• Title/Summary/Keyword: Modern design

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도시공간의 이질적 이미지를 형성하는 레지빌리티 요소 - 부산시 도시공간을 대상으로 - (Legibility Factors of Disparate Image Fomation in Urban Space - Focused on Busan Urban Space -)

  • 홍지수;김종구
    • 대한토목학회논문집
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    • 제39권1호
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    • pp.227-237
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    • 2019
  • 도시계획 및 설계의 공간 개념에 있어 현대도시는 정체성을 기반으로 모든 공간은 차이가 나는 장소로 이루어져 있다는 시각으로 접근한다. 이렇듯 본 연구에서는 도시를 이루고 있는 개별 공간간의 차이에 주목하여 이질적 이미지를 분석하고, 레지빌리티 측정을 통해 이질성을 띄는 각 공간의 이미지에 반응하는 물리적, 행태적 요소를 도출하였다. 그 결과 부산시의 도시공간은 폐쇄성, 개방감, 동적+폐쇄성, 동적+개방감, 정적 등의 이질적 이미지를 가지며, 각각의 이미지를 강하게 느끼게 하는 레지빌리티 요소로 폐쇄성에는 고밀 고층건축물, 거주, 업무의 요소, 개방감은 수공간, 산책, 조망의 요소, 동적&폐쇄성은 산업활동의 요소, 동적&개방감은 오픈스페이스, 수공간, 수영의 요소, 정적 이미지는 녹지, 산책, 머무름의 요소로 나타났다.

2015년도 이후 패션 컬렉션에 나타난 오버사이즈 룩의 의복구성 특성 분석 (An analysis of the construction elements of the "oversized" look in fashion collection since 2015)

  • 김경아
    • 복식문화연구
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    • 제27권5호
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    • pp.433-448
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    • 2019
  • Oversized fashion is again in the spotlight due to the influence of retro fashion. This has created new fashion trends with methods different from those of the past. This analysis examines recent trends by sorting these looks according to new and different methods of judging their appearance. A new categorization of the oversized look and its configurations has been created, one which separates "big" looks, partial changes, and layered looks. This research was based on historical review and previous studies. Three thousand one hundred thirty-six photos of oversized looks that have appeared in collections over the past five years were gathered, and their appearance was categorized according to type. The categorization results showed that big looks (55.1%) were most prevalent, followed by partial alterations (36.35%), and layered looks (8.45%). In comparison to prior oversized clothing production, new permutations of the "Big" look expanded the silhouettes of torso, shoulders, neckline and collar. Partial changes have expanded from the broadened shoulders of the 1980s. Today these styles expand the shoulders and armholes vertically or horizontally, which dramatically exaggerates the sleeves and collar. The layered look no longer simply features overlapping layers but takes the form of over-layering through cuts and insertions. Through such analysis it is clear that modern oversized looks break away from the simple expanded forms and production methods of the past. They now attempt to realize an exaggerated beauty of form regarding each clothing component and also maximize decorative effects through innovative drafting or sewing methods.

효율적 일상 관리를 위한 일정관리 어플리케이션의 설계와 구현 (Design and Implementation of Scheduler Applications for Efficient Daily Management)

  • 박은주;한승준;윤지민;임한규
    • 인터넷정보학회논문지
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    • 제22권2호
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    • pp.41-50
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    • 2021
  • IT기술과 정보처리 기술의 발전에 따라 인터넷 사용량이 급증하고 다양한 스마트 기기들이 출현하고 있다. 이에 따라 현대인들은 장소와 시간에 구애받지 않고 원하는 정보 획득, 여가활동과 같은 일상생활에 스마트 폰을 사용한다. 본 논문에서는 일정을 기록하고 약속을 공유하는 등 일상생활의 효과적 관리에 도움이 되는 일정관리 어플리케이션을 설계하고 이를 구현하였다. 본 논문의 일정관리 어플리케이션은 일정등록과 함께 일기작성 기능, 등록한 일정을 카카오톡을 이용하여 다른 사용자들과 공유할 수 있는 기능, 삭제 시 특정 폴더로 삭제한 일정이나 일기를 저장하는 기능, 하루 일정에 대한 연속적인 알림 기능 등을 제공한다. 다른 일정관리 앱들과 차별점을 가지며 사용성을 높인 본 논문의 어플리케이션은 바쁜 일상생활의 효율적 관리에 도움이 될 것이라 기대한다.

1910~30년대 여성 미술교육의 젠더화와 전시문화 연구 (A Study on Exhibition Culture and Gendering of Women's Art Education in the 1910s and 30s)

  • 고선정
    • 디지털융복합연구
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    • 제19권5호
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    • pp.407-414
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    • 2021
  • 본 연구는 1910~30년대 여성과 미술교육의 관계를 살펴보고, 여성이 젠더화된 미술교육을 통해 어떻게 봉건적 여성관을 허물고 여성에 대한 인식변화와 사회진출을 하였는지 살펴보고자 한다. 여성은 근대 교육을 통해 존엄성을 회복하고 자유와 남녀평등을 실현하기 위해 노력하였다. 그럼에도 불구하고 일제의 식민지 정책으로 여성은 부덕함양을 위한 수예(手藝) 교육을 받으며 다시 전통적 여성성의 공간으로 회귀하였다. 하지만 일본 유학을 다녀온 소수의 신여성들이 여성의 자립을 위해 수예보급에 앞장선 방법과 수예가 공식적으로 미술공예적 성격을 부여받아 전시공간으로 들어올 수 있었던 상황을 그 당시의 기록과 인터뷰, 신문기사를 통해 밝혀보고자 한다. 결과적으로 본 연구를 통해 수예교육과 여성성의 관계를 살펴보고, 여성을 사회적 존재로 성장시키는데 미술교육과 전시가 어떠한 역할을 하였는지 고찰해 볼 수 있는 계기가 되길 기대해 본다.

A comprehensively overall track-bridge interaction study on multi-span simply supported beam bridges with longitudinal continuous ballastless slab track

  • Su, Miao;Yang, Yiyun;Pan, Rensheng
    • Structural Engineering and Mechanics
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    • 제78권2호
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    • pp.163-174
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    • 2021
  • Track-bridge interaction has become an essential part in the design of bridges and rails in terms of modern railways. As a unique ballastless slab track, the longitudinal continuous slab track (LCST) or referred to as the China railway track system Type-II (CRTS II) slab track, demonstrates a complex force mechanism. Therefore, a comprehensive track-bridge interaction study between multi-span simply supported beam bridges and the LCST is presented in this work. In specific, we have developed an integrated finite element model to investigate the overall interaction effects of the LCST-bridge system subjected to the actions of temperature changes, traffic loads, and braking forces. In that place, the deformation patterns of the track and bridge, and the distributions of longitudinal forces and the interfacial shear stress are studied. Our results show that the additional rail stress has been reduced under various loads and the rail's deformation has become much smoother after the transition of the two continuous structural layers of the LCST. However, the influence of the temperature difference of bridges is significant and cannot be ignored as this action can bend the bridge like the traffic load. The uniform temperature change causes the tensile stress of the concrete track structure and further induce cracks in them. Additionally, the influences of the friction coefficient of the sliding layer and the interfacial bond characteristics on the LCST's performance are discussed. The systematic study presented in this work may have some potential impacts on the understanding of the overall mechanical behavior of the LCST-bridge system.

근대화로 인한 묘지와 도시 사이의 거리 변화에 관한 연구 - 파리와 서울의 비교를 통해 - (A Study on the Change of Distance between the Cemetery and the City caused by Modernization - Through Comparative Analysis between Paris and Seoul -)

  • 기세호
    • 대한건축학회논문집:계획계
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    • 제34권5호
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    • pp.97-108
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    • 2018
  • "Death is the side of life which is turned away from us." The life of people in Seoul, however, is disconnected from death. Why? This article compares the historical changes in the cemetery disposition of Paris and Seoul to answer this question. The cemetery is always a meeting place between the living and the dead. In pre-modern cities, the cemetery was close to the people's daily life. However, the fundamental change of urban structure due to modernization has a great influence on the cemetery. With the advent of the train, the world has shrunk and the city has expanded unprecedentedly. In such a situation, the cemetery is expelled to the outside of the city. However, while Paris and Seoul share the same overall flow, they responded differently to the plans for the establishment of large-scale remote cemeteries. In Paris, the plan was canceled by citizens who value their relationship with the dead. On the other hand, Seoul was unable to manage the cemetery due to social confusion in 20th century. All cemeteries were expelled as industrialization began. As a result, there is no public cemetery or ossuary at present in Seoul. In Seoul, about 20 years ago however, a new kind of place for the dead began to appear. It is an ossuary attached to religious facilities. In other words, the current cemetery of Seoul is divided into two forms : the public cemetery, which is expelled from the city, and the private ossuary, which is attached to religious facilities built in the city.

상업시설의 루프탑 공간 개선방안 연구 (An Approach to Improve the Rooftop Space of Commercial Facilities)

  • 김혜리;김영화;이상홍
    • 대한건축학회논문집:계획계
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    • 제34권6호
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    • pp.93-103
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    • 2018
  • In the past, the rooftop was a place where a water tank was to be installed, and a space of secretion and concealment such as a warehouse exposed in the air. It was because it was judged to hinder the beauty of a city as a whole without having any functional value per se. However, the roof portion is increasingly being utilized for a space such as a cafe, a pub, and a lounge as the rooftop is highly recognized as a place for leisure activities other than an idle space in modern times. Nonetheless, there are no detailed ordinances and criteria corresponding to such circumstances. For example, in case of the rooftop space, the building code applied to the rooftop space is a legal system when the rooftop was an idle space in the past though people have now accessed more increasingly to the rooftop than in the past. This study investigated the definition on the rooftop space evolved in accordance with the change of the rooftop space and the related legal system in Korea, and conducted a survey for the purpose of performing the field investigation for the analysis of physical status in 117 spaces that form the rooftop space in the rooftop of small-scale commercial facilities with 2 stories through 4 stories in Korea and analyze the recognition of users and analyzing the recognition of users. We analyzed the problems in the rooftop space through analysis of derived data, and suggested improvement plans.

보존과 복원 개념의 변증법적 해석 - 비올레-르-?, 존 러스킨, 카밀로 보이토의 이론을 중심으로 - (Dialectical Interpretation regarding the Concept of Preservation and Restoration - With a focus on Eugène-Emmanuel Viollet-le-Duc, John Ruskin, and Camillo Boito -)

  • 김태형;김영재
    • 대한건축학회논문집:계획계
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    • 제34권12호
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    • pp.135-144
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    • 2018
  • This paper deals with preservation and restoration as a universal approach to conserve architectural heritage. The questions on how to preserve or restore them have been always major issues for many old buildings. Reading changes in ways of the thinking to solve such matters in the past helps to grasp the fundamental concepts to conserve cultural heritage at this point in time. The method is an important stage that leads to change our current attitude. Both the ways of the thinking for preservation and restoration should be re-interpreted to preserve memory or to restore identity depending on the current situation, and even should no longer be understood as two opposite options. Therefore, this paper focuses on the epistemological notion and reveals the origin and premise of modern historical perception that has become disconnected from the past works. By taking the writings of $Eug{\grave{e}}ne$-Emmanuel Viollet le Duc, John Ruskin, and Camillo Boito into consideration, the thesis shows that their thought, in the common denominator of the time, is a kind of reflection of consciousness according to particular historical contexts and that their ideas echo three dialectical paradigms derived from past and present, memory and forgetfulness, and history and truth.

귀에트 주택에 나타난 르 꼬르뷔지에의 건축개념 및 제5원칙에 관한 고찰 (A Study on the Features of Architectural Concept Applied in Maison Guiette and Le Corbusier's 'Five Points of a New Architecture')

  • 김종성
    • 대한건축학회논문집:계획계
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    • 제35권7호
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    • pp.89-99
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    • 2019
  • The purpose of this study is to reveal the meaning of Le Corbusier's works focused on Maison Guiette. This House was completed in 1926, 4 year later than the work of the Citrohan and also, this house is the only remaining mixed use Dwelling in Belgium. It offers a fine example of the early architectural concepts of Le Corbusier's. Despite these important facts, the meanings of the ideas of this house have not been paid attention as much as other houses constructed at the same period, such as Maison La Roche, Maison Stein de Monzie, Villa Savoye, etc. In his book, 'Oeuvre Complete 1910-1929', Le Corbusier mentioned as follows: "A special solution imposed by Belgian housing developments characterized by a dimension of 6 meters of frontage and a very great depth. The staircase serving the various floors is like the ladder of Jacob climbs Charlie Chaplin in the "Kid" and This house is an architectural experiments of his ideas. And this study aims at analysing the relationship between Maison Guiette and spaces on the basic of Le Corbusier's 'Five Points of a New Architecture' which had a great effects on architectural history and became a fundamental elements for the change into the Modern housing. By analysing the points in regard with the Features of Architectural Concept Applied in Maison Guiette, The Five Points are the background of the interpenetration of the interior and the exterior. To attain this, this research appraises each points in detail in regards with Maison Guiette. The study of Maison Guiette will be an important architectural subject to clarify the meaning of his later works and ideas.

르 코르뷔지에의 '새로운 건축의 5원칙'에 영향을 받은 달라바 주택에 적용된 렘 콜하스의 건축개념에 관한 고찰 (A Study on the Features of Architectural Concept of Rem Koolhaas Applied in Villa Dall'Ava influenced by Le Corbusier's 'Five Points of a New Architecture')

  • 김종성
    • 대한건축학회논문집:계획계
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    • 제35권9호
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    • pp.119-129
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    • 2019
  • The purpose of this paper is to study the meaning of Rem Koolhaas's works focused on Villa Dall'Ava. This House which offers a fine example of the early architectural concepts of Rem Koolhaas was completed in 1991, 7 year earlier than the Maison Bordeaux and also this work is the only one house constructed in Paris. Rem Koolhaas, one of the most influential architects representing contemporary architecture in these days is interpreted so diversely as new constructivism, deconstruction and new scientism etc. The relationship between Modernism architecture and the architecture of Rem Koolhaas is supposed in various point of view in recent studies. Although the leading background on which the architectural inclination of Rem Koolhaas is de-constructivism, various interviews, editorials and other perspectives give clue that Rem Koolhaas was influenced by Modernism. His architectural concept is connected with the architectural principles of Le Corbusier: 'Five Points of a New Architecture' and 'Dom-ino system', which are especially applied a lot to Villa Dall'Ava in the modified form. This study is to research the architectural characteristics of Villa Dall'Ava by analyzing the layout, plan, elevation, section and structure, which revealed the architectural connectivity between the concept of Rem Koolhaas and the architectural principles of Le Corbusier which had a great effects on architectural history and became a fundamental elements for the change into the modern architecture. In practice, the architectural work of Rem Koolhaas remind the architectural principles of Le Corbusier. This research appraises each points of 'Five Points of a New Architecture' in regarding with Villa Dall'Ava whose study will be important to find the meaning of the works and ideas of Rem Koolhaas.