a rectangle with long narrow courtyards. Three bands of volumes are juxtaposed and the nature flows into the museum corridors and galleries. The tower is distorted so as to be aligned to the street grids of the surrounding area. The copper panel of De Young Museum and natural context evoke modern concept of "machine in the garden". The two museums from different pedigrees of Modern Architecture are now major landmarks of SF and urban expressions for the 21st century.

• 박물관보존과학
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• 제29권
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• pp.81-98
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• 2023

본 연구는 경천사지 십층석탑의 미디어파사드 상영 광원이 석탑의 복원 재료에 미치는 영향을 알아보기 위해 실시하였다. 경천사지 십층석탑에 사용된 복원 재료는 Epoxy 수지로 L-30과 Araldite AW106, HV953U이며, 복원시편의 가속노화 실험을 통해 복원 재료의 광안전성과 조명의 조사 가능 시간을 추정하였다. 복원 재료는 각 수지당 채색하지 않은 시편, 청색 안료, 황색 안료를 사용한 시편으로 총 6가지이다. 이중 Araldite AW106, HV953U의 채색하지 않은 시편(BA)의 ΔE가 4.66으로 가장 변화가 크고 광 조사 가능 시간은 ΔE의 변화율을 1정도로 제한할 경우 약 130,000시간의 조사가 가능한 수준이다. BA시편의 경우 반사율과 투과율이 상승하고 흡수율은 저하되어 본연의 색상이 보다 투명해지는 방향으로 광에 의해 시편의 특성을 잃어가고 있음을 확인 하였다. 복원 재료에 안료를 사용한 경우에는 ΔE 변화율이 적으며, 반사율과 투과율, 흡수율의 변화가 미미한 수준이었다. 따라서 광안전성이 높은 안료를 사용할 경우 복원 재료 선택의 폭을 높일 수 있다.