• 제목/요약/키워드: Light and Space Art

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현대 건축공간에 나타나는 데페이즈망 특성에 관한 연구 - 르네 마그리트를 중심으로 - (A Study on the de'paysment characteristics in modern architecture - In light of Rene Magritte -)

  • 장한솔;허범팔
    • 한국실내디자인학회논문집
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    • 제18권6호
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    • pp.96-103
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    • 2009
  • Man has an unconscious desire to free oneself from everyday selves and a strong intellectual desire to see and analyze things in a different perspective. This provided a momentum for architectural design that has long been confined to its limits of modernism of being rational and objective. The ever-changing society that we live in filled with various attempts and pluralistic characteristics shows a complex set of attributes that can hardly be defined by a single term. As society moves towards an uncertain and volatile state, the boundary between literature, philosophy and art has dimmed out and converged. Such tendencies have been observable in recent establishments in architecture in the form of introducing external elements and create an alien and farfetched architectural space. Using the 'depaysement' defamiliarization method expressing irrationality and randomness, it is applied in various aspects, sharing the counter-rational structure and features of such architectural space. Hence, it is the purpose of this study to delve into the unique characteristics of depaysement through Magritte's work which reflects the unique pictorial world built under the influence of surrealism, and discover the $D\acute{e}paysement$ tendencies in modern architectural space. It is apparent in Modern architecture that, owing to the development in digital technology, it is showing process changes in design and an interfacial $D\acute{e}paysement$ effect in cyberspace, an interlace of reality and the virtual world. In this study, the focus of analysis was architectural properties such as the program, figure/spatial, material and the objective side, but due to mutual text properties, it is bound to be an overlapping analysis.

프랙탈 이미지를 활용한 쌍방향 실감형 전시에 관한 연구 (A study on Interactive-type Exhibition Using Fractal Images)

  • 임미정;조형제;최규석
    • 한국인터넷방송통신학회논문지
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    • 제15권5호
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    • pp.163-168
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    • 2015
  • 최근의 전시형태는 기존의 관람위주 단방향 전시형태에서 전시물을 직접 체험하면서 다양한 정보를 얻을 수 있는 쌍방향 실감형 전시형태로 패러다임이 바뀌고 있다. 이러한 인터랙티브 형태의 전시에서는 보통 시공간에 빛, 소리, 압력 등을 활용하여 전시물에 대한 휴먼인터페이스를 구현한다. 본 논문은 다양한 형태의 체험형 전시에 대해서 알아 본 후 프랙탈로 생성된 이미지를 이미지 필터링 기법을 통하여 여러 가지 형태로 변환되는 방법에 대한 연구로, 관람자가 프랙탈 이미지의 어느 위치에서 마우스를 클릭하느냐에 따라서 수채화 효과, 판화 효과, 스케치 효과, 팝아트 효과 등의 다양한 이미지 변형이 일어나는 것을 체험할 수 있다. 이러한 연구결과는 향후 전시회, 제품 프로모션, 미디어 아트 디자인 등에 활용될 수 있을 것으로 기대된다.

치유공간에 적용한 흙건축 인테리어 -한의원인테리어의 바이오필릭(Biophilic)디자인개념을 중심으로- (Earth Construction Interior Applied to Healing Space : Focused on Biophilic Design Concept of Oriental Medical Clinic Interior)

  • 전찬희;황혜주
    • 한국화예디자인학연구
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    • 제42호
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    • pp.37-62
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    • 2020
  • 흙은 그 자체로 자연치유력을 가진 동시에 친환경적이며, 정서적, 심리적인 안정감을 주는 천연 재료이다. 이 논문에서는 치유공간으로서의 기능을 확대하기 위한 방안의 하나로 한의원인테리어의 건축에 흙의 효과성을 적극적으로 활용한 설계와 시공방식을 구체화하였다. 특히 바이오필릭(Biopillic) 디자인 개념을 치유환경 디자인으로 활용하여 자연을 상징하는 색채, 빛, 식물, 꽃, 자연재료인 흙, 목재 등을 치유공간인 한의원인테리어로 연출하였다. 이 가운데 환자들의 동선에 따른 공간을 구획하고 공간별 특성에 따른 흙건축 공법을 적용하였다. 이때 흙은 첨가재를 넣지 않은 친환경 건축자재 인증등급 HB(Healthy Building)의 최우수 등급에 준하는 재료와 마감재인 흙으로 시공하여 인테리어와 치료개념을 동시에 연출가능 하도록 하였다. 본 연구결과는 향후 치유공간을 구성하는 데 바이오필릭((Biophilic) 디자인을 활용한 치유공간요소의 대입으로 시공의 설계와 흙건축 공법의 활용에 필요한 토대로 작용할 수 있을 것이다. 또한, 미래지향적 대안으로 건축디자인에 흙의 활용 영역을 확장시킬 수 계기가 될 수 있을 것이다.

오페라 『Faust』의 현대적 무대의상 디자인 -남녀 조연을 중심으로- (The Modernization of Stage Costume of Opera 『Faust』 -Focused on The Supporting Actors-)

  • 변지현;조진숙
    • 한국의류산업학회지
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    • 제10권2호
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    • pp.138-146
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    • 2008
  • Opera costumes are a tangible medium to directly affect how opera singers performed. Therefore, stage costumes have been designed in various ways to reflect intentions of directors. This study examines modernization of opera costumes. For this study, the author worked as one of costume design staff for "Faust" which was played in Sung-Nam Art Center from November 24, 2005 to November 27, 2005 in commemoration of the opening of the center. The following outcomes of the supporting actors are drawn from this study. Martha wore a grey jacket and a long skirt with slash. Grey suit symbolized chastity but tight long skirt with slash means sexy. Valentin wore military and combat uniforms to express that he was a soldier. The military uniform represented the situation before the war and the combat uniform symbolized the situation after the war. Rather short trousers, a white tweed jacket, purple flower ornament, a light green vest, and a beret were used to express Wagner, who looked ridiculous and always tried to flirt. Overalls, a blue jumper, and a scarlet baseball cap were used to make Siebel look naive and homely. Modern opera costumes now help reduce the time and space between stage and audience, improve economic efficiency and meet the audience's needs for various style.

Predicting the Application of Huawei Augmented Reality on Media Façade: Using the TAM Model

  • Chen, Yan;Liu, Shanshan;Lee, Jong Yoon
    • International Journal of Contents
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    • 제18권2호
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    • pp.32-46
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    • 2022
  • In recent years, large-scale and high-density use of LED on facades has exposed some disadvantages, such as light pollution, high energy consumption, unsustainability, and poor interactivity. Because of the development of smartphones and augmented reality (AR), AR has emerged as a new technology available to users to interact with the media façade. As an augmented reality app for public space, the AR map app can superimpose virtual images on the surface of a building to form an AR media façade, which can be applied in the fields of navigation, advertising, interactive public art, smart retail, etc. This study establishes the variables influencing usage intention and the consequent outcomes of Huawei AR map app and uses the technology acceptance model (TAM) to discuss their relationship. Results show that consumer innovativeness, information quality, and design quality have a strong influence on perceived ease of use. Information quality has a positive impact on perceived usefulness, but design quality has a weak influence. Also, the design quality of Huawei AR map app and consumer innovativeness have a higher effect on perceived enjoyment than information quality. Users' usage attitude and perceived usefulness when using Huawei AR map app are key factors determining their usage intention. This study inspires city planners, architects, developers, and designers of AR apps that augmented reality can partly replace media façade, and that investment in augmented reality will achieve significant sustainable economic and social benefits.

올라퍼 엘리아슨의 설치 작품에 나타난 공간 경험 및 디자인 방법 - 인간, 환경 사이의 관계성을 중심으로 - (Spatial Experience and Design Method in the Installation Projects of Olafur Eliasson - Focusing on Relationship between Human and Surrounding -)

  • 이송학;김종진
    • 한국실내디자인학회논문집
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    • 제23권5호
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    • pp.33-40
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    • 2014
  • The Danish-Icelandic artist, Olafur Eliasson who was born in 1967 is known for installation projects employing materials such as colour, fog, mirror and light to rethink the relationship between human and surrounding. Since he started the early projects, Eliasson has been interested in the relationship between an art, a viewer and space. He has used the medium from nature because he thought nature is very common subject to derive new idea of relationship between human and surrounding. Eliasson revealed the idea of relationship between human and surrounding by three characteristics of spatial design such as 'reinterpretation of placeness by juxtaposition of mediums and defamilarization', 'ambiguity and extensity of depth distance of space by mediums' and 'change in spatiality by movement of viewers and time'. This paper focused on four case projects : The mediated motion in 2001, The weather project in 2003, The blind pavilion in 2003, Your rainbow panorama in 2011. It is aimed to discover relationship between human and surrounding in the case projects under three characteristics. This study found that three characteristics were differently applied in the case projects in terms of spatial experience and design methods. Inside & outside locations, formal quality, visual-perceptual relationships in and around each case are crucial elements and tools. The unique relationship between human and surrounding of Eliasson and three characteristics are applicable to architecture and spatial design.

Preparing for low-surface-brightness science with the Rubin Observatory: characterisation of LSB tidal features from mock images

  • Martin, Garreth W.
    • 천문학회보
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    • 제46권2호
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    • pp.40.3-41
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    • 2021
  • Minor mergers leave behind long lived, but extremely faint and extended tidal features including tails, streams, loops and plumes. These act as a fossil record for the host galaxy's past interactions, allowing us to infer recent accretion histories and place constraints on the properties and nature of a galaxy's dark matter halo. However, shallow imaging or small homogeneous samples of past surveys have resulted in weak observational constraints on the role of galaxy mergers and interactions in galaxy assembly. The Rubin Observatory, which is optimised to deliver fast, wide field-of-view imaging, will enable deep and unbiased observations over the 18,000 square degrees of the Legacy Survey of Space and Time (LSST), resulting in samples of potentially of millions of objects undergoing tidal interactions. Using realistic mock images produced with state-of-the-art cosmological simulations we perform a comprehensive theoretical investigation of the extended diffuse light around galaxies and galaxy groups down to low stellar mass densities. We consider the nature, frequency and visibility of tidal features and debris across a range of environments and stellar masses as well as their reliability as an indicator of galaxy accretion histories. We consider how observational biases such as projection effects, the point-spread-function and survey depth may effect the proper characterisation and measurement of tidal features, finding that LSST will be capable of recovering much of the flux found in the outskirts of L* galaxies at redshifts beyond local volume. In our simulated sample, tidal features are ubiquitous In L* galaxies and remain common even at significantly lower masses (M*>10^10 Msun). The fraction of stellar mass found in tidal features increases towards higher masses, rising to 5-10% for the most massive objects in our sample (M*~10^11.5 Msun). Such objects frequently exhibit many distinct tidal features often with complex morphologies, becoming increasingly numerous with increased depth. The interpretation and characterisation of such features can vary significantly with orientation and imaging depth. Our findings demonstrate the importance of accounting for the biases that arise from projection effects and surface-brightness limits and suggest that, even after the LSST is complete, much of the discovery space in low surface-brightness Universe will remain to be explored.

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영흥 에너지 테마파크 조경설계 (Energy Theme Park Design in Yeong-Heung Island)

  • 이시영;조광영;김신원
    • 한국조경학회지
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    • 제33권2호
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    • pp.100-110
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    • 2005
  • The Korea South-East Power Co., Ltd.(KOSEP) held a design competition for Energy Theme Park at Yeong-Heung power plant in October, 2004. The site is located in 980-1 Oe-ri, Yeong-Heung myun, OngJin gun, Incheon City and has an area of $54,450m^2$. Design objectives of KOSEP were to make environmentally sustainable space, to build a symbolic and gathering place for community members and visitors, to make a tourist spot of Yeong-Heung Island linked with adjacent sight spots in OngJin gun, and to elevate an identity and status of the KOSEP by creating a landscape correspondent to the concept of the building design. The spatial concept of this project was developed by expressing a circular course of energy, named 'energy circle' and accounting for principles of energy generation. By interpreting 'energy circle' and principles of energy generation, and applying it to the site, the design met the various desires of the KOSEP. This design consists of seven theme spaces; the future energy plaza, the wind plaza, the light plaza, the thermal power plaza, a water strider dam, a ecological pond and the stratum plaza. These theme spaces are consecutively placed along the circular path which surrounds the public information building and to represent how power plants generate energy in each space and diverse design techniques and special effects are used.

미의 기준과 공간 특성의 상관관계에 대한 역사적 연구 - 그리스.로마 및 르네상스를 중심으로 - (A Historical Research on Correlation between the Standard of Beauty and Spatial Characteristics - Focusing on Greek.Rome and Renaissance -)

  • 이철재
    • 한국실내디자인학회논문집
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    • 제19권6호
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    • pp.141-149
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    • 2010
  • This thesis is designed to take a close look into the characteristics of architectural space through the standard of beauty, which has been created apart from our desires at certain cultural or historical periods of time. It will try to construct the outline of conception about the beauty throughout many centuries. First of all, contents of the research will focus on the aspects, which people have been considering as beauty eversince the ancient time without having any assumptions on its concept. For example, if the beauty of art has been accepted by the theories of modern aesthetics while degrading the beauty of nature, its value could have possibly been much more appreciated. The standard of beauty has been going through the process of change in such history of mankind. The general standard of beauty, which was established in the ancient time was the proportion and harmony between many elements. Afterwards, beauty was expressed as colors and light in medieval times. Expression of beauty using ugly features such as monsters or demons also existed at the time. Beauty has been periodically developing from supernatural to gracious, rational, noble, romantic, religious, mechanical, and today's media. The concept of beauty established from the above has been appearing throughout various culture such as dress and decoration at the given period of time. It would later affect the formation of space as well as decoration for architectures and styles. It will be analyzed throughout the five design elements; style, composition, materials, components, and form. The thesis would like to find the spatial order of beauty from the result of the analysis. The analysis will examine the possibility for which the recomposition of beauty will be provided as a design process for the new era. The Greek beauty represents a shape. The shape represents proportion and the proportion represents given numbers. However, beauty is being expressed by the opposite process at the present time. In other words, computers will arrange the numbers, which would formalize the proportion between the numbers. Beauty would be presented when the shape is presented as certain forms.

우리나라 항공기 및 경량항공기의 종류 및 범위에 대한 법적 고찰 (A study on Categorized type and range for the Aircraft and the LSA)

  • 김웅이;신대원
    • 항공우주정책ㆍ법학회지
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    • 제28권1호
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    • pp.55-71
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    • 2013
  • 항공법에서 항공기를 규정함으로써 제도적 안전확보를 위한 규제체계를 확보하고 있다. 최신기술의 개발에 따라 항공기의 종류가 다양화되었고, 첨단화되어 새로운 형태의 항공기가 운영되고 있다. 특히 경량항공기 및 초경량비행장치는 자이로플레인, 무인비행장치 등 새로운 기술에 따른 신 개념의 항공기가 도입되고 있어, 이를 운영시 항공기의 기준에 따라 규제할 수 없는 경우가 발생한다. 경량항공기 및 초경량항공기는 다양하게 조립 및 개조할 수 있어 항공업무에 종사하는 사람에 대해 안전관리 등을 수행할 수 있는 법적 근거가 마련되었다. 새로 도입된 항공기의 분류에 따라 가장 큰 변화는 경량항공기 개념의 도입이다. 국내에서는 경량항공기들이 다양하게 도입되어 운영되고 있으나, 이들의 항공기 범위가 명확하지 않아 항공법 규정 내에서 안전 확보에 어려움이 있었다. 본 연구에서는 항공기의 분류에 대한 국제적인 시각과 우리나라의 시각의 차이점에 대하여 살펴보았다. 경량항공기의 경우 국제적으로 항공기에 포함 되지만, 우리나라에서는 항공기에 포함되지 않으며, 동력비행장치의 범위의 하나인 경량항공기로 존재하고 있다. 경량항공기 범위에서 최대수평비행속도에 대한 제한은 국제적인 추세나, 제작 또는 성능이 우수한 비행기를 사용할 수 있는 국민의 권리에 대한 제한이며, 경량항공기제도 도입 취지인 대국민 안정성확보 및 경량항공 산업 활성화에 걸림돌로 작용하고 있다. 차후 항공법규 개정시 경량항공기의 범위 관련되는 조항에서 최대수평비행속도를 제한하는 내용 삭제는 경량항공기 제도 도입 취지에 적합한 것으로 판단된다. 경량항공기 제도 도입의 목적은 기존에 초경량비행장치 범주를 초과하는 초경량비행장치의 안전을 확보하기 위해 설정된 법 규정이며, 국내외 발전하는 항공기 기술을 반영하기 위한 것이다. 이러한 기준들은 항공기 운용 상황에 맞게 적절하게 보완되지 못한다면, 국내 운영에서의 안전확보는 물론 해외에서 개발된 항공기의 국내도입 운영에서도 많은 문제점이 발생될 것이므로 조속한 개정이 요구된다.

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