• 복식문화연구
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• 제12권1호
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• pp.59-72
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• 2004

The objectives of this study were to investigate the perceptions of Korean female university students for clothing pattern tendency and structural element of clothing pattern image dimension and to find how individual personality type influence the preferred clothing pattern characteristics. For this study, a questionnaire was designed and sent to 600 female university students of Daejeon, Seoul and metropolitan area. The tool used in this study was MBTI(The Myers-Briggs Type Indicator) Form G Korean version and for the analysis of data SPSS 10.0 package were used. 10 representative patterns for this study were floral, dot, stripe, check, animal, abstract & artistic, geometric, vegetable & leaf, paisely, patchwork pattern. The data were analyzed by factor analysis, arithmetic mean, One-Way ANOVA, x²-test. The major findings were as follows: Clothing pattern image dimension perceived by Korean female university students for 10 representative patterns were basic form, deluxe, specialty, and cultural dimension. Among them, basic form and deluxe dimension were major dimensions. In basic form dimension, dot pattern score was high indicating female students perceive it as light, comfortable, clean, cool and simple pattern image. In deluxe dimension, floral pattern scored high and in specialty dimension, abstract and artistic pattern scored high among other pattern image. In cultural dimension, geometric pattern and check pattern scored high. Based on other detailed analysis results, It is concluded that the personality type greatly influence clothing pattern evaluation. For example, in case of color combination of patchwork pattern, there was a difference in color preference depend on a personality type such as sensing(S) or intuition(N). Therefore, sensing personality type preferred adjacent color combination than contrast color combination. Detailed marketing strategy is necessary in planning textile design of merchandise plan.

• 한국통신학회논문지
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• 제25권3B호
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• pp.557-564
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• 2000

This paper presents a watermarking algorithm for embedding visually recognizable pattern (Mark, Logo, Symbol, stamping or signature) into the image. first, the color image(RGB model)is transformed in YCbCr model and then the Y component is transformed into 3-level wavelet transform. Next, the values are assembled with pattern watermark. PN(pseudo noise) code at spread spectrum communication method and mutilevel watermark weights. This values are inserted into discrete wavelet domain. In our scheme, new calculating method is designed to calculate wavelet transform with integer value in considering the quantization error. and we used the color conversion with fixed-point arithmetic to be easy to make the hardware hereafter. Also, we made the new solution using mutilevel threshold to robust to common signal distortions and malicious attack, and to enhance quality of image in considering the human visual system. the experimental results showed that the proposed watermarking algorithm was superior to other similar water marking algorithm. We showed what it was robust to common signal processing and geometric transform such as brightness. contrast, filtering. scaling. JPEG lossy compression and geometric deformation.

• 대한수학교육학회지:수학교육학연구
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• 제22권4호
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• pp.619-636
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• 2012

본 연구의 목적은 학년에 따라 수학영재학급 학생들이 패턴 일반화 과정에서 사용하는 전략의 차이와 일반화 표현 방법을 알아보는 것이다. 연구를 위해 단위학교 영재학급 4~6학년 30명을 대상으로 도형과 관련한 4개의 과제에 대한 해결 전략을 살펴보았다. 연구결과, 일반화를 시작하는 단계의 문항에서 학생들은 패턴의 앞 뒤 수를 이용하여 문제를 해결하는 순환적인 관계인식 전략으로 문제를 해결하는 경우가 많았고 일반화를 형성하는 단계의 문항에서는 학년이 높아질수록 주어진 정보로 규칙이나 식을 만들어 해결하려는 상황적 인식 전략을 사용한다는 것을 알 수 있었다. 그러나 난이수준이 높은 문항일수록 학생들은 그리거나 뛰어 세기 등의 구체화를 통한 인식 전략이나 순환적인 관계 인식 전략을 선호하는 경향이 있었다. 일반화를 명확하게 하는 단계의 문항에서 학생들은 패턴을 언어로 기술하는 경향이 많았으며 높은 학년일수록 패턴을 대수적 표현(기호 또는 수식)으로 기술하려고 하였다. 정당화 단계의 문항에서 학년이 높을수록 일반화된 식으로 표현하는 비율이 높았다. 연구 결과를 통해 패턴을 찾는 과제에서 영재학급 학생들이 일반화를 하기 위한 전략의 차이를 알고 지도하는데 도움을 줄 수 있는 시사점을 제공하고자 한다.

• 정보처리학회논문지B
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• 제9B권3호
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• pp.369-374
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• 2002

본 논문에서는 명암도 변화값과 기하학적 패턴벡터를 이용하여 실시간으로 차량번호판을 추출하고 인식하는 알고리즘을 제안하였다. 일반적으로 차량영상에서는 번호판 영역에서 문자와 배경이 뚜렷하게 구별되고, 일정한 명암도 변화를 가지면서 번호판 이외의 다른 영역보다 밀집도가 높은 특성이 있다. 따라서 본 논문에서는 이러한 성질을 이용하여 먼저 명암도 변화값을 사용하여 번호판을 추출하도록 하였으며 영상 입력과정에서 외부 환경에 따라 차량영상이 어둡거나 밝게 입력될 경우에도 동일한 추출 성능을 얻기 위하여 밝기 보정 과정을 수행하였다. 또한 추출된 번호판 영역으로부터 입력 문자의 크기, 이동 및 회전에 무관한 특성 추출을 위해 번호판 영역에서 잡음 제거와 세선화를 적용하여 전처리후 제안한 기하학적 패턴벡터를 이용하여 차량번호를 인식하도록 하였다. 제안한 방법들을 적용한 결과 기존의 원형 패턴벡터 보다 계산 속도가 빠르며, 차량번호판의 크기와 잡음에 무관하며, 불규칙한 조명 상태에서도 정확한 차량 번호를 인식할 수 있었다.

• 복식문화연구
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• 제29권3호
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• pp.361-373
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• 2021

The purpose of this study is to contribute to the role of lines in creative design development by analyzing the expression types and aesthetic characteristics of modern fashion using geometric formativeness of symmography. A literature study was conducted of works since 2009 to examine the general consideration of lines together with analysis of the concept and characteristics of symmography in the formative arts field, and to analyze the expression types and aesthetic characteristics of modern fashion design using the formativeness of symmography. The infinite sense of formativeness and original expression of symmography are used in formative arts such as space design, installation art, and industrial design. Expression types of modern fashion design using geometric formativeness of symmography can be classified into the following three types: two-dimensional graphic pattern, relief surface, and three-dimensional spatial. First, the two-dimensional graphic pattern type forms an optical pattern, providing individuality and visual interest to the textile design. Second, the relief surface type expresses the plane in various ways, so that the thickness changes according to how lines overlap. Third, the three-dimensional spatial type expands the boundaries of clothing and creates a fantastic spatial beauty. Next, the aesthetic formativeness of fashion design using symmography can be classified into repetitive rhythmicity, geometric self-similarity, and optical spatiality. Symmography enables a myriad of geometric patterns to be developed depending on material, color, and the designer's imagination, and helps inspire a variety of designs in fashion that sculpt a three-dimensional human body.

• 한국의류학회지
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• 제31권9_10
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• pp.1475-1486
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• 2007

This study aims to develop knitted ware design to meet desire to express diversity in the modern fashion design so that we designed knitted ware by applying african geometric pattern and color to suggest new knitted ware design. We collect data about african texture pattern through technical books, publications, internet, and preceding research and visit and investigate the African museum. We investigate knitted Jacquard texture through preceding research and collect sample and data which is insufficient in the data source. The conclusions in this study are summarized as follows: First, African textile pattern is formulated with animism based on their religious view of art for a basis and African regards nature like animal and plant as a motive and interprets nature in the so that they can create symbolized geometric features that constitute African texture pattern. Those patterns is composed of extremely geometric figures so that they we fit to apply for color jacquad knit design. Second, color knitted jacquad can be distinguished by knitting method and status of knitting as 7 kinds of techniques such as Nomal, Bird'eye, Floating, Tubular, Ladder's back, Blister, Transfer Jacquard, and as a result of preceding research and knitting texture directly, jacquard technique makes different texture under same condition like consistent spinning rate and same crochet hook. Third, Bird'eye Jacquard used generally to make knitted ware and Ladder's back Jacquard, Tubular Jacquard used to make knitted ware light are fit to apply them to 7GG and 12GG machines. We design a cloak as a outer garment, a coat shaped like one-piece dress and a coat with hood by using Tubular Jacquard which can make thick texture and design a jacket, a skirt and a one-piece dress by using Bird'eye Jacquard. we make a light and flimsy one-piece dress by using Ladder's back Jacquard. Fourth, we apply the contrast of $4{\sim}6$ color and line and the contrast of texture and raw material to jacquard in order to emphasize texture property and visual property.

• 인터넷정보학회논문지
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• 제11권5호
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• pp.27-35
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• 2010

본 논문에서는 평면 스크린을 사용할 수 없는 휴대형 프로젝터의 사용 환경에서 평면이 아닌 임의의 영사면(혹은 벽면)의 기하학적 형태에 의해 발생되는 영상의 기하학적 왜곡을 효과적으로 보정할 수 있는 방법을 제안한다. 제안한 방법에서는 먼저 격자패턴을 임의의 영사면에 영사한 후 영사면의 형태에 따라 왜곡된 격자패턴과 원본 격자패턴 간의 기하학적 관계를 나타내는 직선의 방정식을 도출한다. 다음으로 영사면의 기하학적 형태에 따라 적절하게 적용될 수 있는 원본 격자패턴의 크기를 결정하여 도출된 직선의 방정식으로부터 왜곡된 영상을 대칭적으로 보정할 수 있는 보정패턴을 생성한다. 최종적으로 프로젝터로부터 영사될 실제 영상을 격자패턴과 동일하게 분할하여 보정패턴에 맞게 미리 워핑(warping)함으로써 영사된 영상의 기하학적 왜곡을 보정한다. 제안한 방법의 성능 평가를 위하여 평면 스크린을 사용할 수 없는 영사 환경에서 자주 접할 수 있는 영사면 형태들인 기울어진 평면, 꺾인 평면 및 곡면을 대상으로 영사 영상 보정에 대한 실험을 진행하였다. 실험결과로부터 일반적으로 발생하는 몇 가지 영사면의 형태들에 인한 기하학적 왜곡들이 적절히 보정되어 제안한 방법이 영사 영상의 기하학적 왜곡을 매우 효과적으로 보정할 수 있음을 알 수 있었다.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2002년도 ITC-CSCC -2
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• pp.1256-1259
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• 2002

In this paper, we have proposed license plate recognition system for multi-national vehicle license plate using geometric features along with hybrid and seven segment pattern vectors. In the proposed system, we suggested to find horizontal and vertical relation after going through preparation process with inputted real-time license plate image of Korea and Japan, and then to classify license plate with using characteristic and geometric information of license plates. It classifies the extracted license plate images into letters and numbers, such as local name, local number, classification character and license consecutive numbers, and recognize license plate of Korea and Japan by applying hybrid and seven segments pattern vectors to classified letter and number region. License plate extraction step of the proposed system uses width and length information along with relative rate of Korean and Japanese license plate. Moreover, it exactly segmentation by letters with using each letter and number position information within license plate region, and recognizes Korean and Japanese license plates by applying hybrid and seven segment pattern vectors, containing characteristics related to letter size and movement within segmented letter area. As the result of testing the proposed system in real experiment, it recognized regardless of external lighting conditions as well as classifying license plates by nations, Korea and Japan. We have developed a system, recognizing regardless of inputted structural character of vehicle licenses and external environment.

• 복식
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• 제60권10호
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• pp.80-87
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• 2010

The purpose of this study is to develop cultural products containing Korean beauty with modern sense by applying quilting with dyed threat among Korean traditional quilting works. Quilting with dyed thread using various colored thread expresses curve, straight and oblique lines harmoniously, is mainly used to make household goods such as a pouch, a spectacle case and a quilting pocket and a circular pattern, a cross pattern and a geometric pattern are shown in this kind of quilting. As for sewing method, half backstitch and full backstitch are used, and products made by this method are pouches stuffing pads in cotton or silk and quilting it finely to make patterns with various colored threads of stuffing cotton between linings and spectacle cases, a packet of needles and case of spoon and chopsticks which give various feelings according to arrangement of colors. Design of cultural products by applying the beauty of curves of hanbok, sleave-seam of jeogori, trimming line of dangeui. We expect that various cultural products with Korean traditional beauty and modern convenience will be developed continually by introducing the artistic strength of quilting with dyed thread to practical life.

• 패션비즈니스
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• 제2권1호
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• pp.25-34
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• 1998

This study has it's purpose in examining the materialized background. characteristic of African traditional costume and the A fro fashion of the year 1960. and it's influence on the contemporary fashion. Then the findings are applied to suggest a new way of image creation. 1960' s was the year in which people tried to free oneself from the ruling culture of the social standards. war. and the development of science. By such movement. people started to get interested in the environment and ecology. This then lead to the interest of the rights of the minority. With the youngs as the central figure A fro hair style and dashiki appeared as the street fashion. The characteristics of African costume applied to A fro fashion in 1990' s is as below. First. the North African style. Djellaba. and wrap style in the most common silhouette. Second. heavy materials such as stone. copper. silver. and gold are used. Necklace can be classified according to it's simple but. modern style. delicate but grand style. Bracelets are however. broad in width and many rings are worn widely. Third. Multi colored stripe and prints inspired by tattoo and deformation using red brown. dark beige. and orange are printed on textiles such as see through. Fourth. image of tattoo and deformation are applied to make-up. A fro hair and corn beads are also African taste. Fifth. African taste in recent fashion showed off the black beauty by appointing black models at the collection. In analyzing the study done above. characteristic images of African costume. accessaries and body painting was applied in presenting 3 creative designs. The first design named "Geometric I", took it's motif from the geometric pattern of the body painting with the afro hair. "Geometric II", the second design, showed it's application of geometric pattern of mutilation and the silhouette of the costume by using the see through. The third design called the "Geometric III" showed that the aesthetic and decorative side of clothing can be satisfied by applying various form and color of accessaries as the motif. A fro fashion is chosen as one of the folklore mood and it's beauty is conveyed on till today.