A Study on the Characteristics of Space organization of Renzo Piano's Museum Projects

렌조 피아노(Renzo Piano)의 미술관건축 공간구성 특성연구

  • Published : 1998.12.01

Abstract

This study intends to analyze the various spatial structures and characteristics of the museum based on the two of the Renzo Piano's recent projects Menil Collection '||'&'||' Museum and Beyeler Foundation Museum Which defined the direction of the "Third Generation" in museum architecture with reference to the quality of spatial experience and design applications. Comparison and analysis were done on the basic spatial organization floor layout accessibility exhibition area lighting plan and circulation between the two museum. Through the itemized common characteristics of the museum the architect's proposal on meaning and direction of the new museum architecture can be viewed. The contemporary museums distinguish themselves quite clearly from their predecessors and this applies both to their own form and to their spatial organization. As the public demands and requests toward the museum building facility expand everyday the architect must respond by providing multiple types of space where people can experience different atmosphere in each area. One concept he used to create multi experienced area was manipulation of the natural light using by the state-of-the-art techniques of the light filtering system and multi-layering roof system to protect the valuable collections against the direct sunlight. But mainly it was to prove his strong belief in "architecture of light" by creating space with minimized meaning by purposely distinguished area in order to provide maximum support to the physical value of the collection " The connection with nature" is another concept which Piano used to provide the public a tranquil experience through out the architecture which engages in a lively dialogue with art. In spatial organization Piano concerned on functionality which not only concentrated on the visitor's point of view but also on the museum staff's comfort. Unlkie the traditional museum he alternates various size of exhibition areas for spatial hierarchy. Specially the spatial flexibility that the temporary exhibition areas are able to be expanded to the permanent exhibition areas by adjoining t재 spaces differentiate Piano's new museum from the rest. museum from the rest.

Keywords

References

  1. 세계의 박물관 · 미술관 서상우
  2. Architecture, Simplicity of from, Ingenuity in the use of Daylight John Paster
  3. Architectural Record James S. Russell
  4. Architectural Review 1081 E. M. Farrelly
  5. Beyeler Foundation Museum 제공자료
  6. New Meseum Josep M. Montaner
  7. Musess Laurence Allegret
  8. 건축과 환경 The Wunges Ear : Renzo Piano in 1990s Richard Ingersoll
  9. 대한건축학회논문집 v.9 no.10 미술관 공간구조의 문화적 의미 최윤경
  10. 한국박물관견축학회편 유럽의 새로운 뮤지엄