• 대한음성학회:학술대회논문집
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• 대한음성학회 2005년도 춘계 학술대회 발표논문집
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• pp.3-7
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• 2005

This research is for finding prototypes and characteristics of intonation found in ${\ulcorner}$-a/e, $t{\int}ijo$<${\lrcorner}$ and ${\ulcorner}$p/simnida${\lrcorner}$ among modern Korean predicate statements by constructing spoken corpus based on the current radio broadcast. So the result of the study is as follows. : (1) The construction of the balanced spoken corpus and the standard for boundary determination of rhythm are needed for the intonation model of speech synthesis. (2) Korean intonation units have the splited word tone which includes the nuclear tone and the pre-nuclear tone makes unclear tone more detailed. (3) I made man and woman intonation models individually through t-test of SPSS. (4) The standard intonation model is devided '-ajo'type and '-nida'type

• 음성과학
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• 제9권2호
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• pp.49-58
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• 2002

This study is to classify intonation types of sentence terminal in accordance with sentence form in Korean dialects. Intonation types of sentence terminal in declarative, interrogative (yes-no and wh-sentence), imperative, suggestive of Gyeongnam dialect are low fall, high fall, high fall, low fall, so are not distinctive by intonation, but distinctive by final ending morphemes. But those of Jungbu dialect are low fall, rise-fall and full rise, high level, low rise-fall. Those of Jeonnam dialect are low level, rise-fall and full rise, high level, high level. So those of Jungbu dialect are similar to Jeonnam dialect.

• 대한음성학회:학술대회논문집
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• 대한음성학회 1997년도 7월 학술대회지
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• pp.11-25
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• 1997

This presentation will focus on building basic English Prosodic Skills which are very useful and helpful for Japanese learners of English. The focus first will be on recognizing the seven basic nuclear tones, analysing intonation structures, distinguishing intonation patterns and then on the way of improving speaking ability using sufficient verbal contents of intonation (mini-dialogue). My presentation deals mainly with some difficulties which Japanese learners of English have in the field of RP intonation, It is chiefly concerned with identifying, describing and analysing tone-group sequences. It sometimes happens that Japanese learners of English can pronounce isolated bounds correctly and read phonetic symbols sufficiently, bet have difficult problems in carrying out accurate prosodic features. The use of wrong intonation is sometimes the cause of misunderstanding of speaker's attitude, connotation and shades of meaning, etc.. However accurately students can pronounce the nuclear tone or tone-group of English, they have to learn how to connect tone-groups properly for suitable sequences in respect to meaning or implication. We are faced with the complicated theory of RF intonation on the one hand and difficult realization of it on the other. Japanese learners of English have special difficulties in employing "rising tune" and "falling + rising tune". If students are taught pitch movements by indicating dots graphically between two horizontal lines, they can easily understand the whole shape of pitch movements. In this presentation, I illuminate several tone-group sequences which are very useful for Japanese learning English intonation. Among them, four similar Pitch Patterns, such as, (1) (equation omitted)- type, (2) (equation omitted) - type, (3) (equation omitted) - type and (4) (Rising Head) (equation omitted)- type are clarified and other important tone-group sequences aye also highlighted from the point of view of teaching English as a foreign language. The intonation theory, tone marks and technical terms are, in all essentials, those of Intonation of Colloquial English by O'Connor, J. D. and Arnold, G. F., Longman, 2nd ed., 1982. The changes of tone are shown graphically between two horizontal lines representing the ordinary high and low zones of the utterance. A.C.Gimson (1981:314) : The intonation of English has been studied in greater detail and for longer than that of any other language. No definitive analysis, classifying the features of RP intonation, has yet appeared (though that presented by O'Connor and Arnold (1973) provides the most comprehensive and useful account from the foreign learner's point of view).

• 음성과학
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• 제4권2호
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• pp.91-102
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• 1998

The present study attempted to modify the conventional Melodic Intonation Therapy (MIT) in three aspects: number of syllables of adjacent target utterances (ATU), melody patterns of ATU, and initial listening of melody and intoned speech with the eyes closed. The modified Melodic Intonation Therapy (MMIT) was applied to two severe Korean aphasics. The patients exhibited a severely nonfluent aphasia resulting from a left CVA(Cerebrovascular Accident). The purpose of the modification was to avoid perseveration and improve reflective listening skills. First, the treatment program avoided ATU with the same number of syllables. Second, four different patterns of melody were developed: rising type, falling type, V-type, and inverted V-type. One type of prosodic pattern was preceded and followed by another type of melody. These two variations were to decrease perseverative behaviors. Finally, the patients kept their eyes closed when the clinician played and hummed a target melody at the initial stage of the program in order to improve reflective listening skills. A single-subject alternating treatment design was used. The effects of MMIT were compared to the conventional MIT. Differing the number of syllables and the type of melodic patterns decreased perseverative behaviors and produced more correct names. The initial listening of the target melody with the patients' eyes closed seemed to increase their attentiveness and result in a more fluent production of target utterances. Probable reasons for the effectiveness of MMIT were discussed.

• 말소리와 음성과학
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• 제1권2호
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• pp.119-128
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• 2009

Many researchers have argued about the relationship between information structure and intonation. Their results can be summarized in three main points: the intonation of topic and focus in English information structures is implemented as i) a pitch accent, ii) a tune (a pitch accent + (an) edge tone(s)), or iii) a boundary tone. The purpose of this paper is to study various intonational patterns of topic and focus in English information structures, using natural conversations. In this paper, the types of topics and foci are divided, based on contrastiveness. The topics are classified as five non-contrastive and four contrastive topics. The foci are classified as neutral focus, informational focus, and contrastive focus. The results show that the intonation of the topic in English information structures is mainly implemented as a pitch accent, except for the type of the pronoun topic (Lp) which is not implemented as a pitch accent or a tune. However, the intonation of the focus is implemented as a tune in the neutral focus (Fn) and as a pitch accent or a tune in the informational focus (Fi) and the contrastive focus (Fe). In our discussion and conclusion, we suggest that it is not always true that for the meaning of contrast, the topic or the focus is represented as a $L+H^{\ast}$ pitch accent, which has been the main contrastive intonation from earlier studies.

• 대한음성학회지:말소리
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• 제9_10호
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• pp.28-90
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• 1985

This study has two objectives. ft attempts to describe the forms and (He functions of sentence final intonations in Korean, and it also attempts to deal with the relationship between questions and rising intonation for Korean and English. The contents of this study are as follows. In Chapter 2, the version of Korean(standard Korean) which this study is assumed to analyse, the sources of material involved, and the method and scope of analysis are stated. Chapter 3, which is a preparatory stage for the analysis of the function of intonation in standard Korean in Chapter 4, classifies the material according to the type of intonation used. In Chapter 4i the discussion is entirely devoted to the function of Korean intonation. The conclusions of Chapter 4 are as follows: Firstly, intonation contours in Korean have the function of distinguishing the sentence types; the falling contour marks declaratives, Wh- interrogatives and imperatives, while the rising contour marks yes/no interrogatives. However, it is interesting to note that in the interrogative sentences with the inflectional ending '-chi', a very different phenomenon is observed; that is to say, most of yes/no interrogatives are marked by the falling contour and all of Wh- interrogatives by the rising one. Secondly, the falling contour in Korean is typically employed in performing the illocutionary act of assertion in rhetorical and tag questions. Thirdly, the intonation in Korean contributes to express the speaker's special attitudes or emotions. In Chapter 5, where the relationship between questions and rising intonation is examined, Liberman's theory turns out to be untenable. Further-more. this thesis shows that an explanation of the relationship between questions and rising intonation should have its basis on general linguistic facts.

• 대한음성학회:학술대회논문집
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• 대한음성학회 2003년도 10월 학술대회지
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• pp.115-119
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• 2003

This study compared pitch range, speech rate, pause, intonation type and boundary tones of four sentences produced by five transgenders (male to female) to those of twenty normal adults. Voice analysis was done by Praat (version 4.049). Results indicated that there was a difference in pitch range, speech rate, pause, intonation type and boundary tones among the 3 groups(transgenders, normal males and normal females). Especially, transgenders indicated boundary tones more frequently than normal adults.

• ETRI Journal
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• 제28권6호
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• pp.807-810
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• 2006

This letter presents a prediction model for sentence-final intonations for Korean conversational-style text-to-speech systems in which we introduce the linguistic feature of 'modality' as a new parameter. Based on their function and meaning, we classify tonal forms in speech data into tone types meaningful for speech synthesis and use the result of this classification to build our prediction model using a tree structured classification algorithm. In order to show that modality is more effective for the prediction model than features such as sentence type or speech act, an experiment is performed on a test set of 970 utterances with a training set of 3,883 utterances. The results show that modality makes a higher contribution to the determination of sentence-final intonation than sentence type or speech act, and that prediction accuracy improves up to 25% when the feature of modality is introduced.

• 말소리와 음성과학
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• 제2권4호
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• pp.39-49
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• 2010

The purpose of this paper is to examine how Chinese speakers realize Korean intonation phrase (IP) boundary tones in the reading of a Korean text. Korean IP boundary tones play various roles in speech communication. They indicate prosodic constituents' boundaries while simultaneously performing pragmatic and grammatical functions. In order to express and understand Korean utterances correctly, it is necessary to understand the Korean IP boundary tone system. To investigate the IP boundary tone produced by Chinese speakers, we have specifically examined the type of boundary tones, the degree of internal pitch modulation of boundary tones, and the pitch difference between penultimate syllables and boundary tones. The results of each analysis were compared to the IP boundary tones produced by Korean native speakers. The results show that IP boundary tones were realized higher than penultimate syllables.

• 대한음성학회지:말소리
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• 제38호
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• pp.25-39
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• 1999

Korean intonation has been investigated mainly from the point of view of impressionistic phonetics and phonology. The purpose of this paper is to investigate Korean intonation especially nuclear tones, from the point of view of experimental phonetics. Since what we hear is not always the always as what we see in fundamental frequency contours, acoustic characteristics of Korean nuclear times are first discussed Based m quantitative data similar nuclear times are compared and the relationship between the nuclear ton and sentence type is investigated The relationship between the nuclear tone and the speaker's attitude is also discussed.