• Title/Summary/Keyword: Male-identity

Search Result 230, Processing Time 0.022 seconds

Taxonomic identity of Dioscorea coreana (Prain & Burkill) R. Kunth

  • JEONG, Dae-Hui;KIM, Jae-Young;JO, Hyeong-Jun;PARK, Hong-Woo;LEE, Kang-Hyup;JI, Seong-Jin;CHUNG, Gyu-Young
    • Korean Journal of Plant Taxonomy
    • /
    • v.50 no.2
    • /
    • pp.232-238
    • /
    • 2020
  • The identity of Dioscorea coreana (Prain & Burkill) R. Kunth is recognized during the re-identification process of Korean Dioscorea specimens. Given the relatively few pieces of information, including few descriptions and research papers, this species has been misidentified as D. tokoro, which has a similar leaf shape, but D. coreana is distinguished from D. tokoro by the absence of a pedicel in the male flower, the green color of the tepal, and the shapes of the fruit and seed. Thus, detailed descriptions, illustrations, and photographs of D. coreana and a key to the Korean Dioscorea, including this species, are presented.

Aesthetics of Goth as a subculture style (고스 하위문화 스타일의 미적 특성)

  • Yim, Eunhyuk
    • Journal of Fashion Business
    • /
    • v.17 no.2
    • /
    • pp.1-16
    • /
    • 2013
  • Subcultural style is the center of subcultural identity and the clothes and adornments are the most visible symbol of membership. The Goth subculture has associated tastes in music, aesthetics, and fashion. The style symbolized the strong subjective subcultural identity held by most Goths and acted as the practical basis to demonstrate their commitment to the subculture. This study investigates the aesthetic and the style of Goth subculture in its heyday of 1980s which has continued to affect mainstream fashion and culture since its birth. In order to inquire the concept of subculture and its style, this study executes literature survey as well as investigates the images of street style magazines to analyze the visual elements. The stylistic and the aesthetic characteristics of Goth subcultural style analyzed in this study are grouped into four categories as follows: first, Victoriana, which embodies the fear of death and the nostalgia for the past using Victorian morning dresses and corsets, second, vampirism, in that some Goths who are fascinated by vampires are costumed in vampire figures to advocate diabolism and decadence, third, sexual ambiguity of male Goths which emphasizes feminine appearance in the pursuit of androgyny, and fourth, sexual fetish of female Goths which represents aggressive eroticism utilizing fetish paraphernalia.

A Study on Process-centered Behavioral Experience for Alternative Interpretation of Game Addiction (게임 중독의 대안적 해석을 위한 과정중심적 행위 경험에 대한 연구: 집단적 게임 이용을 중심으로)

  • Youk, Eun-Hee
    • Journal of Korea Game Society
    • /
    • v.22 no.1
    • /
    • pp.19-32
    • /
    • 2022
  • This study examined how the use of co-game play, which implies specific behavioral condition, changes the influence and direction of the sensation seeking, gender, and identity stability, which are predictors on game addiction. The results of this study are as follows. First, sensation seeking had no significant effect on game addiction. However, the main effect of co-play on game addiction was confirmed. Second, the moderating effects of gender on co-play and game addiction were significant. It indicates that co-play has a greater impact on game addiction in female than male.

Development of a Korean version of the job expectations scale for dental hygienists (한국형 치과위생사 직업기대 수준 측정 도구 개발)

  • Mi-Ae Jeong;Hyeong-Mi Kim;Jung-Hee Bae
    • Journal of Korean society of Dental Hygiene
    • /
    • v.23 no.5
    • /
    • pp.369-377
    • /
    • 2023
  • Objectives: The aim of this study was to develop and validate a Korean-adapted version of the job expectations scale for dental hygienists. Methods: To achieve this goal, a comprehensive methodology was employed, including frequency analysis, exploratory factor analysis (maximum likelihood, direct oblimin rotation), confirmatory factor analysis, Cronbach's α reliability, independent t-test, and one-way ANOVA (Duncan post-hoc test) were performed. Results: The Korean version of job expectations scale for dental hygienists comprised 21 items in the personal domain and 5 items in the social domain. The scale demonstrated high construct validity, convergent validity, discriminant validity, and reliability were found. While dental hygienists were found to have higher expectations in the their personal domain than the social domain, expectations in the social domain were higher among male hygienists, those with a bachelor's degree or higher, those in regular permanent employment, and those working in hospital-level or higher facilities. Conclusions: Job expectations is a more comprehensive construct than job roles or professional identity. We anticipate that the instrument will be widely used to analyze trends in job expectations in response to changes in societal values regarding to dental hygienists, the gap between realities and ideals within the dental hygiene profession, and policy considerations.

Gender Identity Expressed in Contemporary fashion (현대 패션 룩(Fashion Look)에 표현된 성(性) 정체성)

  • Lee, Youn-Hee;Kim, Young-In
    • The Research Journal of the Costume Culture
    • /
    • v.13 no.5 s.58
    • /
    • pp.790-803
    • /
    • 2005
  • This study purposes to examine the background of the sexual concept and femininity, masculinity and gender role in the fields of social psychology and cultural anthropology and investigate the traditional gender role and the fashion's changes according to its role and the examples of the masculinity and femininity expressed in the contemporary fashion and finally analyze the gender identity expressed in fashion. The image changes which appeared in the modern fashion can be considered to be Masculine Look, Garconne Look, Feminine Look, Unisex Look, Androgynous Look and Genderless Look. The Garconne Look caused lots of changes to masculinity in the 1920's along with the changes of femininity. With the effect of feminism, many females wore clothing which had been thought as male's clothing by the appearance of Masculine Look. The major formation reason of Unisex Look can be regarded as the attitude change of the society toward to females and a meaning which doesn't want the differences of the distinction of gender to appear any longer as a characteristic external factor is implied. Androgynous Look which appeared in the 1980's means the integration of femininity and masculinity which is the same meaning with 'androgyny' in itself, Not denying its gender characteristics individually, the Androgynous Look means that women aim at the masculine image in men's clothing or men do at the feminine image in women's clothing. Genderless Look can be considered to a look with a notion to wear clothing freely even in fashion transcending the border of masculinity and femininity differentiated socially and culturally.

  • PDF

A Study on the Characteristics of Women's Make-up and Hair Style according to the Animus Archetype of Jungian Theory -Focusing on Cosmetic Advertisements- (융(Jung)의 아니무스(Animus) 원형에 따른 여성 메이크업.헤어스타일 연구 - 화장품 광고를 중심으로 -)

  • Chung, Hye-Kyung;Kwak, Tai-Gi
    • Journal of the Korean Society of Costume
    • /
    • v.61 no.6
    • /
    • pp.86-100
    • /
    • 2011
  • The traditional feminity has gradually been diversified in the 21th century due to a change in the society. This diversification of women's images and styles is derived from the addition of masculinity to feminity. C. G. Jung insist that human being is bisexual in nature. Animus is the male aspect in the women's collective unconscious and it is the archetype through which we generally communicate with the collective unconscious. It is also important to get into touch with the collective unconscious for self-realization. This study analyzes subconscious desires based on the Animus archetype in the collective unconscious of women through the diversity of the gender identity shown in cosmetic advertisements. Therefore this study aims to suggest a marketing strategy for the women's beauty industry in the future. For this purpose, this study conducts an empirical analysis of women's make-up and hair style in cosmetic advertisements through the Jungian Animus theory. The conclusion of this study is as follows: First, gender identity represented in cosmetic advertisements was classified into Mother/Wife, Hetaira, Mediale and Amazon. Second, the Animus archetype stimulates masculinity in women's make-up and hair style. Third, range of utilization of cosmetic products is articulated with the diverse gender identity. This masculinization of women's beauty style is the external expression of collective unconscious and affords human being to reach self-realization.

Bag Preference of Men according to their Age and Gender-role Identity Types (남성의 연령과 성역할 정체감 유형에 따른 가방 선호도)

  • Lee, Young-Ju
    • Fashion & Textile Research Journal
    • /
    • v.13 no.1
    • /
    • pp.82-90
    • /
    • 2011
  • This study examines if men in the 20's and 30's have different preference for bag types according to their age and gender-role identity types in order to provide foundational data for the male bag market to segment its customers and establish marketing strategies. Total 288 questionnaire sheets were distributed to 186 men in the 20's and 102 men in the 30's residing in Busan. First, according to the result of analyzing their preference for bag types, adult men in the 20's and 30's preferred cross bags the most. It was also shown that men who are feminine or androgynous prefer back packs, shoulder bags, and tote bags to the other two types. Second, about cross bags, men in the 20's showed a higher rate of having two or three than those in the 30's. Men in the 20's possessed back packs more than those in the 30's. And men tend to show a lower rate of having shoulder bags compared with that of cross bags or back packs. Men in the 30's possessed briefcases more than those in the 20's. Masculine men had more briefcases than the other types of bags, and androgynous men tend to have more tote bags than the other types of bags. Third, men in the 20's and 30's all deemed that back packs go well with the casual style. Men in the 20's regarded shoulder bags are the type of bags that harmoniously matches all styles including casual or semi-suit; however, men in the 30's think they only suit casual or semi-suit. And it was also found that men in the 20's think briefcases are the type of bags that goes well with various styles of clothes while men in the 20's consider they are the type of bags only matching suits.

Mediating and Moderating Effects of Self-regulation and Career Identity in the Relationship Between Achievement Value and Academic Adjustment of Middle School Students (중학생의 성취가치와 학업적응의 관계에서 자기조절과 진로정체감의 매개 및 조절효과)

  • Kim, Do Hee
    • Journal of Digital Convergence
    • /
    • v.16 no.11
    • /
    • pp.589-598
    • /
    • 2018
  • The purpose of this study is to investigate the mediating effect of self-regulation(SR) and the moderating effect of career identity(CI) in predicting academic achievement(AA) by middle school students' achievement value(AV). The subjects were 1,088 male and 970 female students in the third year of middle school. A conditional process analysis using SPSS and Hayes' process macro was conducted. The results were as follows. First, the partial mediation effect of SR was significant in the relationship between AV and AA. Second, the moderating effect of CI was notable in the relationship between AV and SR, and AV and AA respectively. Finally, the mediation effect of AV on AA through SR was found to decrease as CI increased. These results show that supporting the development of CI for students with low AV helps to improve SR and AA. However, as the effect of CI was found to be weaker than the effect of AV or SR on AA, the follow-up research exploring ways to support the achievement value of middle school students are suggested.

Going Wilde: Prendick, Montgomery and Late-Victorian Homosexuality in The Island of Doctor Moreau

  • Canadas, Ivan
    • Journal of English Language & Literature
    • /
    • v.56 no.3
    • /
    • pp.461-485
    • /
    • 2010
  • The present paper focuses on a specific aspect of H. G. Wells' The Island of Doctor Moreau (1896), namely the issue of homosexuality, particularly as it concerns Prendick, the novel's primary narrator, and Montgomery, Moreau's assistant on the island, both of whom are implicitly associated with homosexual identity-and suggested to represent various forms of repression or acceptance-their personalities, or psyche, explored in relation to other characters on Moreau's island, particularly the Beast Folk, as well as Doctor Moreau and his treatment of the creatures as an allegory of Victorian anti-sodomy legislation and its most celebrated victim, Oscar Wilde, who had been convicted for male sodomy in 1895, only months prior to the original publication of The Island of Doctor Moreau. In addition, this paper examines an extensive series of allusions to Oscar Wilde and to late-Victorian homosexual scandals, including that author's own conviction, allusions to others involved in the affair-some of which involve situational/plot analogies, while others involve echoes or semantic associations between the names of characters in Moreau and historical figures-as well as allusions and parallels involving the most recognizably biographical of Wilde's works, The Picture of Dorian Gray (1890). The deliberate, complex web of allusions and ironic implications of homosexuality, presented in this essay, thus, expands considerably upon existing scholarly work on a range of matters concerning homosexual identity and conduct within the context of social conventions and legislation in the late-Victorian period, as well as more broadly, in scientific and humanistic terms. In this respect, one key aspect of this essay is the exploration of the novel's setting of Noble's Island, which, among other things, includes topographical allusions to nineteenth-century scientific theories of anatomical anomalies in pederasts-namely those of the eminent French forensic medical scientist, Ambroise Tardieu (1818-1879), whose underlying framework of physiological adaptation, moreover, intersected with the scientific interests of Wells and of his protagonist. Beyond this, it is shown that, in Moreau, there is as a web of allusions to homosexual practice and those same anomalies, involving the character of Montgomery and his name.

The Endangered White Heterosexual Masculine American National Identity in David Henry Hwang's M. Butterfly (데이비드 헨리 황의 『엠. 나비』에 나타난 백인 이성애 미국인 정체성의 위기)

  • Jeong, Eun-sook
    • Journal of English Language & Literature
    • /
    • v.56 no.2
    • /
    • pp.187-217
    • /
    • 2010
  • By reading the main character, Rene Gallimard, in M. Butterfly as a spatial metaphor of America, this article examines how homogeneous American national identity of heterosexuality and white masculinity has been reinforced since the cold war and has constituted a crisis of hegemony with the decline of imperialism and how its pathological symptom is shown through the melancholic suicide of Gallimard. This article also argues how the feminine attributes implied in race, gender and sexuality in M. Butterfly are designated and allegorized as an impure, contaminated and ahistorical marker of national integrity in pthe social and material status of the heterosexual American white male. To develop my argument, I read M. Butterfly from a psychoanalytic point of view. Therefore I depend on Freud, Lacan, and Bhabha's psychoanalysis as the theoretical basis. In this paper, I also argue that the homogenized and fixed national identity is splitted and collapsed from within as shown in the Gallimard's melancholy and in the process of splitting the "Third Space" of hybrid subjects for the marginal and the emergent like Song Liling, a homosexual Asian man, can be built "from a space in-between." Therefore Hwang calls into questions conventions of fixed, essentialist identities through the shifting gender identities between Song and Gallimard in M. Butterfly and how identities in the plural are constructed variously in throughly historicized, politicized situations, and these constructions can be complicated by relations of power.